Nikon D200 vs Panasonic FZ300
The Nikon D200 and the Panasonic Lumix DMC-FZ300 (labelled Panasonic FZ330 in some countries) are two digital cameras that were revealed to the public, respectively, in November 2005 and July 2015. The D200 is a DSLR, while the FZ300 is a fixed lens compact. The cameras are based on an APS-C (D200) and a 1/2.3-inch (FZ300) sensor. The Nikon has a resolution of 10 megapixels, whereas the Panasonic provides 12 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Nikon D200||Panasonic FZ300|
|Digital single lens reflex||Fixed lens compact camera|
|Nikon F mount lenses||25-600mm f/2.8|
|10 MP, APS-C Sensor||12 MP, 1/2.3" Sensor|
|no Video||4K/30p Video|
|ISO 100-1600 (100-3200)||ISO 100-6400|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|2.5" LCD, 230k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|5 shutter flaps per second||12 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|400 shots per battery charge||380 shots per battery charge|
|147 x 113 x 74 mm, 920 g||132 x 92 x 117 mm, 691 g|
Body comparison: Nikon D200 vs Panasonic FZ300
The side-by-side display below illustrates the physical size and weight of the Nikon D200 and the Panasonic FZ300. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ300 is notably smaller (27 percent) than the Nikon D200. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ300 has a lens built in, whereas the D200 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D200 and their specifications in the Nikon Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon D200»||5.8 in||4.4 in||2.9 in||32.5 oz||400||Y||Nov 2005||1,699||-||Nikon D200|
|Panasonic FZ300«||5.2 in||3.6 in||4.6 in||24.4 oz||380||Y||Jul 2015||599||Panasonic FZ300|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Canon 30D« »||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399||-||Canon 30D|
|Canon 20D« »||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||-||Canon 20D|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D7000« »||5.2 in||4.1 in||3.0 in||27.5 oz||1050||Y||Sep 2010||1,499||-||Nikon D7000|
|Nikon D300S« »||5.8 in||4.5 in||3.2 in||33.1 oz||950||Y||Jul 2009||1,799||-||Nikon D300S|
|Nikon D300« »||5.8 in||4.5 in||2.9 in||32.6 oz||1000||Y||Aug 2007||1,799||-||Nikon D300|
|Nikon D2Xs« »||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Jun 2006||4,699||-||Nikon D2Xs|
|Nikon D80« »||5.2 in||4.1 in||3.0 in||23.6 oz||600||n||Aug 2006||999||-||Nikon D80|
|Nikon D2X« »||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Sep 2004||4,999||-||Nikon D2X|
|Nikon D100« »||5.7 in||4.6 in||3.2 in||27.5 oz||370||n||Feb 2002||1,999||-||Nikon D100|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||-||Panasonic FZ150|
|Panasonic FZ100« »||4.9 in||3.2 in||3.6 in||19.0 oz||410||n||Jul 2010||499||-||Panasonic FZ100|
|Sony HX400V« »||5.1 in||3.7 in||4.1 in||23.3 oz||300||n||Feb 2014||499||Sony HX400V|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ300 was launched at a lower price than the D200, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Nikon D200 vs Panasonic FZ300
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D200 features an APS-C sensor and the Panasonic FZ300 a 1/2.3-inch sensor. The sensor area in the FZ300 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the D200 has a native 3:2 aspect ratio, while the one in the FZ300 offers a 4:3 aspect.
Despite having a smaller sensor, the FZ300 offers a higher resolution of 12 megapixels, compared with 10 MP of the D200. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.53μm versus 6.11μm for the D200). However, it should be noted that the FZ300 is much more recent (by 9 years and 8 months) than the D200, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the FZ300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Nikon D200 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DMC-FZ300 are ISO 100 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the D200 provides substantially higher image quality than the FZ300, with an overall score that is 26 points higher. This advantage is based on 3 bits higher color depth, 0.5 EV in additional dynamic range, and 2.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon D200»||APS-C||10.0||3872||2592||-||22.3||11.5||583||64||Nikon D200|
|Panasonic FZ300«||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38||Panasonic FZ300|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon 30D« »||APS-C||8.2||3504||2336||-||21.5||10.8||736||59||Canon 30D|
|Canon 20D« »||APS-C||8.2||3504||2336||-||21.9||11.0||721||62||Canon 20D|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D7000« »||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80||Nikon D7000|
|Nikon D300S« »||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70||Nikon D300S|
|Nikon D300« »||APS-C||12.2||4288||2848||-||22.1||12.0||679||67||Nikon D300|
|Nikon D2Xs« »||APS-C||12.2||4288||2848||-||22.2||10.9||489||59||Nikon D2Xs|
|Nikon D80« »||APS-C||10.0||3872||2592||-||22.1||11.2||524||61||Nikon D80|
|Nikon D2X« »||APS-C||12.2||4288||2848||-||22.1||10.9||476||59||Nikon D2X|
|Nikon D100« »||APS-C||6.0||3008||2000||-||-||-||-||-||Nikon D100|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic FZ150« »||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic FZ100« »||1/2.3||14.0||4320||3240||1080/60i||-||-||-||-||Panasonic FZ100|
|Sony HX400V« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Sony HX400V|
Many modern cameras cannot only take still pictures, but also record videos. The FZ300 indeed provides for movie recording, while the D200 does not. The highest resolution format that the FZ300 can use is 4K/30p.
Feature comparison: Nikon D200 vs Panasonic FZ300
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ300 has an electronic viewfinder (1440k dots), while the D200 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ300 offers a wider field of view (100%) than the one in the D200 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the FZ300 has a higher magnification (0.70x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D200 and Panasonic FZ300 along with similar information for a selection of comparators.
|Nikon D200»||optical||Y||2.5||230||fixed||n||8000||5.0||Y||n||Nikon D200|
|Panasonic FZ300«||1440||n||3.0||1040||swivel||Y||4000||12.0||Y||Y||Panasonic FZ300|
|Canon SX60« »||922||n||3.0||922||swivel||n||2000||6.4||Y||Y||Canon SX60|
|Canon 30D« »||optical||Y||2.5||230||fixed||n||8000||5.0||Y||n||Canon 30D|
|Canon 20D« »||optical||Y||1.8||118||fixed||n||8000||5.0||Y||n||Canon 20D|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||8000||10.0||n||n||Nikon D500|
|Nikon D7000« »||optical||Y||3.0||921||fixed||n||8000||6.0||Y||n||Nikon D7000|
|Nikon D300S« »||optical||Y||3.0||920||fixed||n||8000||7.0||Y||n||Nikon D300S|
|Nikon D300« »||optical||Y||3.0||922||fixed||n||8000||6.0||Y||n||Nikon D300|
|Nikon D2Xs« »||optical||Y||2.5||230||fixed||n||8000||5.0||n||n||Nikon D2Xs|
|Nikon D80« »||optical||n||2.5||230||fixed||n||4000||3.0||Y||n||Nikon D80|
|Nikon D2X« »||optical||Y||2.5||235||fixed||n||8000||5.0||n||n||Nikon D2X|
|Nikon D100« »||optical||Y||1.8||118||fixed||n||4000||3.0||Y||n||Nikon D100|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||4000||12.0||Y||Y||Panasonic FZ200|
|Panasonic FZ150« »||202||n||3.0||460||swivel||n||2000||12.0||Y||Y||Panasonic FZ150|
|Panasonic FZ100« »||202||n||3.0||460||swivel||n||2000||11.0||Y||Y||Panasonic FZ100|
|Sony HX400V« »||210||n||3.0||921||tilting||n||4000||10.0||Y||Y||Sony HX400V|
One feature that is present on the D200, but is missing on the FZ300 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ300 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D200 does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the FZ300 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The D200 writes its imaging data to Compact Flash cards, while the FZ300 uses SDXC cards.
Connectivity comparison: Nikon D200 vs Panasonic FZ300
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D200 and Panasonic Lumix DMC-FZ300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D200»||Y||-||-||-||-||-||2.0||-||-||-||Nikon D200|
|Panasonic FZ300«||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Panasonic FZ300|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon 30D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 30D|
|Canon 20D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 20D|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D7000« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D7000|
|Nikon D300S« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D300S|
|Nikon D300« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D300|
|Nikon D2Xs« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2Xs|
|Nikon D80« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D80|
|Nikon D2X« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2X|
|Nikon D100« »||Y||-||-||-||-||-||1.1||-||-||-||Nikon D100|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic FZ150« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic FZ100« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic FZ100|
|Sony HX400V« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX400V|
It is notable that the FZ300 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D200 does not offer wifi capability.
Studio photographers will appreciate that the Nikon D200 (unlike the FZ300) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FZ300 is a recent model that features in the current product line-up of Panasonic. In contrast, the D200 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the D200 was succeeded by the Nikon D300. Further information on the two cameras, as well as related accessories, can be found on the Nikon and Panasonic websites.
Review summary: Nikon D200 vs Panasonic FZ300
So what conclusions can be drawn? Is there a clear favorite between the Nikon D200 and the Panasonic FZ300? The listing below highlights the relative strengths of the two models.
Advantages of the Nikon D200:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (26 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (2.6 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in November 2005).
Arguments in favor of the Panasonic Lumix DMC-FZ300:
- More detail: Has more megapixels (12 vs 10MP), which boosts linear resolution by 7%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.63x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the D200 requires a separate lens.
- More compact: Is smaller (132x92mm vs 147x113mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D200).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 9 years and 8 months of technical progress since the D200 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ300 is the clear winner of the contest (20 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D200 or the FZ300. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Nikon D200 vs Panasonic FZ300
This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog).
|Nikon D200»||++||++||o||5/5||-||Nov 2005||1,699||-||Nikon D200|
|Panasonic FZ300«||++||-||4.5/5||4.5/5||4.5/5||Jul 2015||599||Panasonic FZ300|
|Canon SX60« »||++||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Canon 30D« »||++||++||o||o||-||Feb 2006||1,399||-||Canon 30D|
|Canon 20D« »||-||++||-||o||-||Aug 2004||1,499||-||Canon 20D|
|Nikon D500« »||++||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Nikon D7000« »||-||80/100||4.5/5||5/5||4.5/5||Sep 2010||1,499||-||Nikon D7000|
|Nikon D300S« »||++||82/100||4/5||5/5||4.5/5||Jul 2009||1,799||-||Nikon D300S|
|Nikon D300« »||++||++||5/5||o||4.5/5||Aug 2007||1,799||-||Nikon D300|
|Nikon D2Xs« »||-||-||-||o||-||Jun 2006||4,699||-||Nikon D2Xs|
|Nikon D80« »||+||++||o||4.5/5||4.5/5||Aug 2006||999||-||Nikon D80|
|Nikon D2X« »||-||++||-||o||-||Sep 2004||4,999||-||Nikon D2X|
|Nikon D100« »||-||++||o||o||-||Feb 2002||1,999||-||Nikon D100|
|Panasonic FZ200« »||++||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||++||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Panasonic FZ100« »||+||-||4.5/5||-||4.5/5||Jul 2010||499||-||Panasonic FZ100|
|Sony HX400V« »||++||-||4/5||-||4/5||Feb 2014||499||Sony HX400V|
|Notes: ++) highly recommended; +) recommended; o) reviewed; -) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
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- Fujifilm X-T20 vs Canon 7D II
- Nikon D2H vs Nikon D800E
- Nikon D3500 vs Canon SX740
- Nikon Z6 vs Panasonic TZ100
- Olympus PEN-F vs Canon G16
- Panasonic ZS100 vs Panasonic FZ100
- Sony A6300 vs Nikon D5500
- Sony A7 II vs Sony RX100 III
- Sony A900 vs Sony A77
- Sony RX10 IV vs Panasonic FZ2000
Specifications: Nikon D200 vs Panasonic FZ300
|Camera Model||Nikon D200||Panasonic FZ300|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Nikon F mount lenses||25-600mm f/2.8|
|Launch Date||November 2005||July 2015|
|Launch Price||USD 1699||USD 599|
|Sensor Specs||Nikon D200||Panasonic FZ300|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||23.6 x 15.8 mm||6.17 x 15.8 mm|
|Sensor Area||372.88 mm2||28.0735 mm2|
|Sensor Diagonal||28.4 mm||7.7 mm|
|Sensor Resolution||10 Megapixels||12 Megapixels|
|Image Resolution||3872 x 2592 pixels||4000 x 3000 pixels|
|Pixel Pitch||6.11 μm||1.53 μm|
|Pixel Density||2.69 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-1600 ISO||100-6400 ISO|
|ISO Boost||100-3200 ISO||no Enhancement|
|DXO Sensor Quality (score)||64||38|
|DXO Color Depth (bits)||22.3||19.3|
|DXO Dynamic Range (EV)||11.5||11.0|
|DXO Low Light (ISO)||583||97|
|Screen Specs||Nikon D200||Panasonic FZ300|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.5 inch||3.0 inch|
|LCD Resolution||230k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D200||Panasonic FZ300|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Maximum Shutter Speed||1/8000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||12 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Nikon D200||Panasonic FZ300|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Nikon D200||Panasonic FZ300|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||EN-EL3e power pack||DMW-BLC12 power pack|
|Battery Life (CIPA)||400 shots per charge||380 shots per charge|
147 x 113 x 74 mm
(5.8 x 4.4 x 2.9 in)
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
|Camera Weight||920 g (32.5 oz)||691 g (24.4 oz)|
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