Nikon 1 V3 vs Sony A7R II
The Nikon 1 V3 and the Sony Alpha A7R II are two digital cameras that were announced, respectively, in March 2014 and June 2015. Both the V3 and the A7R II are mirrorless interchangeable lens cameras that are based on an one-inch (V3) and a full frame (A7R II) sensor. The Nikon has a resolution of 18.2 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon 1 V3||Sony A7R II|
|Mirrorless system camera||Mirrorless system camera|
|Nikon 1 mount lenses||Sony E mount lenses|
|18.2 MP, 1" Sensor||42.2 MP, Full Frame Sensor|
|1080/60p Video||4K/30p Video|
|ISO 160-12800||ISO 100-25600 (50-102400)|
|Viewfinder optional||Electronic viewfinder (2400k dots)|
|3.0" LCD, 1037k dots||3.0" LCD, 1229k dots|
|Tilting touchscreen||Tilting screen (not touch-sensitive)|
|60 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|310 shots per battery charge||290 shots per battery charge|
|111 x 65 x 33 mm, 381 g||127 x 96 x 60 mm, 625 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 V3 and the Sony Alpha A7R II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon 1 V3 and the Sony A7R II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R II is considerably larger (69 percent) than the Nikon 1 V3. Moreover, the A7R II is substantially heavier (64 percent) than the V3. It is noteworthy in this context that the A7R II is splash and dust-proof, while the V3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the A7R II can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Nikon 1 V3»||4.4 in||2.6 in||1.3 in||13.4 oz||310||n||Mar 2014||799||Nikon 1 V3|
|Sony A7R II«||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||Sony A7R II|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||Canon G7 X Mark II|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799||Canon G5 X|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||Canon G9 X|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||Canon G7 X|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||Fujifilm X-T10|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||Nikon D5500|
|Nikon 1 J5« »||3.9 in||2.4 in||1.3 in||8.1 oz||250||n||Apr 2015||399||Nikon 1 J5|
|Nikon 1 J4« »||3.9 in||2.4 in||1.1 in||8.2 oz||300||n||Apr 2014||549||Nikon 1 J4|
|Nikon 1 V2« »||4.3 in||3.2 in||1.8 in||9.8 oz||310||n||Oct 2012||799||Nikon 1 V2|
|Nikon 1 V1« »||4.4 in||3.0 in||1.7 in||13.5 oz||350||n||Sep 2011||799||Nikon 1 V1|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||Sony A7R|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The V3 was launched at a markedly lower price (by 75 percent) than the A7R II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon 1 V3 features an one-inch sensor and the Sony A7R II a full frame sensor. The sensor area in the A7R II is 643 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A7R II offers a higher resolution than the V3 (18.2MP), but the A7R II nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 2.52μm for the V3) due to its larger sensor. Moreover, the A7R II is a somewhat more recent model (by 1 year and 2 months) than the V3, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A7R II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inch or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inch or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inch or 67.3 x 44.9 cm. The corresponding values for the Nikon 1 V3 are 26.2 x 17.4 inch or 66.4 x 44.3 cm for good quality, 20.9 x 14 inch or 53.2 x 35.4 cm for very good quality, and 17.4 x 11.6 inch or 44.3 x 29.5 cm for excellent quality prints.
The Nikon 1 V3 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Sony Alpha A7R II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7R II offers substantially better image quality than the V3 (overall score 46 points higher). The advantage is based on 5.2 bits higher color depth, 3.2 EV in additional dynamic range, and 3.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Nikon 1 V3||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||384||52||Nikon 1 V3|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..||Canon G7 X Mark II|
|Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..||Canon G5 X|
|Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63||Canon G9 X|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Fujifilm X-T10||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-T10|
|Nikon D5500||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Nikon 1 J5||1-inch||20.7||5568||3712||4K/15p||21.1||12.0||479||65||Nikon 1 J5|
|Nikon 1 J4||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||426||53||Nikon 1 J4|
|Nikon 1 V2||1-inch||14.2||4608||3072||1080/60p||20.2||10.8||403||50||Nikon 1 V2|
|Nikon 1 V1||1-inch||10.0||3872||2592||1080/60i||21.3||11||346||54||Nikon 1 V1|
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7R II provides a better video resolution than the V3. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7R II has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the V3 relies on live view and the rear LCD for framing. That said, the V3 can be equipped with an optional viewfinder – the DF-N1000. The following table reports on some other key feature differences and similarities of the Nikon 1 V3, the Sony A7R II, and comparable cameras.
|Nikon 1 V3||optional||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n||Nikon 1 V3|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y||Canon G5 X|
|Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y||Canon G9 X|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Fujifilm X-T10||2360||n||3.0||920||tilting||n||1/4000s||8.0||Y||n||Fujifilm X-T10|
|Nikon D5500||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Nikon 1 J5||none||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n||Nikon 1 J5|
|Nikon 1 J4||none||n||3.0||1037||Fixed||Y||1/4000s||60.0||Y||n||Nikon 1 J4|
|Nikon 1 V2||1440||n||3.0||921||fixed||n||1/4000s||15.0||Y||n||Nikon 1 V2|
|Nikon 1 V1||1440||n||3.0||921||fixed||n||1/4000s||10.0||n||n||Nikon 1 V1|
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A9||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7R||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
One difference between the cameras concerns the presence of an on-board flash. The V3 has one, while the A7R II does not. While the built-in flash of the V3 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon 1 V3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The V3 writes its imaging data to micro SDXC cards, while the A7R II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 V3 and Sony Alpha A7R II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon 1 V3||-||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon 1 V3|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G9 X|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Fujifilm X-T10||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Nikon D5500||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Nikon 1 J5||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon 1 J5|
|Nikon 1 J4||-||stereo||mono||-||-||mini||2.0||Y||-||-||Nikon 1 J4|
|Nikon 1 V2||-||stereo||mono||-||-||mini||2.0||-||-||-||Nikon 1 V2|
|Nikon 1 V1||-||stereo||mono||-||-||mini||2.0||-||-||-||Nikon 1 V1|
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A9||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7R||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
It is notable that the A7R II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The V3 lacks such a headphone port.
Both the V3 and the A7R II have been discontinued, but can regularly be found used on eBay. The A7R II was replaced by the Sony Alpha A7R III, while the V3 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Nikon 1 V3 and the Sony A7R II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Nikon 1 V3:
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (60 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (111x65mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 244g or 39 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in March 2014).
Arguments in favor of the Sony Alpha A7R II:
- More detail: Has more megapixels (42.2 vs 18.2MP), which boosts linear resolution by 52%.
- Better image quality: Scores substantially higher (46 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (5.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3.2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (3.2 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1037k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Was introduced somewhat (1 year and 2 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the A7R II is the clear winner of the contest (15 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon 1 V3 and the Sony A7R II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the V3 or the A7R II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 300D vs Sony A7R II
- Canon 5D Mark IV vs Sony A7R II
- Canon 750D vs Nikon 1 V3
- Canon M6 Mark II vs Sony A7R II
- Fujifilm GFX 50S vs Nikon 1 V3
- Leica S-E Typ 006 vs Sony A7R II
- Nikon 1 V3 vs Nikon D4
- Nikon 1 V3 vs Panasonic FZ1000
- Nikon D3 vs Sony A7R II
- Olympus E-PL2 vs Sony A7R II
- Sony A6300 vs Sony A7R II
- Sony A7R II vs Sony NEX-7
Specifications: Nikon 1 V3 vs Sony A7R II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon 1 V3||Sony A7R II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Nikon 1 mount lenses||Sony E mount lenses|
|Launch Date||March 2014||June 2015|
|Launch Price||USD 799||USD 3199|
|Sensor Specs||Nikon 1 V3||Sony A7R II|
|Sensor Format||1" Sensor||Full Frame Sensor|
|Sensor Size||13.2 x 8.8 mm||35.9 x 24.0 mm|
|Sensor Area||116.16 mm2||861.6 mm2|
|Sensor Diagonal||15.9 mm||43.2 mm|
|Sensor Resolution||18.2 Megapixels||42.2 Megapixels|
|Image Resolution||5232 x 3488 pixels||7952 x 5304 pixels|
|Pixel Pitch||2.52 μm||4.52 μm|
|Pixel Density||15.71 MP/cm2||4.90 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||160-12800 ISO||100-25600 ISO|
|ISO Boost||no Enhancement||50-102400 ISO|
|Image Processor||EXPEED 4||BIONZ X|
|DXO Sensor Quality (score)||52||98|
|DXO Color Depth (bits)||20.8||26.0|
|DXO Dynamic Range (EV)||10.7||13.9|
|DXO Low Light (ISO)||384||3434|
|Screen Specs||Nikon 1 V3||Sony A7R II|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1037k dots||1229k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Nikon 1 V3||Sony A7R II|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||60 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||micro or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Nikon 1 V3||Sony A7R II|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon 1 V3||Sony A7R II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||310 shots per charge||290 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
111 x 65 x 33 mm
(4.4 x 2.6 x 1.3 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||381 g (13.4 oz)||625 g (22.0 oz)|
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