Nikon D200 vs Sony A7S
The Nikon D200 and the Sony Alpha A7S are two digital cameras that were revealed to the public, respectively, in November 2005 and April 2014. The D200 is a DSLR, while the A7S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D200) and a full frame (A7S) sensor. The Nikon has a resolution of 10 megapixels, whereas the Sony provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D200 and the Sony Alpha A7S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D200 and the Sony A7S. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S is notably smaller (28 percent) than the Nikon D200. Moreover, the A7S is substantially lighter (47 percent) than the D200. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D200) and the Sony FE Lens Catalog (A7S). Mirrorless cameras, such as the A7S, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D200 gets 400 shots out of its EN-EL3e battery, while the A7S can take 380 images on a single charge of its NP-FW50 power pack. The power pack in the A7S can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon D200||147 mm||113 mm||74 mm||920 g||400||Y||Nov 2005||1,699|
|2.||Sony A7S||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499|
|3.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399|
|4.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499|
|5.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|6.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|7.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|8.||Nikon D300S||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799|
|9.||Nikon D300||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799|
|10.||Nikon D2Xs||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699|
|11.||Nikon D80||132 mm||103 mm||77 mm||668 g||600||n||Aug 2006||999|
|12.||Nikon D2X||158 mm||150 mm||86 mm||1252 g||3800||Y||Sep 2004||4,999|
|13.||Nikon D100||144 mm||116 mm||81 mm||780 g||370||n||Feb 2002||1,999|
|14.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|15.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|16.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299|
|17.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D200 was launched at a markedly lower price (by 32 percent) than the A7S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D200 features an APS-C sensor and the Sony A7S a full frame sensor. The sensor area in the A7S is 129 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 12MP, the A7S offers a higher resolution than the D200 (10MP), but the A7S nevertheless has larger individual pixels (pixel pitch of 8.45μm versus 6.11μm for the D200) due to its larger sensor. Moreover, the A7S is a much more recent model (by 8 years and 5 months) than the D200, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A7S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7S for good quality output (200 dots per inch) amounts to 21.2 x 14.2 inches or 53.8 x 36 cm, for very good quality (250 dpi) 17 x 11.3 inches or 43.1 x 28.8 cm, and for excellent quality (300 dpi) 14.1 x 9.4 inches or 35.9 x 24 cm. The corresponding values for the Nikon D200 are 19.4 x 13 inches or 49.2 x 32.9 cm for good quality, 15.5 x 10.4 inches or 39.3 x 26.3 cm for very good quality, and 12.9 x 8.6 inches or 32.8 x 21.9 cm for excellent quality prints.
The Nikon D200 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Sony Alpha A7S are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7S offers substantially better image quality than the D200 (overall score 23 points higher). The advantage is based on 1.6 bits higher color depth, 1.7 EV in additional dynamic range, and 2.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|6.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|14.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|15.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|16.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|17.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The A7S indeed provides for movie recording, while the D200 does not. The highest resolution format that the A7S can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7S has an electronic viewfinder (2400k dots), while the D200 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7S offers a wider field of view (100%) than the one in the D200 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7S has a higher magnification (0.71x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D200 and Sony A7S along with similar information for a selection of comparators.
|1.||Nikon D200||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||Y||n|
|2.||Sony A7S||2400||n||3.0 / 921||tilting||n||1/8000s||5.0/s||n||n|
|3.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||Y||n|
|4.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0/s||Y||n|
|5.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|6.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0/s||Y||n|
|7.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0/s||Y||n|
|8.||Nikon D300S||optical||Y||3.0 / 920||fixed||n||1/8000s||7.0/s||Y||n|
|9.||Nikon D300||optical||Y||3.0 / 922||fixed||n||1/8000s||6.0/s||Y||n|
|10.||Nikon D2Xs||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||n||n|
|11.||Nikon D80||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|12.||Nikon D2X||optical||Y||2.5 / 235||fixed||n||1/8000s||5.0/s||n||n|
|13.||Nikon D100||optical||Y||1.8 / 118||fixed||n||1/4000s||3.0/s||Y||n|
|14.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|15.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||n|
|16.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0/s||n||n|
|17.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The D200 has one, while the A7S does not. While the built-in flash of the D200 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D200 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D200 writes its imaging data to Compact Flash cards, while the A7S uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D200 and Sony Alpha A7S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D200||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Sony A7S||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|4.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|5.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|6.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|7.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Nikon D300S||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Nikon D300||Y||- / -||-||-||mini||2.0||-||-||-|
|10.||Nikon D2Xs||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Nikon D80||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Nikon D2X||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Nikon D100||Y||- / -||-||-||-||1.1||-||-||-|
|14.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the A7S offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D200 does not provide wifi capability.
Studio photographers will appreciate that the Nikon D200 (unlike the A7S) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D200 and the A7S have been discontinued, but can regularly be found used on eBay. The D200 was replaced by the Nikon D300, while the A7S was followed by the Sony A7S II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Nikon D200 and the Sony A7S? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Nikon D200:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More affordable: Was introduced into a lower priced category (32 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in November 2005).
Arguments in favor of the Sony Alpha A7S:
- More detail: Has more megapixels (12 vs 10MP), which boosts linear resolution by 9%.
- Better image quality: Scores substantially higher (23 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.7 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.63x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (127x94mm vs 147x113mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 431g or 47 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 8 years and 5 months of technical progress since the D200 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A7S is the clear winner of the contest (20 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D200 and the Sony A7S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D200 or the A7S. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D200||..||+ +||..||+ +||o||..||Nov 2005||1,699|
|2.||Sony A7S||4/5||..||..||86/100||4.5/5||5/5||Apr 2014||2,499|
|3.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399|
|4.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499|
|5.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|6.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|7.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|8.||Nikon D300S||5/5||+ +||..||82/100||4/5||4.5/5||Jul 2009||1,799|
|9.||Nikon D300||..||+ +||..||+ +||5/5||4.5/5||Aug 2007||1,799|
|10.||Nikon D2Xs||..||..||..||..||..||..||Jun 2006||4,699|
|11.||Nikon D80||..||+||..||+ +||o||4.5/5||Aug 2006||999|
|12.||Nikon D2X||..||..||..||+ +||..||..||Sep 2004||4,999|
|13.||Nikon D100||..||..||..||+ +||o||..||Feb 2002||1,999|
|14.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|15.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|16.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299|
|17.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 20D vs Sony A7S
- Canon 5D Mark IV vs Nikon D200
- Fujifilm X-A10 vs Nikon D200
- Fujifilm X10 vs Sony A7S
- Hasselblad X1D II vs Nikon D200
- Leica X Vario vs Sony A7S
- Nikon D200 vs Nikon D5500
- Nikon D200 vs Olympus E-P5
- Nikon D200 vs Panasonic LX100
- Nikon D80 vs Sony A7S
- Olympus E-M1X vs Sony A7S
- Panasonic L1 vs Sony A7S
Specifications: Nikon D200 vs Sony A7S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D200||Sony A7S|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Sony E mount lenses|
|Launch Date||November 2005||April 2014|
|Launch Price||USD 1,699||USD 2,499|
|Sensor Specs||Nikon D200||Sony A7S|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.6 x 15.8 mm||35.8 x 23.9 mm|
|Sensor Area||372.88 mm2||855.62 mm2|
|Sensor Diagonal||28.4 mm||43 mm|
|Sensor Resolution||10 Megapixels||12 Megapixels|
|Image Resolution||3872 x 2592 pixels||4240 x 2832 pixels|
|Pixel Pitch||6.11 μm||8.45 μm|
|Pixel Density||2.69 MP/cm2||1.40 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100 - 1,600 ISO||100 - 102,400 ISO|
|ISO Boost||100 - 3,200 ISO||50 - 409,600 ISO|
|DXO Sensor Quality (score)||64||87|
|DXO Color Depth (bits)||22.3||23.9|
|DXO Dynamic Range (EV)||11.5||13.2|
|DXO Low Light (ISO)||583||3702|
|Screen Specs||Nikon D200||Sony A7S|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2400k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||230k dots||921k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Nikon D200||Sony A7S|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||5 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Nikon D200||Sony A7S|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon D200||Sony A7S|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||380 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
147 x 113 x 74 mm
(5.8 x 4.4 x 2.9 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||920 g (32.5 oz)||489 g (17.2 oz)|
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