Nikon 1 V1 vs Panasonic GM5
The Nikon 1 V1 and the Panasonic Lumix DMC-GM5 are two digital cameras that were revealed to the public, respectively, in September 2011 and September 2014. Both the V1 and the GM5 are mirrorless interchangeable lens cameras that are based on an one-inch (V1) and a Four Thirds (GM5) sensor. The Nikon has a resolution of 10 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon 1 V1||Panasonic GM5|
|Mirrorless system camera||Mirrorless system camera|
|Nikon 1 mount lenses||Micro Four Thirds lenses|
|10 MP, 1" Sensor||15.8 MP, Four Thirds Sensor|
|1080/60i Video||1080/60p Video|
|ISO 100-3200 (100-6400)||ISO 200-25600|
|Electronic viewfinder (1440k dots)||Electronic viewfinder (1166k dots)|
|3.0" LCD, 921k dots||3.0" LCD, 921k dots|
|Fixed screen (not touch-sensitive)||Fixed touchscreen|
|10 shutter flaps per second||5.8 shutter flaps per second|
|350 shots per battery charge||220 shots per battery charge|
|113 x 76 x 44 mm, 383 g||99 x 60 x 36 mm, 211 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 V1 and the Panasonic Lumix DMC-GM5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon 1 V1 and the Panasonic GM5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GM5 can be obtained in two different colors (black, silver), while the V1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GM5 is considerably smaller (31 percent) than the Nikon 1 V1. Moreover, the GM5 is substantially lighter (45 percent) than the V1. In this context, it is worth noting that neither the V1 nor the GM5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon 1 V1»||4.4 in||3.0 in||1.7 in||13.5 oz||350||n||Sep 2011||799||-||Nikon 1 V1|
|Panasonic GM5«||3.9 in||2.4 in||1.4 in||7.4 oz||220||n||Sep 2014||749||-||Panasonic GM5|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||-||Canon G15|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||-||Fujifilm X10|
|Nikon 1 J5« »||3.9 in||2.4 in||1.3 in||8.1 oz||250||n||Apr 2015||399||-||Nikon 1 J5|
|Nikon 1 V3« »||4.4 in||2.6 in||1.3 in||13.4 oz||310||n||Mar 2014||799||-||Nikon 1 V3|
|Nikon 1 J4« »||3.9 in||2.4 in||1.1 in||8.2 oz||300||n||Apr 2014||549||-||Nikon 1 J4|
|Nikon 1 V2« »||4.3 in||3.2 in||1.8 in||9.8 oz||310||n||Oct 2012||799||-||Nikon 1 V2|
|Olympus E-P3« »||4.8 in||2.7 in||1.3 in||13.0 oz||330||n||Jun 2011||799||-||Olympus E-P3|
|Panasonic G7« »||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649||-||Panasonic G7|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic GM1« »||3.9 in||2.2 in||1.2 in||7.2 oz||230||n||Oct 2013||749||-||Panasonic GM1|
|Panasonic GX1« »||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||699||-||Panasonic GX1|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||-||Panasonic G2|
|Panasonic GH2« »||4.9 in||3.5 in||3.0 in||15.6 oz||330||n||Sep 2010||899||-||Panasonic GH2|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GM5 was somewhat cheaper (by 6 percent) than the V1 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon 1 V1 features an one-inch sensor and the Panasonic GM5 a Four Thirds sensor. The sensor area in the GM5 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the V1 has a native 3:2 aspect ratio, while the one in the GM5 offers a 4:3 aspect.
With 15.8MP, the GM5 offers a higher resolution than the V1 (10MP), but the GM5 nevertheless has larger individual pixels (pixel pitch of 3.77μm versus 3.41μm for the V1) due to its larger sensor. Moreover, the GM5 is a much more recent model (by 2 years and 11 months) than the V1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Panasonic GM5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GM5 for good quality output (200 dots per inch) amounts to 23 x 17.2 inch or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inch or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inch or 38.9 x 29.2 cm. The corresponding values for the Nikon 1 V1 are 19.4 x 13 inch or 49.2 x 32.9 cm for good quality, 15.5 x 10.4 inch or 39.3 x 26.3 cm for very good quality, and 12.9 x 8.6 inch or 32.8 x 21.9 cm for excellent quality prints.
The Nikon 1 V1 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Panasonic Lumix DMC-GM5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the GM5 offers substantially better image quality than the V1 (overall score 12 points higher). The advantage is based on 0.8 bits higher color depth, 0.7 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Nikon 1 V1»||1-inch||10.0||3872||2592||1080/60i||21.3||11||346||54||Nikon 1 V1|
|Panasonic GM5«||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66||Panasonic GM5|
|Canon G15« »||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Fujifilm X10« »||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Nikon 1 J5« »||1-inch||20.7||5568||3712||4K/15p||21.1||12.0||479||65||Nikon 1 J5|
|Nikon 1 V3« »||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||384||52||Nikon 1 V3|
|Nikon 1 J4« »||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||426||53||Nikon 1 J4|
|Nikon 1 V2« »||1-inch||14.2||4608||3072||1080/60p||20.2||10.8||403||50||Nikon 1 V2|
|Olympus E-P3« »||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51||Olympus E-P3|
|Panasonic G7« »||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-||Panasonic G7|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GM1« »||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66||Panasonic GM1|
|Panasonic GX1« »||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Panasonic GH2« »||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GM5 provides a faster frame rate than the V1. It can shoot movie footage at 1080/60p, while the Nikon is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the V1 offers a higher resolution than the one in the GM5 (1440k vs 1166k dots). The following table reports on some other key feature differences and similarities of the Nikon 1 V1, the Panasonic GM5, and comparable cameras.
|Nikon 1 V1»||1440||n||3.0||921||fixed||n||1/4000s||10.0||n||n||Nikon 1 V1|
|Panasonic GM5«||1166||n||3.0||921||fixed||Y||1/500s||5.8||n||n||Panasonic GM5|
|Canon G15« »||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Fujifilm X10« »||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Nikon 1 J5« »||-||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n||Nikon 1 J5|
|Nikon 1 V3« »||-||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n||Nikon 1 V3|
|Nikon 1 J4« »||-||n||3.0||1037||Fixed||Y||1/4000s||60.0||Y||n||Nikon 1 J4|
|Nikon 1 V2« »||1440||n||3.0||921||fixed||n||1/4000s||15.0||Y||n||Nikon 1 V2|
|Olympus E-P3« »||-||n||3.0||614||fixed||Y||1/4000s||3.0||Y||Y||Olympus E-P3|
|Panasonic G7« »||2360||n||3.0||1040||swivel||Y||1/4000s||7.0||Y||n||Panasonic G7|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GM1« »||-||n||3.0||1036||fixed||Y||1/500s||5.0||Y||n||Panasonic GM1|
|Panasonic GX1« »||-||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
|Panasonic G10« »||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic G2« »||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
|Panasonic GH2« »||1534||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH2|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GM5 has a touchscreen, while the V1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon 1 V1 and the Panasonic GM5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the V1 and the GM5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 V1 and Panasonic Lumix DMC-GM5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon 1 V1»||-||stereo||mono||-||-||mini||2.0||-||-||-||Nikon 1 V1|
|Panasonic GM5«||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM5|
|Canon G15« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Fujifilm X10« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Nikon 1 J5« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon 1 J5|
|Nikon 1 V3« »||-||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon 1 V3|
|Nikon 1 J4« »||-||stereo||mono||-||-||mini||2.0||Y||-||-||Nikon 1 J4|
|Nikon 1 V2« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Nikon 1 V2|
|Olympus E-P3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-P3|
|Panasonic G7« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GM1« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM1|
|Panasonic GX1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
|Panasonic G10« »||Y||mono||-||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Panasonic GH2« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
It is notable that the GM5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the V1 does not offer wifi capability.
Both the V1 and the GM5 have been discontinued, but can regularly be found used on eBay. The V1 was replaced by the Nikon 1 V2, while the GM5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what is the bottom line? Is the Nikon 1 V1 better than the Panasonic GM5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Nikon 1 V1:
- More detailed viewfinder: Has higher resolution electronic viewfinder (1440k vs 1166k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 5.8 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (350 versus 220) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in September 2011).
Arguments in favor of the Panasonic Lumix DMC-GM5:
- More detail: Has more megapixels (15.8 vs 10MP), which boosts linear resolution by 23%.
- Better image quality: Scores substantially higher (12 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.1 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More compact: Is smaller (99x60mm vs 113x76mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 172g or 45 percent) and is thus easier to take along.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Reflects 2 years and 11 months of technical progress since the V1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GM5 is the clear winner of the contest (11 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon 1 V1 and the Panasonic GM5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the V1 and the GM5 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon 1 V1»||+||69/100||4.5/5||4.5/5||4/5||Sep 2011||799||-||Nikon 1 V1|
|Panasonic GM5«||+||77/100||5/5||5/5||4.5/5||Sep 2014||749||-||Panasonic GM5|
|Canon G15« »||+||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499||-||Canon G15|
|Fujifilm X10« »||-||76/100||4/5||3.5/5||4.5/5||Sep 2011||599||-||Fujifilm X10|
|Nikon 1 J5« »||-||-||4.5/5||4/5||4.5/5||Apr 2015||399||-||Nikon 1 J5|
|Nikon 1 V3« »||-||76/100||4.5/5||3/5||4/5||Mar 2014||799||-||Nikon 1 V3|
|Nikon 1 J4« »||-||-||4.5/5||-||4/5||Apr 2014||549||-||Nikon 1 J4|
|Nikon 1 V2« »||-||-||4.5/5||-||4/5||Oct 2012||799||-||Nikon 1 V2|
|Olympus E-P3« »||83/100||74/100||4.5/5||4.5/5||4.5/5||Jun 2011||799||-||Olympus E-P3|
|Panasonic G7« »||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649||-||Panasonic G7|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic GM1« »||+||78/100||5/5||4.5/5||4.5/5||Oct 2013||749||-||Panasonic GM1|
|Panasonic GX1« »||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699||-||Panasonic GX1|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||-||72/100||4/5||4/5||4.5/5||Mar 2010||599||-||Panasonic G2|
|Panasonic GH2« »||+ +||79/100||4.5/5||4.5/5||5/5||Sep 2010||899||-||Panasonic GH2|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark IV vs Panasonic GM5
- Canon G1 X Mark II vs Nikon 1 V1
- Canon G12 vs Nikon 1 V1
- Canon SX620 vs Nikon 1 V1
- Leica V-LUX 1 vs Panasonic GM5
- Leica X Vario vs Nikon 1 V1
- Nikon 1 V1 vs Nikon D3200
- Nikon 1 V1 vs Nikon D700
- Nikon 1 V1 vs Nikon D810
- Nikon 1 V1 vs Panasonic FZ82
- Nikon 1 V1 vs Sony A7R II
- Nikon 1 V1 vs Sony A7S
Specifications: Nikon 1 V1 vs Panasonic GM5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon 1 V1||Panasonic GM5|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Nikon 1 mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2011||September 2014|
|Launch Price||USD 799||USD 749|
|Sensor Specs||Nikon 1 V1||Panasonic GM5|
|Sensor Format||1" Sensor||Four Thirds Sensor|
|Sensor Size||13.2 x 8.8 mm||17.3 x 13.0 mm|
|Sensor Area||116.16 mm2||224.9 mm2|
|Sensor Diagonal||15.9 mm||21.6 mm|
|Sensor Resolution||10 Megapixels||15.8 Megapixels|
|Image Resolution||3872 x 2592 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.41 μm||3.77 μm|
|Pixel Density||8.64 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||1080/60p Video|
|ISO Setting||100-3200 ISO||200-25600 ISO|
|ISO Boost||100-6400 ISO||100-25600 ISO|
|DXO Sensor Quality (score)||54||66|
|DXO Color Depth (bits)||21.3||22.1|
|DXO Dynamic Range (EV)||11||11.7|
|DXO Low Light (ISO)||346||721|
|Screen Specs||Nikon 1 V1||Panasonic GM5|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon 1 V1||Panasonic GM5|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/500/s|
|Continuous Shooting||10 shutter flaps/s||5.8 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Nikon 1 V1||Panasonic GM5|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Nikon 1 V1||Panasonic GM5|
|Battery Life (CIPA)||350 shots per charge||220 shots per charge|
113 x 76 x 44 mm
(4.4 x 3.0 x 1.7 in)
99 x 60 x 36 mm
(3.9 x 2.4 x 1.4 in)
|Camera Weight||383 g (13.5 oz)||211 g (7.4 oz)|
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