Nikon 1 V1 vs Sony A99 II
The Nikon 1 V1 and the Sony Alpha ALT-A99 II are two digital cameras that were revealed to the public, respectively, in September 2011 and September 2016. The V1 is a mirrorless interchangeable lens camera, while the A99 II is a DSLR. The cameras are based on an one-inch (V1) and a full frame (A99 II) sensor. The Nikon has a resolution of 10 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 V1 and the Sony Alpha ALT-A99 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon 1 V1 and the Sony A99 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 II is considerably larger (73 percent) than the Nikon 1 V1. Moreover, the A99 II is substantially heavier (122 percent) than the V1. It is noteworthy in this context that the A99 II is splash and dust-proof, while the V1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon 1 V1||4.4 in||3.0 in||1.7 in||13.5 oz||350||n||Sep 2011||799|
|Sony A99 II||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199|
|Canon 5DS R||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon G15||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499|
|Fujifilm X10||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599|
|Nikon D850||5.7 in||4.9 in||3.1 in||35.5 oz||1840||Y||Jul 2017||3,299|
|Nikon 1 J5||3.9 in||2.4 in||1.3 in||8.1 oz||250||n||Apr 2015||399|
|Nikon 1 V3||4.4 in||2.6 in||1.3 in||13.4 oz||310||n||Mar 2014||799|
|Nikon 1 J4||3.9 in||2.4 in||1.1 in||8.2 oz||300||n||Apr 2014||549|
|Nikon 1 V2||4.3 in||3.2 in||1.8 in||9.8 oz||310||n||Oct 2012||799|
|Olympus E-P3||4.8 in||2.7 in||1.3 in||13.0 oz||330||n||Jun 2011||799|
|Panasonic GX1||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||699|
|Panasonic G10||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499|
|Panasonic G2||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599|
|Sony A7R II||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199|
|Sony A7S II||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999|
|Sony A99||5.8 in||4.4 in||3.1 in||28.6 oz||500||Y||Sep 2012||2,799|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The V1 was launched at a markedly lower price (by 75 percent) than the A99 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon 1 V1 features an one-inch sensor and the Sony A99 II a full frame sensor. The sensor area in the A99 II is 643 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A99 II offers a higher resolution than the V1 (10MP), but the A99 II nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 3.41μm for the V1) due to its larger sensor. Moreover, the A99 II is a much more recent model (by 5 years) than the V1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A99 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A99 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A99 II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Nikon 1 V1 are 19.4 x 13 inches or 49.2 x 32.9 cm for good quality, 15.5 x 10.4 inches or 39.3 x 26.3 cm for very good quality, and 12.9 x 8.6 inches or 32.8 x 21.9 cm for excellent quality prints.
The A99 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon 1 V1 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Alpha ALT-A99 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A99 II offers substantially better image quality than the V1 (overall score 38 points higher). The advantage is based on 4.1 bits higher color depth, 2.4 EV in additional dynamic range, and 2.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Nikon 1 V1||1-inch||10.0||3872||2592||1080/60i||21.3||11||346||54|
|Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|Nikon 1 J5||1-inch||20.7||5568||3712||4K/15p||21.1||12.0||479||65|
|Nikon 1 V3||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||384||52|
|Nikon 1 J4||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||426||53|
|Nikon 1 V2||1-inch||14.2||4608||3072||1080/60p||20.2||10.8||403||50|
|Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A99 II provides a better video resolution than the V1. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A99 II offers a substantially higher resolution than the one in the V1 (2400k vs 1440k dots). The adjacent table lists some of the other core features of the Nikon 1 V1 and Sony A99 II along with similar information for a selection of comparators.
|Nikon 1 V1||1440||n||3.0||921||fixed||n||1/4000s||10.0||n||n|
|Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|Nikon 1 J5||none||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n|
|Nikon 1 V3||optional||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n|
|Nikon 1 J4||none||n||3.0||1037||Fixed||Y||1/4000s||60.0||Y||n|
|Nikon 1 V2||1440||n||3.0||921||fixed||n||1/4000s||15.0||Y||n|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
One feature that differentiates the A99 II and the V1 is in-body image stabilization (IBIS). The A99 II reduces the risk of handshake-induced blur with all attached lenses, while the V1 offers no blur reduction with lenses that themselves do not provide optical image stabilization.The A99 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the V1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the V1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon 1 V1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The V1 writes its imaging data to SDXC cards, while the A99 II uses SDXC or Memory Stick PRO Duo cards. The A99 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the V1 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 V1 and Sony Alpha ALT-A99 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Nikon 1 V1||-||stereo||mono||-||-||mini||2.0||-||-||-|
|Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|Nikon 1 J5||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Nikon 1 V3||-||stereo||mono||Y||-||mini||2.0||Y||-||-|
|Nikon 1 J4||-||stereo||mono||-||-||mini||2.0||Y||-||-|
|Nikon 1 V2||-||stereo||mono||-||-||mini||2.0||-||-||-|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A99 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the V1 does not provide wifi capability.
Studio photographers will appreciate that the Sony A99 II (unlike the V1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A99 II is a recent model that features in the current product line-up of Sony. In contrast, the V1 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the V1 was succeeded by the Nikon 1 V2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So how do things add up? Is there a clear favorite between the Nikon 1 V1 and the Sony A99 II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Nikon 1 V1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (113x76mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 466g or 55 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2011).
Advantages of the Sony Alpha ALT-A99 II:
- More detail: Has more megapixels (42.2 vs 10MP), which boosts linear resolution by 105%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (38 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (4.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.4 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.7 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2400k vs 1440k dots).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 921k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (490 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 5 years of technical progress since the V1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A99 II is the clear winner of the contest (27 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon 1 V1 and the Sony A99 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the V1 or the A99 II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon 1 V1||+||69/100||4.5/5||4.5/5||4/5||Sep 2011||799|
|Sony A99 II||..||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199|
|Canon 5DS R||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon G15||+||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499|
|Fujifilm X10||..||76/100||4/5||3.5/5||4.5/5||Sep 2011||599|
|Nikon D850||+ +||89/100||4.5/5||5/5||5/5||Jul 2017||3,299|
|Nikon 1 J5||..||..||4.5/5||4/5||4.5/5||Apr 2015||399|
|Nikon 1 V3||..||76/100||4.5/5||3/5||4/5||Mar 2014||799|
|Nikon 1 J4||..||..||4.5/5||..||4/5||Apr 2014||549|
|Nikon 1 V2||..||..||4.5/5||..||4/5||Oct 2012||799|
|Olympus E-P3||83/100||74/100||4.5/5||4.5/5||4.5/5||Jun 2011||799|
|Panasonic GX1||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699|
|Panasonic G10||..||70/100||4/5||..||4/5||Mar 2010||499|
|Panasonic G2||..||72/100||4/5||4/5||4.5/5||Mar 2010||599|
|Sony A7R II||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199|
|Sony A7S II||+||..||4.5/5||5/5||5/5||Sep 2015||2,999|
|Sony A99||..||84/100||4.5/5||o||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1000D vs Nikon 1 V1
- Canon 1Ds Mark II vs Nikon 1 V1
- Canon 20D vs Nikon 1 V1
- Canon 5DS R vs Sony A99 II
- Canon G7 X Mark III vs Sony A99 II
- Canon SX540 vs Sony A99 II
- Fujifilm X-T20 vs Sony A99 II
- Nikon 1 V1 vs Nikon L840
- Nikon 1 V1 vs Nikon W300
- Nikon 1 V1 vs Olympus E-500
- Panasonic FZ330 vs Sony A99 II
- Pentax 645D vs Sony A99 II
Specifications: Nikon 1 V1 vs Sony A99 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon 1 V1||Sony A99 II|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Nikon 1 mount lenses||Sony A mount lenses|
|Launch Date||September 2011||September 2016|
|Launch Price||USD 799||USD 3,199|
|Sensor Specs||Nikon 1 V1||Sony A99 II|
|Sensor Format||1" Sensor||Full Frame Sensor|
|Sensor Size||13.2 x 8.8 mm||35.9 x 24.0 mm|
|Sensor Area||116.16 mm2||861.6 mm2|
|Sensor Diagonal||15.9 mm||43.2 mm|
|Sensor Resolution||10 Megapixels||42.2 Megapixels|
|Image Resolution||3872 x 2592 pixels||7952 x 5304 pixels|
|Pixel Pitch||3.41 μm||4.52 μm|
|Pixel Density||8.64 MP/cm2||4.90 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60i Video||4K/30p Video|
|ISO Setting||100 - 3,200 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 6,400 ISO||50 - 25,600 ISO|
|DXO Sensor Quality (score)||54||92|
|DXO Color Depth (bits)||21.3||25.4|
|DXO Dynamic Range (EV)||11||13.4|
|DXO Low Light (ISO)||346||2317|
|Screen Specs||Nikon 1 V1||Sony A99 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||2400k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||1229k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Nikon 1 V1||Sony A99 II|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Nikon 1 V1||Sony A99 II|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Nikon 1 V1||Sony A99 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||490 shots per charge|
113 x 76 x 44 mm
(4.4 x 3.0 x 1.7 in)
143 x 104 x 76 mm
(5.6 x 4.1 x 3.0 in)
|Camera Weight||383 g (13.5 oz)||849 g (29.9 oz)|
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