Nikon D300 vs Panasonic FZ2500
The Nikon D300 and the Panasonic Lumix DMC-FZ2500 (labelled Panasonic FZ2000 in some countries) are two digital cameras that were announced, respectively, in August 2007 and September 2016. The D300 is a DSLR, while the FZ2500 is a fixed lens compact. The cameras are based on an APS-C (D300) and an one-inch (FZ2500) sensor. The Nikon has a resolution of 12.2 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D300||Panasonic FZ2500|
|Digital single lens reflex||Fixed lens compact camera|
|Nikon F mount lenses||24-480mm f/2.8-4.5|
|12.2 MP, APS-C Sensor||20 MP, 1" Sensor|
|no Video||4K/30p Video|
|ISO 200-3200 (100-6400)||ISO 125-12800 (80-25600)|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|6 shutter flaps per second||12 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|1000 shots per battery charge||350 shots per battery charge|
|147 x 114 x 74 mm, 925 g||138 x 102 x 135 mm, 915 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D300 and the Panasonic Lumix DMC-FZ2500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D300 and the Panasonic FZ2500 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2500 is notably smaller (16 percent) than the Nikon D300. It is worth mentioning in this context that the D300 is splash and dust resistant, while the FZ2500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2500 has a lens built in, whereas the D300 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D300 and their specifications in the Nikon Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Nikon D300»||5.8 in||4.5 in||2.9 in||32.6 oz||1000||Y||Aug 2007||1,799||Nikon D300|
|Panasonic FZ2500«||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Leica V-LUX 5« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Jul 2019||1,249||Leica V-LUX 5|
|Nikon D7000« »||5.2 in||4.1 in||3.0 in||27.5 oz||1050||Y||Sep 2010||1,499||Nikon D7000|
|Nikon D300S« »||5.8 in||4.5 in||3.2 in||33.1 oz||950||Y||Jul 2009||1,799||Nikon D300S|
|Nikon D60« »||5.0 in||3.7 in||2.5 in||18.4 oz||500||n||Jan 2008||629||Nikon D60|
|Nikon D90« »||5.2 in||4.1 in||3.0 in||24.8 oz||850||n||Aug 2008||1,299||Nikon D90|
|Nikon D700« »||5.8 in||4.8 in||3.0 in||37.9 oz||1000||Y||Jul 2008||2,999||Nikon D700|
|Nikon D40X« »||4.9 in||3.7 in||2.5 in||18.4 oz||520||n||Mar 2007||729||Nikon D40X|
|Nikon D2Xs« »||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Jun 2006||4,699||Nikon D2Xs|
|Nikon D80« »||5.2 in||4.1 in||3.0 in||23.6 oz||600||n||Aug 2006||999||Nikon D80|
|Nikon D200« »||5.8 in||4.4 in||2.9 in||32.5 oz||400||Y||Nov 2005||1,699||Nikon D200|
|Nikon D2X« »||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Sep 2004||4,999||Nikon D2X|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||Panasonic FZ1000|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||Sony RX100 IV|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ2500 was launched at a lower price than the D300, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D300 features an APS-C sensor and the Panasonic FZ2500 an one-inch sensor. The sensor area in the FZ2500 is 69 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the FZ2500 offers a higher resolution of 20 megapixels, compared with 12.2 MP of the D300. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 5.53μm for the D300). However, it should be noted that the FZ2500 is much more recent (by 9 years) than the D300, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic FZ2500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ2500 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Nikon D300 are 21.4 x 14.2 inch or 54.5 x 36.2 cm for good quality, 17.2 x 11.4 inch or 43.6 x 28.9 cm for very good quality, and 14.3 x 9.5 inch or 36.3 x 24.1 cm for excellent quality prints.
The Nikon D300 has a native sensitivity range from ISO 200 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2500 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon D300||APS-C||12.2||4288||2848||none||22.1||12.0||679||67||Nikon D300|
|Panasonic FZ2500||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic FZ2500|
|Fujifilm X100F||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Fujifilm X100F|
|Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Leica V-LUX 5|
|Nikon D7000||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80||Nikon D7000|
|Nikon D300S||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70||Nikon D300S|
|Nikon D60||APS-C||10.0||3872||2592||none||22.5||11.4||562||65||Nikon D60|
|Nikon D90||APS-C||12.2||4288||2848||720/24p||22.7||12.5||977||73||Nikon D90|
|Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80||Nikon D700|
|Nikon D40X||APS-C||10.0||3872||2592||none||22.4||11.4||516||63||Nikon D40X|
|Nikon D2Xs||APS-C||12.2||4288||2848||none||22.2||10.9||489||59||Nikon D2Xs|
|Nikon D80||APS-C||10.0||3872||2592||none||22.1||11.2||524||61||Nikon D80|
|Nikon D200||APS-C||10.0||3872||2592||none||22.3||11.5||583||64||Nikon D200|
|Nikon D2X||APS-C||12.2||4288||2848||none||22.1||10.9||476||59||Nikon D2X|
|Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic FZ1000 II|
|Panasonic FZ1000||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The FZ2500 indeed provides for movie recording, while the D300 does not. The highest resolution format that the FZ2500 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), while the D300 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the FZ2500 has a higher magnification than the one of the D300 (0.74x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D300 and Panasonic FZ2500 along with similar information for a selection of comparators.
|Nikon D300||optical||Y||3.0||922||fixed||n||1/8000s||6.0||Y||n||Nikon D300|
|Panasonic FZ2500||2360||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ2500|
|Fujifilm X100F||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Leica V-LUX 5|
|Nikon D7000||optical||Y||3.0||921||fixed||n||1/8000s||6.0||Y||n||Nikon D7000|
|Nikon D300S||optical||Y||3.0||920||fixed||n||1/8000s||7.0||Y||n||Nikon D300S|
|Nikon D60||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D60|
|Nikon D90||optical||Y||3.0||920||fixed||n||1/4000s||4.5||Y||n||Nikon D90|
|Nikon D700||optical||Y||3.0||922||fixed||n||1/8000s||8.0||Y||n||Nikon D700|
|Nikon D40X||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D40X|
|Nikon D2Xs||optical||Y||2.5||230||fixed||n||1/8000s||5.0||n||n||Nikon D2Xs|
|Nikon D80||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D80|
|Nikon D200||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Nikon D200|
|Nikon D2X||optical||Y||2.5||235||fixed||n||1/8000s||5.0||n||n||Nikon D2X|
|Panasonic FZ1000 II||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic FZ1000||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
One feature that is present on the D300, but is missing on the FZ2500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ2500 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D300 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D300 and the Panasonic FZ2500 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D300 writes its imaging data to Compact Flash cards, while the FZ2500 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D300 and Panasonic Lumix DMC-FZ2500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D300||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D300|
|Panasonic FZ2500||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Fujifilm X100F||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica V-LUX 5|
|Nikon D7000||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D7000|
|Nikon D300S||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D300S|
|Nikon D60||Y||none||none||-||-||none||2.0||-||-||-||Nikon D60|
|Nikon D90||Y||mono||mono||-||-||mini||2.0||-||-||-||Nikon D90|
|Nikon D700||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D700|
|Nikon D40X||Y||none||none||-||-||none||2.0||-||-||-||Nikon D40X|
|Nikon D2Xs||Y||none||none||-||-||none||2.0||-||-||-||Nikon D2Xs|
|Nikon D80||Y||none||none||-||-||none||2.0||-||-||-||Nikon D80|
|Nikon D200||Y||none||none||-||-||none||2.0||-||-||-||Nikon D200|
|Nikon D2X||Y||none||none||-||-||none||2.0||-||-||-||Nikon D2X|
|Panasonic FZ1000 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic FZ1000||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
It is notable that the FZ2500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D300 does not offer wifi capability.
Studio photographers will appreciate that the Nikon D300 (unlike the FZ2500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the D300 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the D300 was succeeded by the Nikon D300S. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Nikon D300 and the Panasonic FZ2500? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Nikon D300:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (1000 versus 350) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2007).
Advantages of the Panasonic Lumix DMC-FZ2500:
- More detail: Has more megapixels (20 vs 12.2MP), which boosts linear resolution by 28%.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.63x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the D300 requires a separate lens.
- More compact: Is smaller (138x102mm vs 147x114mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D300).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 9 years of technical progress since the D300 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the FZ2500 is the clear winner of the contest (17 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D300 and the Panasonic FZ2500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the D300 and the FZ2500 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G1 X Mark II vs Nikon D300
- Fujifilm X70 vs Panasonic FZ2500
- Fujifilm XF10 vs Nikon D300
- Leica M8 vs Nikon D300
- Nikon D300 vs Pentax K-70
- Nikon D300 vs Sony A900
- Nikon D300 vs Sony WX800
- Nikon Z7 vs Panasonic FZ2500
- Panasonic FZ2500 vs Panasonic GH4
- Panasonic FZ2500 vs Sony A7R II
- Panasonic FZ2500 vs Sony NEX-C3
- Panasonic FZ2500 vs Sony RX100 VI
Specifications: Nikon D300 vs Panasonic FZ2500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D300||Panasonic FZ2500|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Nikon F mount lenses||24-480mm f/2.8-4.5|
|Launch Date||August 2007||September 2016|
|Launch Price||USD 1799||USD 1199|
|Sensor Specs||Nikon D300||Panasonic FZ2500|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||23.6 x 15.8 mm||13.2 x 8.8 mm|
|Sensor Area||372.88 mm2||116.16 mm2|
|Sensor Diagonal||28.4 mm||15.9 mm|
|Sensor Resolution||12.2 Megapixels||20 Megapixels|
|Image Resolution||4288 x 2848 pixels||5472 x 3648 pixels|
|Pixel Pitch||5.53 μm||2.41 μm|
|Pixel Density||3.28 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||200-3200 ISO||125-12800 ISO|
|ISO Boost||100-6400 ISO||80-25600 ISO|
|DXO Sensor Quality (score)||67||..|
|DXO Color Depth (bits)||22.1||..|
|DXO Dynamic Range (EV)||12.0||..|
|DXO Low Light (ISO)||679||..|
|Screen Specs||Nikon D300||Panasonic FZ2500|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D300||Panasonic FZ2500|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/4000/s|
|Continuous Shooting||6 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Nikon D300||Panasonic FZ2500|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Nikon D300||Panasonic FZ2500|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||1000 shots per charge||350 shots per charge|
147 x 114 x 74 mm
(5.8 x 4.5 x 2.9 in)
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
|Camera Weight||925 g (32.6 oz)||915 g (32.3 oz)|
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