Nikon 1 V3 vs Olympus E-M5 II
The Nikon 1 V3 and the Olympus OM-D E-M5 Mark II are two digital cameras that were officially introduced, respectively, in March 2014 and February 2015. Both the V3 and the E-M5 II are mirrorless interchangeable lens cameras that are based on an one-inch (V3) and a Four Thirds (E-M5 II) sensor. The Nikon has a resolution of 18.2 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon 1 V3||Olympus E-M5 II|
|Mirrorless system camera||Mirrorless system camera|
|Nikon 1 mount lenses||Micro Four Thirds lenses|
|18.2 MP, 1" Sensor||15.9 MP, Four Thirds Sensor|
|1080/60p Video||1080/60p Video|
|ISO 160-12800||ISO 200-25600|
|Viewfinder optional||Electronic viewfinder (2360k dots)|
|3.0" LCD, 1037k dots||3.0" LCD, 1037k dots|
|Tilting touchscreen||Swivel touchscreen|
|60 shutter flaps per second||10 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|310 shots per battery charge||310 shots per battery charge|
|111 x 65 x 33 mm, 381 g||124 x 85 x 45 mm, 469 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 V3 and the Olympus OM-D E-M5 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon 1 V3 and the Olympus E-M5 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The E-M5 II can be obtained in two different colors (black, silver), while the V3 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is considerably larger (46 percent) than the Nikon 1 V3. Moreover, the E-M5 II is markedly heavier (23 percent) than the V3. It is noteworthy in this context that the E-M5 II is splash and dust-proof, while the V3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Nikon 1 V3»||4.4 in||2.6 in||1.3 in||13.4 oz||310||n||Mar 2014||799||Nikon 1 V3|
|Olympus E-M5 II«||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||Canon G7 X Mark II|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799||Canon G5 X|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||Canon G9 X|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||Canon G7 X|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||Fujifilm X-T10|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||Nikon D5500|
|Nikon 1 J5« »||3.9 in||2.4 in||1.3 in||8.1 oz||250||n||Apr 2015||399||Nikon 1 J5|
|Nikon 1 J4« »||3.9 in||2.4 in||1.1 in||8.2 oz||300||n||Apr 2014||549||Nikon 1 J4|
|Nikon 1 V2« »||4.3 in||3.2 in||1.8 in||9.8 oz||310||n||Oct 2012||799||Nikon 1 V2|
|Nikon 1 V1« »||4.4 in||3.0 in||1.7 in||13.5 oz||350||n||Sep 2011||799||Nikon 1 V1|
|Olympus E-M5 III« »||4.9 in||3.3 in||2.0 in||14.6 oz||310||Y||Oct 2019||1,199||Olympus E-M5 III|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649||Olympus E-M10 II|
|Olympus E-M10« »||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699||Olympus E-M10|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||Olympus E-M1|
|Olympus E-M5« »||4.8 in||3.5 in||1.7 in||15.0 oz||360||Y||Feb 2012||1,299||Olympus E-M5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The V3 was launched at a markedly lower price (by 27 percent) than the E-M5 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon 1 V3 features an one-inch sensor and the Olympus E-M5 II a Four Thirds sensor. The sensor area in the E-M5 II is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the V3 has a native 3:2 aspect ratio, while the one in the E-M5 II offers a 4:3 aspect.
Despite having a smaller sensor, the Nikon 1 V3 offers a higher resolution of 18.2 megapixels, compared with 15.9 MP of the Olympus E-M5 II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.52μm versus 3.76μm for the E-M5 II). Moreover, it should be noted that the E-M5 II is a somewhat more recent model (by 10 months) than the V3, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the V3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon 1 V3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the V3 for good quality output (200 dots per inch) amounts to 26.2 x 17.4 inch or 66.4 x 44.3 cm, for very good quality (250 dpi) 20.9 x 14 inch or 53.2 x 35.4 cm, and for excellent quality (300 dpi) 17.4 x 11.6 inch or 44.3 x 29.5 cm. The corresponding values for the Olympus E-M5 II are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The V3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the V3, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon 1 V3 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Olympus OM-D E-M5 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the E-M5 II offers substantially better image quality than the V3 (overall score 21 points higher). The advantage is based on 2.2 bits higher color depth, 1.8 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Nikon 1 V3||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||384||52||Nikon 1 V3|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..||Canon G7 X Mark II|
|Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..||Canon G5 X|
|Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63||Canon G9 X|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Fujifilm X-T10||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-T10|
|Nikon D5500||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Nikon 1 J5||1-inch||20.7||5568||3712||4K/15p||21.1||12.0||479||65||Nikon 1 J5|
|Nikon 1 J4||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||426||53||Nikon 1 J4|
|Nikon 1 V2||1-inch||14.2||4608||3072||1080/60p||20.2||10.8||403||50||Nikon 1 V2|
|Nikon 1 V1||1-inch||10.0||3872||2592||1080/60i||21.3||11||346||54||Nikon 1 V1|
|Olympus E-M5 III||Four Thirds||20.2||5184||3888||4k/24p||..||..||..||..||Olympus E-M5 III|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71||Olympus E-M5|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-M5 II has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the V3 relies on live view and the rear LCD for framing. That said, the V3 can be equipped with an optional viewfinder – the DF-N1000. The table below summarizes some of the other core capabilities of the Nikon 1 V3 and Olympus E-M5 II in connection with corresponding information for a sample of similar cameras.
|Nikon 1 V3||optional||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n||Nikon 1 V3|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y||Canon G5 X|
|Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y||Canon G9 X|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Fujifilm X-T10||2360||n||3.0||920||tilting||n||1/4000s||8.0||Y||n||Fujifilm X-T10|
|Nikon D5500||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Nikon 1 J5||none||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n||Nikon 1 J5|
|Nikon 1 J4||none||n||3.0||1037||Fixed||Y||1/4000s||60.0||Y||n||Nikon 1 J4|
|Nikon 1 V2||1440||n||3.0||921||fixed||n||1/4000s||15.0||Y||n||Nikon 1 V2|
|Nikon 1 V1||1440||n||3.0||921||fixed||n||1/4000s||10.0||n||n||Nikon 1 V1|
|Olympus E-M5 III||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 III|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-M10||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Olympus E-M1||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Olympus E-M5||1440||n||3.0||610||tilting||Y||1/4000s||9.0||n||Y||Olympus E-M5|
One difference between the cameras concerns the presence of an on-board flash. The V3 has one, while the E-M5 II does not. While the built-in flash of the V3 is not very powerful, it can at times be useful as a fill-in light.The E-M5 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the V3 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon 1 V3 and the Olympus E-M5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The V3 writes its imaging data to micro SDXC cards, while the E-M5 II uses SDXC cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the V3 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 V3 and Olympus OM-D E-M5 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon 1 V3||-||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon 1 V3|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G9 X|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Fujifilm X-T10||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Nikon D5500||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Nikon 1 J5||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon 1 J5|
|Nikon 1 J4||-||stereo||mono||-||-||mini||2.0||Y||-||-||Nikon 1 J4|
|Nikon 1 V2||-||stereo||mono||-||-||mini||2.0||-||-||-||Nikon 1 V2|
|Nikon 1 V1||-||stereo||mono||-||-||mini||2.0||-||-||-||Nikon 1 V1|
|Olympus E-M5 III||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Olympus E-M5 III|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-M10||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-M1||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Olympus E-M5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-M5|
It is notable that the E-M5 II has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The V3 does not feature such an accessory-socket.
Studio photographers will appreciate that the Olympus E-M5 II (unlike the V3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the V3 and the E-M5 II have been discontinued, but can regularly be found used on eBay. The E-M5 II was replaced by the Olympus E-M5 III, while the V3 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Olympus websites.
So what is the bottom line? Which of the two cameras – the Nikon 1 V3 or the Olympus E-M5 II – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon 1 V3:
- More detail: Offers more megapixels (18.2 vs 15.9MP) with a 9% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Faster burst: Shoots at higher frequency (60 vs 10 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (111x65mm vs 124x85mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 88g or 19 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (27 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in March 2014).
Advantages of the Olympus OM-D E-M5 Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (21 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.1 stops ISO advantage).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (10 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the E-M5 II is the clear winner of the contest (16 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon 1 V3 and the Olympus E-M5 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the V3 or the E-M5 II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1200D vs Nikon 1 V3
- Canon 2000D vs Olympus E-M5 II
- Canon 7D II vs Nikon 1 V3
- Canon M200 vs Olympus E-M5 II
- Nikon 1 V3 vs Nikon D5200
- Nikon 1 V3 vs Olympus E-410
- Nikon 1 V3 vs Olympus E-PL1
- Nikon 1 V3 vs Sony WX800
- Nikon D610 vs Olympus E-M5 II
- Olympus E-M5 II vs Olympus E-PL5
- Olympus E-M5 II vs Panasonic TZ90
- Olympus E-M5 II vs Pentax 645Z
Specifications: Nikon 1 V3 vs Olympus E-M5 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon 1 V3||Olympus E-M5 II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Nikon 1 mount lenses||Micro Four Thirds lenses|
|Launch Date||March 2014||February 2015|
|Launch Price||USD 799||USD 1099|
|Sensor Specs||Nikon 1 V3||Olympus E-M5 II|
|Sensor Format||1" Sensor||Four Thirds Sensor|
|Sensor Size||13.2 x 8.8 mm||17.3 x 13.0 mm|
|Sensor Area||116.16 mm2||224.9 mm2|
|Sensor Diagonal||15.9 mm||21.6 mm|
|Sensor Resolution||18.2 Megapixels||15.9 Megapixels|
|Image Resolution||5232 x 3488 pixels||4608 x 3456 pixels|
|Pixel Pitch||2.52 μm||3.76 μm|
|Pixel Density||15.71 MP/cm2||7.08 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||160-12800 ISO||200-25600 ISO|
|ISO Boost||no Enhancement||100-25600 ISO|
|Image Processor||EXPEED 4||TruePic VII|
|DXO Sensor Quality (score)||52||73|
|DXO Color Depth (bits)||20.8||23.0|
|DXO Dynamic Range (EV)||10.7||12.5|
|DXO Low Light (ISO)||384||842|
|Screen Specs||Nikon 1 V3||Olympus E-M5 II|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1037k dots||1037k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Nikon 1 V3||Olympus E-M5 II|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||60 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||micro or SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Nikon 1 V3||Olympus E-M5 II|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Nikon 1 V3||Olympus E-M5 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||310 shots per charge||310 shots per charge|
111 x 65 x 33 mm
(4.4 x 2.6 x 1.3 in)
124 x 85 x 45 mm
(4.9 x 3.3 x 1.8 in)
|Camera Weight||381 g (13.4 oz)||469 g (16.5 oz)|
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