Nikon B500 vs Olympus E-500
The Nikon Coolpix B500 and the Olympus Evolt E-500 are two digital cameras that were announced, respectively, in January 2016 and September 2005. The B500 is a fixed lens compact, while the E-500 is a DSLR. The cameras are based on a 1/2.3-inch (B500) and a Four Thirds (E-500) sensor. The Nikon has a resolution of 15.9 megapixels, whereas the Olympus provides 8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Coolpix B500 and the Olympus Evolt E-500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon B500 and the Olympus E-500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The B500 can be obtained in two different colors (black, red), while the E-500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-500 is notably larger (39 percent) than the Nikon B500. In this context, it is worth noting that neither the B500 nor the E-500 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the B500 has a lens built in, whereas the E-500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-500 and their specifications in the Four Thirds Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon B500||114 mm||78 mm||95 mm||541 g||600||n||Jan 2016||299||ebay.com|
|2.||Olympus E-500||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599||ebay.com|
|3.||Nikon B600||122 mm||82 mm||99 mm||500 g||280||n||Jan 2019||349||amazon.com|
|4.||Nikon A1000||114 mm||72 mm||41 mm||330 g||250||n||Jan 2019||429||amazon.com|
|5.||Nikon P1000||146 mm||119 mm||181 mm||1415 g||250||n||Jul 2018||999||amazon.com|
|6.||Nikon W300||112 mm||66 mm||29 mm||231 g||280||Y||May 2017||389||amazon.com|
|7.||Nikon B700||125 mm||85 mm||107 mm||565 g||350||n||Feb 2016||499||ebay.com|
|8.||Nikon P900||140 mm||103 mm||137 mm||899 g||360||n||Mar 2015||599||ebay.com|
|9.||Nikon L840||113 mm||78 mm||96 mm||538 g||590||n||Feb 2015||299||ebay.com|
|10.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699||ebay.com|
|11.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799||ebay.com|
|12.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999||ebay.com|
|13.||Olympus E-400||130 mm||91 mm||53 mm||435 g||500||n||Sep 2006||699||ebay.com|
|14.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799||ebay.com|
|15.||Panasonic FZ80||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399||amazon.com|
|16.||Sony HX80||102 mm||58 mm||36 mm||245 g||390||n||Mar 2016||349||ebay.com|
|17.||Sony H200||123 mm||83 mm||87 mm||530 g||240||n||Jan 2013||249||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The B500 was launched at a lower price than the E-500, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon B500 features a 1/2.3-inch sensor and the Olympus E-500 a Four Thirds sensor. The sensor area in the E-500 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the Nikon B500 offers a higher resolution of 15.9 megapixels, compared with 8 MP of the Olympus E-500. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.33μm versus 5.30μm for the E-500). However, it should be noted that the B500 is much more recent (by 10 years and 3 months) than the E-500, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the B500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon B500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the B500 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Olympus E-500 are 16.3 x 12.2 inches or 41.5 x 31.1 cm for good quality, 13.1 x 9.8 inches or 33.2 x 24.9 cm for very good quality, and 10.9 x 8.2 inches or 27.6 x 20.7 cm for excellent quality prints.
The Nikon Coolpix B500 has a native sensitivity range from ISO 80 to ISO 6400. The corresponding ISO settings for the Olympus Evolt E-500 are ISO 100 to ISO 400, with the possibility to increase the ISO range to 100-1600.
In terms of underlying technology, the B500 is build around a BSI-CMOS sensor, while the E-500 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Olympus E-500||Four Thirds||8.0||3264||2448||none||20.7||10.3||45||51|
|10.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|11.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|12.||Olympus E-330||Four Thirds||7.4||3136||2352||none||20.8||10.4||73||52|
|13.||Olympus E-400||Four Thirds||10.0||3648||2736||none||21.0||10.6||127||53|
|14.||Olympus E-300||Four Thirds||8.0||3264||2448||none||20.4||10.1||-40||48|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The B500 indeed provides movie recording capabilities, while the E-500 does not. The highest resolution format that the B500 can use is 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-500 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the B500 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Nikon B500, the Olympus E-500, and comparable cameras.
|1.||Nikon B500||none||n||3.0 / 921||tilting||n||1/4000s||7.4/s||Y||Y|
|2.||Olympus E-500||optical||n||2.5 / 215||fixed||n||1/4000s||2.5/s||Y||n|
|3.||Nikon B600||none||n||3.0 / 921||fixed||n||1/4000s||7.4/s||Y||Y|
|4.||Nikon A1000||1166||n||3.0 / 1036||tilting||Y||1/4000s||7.0/s||Y||Y|
|5.||Nikon P1000||2359||n||3.2 / 921||swivel||n||1/4000s||7.0/s||Y||Y|
|6.||Nikon W300||none||n||3.0 / 921||fixed||n||1/4000s||7.0/s||Y||Y|
|7.||Nikon B700||921||n||3.0 / 921||swivel||n||1/4000s||5.0/s||Y||Y|
|8.||Nikon P900||921||n||3.0 / 921||swivel||n||1/4000s||7.0/s||Y||Y|
|9.||Nikon L840||none||n||3.0 / 921||tilting||n||1/4000s||7.4/s||Y||Y|
|10.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|11.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||Y|
|12.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0/s||Y||n|
|13.||Olympus E-400||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|14.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5/s||Y||n|
|15.||Panasonic FZ80||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0/s||Y||Y|
|16.||Sony HX80||638||n||3.0 / 922||tilting||n||1/2000s||10.0/s||Y||Y|
|17.||Sony H200||none||n||3.0 / 460||fixed||n||1/1500s||0.8/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The B500 writes its imaging data to SDXC cards, while the E-500 uses Compact Flash or xD Picture cards. The E-500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the B500 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Coolpix B500 and Olympus Evolt E-500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon B500||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|2.||Olympus E-500||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Nikon B600||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Nikon A1000||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|5.||Nikon P1000||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Nikon W300||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|7.||Nikon B700||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|8.||Nikon P900||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|9.||Nikon L840||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|10.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-400||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Panasonic FZ80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Sony HX80||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony H200||-||mono / mono||-||-||-||2.0||-||-||-|
It is notable that the B500 offers wifi support, while the E-500 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the B500 and the E-500 have been discontinued, but can regularly be found used on ebay. The E-500 was replaced by the Olympus E-510, while the B500 was followed by the Nikon B600. Further information on the features and operation of the B500 and E-500 can be found, respectively, in the Nikon B500 Manual (free pdf) or the online Olympus E-500 Manual.
So what conclusions can be drawn? Which of the two cameras – the Nikon B500 or the Olympus E-500 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon Coolpix B500:
- More detail: Offers more megapixels (15.9 vs 8MP) with a 41% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can record not only still images but also 1080/60i movies.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 215k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (7.4 vs 2.5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with a built-in lens, while the E-500 requires a separate lens.
- More compact: Is smaller (114x78mm vs 130x95mm) and thus needs less room in the bag.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 10 years and 3 months of technical progress since the E-500 launch.
Reasons to prefer the Olympus Evolt E-500:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (750 versus 600) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in September 2005).
If the number of relative strengths (bullet points above) is taken as a guide, the B500 is the clear winner of the match-up (15 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon B500 and the Olympus E-500 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the B500 and the E-500 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon B500||..||+||..||..||4/5||3.5/5||Jan 2016||299||ebay.com|
|2.||Olympus E-500||..||76/100||..||+ +||..||..||Sep 2005||599||ebay.com|
|3.||Nikon B600||..||+||..||..||3.5/5||3/5||Jan 2019||349||amazon.com|
|4.||Nikon A1000||..||+ +||3.5/5||..||3.5/5||3/5||Jan 2019||429||amazon.com|
|5.||Nikon P1000||..||+||3.5/5||73/100||3.5/5||3.5/5||Jul 2018||999||amazon.com|
|6.||Nikon W300||..||+||..||..||4/5||4/5||May 2017||389||amazon.com|
|7.||Nikon B700||..||+||..||..||4/5||4/5||Feb 2016||499||ebay.com|
|8.||Nikon P900||..||..||..||77/100||4/5||4/5||Mar 2015||599||ebay.com|
|9.||Nikon L840||..||+ +||..||..||3.5/5||4/5||Feb 2015||299||ebay.com|
|10.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699||ebay.com|
|11.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799||ebay.com|
|12.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999||ebay.com|
|13.||Olympus E-400||..||85/100||..||..||4/5||4/5||Sep 2006||699||ebay.com|
|14.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799||ebay.com|
|15.||Panasonic FZ80||..||+ +||..||..||4.5/5||4.5/5||Jan 2017||399||amazon.com|
|16.||Sony HX80||..||..||..||..||..||..||Mar 2016||349||ebay.com|
|17.||Sony H200||..||..||..||..||3.5/5||3.5/5||Jan 2013||249||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D Mark II vs Olympus E-500
- Canon G9 X Mark II vs Olympus E-500
- Canon M100 vs Olympus E-500
- Canon T4i vs Nikon B500
- Canon XSi vs Olympus E-500
- Fujifilm GFX 50S vs Nikon B500
- Fujifilm X-H1 vs Olympus E-500
- Fujifilm X100F vs Nikon B500
- Nikon B500 vs Olympus E-PM1
- Nikon B500 vs Panasonic GX9
- Nikon B500 vs Sony A850
- Olympus E-500 vs Olympus Stylus 1
Specifications: Nikon B500 vs Olympus E-500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon B500||Olympus E-500|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||22.5-900mm f/3.0-6.5||Four Thirds lenses|
|Launch Date||January 2016||September 2005|
|Launch Price||USD 299||USD 599|
|Sensor Specs||Nikon B500||Olympus E-500|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||15.9 Megapixels||8 Megapixels|
|Image Resolution||4608 x 3456 pixels||3264 x 2448 pixels|
|Pixel Pitch||1.33 μm||5.30 μm|
|Pixel Density||56.73 MP/cm2||3.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||no Video|
|ISO Setting||80 - 6,400 ISO||100 - 400 ISO|
|ISO Boost||no Enhancement||100 - 1,600 ISO|
|Screen Specs||Nikon B500||Olympus E-500|
|Viewfinder Type||no viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%|
|LCD Framing||Live View|
|Rear LCD Size||3.0inch||2.5inch|
|LCD Resolution||921k dots||215k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Nikon B500||Olympus E-500|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Continuous Shooting||7.4 shutter flaps/s||2.5 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|Connectivity Specs||Nikon B500||Olympus E-500|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Nikon B500||Olympus E-500|
|Battery Life (CIPA)||600 shots per charge||750 shots per charge|
114 x 78 x 95 mm
(4.5 x 3.1 x 3.7 in)
130 x 95 x 66 mm
(5.1 x 3.7 x 2.6 in)
|Camera Weight||541 g (19.1 oz)||479 g (16.9 oz)|
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