Nikon D1 vs Panasonic LX7
The Nikon D1 and the Panasonic Lumix DMC-LX7 are two digital cameras that were officially introduced, respectively, in June 1999 and July 2012. The D1 is a DSLR, while the LX7 is a fixed lens compact. The cameras are based on an APS-C (D1) and a 1/1.7-inch (LX7) sensor. The Nikon has a resolution of 2.6 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D1 and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Nikon D1 and the Panasonic LX7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The LX7 can be obtained in two different colors (black, white), while the D1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is considerably smaller (69 percent) than the Nikon D1. It is worth mentioning in this context that the D1 is splash and dust resistant, while the LX7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the D1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D1 and their specifications in the Nikon Lens Catalog.
Concerning battery life, the D1 gets .. shots out of its Nikon EN-4 battery, while the LX7 can take 330 images on a single charge of its Panasonic DMW-BCJ13 power pack. As can be seen in the images above, the D1 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D1 | 157 mm | 153 mm | 85 mm | 1100 g | .. | Y | Jun 1999 | 5,499 | ebay.com | |
2. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
3. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
4. | Fujifilm X10 | 117 mm | 70 mm | 57 mm | 350 g | 270 | n | Sep 2011 | 599 | ebay.com | |
5. | Nikon D4 | 160 mm | 157 mm | 91 mm | 1340 g | 2600 | Y | Jan 2012 | 5,999 | ebay.com | |
6. | Nikon D3S | 160 mm | 157 mm | 88 mm | 1240 g | 4200 | Y | Oct 2009 | 5,199 | ebay.com | |
7. | Nikon D300S | 147 mm | 115 mm | 81 mm | 938 g | 950 | Y | Jul 2009 | 1,799 | ebay.com | |
8. | Nikon D3 | 160 mm | 157 mm | 88 mm | 1300 g | 4300 | Y | Aug 2007 | 4,999 | ebay.com | |
9. | Nikon D300 | 147 mm | 114 mm | 74 mm | 925 g | 1000 | Y | Aug 2007 | 1,799 | ebay.com | |
10. | Nikon D2Xs | 158 mm | 150 mm | 86 mm | 1252 g | 3800 | Y | Jun 2006 | 4,699 | ebay.com | |
11. | Nikon D200 | 147 mm | 113 mm | 74 mm | 920 g | 400 | Y | Nov 2005 | 1,699 | ebay.com | |
12. | Nikon D2X | 158 mm | 150 mm | 86 mm | 1252 g | 3800 | Y | Sep 2004 | 4,999 | ebay.com | |
13. | Nikon D1H | 157 mm | 153 mm | 85 mm | 1100 g | 1200 | Y | Feb 2001 | 4,499 | ebay.com | |
14. | Nikon D1X | 157 mm | 153 mm | 85 mm | 1100 g | 1200 | Y | Feb 2001 | 5,999 | ebay.com | |
15. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | 499 | ebay.com | |
16. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | 549 | ebay.com | |
17. | Panasonic LX5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Jul 2010 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The LX7 was launched at a lower price than the D1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D1 features an APS-C sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 89 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.65. The sensor in the D1 has a native 3:2 aspect ratio, while the one in the LX7 offers a 4:3 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the LX7 offers a higher resolution of 10 megapixels, compared with 2.6 MP of the D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.05μm versus 11.93μm for the D1). However, it should be noted that the LX7 is much more recent (by 13 years and 1 month) than the D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic LX7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the LX7 for good quality output (200 dots per inch) amounts to 18.2 x 13.7 inches or 46.3 x 34.7 cm, for very good quality (250 dpi) 14.6 x 10.9 inches or 37.1 x 27.8 cm, and for excellent quality (300 dpi) 12.2 x 9.1 inches or 30.9 x 23.2 cm. The corresponding values for the Nikon D1 are 10 x 6.6 inches or 25.4 x 16.7 cm for good quality, 8 x 5.2 inches or 20.3 x 13.3 cm for very good quality, and 6.7 x 4.4 inches or 16.9 x 11.1 cm for excellent quality prints.
The Nikon D1 has a native sensitivity range from ISO 200 to ISO 1600, which can be extended to ISO 200-6400. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
In terms of underlying technology, the D1 is build around a CCD sensor, while the LX7 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D1 | APS-C | 2.6 | 2000 | 1312 | none | .. | .. | .. | .. | |
2. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
3. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
4. | Fujifilm X10 | 2/3 | 12.0 | 4000 | 3000 | 1080/30p | 20.5 | 11.3 | 245 | 50 | |
5. | Nikon D4 | Full Frame | 16.2 | 4928 | 3280 | 1080/30p | 24.7 | 13.1 | 2965 | 89 | |
6. | Nikon D3S | Full Frame | 12.1 | 4256 | 2832 | 720/24p | 23.5 | 12.0 | 3253 | 82 | |
7. | Nikon D300S | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.5 | 12.2 | 787 | 70 | |
8. | Nikon D3 | Full Frame | 12.1 | 4256 | 2832 | none | 23.5 | 12.2 | 2290 | 81 | |
9. | Nikon D300 | APS-C | 12.2 | 4288 | 2848 | none | 22.1 | 12.0 | 679 | 67 | |
10. | Nikon D2Xs | APS-C | 12.2 | 4288 | 2848 | none | 22.2 | 10.9 | 489 | 59 | |
11. | Nikon D200 | APS-C | 10.0 | 3872 | 2592 | none | 22.3 | 11.5 | 583 | 64 | |
12. | Nikon D2X | APS-C | 12.2 | 4288 | 2848 | none | 22.1 | 10.9 | 476 | 59 | |
13. | Nikon D1H | APS-C | 2.6 | 2000 | 1312 | none | .. | .. | .. | .. | |
14. | Nikon D1X | APS-C | 5.9 | 3008 | 1960 | none | .. | .. | .. | .. | |
15. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
16. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
17. | Panasonic LX5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.6 | 10.8 | 132 | 41 |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The LX7 indeed provides for movie recording, while the D1 does not. The highest resolution format that the LX7 can use is 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the D1 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The table below summarizes some of the other core capabilities of the Nikon D1 and Panasonic LX7 in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D1 | optical | Y | 2.0 / 120 | fixed | n | 1/16000s | 4.5/s | n | n | |
2. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
3. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
4. | Fujifilm X10 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
5. | Nikon D4 | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
6. | Nikon D3S | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
7. | Nikon D300S | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 7.0/s | Y | n | |
8. | Nikon D3 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 11.0/s | n | n | |
9. | Nikon D300 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 6.0/s | Y | n | |
10. | Nikon D2Xs | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 5.0/s | n | n | |
11. | Nikon D200 | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 5.0/s | Y | n | |
12. | Nikon D2X | optical | Y | 2.5 / 235 | fixed | n | 1/8000s | 5.0/s | n | n | |
13. | Nikon D1H | optical | Y | 2.0 / 120 | fixed | n | 1/16000s | 5.0/s | n | n | |
14. | Nikon D1X | optical | Y | 2.0 / 120 | fixed | n | 1/16000s | 3.0/s | n | n | |
15. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
16. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
17. | Panasonic LX5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the D1, but is missing on the LX7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Panasonic LX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D1 writes its imaging data to Compact Flash cards, while the LX7 uses SDXC cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D1 and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D1 | Y | - / - | - | - | - | FW | - | - | - | |
2. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
4. | Fujifilm X10 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
5. | Nikon D4 | Y | mono / mono | Y | Y | micro | 2.0 | - | - | - | |
6. | Nikon D3S | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
7. | Nikon D300S | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
8. | Nikon D3 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
9. | Nikon D300 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
10. | Nikon D2Xs | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Nikon D200 | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Nikon D2X | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Nikon D1H | Y | - / - | - | - | - | FW | - | - | - | |
14. | Nikon D1X | Y | - / - | - | - | - | FW | - | - | - | |
15. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Panasonic LX5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - |
Studio photographers will appreciate that the Nikon D1 (unlike the LX7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D1 and the LX7 have been discontinued, but can regularly be found used on ebay. The D1 was replaced by the Nikon D1X, while the LX7 was followed by the Panasonic LX10. Further information on the features and operation of the D1 and LX7 can be found, respectively, in the Nikon D1 Manual (free pdf) or the online Panasonic LX7 Manual.
Review summary
So how do things add up? Is the Nikon D1 better than the Panasonic LX7 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Nikon D1:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/16000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in June 1999).
Arguments in favor of the Panasonic Lumix DMC-LX7:
- More detail: Has more megapixels (10 vs 2.6MP), which boosts linear resolution by 91%.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 120k dots).
- Faster burst: Shoots at higher frequency (11 vs 4.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the D1 requires a separate lens.
- More compact: Is smaller (111x68mm vs 157x153mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D1).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 13 years and 1 month of technical progress since the D1 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the LX7 emerges as the winner of the match-up (14 : 12 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D1 and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D1 or the LX7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D1 | .. | .. | .. | + + | .. | .. | Jun 1999 | 5,499 | ebay.com | |
2. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
3. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
4. | Fujifilm X10 | .. | .. | .. | 76/100 | 4/5 | 4.5/5 | Sep 2011 | 599 | ebay.com | |
5. | Nikon D4 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Jan 2012 | 5,999 | ebay.com | |
6. | Nikon D3S | 5/5 | .. | .. | 89/100 | 4.5/5 | 5/5 | Oct 2009 | 5,199 | ebay.com | |
7. | Nikon D300S | 5/5 | + + | .. | 82/100 | 4/5 | 4.5/5 | Jul 2009 | 1,799 | ebay.com | |
8. | Nikon D3 | .. | .. | .. | + + | 5/5 | 4.5/5 | Aug 2007 | 4,999 | ebay.com | |
9. | Nikon D300 | .. | + + | .. | + + | 5/5 | 4.5/5 | Aug 2007 | 1,799 | ebay.com | |
10. | Nikon D2Xs | .. | .. | .. | .. | .. | .. | Jun 2006 | 4,699 | ebay.com | |
11. | Nikon D200 | .. | + + | .. | + + | o | .. | Nov 2005 | 1,699 | ebay.com | |
12. | Nikon D2X | .. | .. | .. | + + | .. | .. | Sep 2004 | 4,999 | ebay.com | |
13. | Nikon D1H | .. | .. | .. | + + | .. | .. | Feb 2001 | 4,499 | ebay.com | |
14. | Nikon D1X | .. | .. | .. | + + | .. | .. | Feb 2001 | 5,999 | ebay.com | |
15. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | 499 | ebay.com | |
16. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | 549 | ebay.com | |
17. | Panasonic LX5 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 350D vs Panasonic LX7
- Canon 90D vs Panasonic LX7
- Canon G15 vs Nikon D1
- Canon SX50 vs Nikon D1
- Fujifilm X-A10 vs Panasonic LX7
- Leica M9 vs Nikon D1
- Leica S-E Typ 006 vs Nikon D1
- Nikon D1 vs Panasonic LX10
- Nikon D1 vs Sony A7R III
- Nikon D750 vs Panasonic LX7
- Olympus E-PL7 vs Panasonic LX7
- Panasonic LX7 vs Sony NEX-5R
Specifications: Nikon D1 vs Panasonic LX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon D1 | Panasonic LX7 |
---|---|---|
Camera Type | Digital single lens reflex | Fixed lens compact camera |
Camera Lens | Nikon F mount lenses | 24-90mm f/1.4-2.3 |
Launch Date | June 1999 | July 2012 |
Launch Price | USD 5,499 | USD 499 |
Sensor Specs | Nikon D1 | Panasonic LX7 |
Sensor Technology | CCD | CMOS |
Sensor Format | APS-C Sensor | 1/1.7" Sensor |
Sensor Size | 23.7 x 15.6 mm | 7.44 x 5.58 mm |
Sensor Area | 369.72 mm2 | 41.5152 mm2 |
Sensor Diagonal | 28.4 mm | 9.3 mm |
Crop Factor | 1.5x | 4.65x |
Sensor Resolution | 2.6 Megapixels | 10 Megapixels |
Image Resolution | 2000 x 1312 pixels | 3648 x 2736 pixels |
Pixel Pitch | 11.93 μm | 2.05 μm |
Pixel Density | 0.71 MP/cm2 | 24.04 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 1080/60p Video |
ISO Setting | 200 - 1,600 ISO | 80 - 6,400 ISO |
ISO Boost | 200 - 6,400 ISO | 80 - 12,800 ISO |
DXO Sensor Quality (score) | .. | 50 |
DXO Color Depth (bits) | .. | 20.7 |
DXO Dynamic Range (EV) | .. | 11.7 |
DXO Low Light (ISO) | .. | 147 |
Screen Specs | Nikon D1 | Panasonic LX7 |
Viewfinder Type | Optical viewfinder | Viewfinder optional |
Viewfinder Field of View | 96% | |
Viewfinder Magnification | 0.53x | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | |
Rear LCD Size | 2.0inch | 3.0inch |
LCD Resolution | 120k dots | 920k dots |
LCD Attachment | Fixed screen | Fixed screen |
Shooting Specs | Nikon D1 | Panasonic LX7 |
Focus System | Phase-detect AF | Contrast-detect AF |
Continuous Shooting | 4.5 shutter flaps/s | 11 shutter flaps/s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | CF cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
Connectivity Specs | Nikon D1 | Panasonic LX7 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | Firewire | USB 2.0 |
HDMI Port | no HDMI | mini HDMI |
Wifi Support | no Wifi | no Wifi |
Body Specs | Nikon D1 | Panasonic LX7 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Nikon EN-4 | Panasonic DMW-BCJ13 |
Body Dimensions |
157 x 153 x 85 mm (6.2 x 6.0 x 3.3 in) |
111 x 68 x 46 mm (4.4 x 2.7 x 1.8 in) |
Camera Weight | 1100 g (38.8 oz) | 298 g (10.5 oz) |
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