Nikon D2H vs Panasonic FZ300

The Nikon D2H and the Panasonic Lumix DMC-FZ300 (labelled Panasonic FZ330 in some countries) are two digital cameras that were officially introduced, respectively, in July 2003 and July 2015. The D2H is a DSLR, while the FZ300 is a fixed lens compact. The cameras are based on an APS-C (D2H) and a 1/2.3-inch (FZ300) sensor. The Nikon has a resolution of 4 megapixels, whereas the Panasonic provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon D2H		Panasonic FZ300
Digital single lens reflex		Fixed lens compact camera
Nikon F mount lenses		25-600mm f/2.8
4 MP – APS-C sensor		12 MP – 1/2.3" sensor
no Video		4K/30p Video
ISO 200-1,600 (200 - 6,400)		ISO 100-6,400
Optical viewfinder		Electronic viewfinder (1440k dots)
2.5" LCD – 211k dots		3.0" LCD – 1040k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
8 shutter flaps per second		12 shutter flaps per second
Weathersealed body		Weathersealed body
2900 shots per battery charge		380 shots per battery charge
158 x 150 x 86 mm, 1070 g		132 x 92 x 117 mm, 691 g

Check D2H offers at
ebay.com
Check FZ300 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D2H and the Panasonic Lumix DMC-FZ300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Nikon D2H and the Panasonic FZ300 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ300 is considerably smaller (49 percent) than the Nikon D2H. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ300 has a lens built in, whereas the D2H is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D2H and their specifications in the Nikon Lens Catalog.

Concerning battery life, the D2H gets 2900 shots out of its Nikon EN-EL4a battery, while the FZ300 can take 380 images on a single charge of its Panasonic DMW-BLC12 power pack. As can be seen in the images above, the D2H has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon D2H	158 mm	150 mm	86 mm	1070 g	2900	Y	Jul 2003	3,499	ebay.com
2.		Panasonic FZ300	132 mm	92 mm	117 mm	691 g	380	Y	Jul 2015	599	amazon.com
3.		Canon SX60	128 mm	93 mm	114 mm	650 g	340	n	Sep 2014	549	ebay.com
4.		Nikon D850	146 mm	124 mm	79 mm	1005 g	1840	Y	Jul 2017	3,299	amazon.com
5.		Nikon D810	146 mm	123 mm	82 mm	980 g	1200	Y	Jun 2014	3,299	ebay.com
6.		Nikon D800	146 mm	123 mm	82 mm	1000 g	900	Y	Feb 2012	2,999	ebay.com
7.		Nikon D800E	146 mm	123 mm	82 mm	1000 g	900	Y	Feb 2012	3,299	ebay.com
8.		Nikon D300S	147 mm	115 mm	81 mm	938 g	950	Y	Jul 2009	1,799	ebay.com
9.		Nikon D700	147 mm	123 mm	77 mm	1074 g	1000	Y	Jul 2008	2,999	ebay.com
10.		Nikon D300	147 mm	114 mm	74 mm	925 g	1000	Y	Aug 2007	1,799	ebay.com
11.		Nikon D200	147 mm	113 mm	74 mm	920 g	400	Y	Nov 2005	1,699	ebay.com
12.		Nikon D2X	158 mm	150 mm	86 mm	1252 g	3800	Y	Sep 2004	4,999	ebay.com
13.		Nikon D1H	157 mm	153 mm	85 mm	1100 g	1200	Y	Feb 2001	4,499	ebay.com
14.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	599	ebay.com
15.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	499	ebay.com
16.		Panasonic FZ100	124 mm	82 mm	92 mm	540 g	410	n	Jul 2010	499	ebay.com
17.		Sony HX400V	130 mm	93 mm	103 mm	660 g	300	n	Feb 2014	499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ300 was launched at a lower price than the D2H, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Nikon D2H features an APS-C sensor and the Panasonic FZ300 a 1/2.3-inch sensor. The sensor area in the FZ300 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the D2H has a native 3:2 aspect ratio, while the one in the FZ300 offers a 4:3 aspect.

Despite having a smaller sensor, the FZ300 offers a higher resolution of 12 megapixels, compared with 4 MP of the D2H. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.53μm versus 9.50μm for the D2H). However, it should be noted that the FZ300 is much more recent (by 11 years and 11 months) than the D2H, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the FZ300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic FZ300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ300 for good quality output (200 dots per inch) amounts to 20 x 15 inches or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inches or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inches or 33.9 x 25.4 cm. The corresponding values for the Nikon D2H are 12.3 x 8.2 inches or 31.3 x 20.7 cm for good quality, 9.9 x 6.5 inches or 25 x 16.6 cm for very good quality, and 8.2 x 5.4 inches or 20.9 x 13.8 cm for excellent quality prints.

The Nikon D2H has a native sensitivity range from ISO 200 to ISO 1600, which can be extended to ISO 200-6400. The corresponding ISO settings for the Panasonic Lumix DMC-FZ300 are ISO 100 to ISO 6400 (no boost).

In terms of underlying technology, the D2H is build around a CMOS sensor, while the FZ300 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon D2H	APS-C	4.0	2464	1632	none	18.9	10.0	352	40
2.		Panasonic FZ300	1/2.3	12.0	4000	3000	4K/30p	19.3	11.0	97	38
3.		Canon SX60	1/2.3	14.2	4608	3072	1080/60p	19.2	10.8	127	39
4.		Nikon D850	Full Frame	45.4	8256	5504	4K/30p	26.4	14.8	2660	100
5.		Nikon D810	Full Frame	36.2	7360	4912	1080/60p	25.7	14.8	2853	97
6.		Nikon D800	Full Frame	36.2	7360	4912	1080/30p	25.3	14.4	2853	95
7.		Nikon D800E	Full Frame	36.2	7360	4912	1080/30p	25.6	14.3	2979	96
8.		Nikon D300S	APS-C	12.2	4288	2848	720/24p	22.5	12.2	787	70
9.		Nikon D700	Full Frame	12.1	4256	2832	none	23.5	12.2	2303	80
10.		Nikon D300	APS-C	12.2	4288	2848	none	22.1	12.0	679	67
11.		Nikon D200	APS-C	10.0	3872	2592	none	22.3	11.5	583	64
12.		Nikon D2X	APS-C	12.2	4288	2848	none	22.1	10.9	476	59
13.		Nikon D1H	APS-C	2.6	2000	1312	none	..	..	..	..
14.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
15.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
16.		Panasonic FZ100	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	306	39
17.		Sony HX400V	1/2.3	20.2	5184	3888	1080/60p	20.1	11.4	629	45
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The FZ300 indeed provides for movie recording, while the D2H does not. The highest resolution format that the FZ300 can use is 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ300 has an electronic viewfinder (1440k dots), while the D2H has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the FZ300 has a higher magnification than the one of the D2H (0.70x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D2H, the Panasonic FZ300, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon D2H	optical	Y	2.5 / 211	fixed	n	1/8000s	8.0/s	n	n
2.		Panasonic FZ300	1440	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
3.		Canon SX60	922	n	3.0 / 922	swivel	n	1/2000s	6.4/s	Y	Y
4.		Nikon D850	optical	Y	3.2 / 2359	tilting	Y	1/8000s	9.0/s	n	n
5.		Nikon D810	optical	Y	3.2 / 1229	fixed	n	1/8000s	5.0/s	Y	n
6.		Nikon D800	optical	Y	3.2 / 921	fixed	n	1/8000s	4.0/s	Y	n
7.		Nikon D800E	optical	Y	3.2 / 921	fixed	n	1/8000s	4.0/s	Y	n
8.		Nikon D300S	optical	Y	3.0 / 920	fixed	n	1/8000s	7.0/s	Y	n
9.		Nikon D700	optical	Y	3.0 / 922	fixed	n	1/8000s	8.0/s	Y	n
10.		Nikon D300	optical	Y	3.0 / 922	fixed	n	1/8000s	6.0/s	Y	n
11.		Nikon D200	optical	Y	2.5 / 230	fixed	n	1/8000s	5.0/s	Y	n
12.		Nikon D2X	optical	Y	2.5 / 235	fixed	n	1/8000s	5.0/s	n	n
13.		Nikon D1H	optical	Y	2.0 / 120	fixed	n	1/16000s	5.0/s	n	n
14.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
15.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
16.		Panasonic FZ100	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
17.		Sony HX400V	210	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the D2H, but is missing on the FZ300 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic FZ300 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The D2H writes its imaging data to Compact Flash cards, while the FZ300 uses SDXC cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D2H and Panasonic Lumix DMC-FZ300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon D2H	Y	- / -	-	-	-	2.0	-	-	-
2.		Panasonic FZ300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
3.		Canon SX60	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
4.		Nikon D850	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
5.		Nikon D810	Y	stereo / mono	Y	Y	mini	3.0	Y	-	-
6.		Nikon D800	Y	mono / mono	Y	Y	mini	3.0	-	-	-
7.		Nikon D800E	Y	mono / mono	Y	Y	mini	3.0	-	-	-
8.		Nikon D300S	Y	stereo / mono	Y	-	mini	2.0	-	-	-
9.		Nikon D700	Y	- / -	-	-	mini	2.0	-	-	-
10.		Nikon D300	Y	- / -	-	-	mini	2.0	-	-	-
11.		Nikon D200	Y	- / -	-	-	-	2.0	-	-	-
12.		Nikon D2X	Y	- / -	-	-	-	2.0	-	-	-
13.		Nikon D1H	Y	- / -	-	-	-	FW	-	-	-
14.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
15.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
16.		Panasonic FZ100	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Sony HX400V	Y	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the FZ300 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D2H does not provide wifi capability.

Studio photographers will appreciate that the Nikon D2H (unlike the FZ300) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The FZ300 is a recent model that features in the current product line-up of Panasonic. In contrast, the D2H has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the D2H was succeeded by the Nikon D2Hs. Further information on the features and operation of the D2H and FZ300 can be found, respectively, in the Nikon D2H Manual (free pdf) or the online Panasonic FZ300 Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Nikon D2H and the Panasonic FZ300? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Nikon D2H:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better low-light sensitivity: Requires less light for good images (1.9 stops ISO advantage).
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More flexible: Can take a variety of interchangeable lenses, including specialty optics.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Can take more shots (2900 versus 380) on a single battery charge.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been available for much longer (launched in July 2003).

Arguments in favor of the Panasonic Lumix DMC-FZ300:

• More detail: Has more megapixels (12 vs 4MP), which boosts linear resolution by 69%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• More dynamic range: Captures a broader range of light and dark details (1 EV of extra DR).
• Broader imaging potential: Can capture not only stills but also 4K/30p video.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.57x).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 211k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Comes with an integrated lens, while the D2H requires a separate lens.
• More compact: Is smaller (132x92mm vs 158x150mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the D2H).
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 11 years and 11 months of technical progress since the D2H launch.

If the count of individual advantages (bullet points above) is taken as a guide, the FZ300 is the clear winner of the contest (22 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon D2H and the Panasonic FZ300 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the D2H and the FZ300 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon D2H	..	..	..	+ +	..	..	Jul 2003	3,499	ebay.com
2.		Panasonic FZ300	..	+ +	..	..	4.5/5	4.5/5	Jul 2015	599	amazon.com
3.		Canon SX60	3/5	+ +	..	75/100	4/5	4.5/5	Sep 2014	549	ebay.com
4.		Nikon D850	4.5/5	+ +	5/5	89/100	4.5/5	5/5	Jul 2017	3,299	amazon.com
5.		Nikon D810	5/5	..	5/5	86/100	5/5	4.5/5	Jun 2014	3,299	ebay.com
6.		Nikon D800	5/5	+ +	..	82/100	5/5	5/5	Feb 2012	2,999	ebay.com
7.		Nikon D800E	..	..	..	84/100	5/5	5/5	Feb 2012	3,299	ebay.com
8.		Nikon D300S	5/5	+ +	..	82/100	4/5	4.5/5	Jul 2009	1,799	ebay.com
9.		Nikon D700	..	89/100	..	+ +	4.5/5	4.5/5	Jul 2008	2,999	ebay.com
10.		Nikon D300	..	+ +	..	+ +	5/5	4.5/5	Aug 2007	1,799	ebay.com
11.		Nikon D200	..	+ +	..	+ +	o	..	Nov 2005	1,699	ebay.com
12.		Nikon D2X	..	..	..	+ +	..	..	Sep 2004	4,999	ebay.com
13.		Nikon D1H	..	..	..	+ +	..	..	Feb 2001	4,499	ebay.com
14.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	599	ebay.com
15.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	499	ebay.com
16.		Panasonic FZ100	..	+	..	..	4.5/5	4.5/5	Jul 2010	499	ebay.com
17.		Sony HX400V	4/5	+ +	..	..	4/5	4/5	Feb 2014	499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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