Nikon D1 vs Panasonic FZ2500
The Nikon D1 and the Panasonic Lumix DMC-FZ2500 (labelled Panasonic FZ2000 in some countries) are two digital cameras that were officially introduced, respectively, in June 1999 and September 2016. The D1 is a DSLR, while the FZ2500 is a fixed lens compact. The cameras are based on an APS-C (D1) and an one-inch (FZ2500) sensor. The Nikon has a resolution of 2.6 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D1||Panasonic FZ2500|
|Digital single lens reflex||Fixed lens compact camera|
|Nikon F mount lenses||24-480mm f/2.8-4.5|
|2.6 MP, APS-C Sensor||20 MP, 1" Sensor|
|no Video||4K/30p Video|
|ISO 200-1600 (200-6400)||ISO 125-12800 (80-25600)|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|2.0" LCD, 120k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|1.5 shutter flaps per second||12 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|157 x 153 x 85 mm, 1100 g||138 x 102 x 135 mm, 915 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D1 and the Panasonic Lumix DMC-FZ2500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D1 and the Panasonic FZ2500 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2500 is considerably smaller (41 percent) than the Nikon D1. It is worth mentioning in this context that the D1 is splash and dust resistant, while the FZ2500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2500 has a lens built in, whereas the D1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D1 and their specifications in the Nikon Lens Catalog.
As can be seen in the images above, the D1 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon D1»||6.2 in||6.0 in||3.3 in||38.8 oz||..||Y||Jun 1999||5,499||-||Nikon D1|
|Panasonic FZ2500«||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Leica V-LUX 5« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Jul 2019||1,249||Leica V-LUX 5|
|Nikon D4« »||6.3 in||6.2 in||3.6 in||47.3 oz||2600||Y||Jan 2012||5,999||-||Nikon D4|
|Nikon D300S« »||5.8 in||4.5 in||3.2 in||33.1 oz||950||Y||Jul 2009||1,799||-||Nikon D300S|
|Nikon D3« »||6.3 in||6.2 in||3.5 in||45.9 oz||4300||Y||Aug 2007||4,999||-||Nikon D3|
|Nikon D300« »||5.8 in||4.5 in||2.9 in||32.6 oz||1000||Y||Aug 2007||1,799||-||Nikon D300|
|Nikon D2Xs« »||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Jun 2006||4,699||-||Nikon D2Xs|
|Nikon D200« »||5.8 in||4.4 in||2.9 in||32.5 oz||400||Y||Nov 2005||1,699||-||Nikon D200|
|Nikon D2X« »||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Sep 2004||4,999||-||Nikon D2X|
|Nikon D2H« »||6.2 in||5.9 in||3.4 in||37.7 oz||2900||Y||Jul 2003||3,499||-||Nikon D2H|
|Nikon D1H« »||6.2 in||6.0 in||3.3 in||38.8 oz||1200||Y||Feb 2001||4,499||-||Nikon D1H|
|Nikon D1X« »||6.2 in||6.0 in||3.3 in||38.8 oz||1200||Y||Feb 2001||5,999||-||Nikon D1X|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ2500 was launched at a lower price than the D1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D1 features an APS-C sensor and the Panasonic FZ2500 an one-inch sensor. The sensor area in the FZ2500 is 69 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the FZ2500 offers a higher resolution of 20 megapixels, compared with 2.6 MP of the D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 11.93μm for the D1). However, it should be noted that the FZ2500 is much more recent (by 17 years and 3 months) than the D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic FZ2500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ2500 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Nikon D1 are 10 x 6.6 inch or 25.4 x 16.7 cm for good quality, 8 x 5.2 inch or 20.3 x 13.3 cm for very good quality, and 6.7 x 4.4 inch or 16.9 x 11.1 cm for excellent quality prints.
The Nikon D1 has a native sensitivity range from ISO 200 to ISO 1600, which can be extended to ISO 200-6400. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2500 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon D1»||APS-C||2.6||2000||1312||-||-||-||-||-||Nikon D1|
|Panasonic FZ2500«||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ2500|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Leica V-LUX 5« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica V-LUX 5|
|Nikon D4« »||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89||Nikon D4|
|Nikon D300S« »||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70||Nikon D300S|
|Nikon D3« »||Full Frame||12.1||4256||2832||-||23.5||12.2||2290||81||Nikon D3|
|Nikon D300« »||APS-C||12.2||4288||2848||-||22.1||12.0||679||67||Nikon D300|
|Nikon D2Xs« »||APS-C||12.2||4288||2848||-||22.2||10.9||489||59||Nikon D2Xs|
|Nikon D200« »||APS-C||10.0||3872||2592||-||22.3||11.5||583||64||Nikon D200|
|Nikon D2X« »||APS-C||12.2||4288||2848||-||22.1||10.9||476||59||Nikon D2X|
|Nikon D2H« »||APS-C||4.0||2464||1632||-||18.9||10.0||352||40||Nikon D2H|
|Nikon D1H« »||APS-C||2.6||2000||1312||-||-||-||-||-||Nikon D1H|
|Nikon D1X« »||APS-C||5.9||3008||1960||-||-||-||-||-||Nikon D1X|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
Many modern cameras cannot only take still pictures, but also record videos. The FZ2500 indeed provides for movie recording, while the D1 does not. The highest resolution format that the FZ2500 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), while the D1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ2500 offers a wider field of view (100%) than the one in the D1 (96%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the FZ2500 has a higher magnification (0.74x vs 0.53x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D1 and Panasonic FZ2500 in connection with corresponding information for a sample of similar cameras.
|Nikon D1»||optical||Y||2.0||120||fixed||n||1/16000s||1.5||n||n||Nikon D1|
|Panasonic FZ2500«||2360||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ2500|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Leica V-LUX 5« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Leica V-LUX 5|
|Nikon D4« »||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4|
|Nikon D300S« »||optical||Y||3.0||920||fixed||n||1/8000s||7.0||Y||n||Nikon D300S|
|Nikon D3« »||optical||Y||3.0||922||fixed||n||1/8000s||11.0||n||n||Nikon D3|
|Nikon D300« »||optical||Y||3.0||922||fixed||n||1/8000s||6.0||Y||n||Nikon D300|
|Nikon D2Xs« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||n||n||Nikon D2Xs|
|Nikon D200« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Nikon D200|
|Nikon D2X« »||optical||Y||2.5||235||fixed||n||1/8000s||5.0||n||n||Nikon D2X|
|Nikon D2H« »||optical||Y||2.5||211||fixed||n||1/8000s||8.0||n||n||Nikon D2H|
|Nikon D1H« »||optical||Y||2.0||120||fixed||n||1/16000s||5.0||n||n||Nikon D1H|
|Nikon D1X« »||optical||Y||2.0||120||fixed||n||1/16000s||3.0||n||n||Nikon D1X|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
One feature that is present on the D1, but is missing on the FZ2500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ2500 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D1 writes its imaging data to Compact Flash cards, while the FZ2500 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D1 and Panasonic Lumix DMC-FZ2500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D1»||Y||-||-||-||-||-||FW||-||-||-||Nikon D1|
|Panasonic FZ2500«||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Leica V-LUX 5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica V-LUX 5|
|Nikon D4« »||Y||mono||mono||-||-||micro||2.0||-||-||-||Nikon D4|
|Nikon D300S« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D300S|
|Nikon D3« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D3|
|Nikon D300« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D300|
|Nikon D2Xs« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2Xs|
|Nikon D200« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D200|
|Nikon D2X« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2X|
|Nikon D2H« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2H|
|Nikon D1H« »||Y||-||-||-||-||-||FW||-||-||-||Nikon D1H|
|Nikon D1X« »||Y||-||-||-||-||-||FW||-||-||-||Nikon D1X|
|Panasonic FZ1000 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
It is notable that the FZ2500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D1 does not offer wifi capability.
Studio photographers will appreciate that the Nikon D1 (unlike the FZ2500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the D1 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the D1 was succeeded by the Nikon D1X. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Nikon D1 and the Panasonic FZ2500? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Nikon D1:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/16000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in June 1999).
Reasons to prefer the Panasonic Lumix DMC-FZ2500:
- More detail: Has more megapixels (20 vs 2.6MP), which boosts linear resolution by 175%.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 96%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.53x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 120k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the D1 requires a separate lens.
- More compact: Is smaller (138x102mm vs 157x153mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D1).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 17 years and 3 months of technical progress since the D1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the FZ2500 is the clear winner of the contest (21 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D1 and the Panasonic FZ2500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the D1 or the FZ2500 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon D1»||-||+ +||-||-||-||Jun 1999||5,499||-||Nikon D1|
|Panasonic FZ2500«||+||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199||Panasonic FZ2500|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Leica V-LUX 5« »||-||-||4/5||-||4/5||Jul 2019||1,249||Leica V-LUX 5|
|Nikon D4« »||-||-||4.5/5||-||4.5/5||Jan 2012||5,999||-||Nikon D4|
|Nikon D300S« »||+ +||82/100||4/5||5/5||4.5/5||Jul 2009||1,799||-||Nikon D300S|
|Nikon D3« »||-||+ +||5/5||o||4.5/5||Aug 2007||4,999||-||Nikon D3|
|Nikon D300« »||+ +||+ +||5/5||o||4.5/5||Aug 2007||1,799||-||Nikon D300|
|Nikon D2Xs« »||-||-||-||o||-||Jun 2006||4,699||-||Nikon D2Xs|
|Nikon D200« »||+ +||+ +||o||5/5||-||Nov 2005||1,699||-||Nikon D200|
|Nikon D2X« »||-||+ +||-||o||-||Sep 2004||4,999||-||Nikon D2X|
|Nikon D2H« »||-||+ +||-||o||-||Jul 2003||3,499||-||Nikon D2H|
|Nikon D1H« »||-||+ +||-||o||-||Feb 2001||4,499||-||Nikon D1H|
|Nikon D1X« »||-||+ +||-||o||-||Feb 2001||5,999||-||Nikon D1X|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark III vs Nikon D1
- Canon 760D vs Nikon D1
- Fujifilm X-H1 vs Panasonic FZ2500
- Leica T vs Nikon D1
- Nikon D1 vs Olympus E-M1 II
- Nikon D1 vs Panasonic GH5
- Nikon D1 vs Panasonic LX5
- Nikon D1 vs Sony A7
- Nikon D1 vs Sony A7S II
- Nikon D7200 vs Panasonic FZ2500
- Panasonic FZ1000 vs Panasonic FZ2500
- Panasonic FZ2500 vs Sony A9
Specifications: Nikon D1 vs Panasonic FZ2500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D1||Panasonic FZ2500|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Nikon F mount lenses||24-480mm f/2.8-4.5|
|Launch Date||June 1999||September 2016|
|Launch Price||USD 5499||USD 1199|
|Sensor Specs||Nikon D1||Panasonic FZ2500|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||23.7 x 15.6 mm||13.2 x 8.8 mm|
|Sensor Area||369.72 mm2||116.16 mm2|
|Sensor Diagonal||28.4 mm||15.9 mm|
|Sensor Resolution||2.6 Megapixels||20 Megapixels|
|Image Resolution||2000 x 1312 pixels||5472 x 3648 pixels|
|Pixel Pitch||11.93 μm||2.41 μm|
|Pixel Density||0.71 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||200-1600 ISO||125-12800 ISO|
|ISO Boost||200-6400 ISO||80-25600 ISO|
|Screen Specs||Nikon D1||Panasonic FZ2500|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||96%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0 inch||3.0 inch|
|LCD Resolution||120k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D1||Panasonic FZ2500|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/16000/s||1/4000/s|
|Continuous Shooting||1.5 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Nikon D1||Panasonic FZ2500|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||Firewire||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Nikon D1||Panasonic FZ2500|
|Environmental Sealing||Weathersealed body||Not weather sealed|
157 x 153 x 85 mm
(6.2 x 6.0 x 3.3 in)
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
|Camera Weight||1100 g (38.8 oz)||915 g (32.3 oz)|
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