Nikon D3 vs Panasonic FZ300
The Nikon D3 and the Panasonic Lumix DMC-FZ300 (labelled Panasonic FZ330 in some countries) are two digital cameras that were officially introduced, respectively, in August 2007 and July 2015. The D3 is a DSLR, while the FZ300 is a fixed lens compact. The cameras are based on a full frame (D3) and a 1/2.3-inch (FZ300) sensor. The Nikon has a resolution of 12.1 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D3 and the Panasonic Lumix DMC-FZ300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon D3 and the Panasonic FZ300 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ300 is considerably smaller (52 percent) than the Nikon D3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ300 has a lens built in, whereas the D3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D3 and their specifications in the Nikon Lens Catalog.
Concerning battery life, the D3 gets 4300 shots out of its EN-EL4a battery, while the FZ300 can take 380 images on a single charge of its DMW-BLC12 power pack. As can be seen in the images above, the D3 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon D3||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999|
|2.||Panasonic FZ300||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|3.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|4.||Canon 1D Mark III||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499|
|5.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499|
|6.||Nikon D4S||160 mm||157 mm||91 mm||1350 g||3020||Y||Feb 2014||6,499|
|7.||Nikon D4||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999|
|8.||Nikon D3S||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199|
|9.||Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999|
|10.||Nikon D700||147 mm||123 mm||77 mm||1074 g||1000||Y||Jul 2008||2,999|
|11.||Nikon D300||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799|
|12.||Nikon D2Xs||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699|
|13.||Nikon D2X||158 mm||150 mm||86 mm||1252 g||3800||Y||Sep 2004||4,999|
|14.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|15.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|16.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|17.||Sony HX400V||130 mm||93 mm||103 mm||660 g||300||n||Feb 2014||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ300 was launched at a lower price than the D3, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D3 features a full frame sensor and the Panasonic FZ300 a 1/2.3-inch sensor. The sensor area in the FZ300 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the D3 has a native 3:2 aspect ratio, while the one in the FZ300 offers a 4:3 aspect.
With 12.1MP, the D3 offers a slightly higher resolution than the FZ300 (12MP), but the D3 nevertheless has larger individual pixels (pixel pitch of 8.43μm versus 1.53μm for the FZ300) due to its larger sensor. However, the FZ300 is a much more recent model (by 7 years and 10 months) than the D3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Nikon D3 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ300 are ISO 100 to ISO 6400 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D3 provides substantially higher image quality than the FZ300, with an overall score that is 43 points higher. This advantage is based on 4.2 bits higher color depth, 1.2 EV in additional dynamic range, and 4.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
|4.||Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|5.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|6.||Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|7.||Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|8.||Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|9.||Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|10.||Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80|
Many modern cameras cannot only take still pictures, but also record videos. The FZ300 indeed provides for movie recording, while the D3 does not. The highest resolution format that the FZ300 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ300 has an electronic viewfinder (1440k dots), while the D3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), as well as the same magnification (0.70x). The following table reports on some other key feature differences and similarities of the Nikon D3, the Panasonic FZ300, and comparable cameras.
|1.||Nikon D3||optical||Y||3.0 / 922||fixed||n||1/8000s||11.0||n||n|
|2.||Panasonic FZ300||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|3.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4||Y||Y|
|4.||Canon 1D Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||10.0||n||n|
|5.||Nikon D5||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0||n||n|
|6.||Nikon D4S||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0||n||n|
|7.||Nikon D4||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0||n||n|
|8.||Nikon D3S||optical||Y||3.0 / 921||fixed||n||1/8000s||11.0||n||n|
|9.||Nikon D3X||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0||n||n|
|10.||Nikon D700||optical||Y||3.0 / 922||fixed||n||1/8000s||8.0||Y||n|
|11.||Nikon D300||optical||Y||3.0 / 922||fixed||n||1/8000s||6.0||Y||n|
|12.||Nikon D2Xs||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||n||n|
|13.||Nikon D2X||optical||Y||2.5 / 235||fixed||n||1/8000s||5.0||n||n|
|14.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|15.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|16.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0||Y||Y|
|17.||Sony HX400V||210||n||3.0 / 921||tilting||n||1/4000s||10.0||Y||Y|
One feature that is present on the D3, but is missing on the FZ300 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ300 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D3 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D3 and the Panasonic FZ300 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D3 writes its imaging data to Compact Flash cards, while the FZ300 uses SDXC cards. The D3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ300 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D3 and Panasonic Lumix DMC-FZ300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D3||Y||- / -||-||-||mini||2.0||-||-||-|
|2.||Panasonic FZ300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|3.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon 1D Mark III||Y||- / -||-||-||-||2.0||-||-||-|
|5.||Nikon D5||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|6.||Nikon D4S||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|7.||Nikon D4||Y||mono / mono||Y||Y||micro||2.0||-||-||-|
|8.||Nikon D3S||Y||stereo / -||-||-||mini||2.0||-||-||-|
|9.||Nikon D3X||Y||- / -||-||-||mini||2.0||-||-||-|
|10.||Nikon D700||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Nikon D300||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Nikon D2Xs||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Nikon D2X||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|15.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|16.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony HX400V||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the FZ300 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D3 does not provide wifi capability.
Studio photographers will appreciate that the Nikon D3 (unlike the FZ300) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FZ300 is a recent model that features in the current product line-up of Panasonic. In contrast, the D3 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the D3 was succeeded by the Nikon D4. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what is the bottom line? Is the Nikon D3 better than the Panasonic FZ300 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Nikon D3:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (43 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (4.2 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.2 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (4.6 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (4300 versus 380) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in August 2007).
Reasons to prefer the Panasonic Lumix DMC-FZ300:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the D3 requires a separate lens.
- More compact: Is smaller (132x92mm vs 160x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D3).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 7 years and 10 months of technical progress since the D3 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the FZ300 emerges as the winner of the match-up (16 : 14 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D3 and the Panasonic FZ300 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D3 and the FZ300 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D3||..||..||..||+ +||5/5||4.5/5||Aug 2007||4,999|
|2.||Panasonic FZ300||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599|
|3.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|4.||Canon 1D Mark III||..||..||..||..||..||..||Feb 2007||4,499|
|5.||Nikon D5||..||..||4/5||89/100||4.5/5||5/5||Jan 2016||6,499|
|6.||Nikon D4S||5/5||..||..||..||4.5/5||4.5/5||Feb 2014||6,499|
|7.||Nikon D4||..||..||..||..||4.5/5||4.5/5||Jan 2012||5,999|
|8.||Nikon D3S||5/5||..||..||89/100||4.5/5||5/5||Oct 2009||5,199|
|9.||Nikon D3X||..||..||..||86/100||4/5||5/5||Dec 2008||7,999|
|10.||Nikon D700||..||89/100||..||+ +||4.5/5||4.5/5||Jul 2008||2,999|
|11.||Nikon D300||..||+ +||..||+ +||5/5||4.5/5||Aug 2007||1,799|
|12.||Nikon D2Xs||..||..||..||..||..||..||Jun 2006||4,699|
|13.||Nikon D2X||..||..||..||+ +||..||..||Sep 2004||4,999|
|14.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|15.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|16.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499|
|17.||Sony HX400V||4/5||+ +||..||..||4/5||4/5||Feb 2014||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 20D vs Nikon D3
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- Canon T3i vs Panasonic FZ300
- Fujifilm X-T1 vs Panasonic FZ300
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- Hasselblad X1D vs Nikon D3
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- Nikon D810 vs Panasonic FZ300
- Olympus PEN-F vs Panasonic FZ300
- Olympus TG-6 vs Panasonic FZ300
Specifications: Nikon D3 vs Panasonic FZ300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D3||Panasonic FZ300|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Nikon F mount lenses||25-600mm f/2.8|
|Launch Date||August 2007||July 2015|
|Launch Price||USD 4,999||USD 599|
|Sensor Specs||Nikon D3||Panasonic FZ300|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||36.0 x 23.9 mm||6.17 x 4.55 mm|
|Sensor Area||860.4 mm2||28.0735 mm2|
|Sensor Diagonal||43.2 mm||7.7 mm|
|Sensor Resolution||12.1 Megapixels||12 Megapixels|
|Image Resolution||4256 x 2832 pixels||4000 x 3000 pixels|
|Pixel Pitch||8.43 μm||1.53 μm|
|Pixel Density||1.40 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||200 - 6,400 ISO||100 - 6,400 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|DXO Sensor Quality (score)||81||38|
|DXO Color Depth (bits)||23.5||19.3|
|DXO Dynamic Range (EV)||12.2||11.0|
|DXO Low Light (ISO)||2290||97|
|Screen Specs||Nikon D3||Panasonic FZ300|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D3||Panasonic FZ300|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||11 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Nikon D3||Panasonic FZ300|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Nikon D3||Panasonic FZ300|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||4300 shots per charge||380 shots per charge|
160 x 157 x 88 mm
(6.3 x 6.2 x 3.5 in)
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
|Camera Weight||1300 g (45.9 oz)||691 g (24.4 oz)|
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