Nikon B500 vs Sony A99 II
The Nikon Coolpix B500 and the Sony Alpha ALT-A99 II are two digital cameras that were announced, respectively, in January 2016 and September 2016. The B500 is a fixed lens compact, while the A99 II is a DSLR. The cameras are based on a 1/2.3-inch (B500) and a full frame (A99 II) sensor. The Nikon has a resolution of 15.9 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon B500||Sony A99 II|
|Fixed lens compact camera||Digital single lens reflex|
|22.5-900mm f/3-6.5||Sony A mount lenses|
|15.9 MP, 1/2.3" Sensor||42.2 MP, Full Frame Sensor|
|1080/60i Video||4K/30p Video|
|ISO 80-6400||ISO 100-25600|
|No viewfinder, LCD framing||Electronic viewfinder (2400k dots)|
|3.0" LCD, 921k dots||3.0" LCD, 1229k dots|
|Tilting screen (no touchscreen)||Fully flexible screen (no touchscreen)|
|7.4 shutter flaps per second||12 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|600 shots per battery charge||490 shots per battery charge|
|114 x 78 x 95 mm, 541 g||143 x 104 x 76 mm, 849 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Coolpix B500 and the Sony Alpha ALT-A99 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon B500 and the Sony A99 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The B500 can be obtained in two different colors (black, red), while the A99 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 II is considerably larger (67 percent) than the Nikon B500. It is noteworthy in this context that the A99 II is splash and dust-proof, while the B500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the B500 has a lens built in, whereas the A99 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Nikon B500»||114 mm||78 mm||95 mm||541 g||600||n||Jan 2016||299||Nikon B500|
|Sony A99 II«||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199||Sony A99 II|
|Canon 5DS« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS|
|Fujifilm X100F« »||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X70« »||113 mm||64 mm||44 mm||340 g||330||n||Jan 2016||799||Fujifilm X70|
|Nikon B600« »||122 mm||82 mm||99 mm||500 g||280||n||Jan 2019||349||Nikon B600|
|Nikon D5600« »||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699||Nikon D5600|
|Nikon B700« »||125 mm||85 mm||107 mm||565 g||350||n||Feb 2016||499||Nikon B700|
|Nikon P900« »||140 mm||103 mm||137 mm||899 g||360||n||Mar 2015||599||Nikon P900|
|Nikon L840« »||113 mm||78 mm||96 mm||538 g||590||n||Feb 2015||299||Nikon L840|
|Panasonic FZ82« »||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399||Panasonic FZ82|
|Sony A7R III« »||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony HX80« »||102 mm||58 mm||36 mm||245 g||390||n||Mar 2016||349||Sony HX80|
|Sony A7R II« »||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||Sony A7R II|
|Sony H200« »||123 mm||83 mm||87 mm||530 g||240||n||Jan 2013||249||Sony H200|
|Sony A99« »||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799||Sony A99|
|Sony A900« »||156 mm||117 mm||82 mm||895 g||880||Y||Sep 2008||2,999||Sony A900|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The B500 was launched at a lower price than the A99 II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon B500 features a 1/2.3-inch sensor and the Sony A99 II a full frame sensor. The sensor area in the A99 II is 2979 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the B500 has a native 4:3 aspect ratio, while the one in the A99 II offers a 3:2 aspect.
With 42.2MP, the A99 II offers a higher resolution than the B500 (15.9MP), but the A99 II nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 1.33μm for the B500) due to its larger sensor. Moreover, the A99 II is a somewhat more recent model (by 7 months) than the B500, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A99 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A99 II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inch or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inch or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inch or 67.3 x 44.9 cm. The corresponding values for the Nikon B500 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The A99 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon Coolpix B500 has a native sensitivity range from ISO 80 to ISO 6400. The corresponding ISO settings for the Sony Alpha ALT-A99 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Nikon B500||1/2.3||15.9||4608||3456||1080/60i||..||..||..||..||Nikon B500|
|Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Fujifilm X100F||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Fujifilm X100F|
|Fujifilm X70||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X70|
|Nikon B600||1/2.3||15.9||4608||3456||1080/30p||..||..||..||..||Nikon B600|
|Nikon D5600||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84||Nikon D5600|
|Nikon B700||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Nikon B700|
|Nikon P900||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Nikon P900|
|Nikon L840||1/2.3||15.9||4608||3456||1080/60i||..||..||..||..||Nikon L840|
|Panasonic FZ82||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Panasonic FZ82|
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony HX80||1/2.3||18.0||4896||3672||1080/60p||..||..||..||..||Sony HX80|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony H200||1/2.3||15.2||5184||2930||720/30p||..||..||..||..||Sony H200|
|Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89||Sony A99|
|Sony A900||Full Frame||24.4||6048||4032||none||23.7||12.3||1431||79||Sony A900|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A99 II provides a better video resolution than the B500. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A99 II has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the B500 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Nikon B500 and Sony A99 II along with similar information for a selection of comparators.
|Nikon B500||none||n||3.0||921||tilting||n||1/4000s||7.4||Y||Y||Nikon B500|
|Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Canon 5DS||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Fujifilm X100F||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Fujifilm X70||optional||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X70|
|Nikon B600||none||n||3.0||921||fixed||n||1/4000s||7.4||Y||Y||Nikon B600|
|Nikon D5600||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5600|
|Nikon B700||921||n||3.0||921||swivel||n||1/4000s||5.0||Y||Y||Nikon B700|
|Nikon P900||921||n||3.0||921||swivel||n||1/4000s||7.0||Y||Y||Nikon P900|
|Nikon L840||none||n||3.0||921||tilting||n||1/4000s||7.4||Y||Y||Nikon L840|
|Panasonic FZ82||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic FZ82|
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony HX80||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX80|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony H200||none||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H200|
|Sony A99||2359||Y||3.0||1229||full-flex||n||1/8000s||6.0||n||Y||Sony A99|
|Sony A900||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||Y||Sony A900|
One difference between the cameras concerns the presence of an on-board flash. The B500 has one, while the A99 II does not. While the built-in flash of the B500 is not very powerful, it can at times be useful as a fill-in light.The A99 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the B500 does not have a selfie-screen.
The B500 writes its imaging data to SDXC cards, while the A99 II uses SDXC or Memory Stick PRO Duo cards. The A99 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the B500 only has one slot. The A99 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the B500 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Coolpix B500 and Sony Alpha ALT-A99 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon B500||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Nikon B500|
|Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Canon 5DS||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Fujifilm X100F||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Fujifilm X70||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X70|
|Nikon B600||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon B600|
|Nikon D5600||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Nikon D5600|
|Nikon B700||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Nikon B700|
|Nikon P900||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon P900|
|Nikon L840||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon L840|
|Panasonic FZ82||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FZ82|
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony HX80||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX80|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony H200||-||mono||mono||-||-||none||2.0||-||-||-||Sony H200|
|Sony A99||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Sony A99|
|Sony A900||Y||none||none||-||-||mini||2.0||-||-||-||Sony A900|
It is notable that the A99 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The B500 does not feature such a mic input.
Studio photographers will appreciate that the Sony A99 II (unlike the B500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A99 II is a recent model that features in the current product line-up of Sony. In contrast, the B500 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the B500 was succeeded by the Nikon B600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what conclusions can be drawn? Is the Nikon B500 better than the Sony A99 II or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Nikon Coolpix B500:
- Ready to shoot: Comes with a built-in lens, while the A99 II requires a separate lens.
- More compact: Is smaller (114x78mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A99 II).
- Longer lasting: Can take more shots (600 versus 490) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in January 2016).
Arguments in favor of the Sony Alpha ALT-A99 II:
- More detail: Has more megapixels (42.2 vs 15.9MP), which boosts linear resolution by 66%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 921k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 7.4 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Was introduced somewhat (7 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the A99 II is the clear winner of the contest (23 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon B500 and the Sony A99 II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the B500 or the A99 II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon M6 Mark II vs Sony A99 II
- Canon XS vs Sony A99 II
- Nikon B500 vs Nikon D7100
- Nikon B500 vs Nikon P950
- Nikon B500 vs Panasonic G5
- Nikon B500 vs Panasonic GX80
- Nikon B500 vs Panasonic LX100
- Nikon B500 vs Sony RX100 IV
- Nikon D5300 vs Sony A99 II
- Nikon D80 vs Sony A99 II
- Olympus E-300 vs Sony A99 II
- Panasonic GH2 vs Sony A99 II
Specifications: Nikon B500 vs Sony A99 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon B500||Sony A99 II|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||22.5-900mm f/3-6.5||Sony A mount lenses|
|Launch Date||January 2016||September 2016|
|Launch Price||USD 299||USD 3199|
|Sensor Specs||Nikon B500||Sony A99 II|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||35.9 x 24.0 mm|
|Sensor Area||28.0735 mm2||861.6 mm2|
|Sensor Diagonal||7.7 mm||43.2 mm|
|Sensor Resolution||15.9 Megapixels||42.2 Megapixels|
|Image Resolution||4608 x 3456 pixels||7952 x 5304 pixels|
|Pixel Pitch||1.33 μm||4.52 μm|
|Pixel Density||56.73 MP/cm2||4.90 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60i Video||4K/30p Video|
|ISO Setting||80-6400 ISO||100-25600 ISO|
|ISO Boost||no Enhancement||50-25600 ISO|
|DXO Sensor Quality (score)||..||92|
|DXO Color Depth (bits)||..||25.4|
|DXO Dynamic Range (EV)||..||13.4|
|DXO Low Light (ISO)||..||2317|
|Screen Specs||Nikon B500||Sony A99 II|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2400k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||1229k dots|
|LCD Attachment||Tilting screen||Fully flexible screen|
|Shooting Specs||Nikon B500||Sony A99 II|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||7.4 shutter flaps/s||12 shutter flaps/s|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||UHS-I|
|Connectivity Specs||Nikon B500||Sony A99 II|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Nikon B500||Sony A99 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||600 shots per charge||490 shots per charge|
114 x 78 x 95 mm
(4.5 x 3.1 x 3.7 in)
143 x 104 x 76 mm
(5.6 x 4.1 x 3.0 in)
|Camera Weight||541 g (19.1 oz)||849 g (29.9 oz)|
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