Nikon D1 vs Panasonic LX15
The Nikon D1 and the Panasonic Lumix DMC-LX15 (labelled Panasonic LX10 in some countries) are two digital cameras that were announced, respectively, in June 1999 and September 2016. The D1 is a DSLR, while the LX15 is a fixed lens compact. The cameras are based on an APS-C (D1) and an one-inch (LX15) sensor. The Nikon has a resolution of 2.6 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D1 and the Panasonic Lumix DMC-LX15? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D1 and the Panasonic LX15 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The LX15 can be obtained in two different colors (black, silver), while the D1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX15 is considerably smaller (74 percent) than the Nikon D1. It is worth mentioning in this context that the D1 is splash and dust resistant, while the LX15 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX15 has a lens built in, whereas the D1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D1 and their specifications in the Nikon Lens Catalog.
As can be seen in the images above, the D1 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the LX15 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon D1||157 mm||153 mm||85 mm||1100 g||..||Y||Jun 1999||5,499||ebay.com|
|2.||Panasonic LX15||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699||amazon.com|
|3.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699||ebay.com|
|4.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799||ebay.com|
|5.||Nikon D4||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999||ebay.com|
|6.||Nikon D300S||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799||ebay.com|
|7.||Nikon D3||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999||ebay.com|
|8.||Nikon D300||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799||ebay.com|
|9.||Nikon D2Xs||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699||ebay.com|
|10.||Nikon D200||147 mm||113 mm||74 mm||920 g||400||Y||Nov 2005||1,699||ebay.com|
|11.||Nikon D2X||158 mm||150 mm||86 mm||1252 g||3800||Y||Sep 2004||4,999||ebay.com|
|12.||Nikon D2H||158 mm||150 mm||86 mm||1070 g||2900||Y||Jul 2003||3,499||ebay.com|
|13.||Nikon D1H||157 mm||153 mm||85 mm||1100 g||1200||Y||Feb 2001||4,499||ebay.com|
|14.||Nikon D1X||157 mm||153 mm||85 mm||1100 g||1200||Y||Feb 2001||5,999||ebay.com|
|15.||Panasonic TZ200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799||amazon.com|
|16.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||ebay.com|
|17.||Panasonic TZ100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX15 was launched at a lower price than the D1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D1 features an APS-C sensor and the Panasonic LX15 an one-inch sensor. The sensor area in the LX15 is 69 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2. The LX15 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the LX15 offers a higher resolution of 20 megapixels, compared with 2.6 MP of the D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 11.93μm for the D1). However, it should be noted that the LX15 is much more recent (by 17 years and 3 months) than the D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic LX15 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the LX15 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Nikon D1 are 10 x 6.6 inches or 25.4 x 16.7 cm for good quality, 8 x 5.2 inches or 20.3 x 13.3 cm for very good quality, and 6.7 x 4.4 inches or 16.9 x 11.1 cm for excellent quality prints.
The Nikon D1 has a native sensitivity range from ISO 200 to ISO 1600, which can be extended to ISO 200-6400. The corresponding ISO settings for the Panasonic Lumix DMC-LX15 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
In terms of underlying technology, the D1 is build around a CCD sensor, while the LX15 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|3.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|4.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||227||61|
|5.||Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|7.||Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The LX15 indeed provides for movie recording, while the D1 does not. The highest resolution format that the LX15 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D1 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX15 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Nikon D1 and Panasonic LX15 in connection with corresponding information for a sample of similar cameras.
|1.||Nikon D1||optical||Y||2.0 / 120||fixed||n||1/16000s||1.5/s||n||n|
|2.||Panasonic LX15||none||n||3.0 / 1040||tilting||Y||1/4000s||10.0/s||Y||Y|
|3.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0/s||Y||Y|
|4.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9/s||Y||Y|
|5.||Nikon D4||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0/s||n||n|
|6.||Nikon D300S||optical||Y||3.0 / 920||fixed||n||1/8000s||7.0/s||Y||n|
|7.||Nikon D3||optical||Y||3.0 / 922||fixed||n||1/8000s||11.0/s||n||n|
|8.||Nikon D300||optical||Y||3.0 / 922||fixed||n||1/8000s||6.0/s||Y||n|
|9.||Nikon D2Xs||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||n||n|
|10.||Nikon D200||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||Y||n|
|11.||Nikon D2X||optical||Y||2.5 / 235||fixed||n||1/8000s||5.0/s||n||n|
|12.||Nikon D2H||optical||Y||2.5 / 211||fixed||n||1/8000s||8.0/s||n||n|
|13.||Nikon D1H||optical||Y||2.0 / 120||fixed||n||1/16000s||5.0/s||n||n|
|14.||Nikon D1X||optical||Y||2.0 / 120||fixed||n||1/16000s||3.0/s||n||n|
|15.||Panasonic TZ200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|16.||Panasonic TZ90||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|17.||Panasonic TZ100||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the D1, but is missing on the LX15 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The LX15 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX15 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX15 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D1 writes its imaging data to Compact Flash cards, while the LX15 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D1 and Panasonic Lumix DMC-LX15 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D1||Y||- / -||-||-||-||FW||-||-||-|
|2.||Panasonic LX15||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Nikon D4||Y||mono / mono||Y||Y||micro||2.0||-||-||-|
|6.||Nikon D300S||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|7.||Nikon D3||Y||- / -||-||-||mini||2.0||-||-||-|
|8.||Nikon D300||Y||- / -||-||-||mini||2.0||-||-||-|
|9.||Nikon D2Xs||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Nikon D200||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Nikon D2X||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Nikon D2H||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Nikon D1H||Y||- / -||-||-||-||FW||-||-||-|
|14.||Nikon D1X||Y||- / -||-||-||-||FW||-||-||-|
|15.||Panasonic TZ200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|16.||Panasonic TZ90||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|17.||Panasonic TZ100||-||stereo / mono||-||-||micro||2.0||Y||-||-|
It is notable that the D1 has a hotshoe, while the LX15 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Nikon D1 (unlike the LX15) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The LX15 is a recent model that features in the current product line-up of Panasonic. In contrast, the D1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the D1 was succeeded by the Nikon D1X. Further information on the features and operation of the D1 and LX15 can be found, respectively, in the Nikon D1 Manual (free pdf) or the online Panasonic LX15 Manual.
So what conclusions can be drawn? Which of the two cameras – the Nikon D1 or the Panasonic LX15 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon D1:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/16000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in June 1999).
Arguments in favor of the Panasonic Lumix DMC-LX15:
- More detail: Has more megapixels (20 vs 2.6MP), which boosts linear resolution by 175%.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 120k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the D1 requires a separate lens.
- More compact: Is smaller (106x60mm vs 157x153mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D1).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 17 years and 3 months of technical progress since the D1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the LX15 is the clear winner of the contest (20 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D1 and the Panasonic LX15 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D1 and the LX15 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D1||..||..||..||+ +||..||..||Jun 1999||5,499||ebay.com|
|2.||Panasonic LX15||..||+ +||4/5||81/100||4/5||4.5/5||Sep 2016||699||amazon.com|
|3.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699||ebay.com|
|4.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799||ebay.com|
|5.||Nikon D4||..||..||..||..||4.5/5||4.5/5||Jan 2012||5,999||ebay.com|
|6.||Nikon D300S||5/5||+ +||..||82/100||4/5||4.5/5||Jul 2009||1,799||ebay.com|
|7.||Nikon D3||..||..||..||+ +||5/5||4.5/5||Aug 2007||4,999||ebay.com|
|8.||Nikon D300||..||+ +||..||+ +||5/5||4.5/5||Aug 2007||1,799||ebay.com|
|9.||Nikon D2Xs||..||..||..||..||..||..||Jun 2006||4,699||ebay.com|
|10.||Nikon D200||..||+ +||..||+ +||o||..||Nov 2005||1,699||ebay.com|
|11.||Nikon D2X||..||..||..||+ +||..||..||Sep 2004||4,999||ebay.com|
|12.||Nikon D2H||..||..||..||+ +||..||..||Jul 2003||3,499||ebay.com|
|13.||Nikon D1H||..||..||..||+ +||..||..||Feb 2001||4,499||ebay.com|
|14.||Nikon D1X||..||..||..||+ +||..||..||Feb 2001||5,999||ebay.com|
|15.||Panasonic TZ200||..||+ +||4.5/5||81/100||4.5/5||4.5/5||Feb 2018||799||amazon.com|
|16.||Panasonic TZ90||..||+ +||..||4/5||4/5||4/5||Apr 2017||449||ebay.com|
|17.||Panasonic TZ100||4.5/5||+ +||..||82/100||4.5/5||4.5/5||Jan 2016||699||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 4000D vs Panasonic LX15
- Canon 5D Mark II vs Panasonic LX15
- Canon G7 X Mark II vs Nikon D1
- Canon SX540 vs Nikon D1
- Fujifilm X-Pro1 vs Panasonic LX15
- Leica M-E Typ 240 vs Nikon D1
- Leica V-LUX Typ 114 vs Panasonic LX15
- Nikon D1 vs Olympus E-450
- Nikon D1 vs Panasonic GH1
- Nikon D1 vs Sony H300
- Panasonic G5 vs Panasonic LX15
- Panasonic LX15 vs Sony RX100
Specifications: Nikon D1 vs Panasonic LX15
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D1||Panasonic LX15|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Nikon F mount lenses||24-72mm f/1.4-2.8|
|Launch Date||June 1999||September 2016|
|Launch Price||USD 5,499||USD 699|
|Sensor Specs||Nikon D1||Panasonic LX15|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||23.7 x 15.6 mm||13.2 x 8.8 mm|
|Sensor Area||369.72 mm2||116.16 mm2|
|Sensor Diagonal||28.4 mm||15.9 mm|
|Sensor Resolution||2.6 Megapixels||20 Megapixels|
|Image Resolution||2000 x 1312 pixels||5472 x 3648 pixels|
|Pixel Pitch||11.93 μm||2.41 μm|
|Pixel Density||0.71 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||200 - 1,600 ISO||125 - 12,800 ISO|
|ISO Boost||200 - 6,400 ISO||80 - 25,600 ISO|
|Screen Specs||Nikon D1||Panasonic LX15|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||96%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.0inch|
|LCD Resolution||120k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D1||Panasonic LX15|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/16000s||1/4000s|
|Continuous Shooting||1.5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Nikon D1||Panasonic LX15|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||Firewire||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Nikon D1||Panasonic LX15|
|Environmental Sealing||Weathersealed body||not weather sealed|
|In-Camera Charging||no USB charging||USB charging|
157 x 153 x 85 mm
(6.2 x 6.0 x 3.3 in)
106 x 60 x 42 mm
(4.2 x 2.4 x 1.7 in)
|Camera Weight||1100 g (38.8 oz)||310 g (10.9 oz)|
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