Nikon D300 vs Olympus E-M5
The Nikon D300 and the Olympus OM-D E-M5 are two enthusiast cameras that were officially introduced, respectively, in August 2007 and February 2012. The D300 is a DSLR, while the E-M5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D300) and a Four Thirds (E-M5) sensor. The Nikon has a resolution of 12.2 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D300 and the Olympus OM-D E-M5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Nikon D300 and the Olympus E-M5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-M5 can be obtained in two different colors (black, silver), while the D300 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 is considerably smaller (35 percent) than the Nikon D300. Moreover, the E-M5 is substantially lighter (54 percent) than the D300. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D300) and the Micro Four Thirds Lens Catalog (E-M5). Mirrorless cameras, such as the E-M5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D300 gets 1000 shots out of its Nikon EN-EL3e battery, while the E-M5 can take 360 images on a single charge of its Olympus BLN-1 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D300 | 147 mm | 114 mm | 74 mm | 925 g | 1000 | Y | Aug 2007 | 1,799 | ebay.com | |
2. | Olympus E-M5 | 122 mm | 89 mm | 43 mm | 425 g | 360 | Y | Feb 2012 | 1,299 | ebay.com | |
3. | Nikon D7000 | 132 mm | 105 mm | 77 mm | 780 g | 1050 | Y | Sep 2010 | 1,499 | ebay.com | |
4. | Nikon D300S | 147 mm | 115 mm | 81 mm | 938 g | 950 | Y | Jul 2009 | 1,799 | ebay.com | |
5. | Nikon D60 | 126 mm | 94 mm | 64 mm | 522 g | 500 | n | Jan 2008 | 629 | ebay.com | |
6. | Nikon D90 | 132 mm | 103 mm | 77 mm | 703 g | 850 | n | Aug 2008 | 1,299 | ebay.com | |
7. | Nikon D700 | 147 mm | 123 mm | 77 mm | 1074 g | 1000 | Y | Jul 2008 | 2,999 | ebay.com | |
8. | Nikon D40X | 124 mm | 94 mm | 64 mm | 522 g | 520 | n | Mar 2007 | 729 | ebay.com | |
9. | Nikon D2Xs | 158 mm | 150 mm | 86 mm | 1252 g | 3800 | Y | Jun 2006 | 4,699 | ebay.com | |
10. | Nikon D80 | 132 mm | 103 mm | 77 mm | 668 g | 600 | n | Aug 2006 | 999 | ebay.com | |
11. | Nikon D200 | 147 mm | 113 mm | 74 mm | 920 g | 400 | Y | Nov 2005 | 1,699 | ebay.com | |
12. | Nikon D2X | 158 mm | 150 mm | 86 mm | 1252 g | 3800 | Y | Sep 2004 | 4,999 | ebay.com | |
13. | Olympus PEN-F | 125 mm | 72 mm | 37 mm | 427 g | 330 | n | Jan 2016 | 1,199 | ebay.com | |
14. | Olympus E-M5 II | 124 mm | 85 mm | 45 mm | 469 g | 310 | Y | Feb 2015 | 1,099 | ebay.com | |
15. | Olympus E-M1 | 130 mm | 94 mm | 63 mm | 497 g | 350 | Y | Sep 2013 | 1,399 | ebay.com | |
16. | Olympus E-P5 | 122 mm | 69 mm | 37 mm | 420 g | 330 | n | May 2013 | 999 | ebay.com | |
17. | Panasonic GX7 | 123 mm | 71 mm | 55 mm | 402 g | 350 | n | Aug 2013 | 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-M5 was launched at a markedly lower price (by 28 percent) than the D300, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D300 features an APS-C sensor and the Olympus E-M5 a Four Thirds sensor. The sensor area in the E-M5 is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D300 has a native 3:2 aspect ratio, while the one in the E-M5 offers a 4:3 aspect.
Despite having a smaller sensor, the E-M5 offers a higher resolution of 15.9 megapixels, compared with 12.2 MP of the D300. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 5.53μm for the D300). However, it should be noted that the E-M5 is much more recent (by 4 years and 5 months) than the D300, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Olympus E-M5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M5 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Nikon D300 are 21.4 x 14.2 inches or 54.5 x 36.2 cm for good quality, 17.2 x 11.4 inches or 43.6 x 28.9 cm for very good quality, and 14.3 x 9.5 inches or 36.3 x 24.1 cm for excellent quality prints.
The Nikon D300 has a native sensitivity range from ISO 200 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Olympus OM-D E-M5 are ISO 200 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the E-M5 has a markedly higher DXO score than the D300 (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.7 bits higher color depth, 0.3 EV in additional dynamic range, and 0.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D300 | APS-C | 12.2 | 4288 | 2848 | none | 22.1 | 12.0 | 679 | 67 | |
2. | Olympus E-M5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 22.8 | 12.3 | 826 | 71 | |
3. | Nikon D7000 | APS-C | 16.1 | 4928 | 3264 | 1080/24p | 23.5 | 13.9 | 1167 | 80 | |
4. | Nikon D300S | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.5 | 12.2 | 787 | 70 | |
5. | Nikon D60 | APS-C | 10.0 | 3872 | 2592 | none | 22.5 | 11.4 | 562 | 65 | |
6. | Nikon D90 | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.7 | 12.5 | 977 | 73 | |
7. | Nikon D700 | Full Frame | 12.1 | 4256 | 2832 | none | 23.5 | 12.2 | 2303 | 80 | |
8. | Nikon D40X | APS-C | 10.0 | 3872 | 2592 | none | 22.4 | 11.4 | 516 | 63 | |
9. | Nikon D2Xs | APS-C | 12.2 | 4288 | 2848 | none | 22.2 | 10.9 | 489 | 59 | |
10. | Nikon D80 | APS-C | 10.0 | 3872 | 2592 | none | 22.1 | 11.2 | 524 | 61 | |
11. | Nikon D200 | APS-C | 10.0 | 3872 | 2592 | none | 22.3 | 11.5 | 583 | 64 | |
12. | Nikon D2X | APS-C | 12.2 | 4288 | 2848 | none | 22.1 | 10.9 | 476 | 59 | |
13. | Olympus PEN-F | Four Thirds | 20.2 | 5184 | 3888 | 1080/60p | 23.1 | 12.4 | 894 | 74 | |
14. | Olympus E-M5 II | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 23.0 | 12.5 | 842 | 73 | |
15. | Olympus E-M1 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 23.0 | 12.7 | 757 | 73 | |
16. | Olympus E-P5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.4 | 895 | 72 | |
17. | Panasonic GX7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.6 | 12.2 | 718 | 70 |
Many modern cameras cannot only take still pictures, but also record videos. The E-M5 indeed provides for movie recording, while the D300 does not. The highest resolution format that the E-M5 can use is 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M5 has an electronic viewfinder (1440k dots), while the D300 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D300 has a higher magnification than the one of the E-M5 (0.63x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D300 and Olympus E-M5 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D300 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 6.0/s | Y | n | |
2. | Olympus E-M5 | 1440 | n | 3.0 / 610 | tilting | Y | 1/4000s | 9.0/s | n | Y | |
3. | Nikon D7000 | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 6.0/s | Y | n | |
4. | Nikon D300S | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 7.0/s | Y | n | |
5. | Nikon D60 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
6. | Nikon D90 | optical | Y | 3.0 / 920 | fixed | n | 1/4000s | 4.5/s | Y | n | |
7. | Nikon D700 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 8.0/s | Y | n | |
8. | Nikon D40X | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
9. | Nikon D2Xs | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 5.0/s | n | n | |
10. | Nikon D80 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
11. | Nikon D200 | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 5.0/s | Y | n | |
12. | Nikon D2X | optical | Y | 2.5 / 235 | fixed | n | 1/8000s | 5.0/s | n | n | |
13. | Olympus PEN-F | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
14. | Olympus E-M5 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
15. | Olympus E-M1 | 2360 | n | 3.0 / 1037 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
16. | Olympus E-P5 | optional | n | 3.0 / 1037 | tilting | Y | 1/8000s | 9.0/s | Y | Y | |
17. | Panasonic GX7 | 2760 | n | 3.0 / 1040 | tilting | Y | 1/8000s | 5.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The D300 has one, while the E-M5 does not. While the built-in flash of the D300 is not very powerful, it can at times be useful as a fill-in light.
The Nikon D300 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D300 writes its imaging data to Compact Flash cards, while the E-M5 uses SDXC cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D300 and Olympus OM-D E-M5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D300 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
2. | Olympus E-M5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Nikon D7000 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
4. | Nikon D300S | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
5. | Nikon D60 | Y | - / - | - | - | - | 2.0 | - | - | - | |
6. | Nikon D90 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
7. | Nikon D700 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
8. | Nikon D40X | Y | - / - | - | - | - | 2.0 | - | - | - | |
9. | Nikon D2Xs | Y | - / - | - | - | - | 2.0 | - | - | - | |
10. | Nikon D80 | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Nikon D200 | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Nikon D2X | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Olympus PEN-F | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
14. | Olympus E-M5 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
15. | Olympus E-M1 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
16. | Olympus E-P5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
17. | Panasonic GX7 | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - |
Studio photographers will appreciate that the Nikon D300 (unlike the E-M5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D300 and the E-M5 have been discontinued, but can regularly be found used on ebay. The D300 was replaced by the Nikon D300S, while the E-M5 was followed by the Olympus E-M5 II. Further information on the features and operation of the D300 and E-M5 can be found, respectively, in the Nikon D300 Manual (free pdf) or the online Olympus E-M5 Manual.
Review summary
So what is the bottom line? Which of the two cameras – the Nikon D300 or the Olympus E-M5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Nikon D300:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.58x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (922k vs 610k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (1000 versus 360) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2007).
Arguments in favor of the Olympus OM-D E-M5:
- More detail: Has more megapixels (15.9 vs 12.2MP), which boosts linear resolution by 12%.
- Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (9 vs 6 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (122x89mm vs 147x114mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 500g or 54 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (28 percent cheaper at launch).
- More modern: Reflects 4 years and 5 months of technical progress since the D300 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the E-M5 emerges as the winner of the match-up (13 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D300 and the Olympus E-M5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D300 or the E-M5. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D300 | .. | + + | .. | + + | 5/5 | 4.5/5 | Aug 2007 | 1,799 | ebay.com | |
2. | Olympus E-M5 | 4/5 | + + | .. | 80/100 | 4.5/5 | 5/5 | Feb 2012 | 1,299 | ebay.com | |
3. | Nikon D7000 | 4/5 | .. | .. | 80/100 | 4.5/5 | 4.5/5 | Sep 2010 | 1,499 | ebay.com | |
4. | Nikon D300S | 5/5 | + + | .. | 82/100 | 4/5 | 4.5/5 | Jul 2009 | 1,799 | ebay.com | |
5. | Nikon D60 | .. | 80/100 | .. | + + | 4/5 | 4.5/5 | Jan 2008 | 629 | ebay.com | |
6. | Nikon D90 | .. | + + | .. | + + | 4/5 | 4.5/5 | Aug 2008 | 1,299 | ebay.com | |
7. | Nikon D700 | .. | 89/100 | .. | + + | 4.5/5 | 4.5/5 | Jul 2008 | 2,999 | ebay.com | |
8. | Nikon D40X | .. | 79/100 | .. | + + | 4/5 | 4/5 | Mar 2007 | 729 | ebay.com | |
9. | Nikon D2Xs | .. | .. | .. | .. | .. | .. | Jun 2006 | 4,699 | ebay.com | |
10. | Nikon D80 | .. | + | .. | + + | o | 4.5/5 | Aug 2006 | 999 | ebay.com | |
11. | Nikon D200 | .. | + + | .. | + + | o | .. | Nov 2005 | 1,699 | ebay.com | |
12. | Nikon D2X | .. | .. | .. | + + | .. | .. | Sep 2004 | 4,999 | ebay.com | |
13. | Olympus PEN-F | .. | .. | 4/5 | 82/100 | 4.5/5 | 5/5 | Jan 2016 | 1,199 | ebay.com | |
14. | Olympus E-M5 II | 5/5 | + + | 4.5/5 | 81/100 | 5/5 | 5/5 | Feb 2015 | 1,099 | ebay.com | |
15. | Olympus E-M1 | 5/5 | + + | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2013 | 1,399 | ebay.com | |
16. | Olympus E-P5 | 5/5 | + + | .. | 78/100 | 4.5/5 | 5/5 | May 2013 | 999 | ebay.com | |
17. | Panasonic GX7 | 4/5 | + | .. | 79/100 | 5/5 | 5/5 | Aug 2013 | 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Nikon D300 vs Olympus E-M5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon D300 | Olympus E-M5 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Nikon F mount lenses | Micro Four Thirds lenses |
Launch Date | August 2007 | February 2012 |
Launch Price | USD 1,799 | USD 1,299 |
Sensor Specs | Nikon D300 | Olympus E-M5 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Four Thirds Sensor |
Sensor Size | 23.6 x 15.8 mm | 17.3 x 13.0 mm |
Sensor Area | 372.88 mm2 | 224.9 mm2 |
Sensor Diagonal | 28.4 mm | 21.6 mm |
Crop Factor | 1.5x | 2.0x |
Sensor Resolution | 12.2 Megapixels | 15.9 Megapixels |
Image Resolution | 4288 x 2848 pixels | 4608 x 3456 pixels |
Pixel Pitch | 5.53 μm | 3.76 μm |
Pixel Density | 3.28 MP/cm2 | 7.08 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 1080/60i Video |
ISO Setting | 200 - 3,200 ISO | 200 - 25,600 ISO |
ISO Boost | 100 - 6,400 ISO | no Enhancement |
Image Processor | EXPEED | TruePic VI |
DXO Sensor Quality (score) | 67 | 71 |
DXO Color Depth (bits) | 22.1 | 22.8 |
DXO Dynamic Range (EV) | 12.0 | 12.3 |
DXO Low Light (ISO) | 679 | 826 |
Screen Specs | Nikon D300 | Olympus E-M5 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.63x | 0.58x |
Viewfinder Resolution | 1440k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 922k dots | 610k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Nikon D300 | Olympus E-M5 |
Focus System | Phase-detect AF | Contrast-detect AF |
Continuous Shooting | 6 shutter flaps/s | 9 shutter flaps/s |
Shutter Life Expectancy | 150 000 actuations | 100 000 actuations |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | CF cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
Connectivity Specs | Nikon D300 | Olympus E-M5 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Wifi Support | no Wifi | no Wifi |
Body Specs | Nikon D300 | Olympus E-M5 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Nikon EN-EL3e | Olympus BLN-1 |
Battery Life (CIPA) | 1000 shots per charge | 360 shots per charge |
Body Dimensions |
147 x 114 x 74 mm (5.8 x 4.5 x 2.9 in) |
122 x 89 x 43 mm (4.8 x 3.5 x 1.7 in) |
Camera Weight | 925 g (32.6 oz) | 425 g (15.0 oz) |
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