Nikon 1 V1 vs Olympus E-M5 III
The Nikon 1 V1 and the Olympus OM-D E-M5 Mark III are two digital cameras that were announced, respectively, in September 2011 and October 2019. Both the V1 and the E-M5 III are mirrorless interchangeable lens cameras that are based on an one-inch (V1) and a Four Thirds (E-M5 III) sensor. The Nikon has a resolution of 10 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 V1 and the Olympus OM-D E-M5 Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Nikon 1 V1 and the Olympus E-M5 III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The E-M5 III can be obtained in two different colors (black, silver), while the V1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 III is notably larger (24 percent) than the Nikon 1 V1. Moreover, the E-M5 III is markedly heavier (8 percent) than the V1. It is noteworthy in this context that the E-M5 III is splash and dust-proof, while the V1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the V1 gets 350 shots out of its Nikon EN-EL15 battery, while the E-M5 III can take 310 images on a single charge of its Olympus BLS-50 power pack. The power pack in the E-M5 III can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon 1 V1 | 113 mm | 76 mm | 44 mm | 383 g | 350 | n | Sep 2011 | 799 | ebay.com | |
2. | Olympus E-M5 III | 125 mm | 85 mm | 50 mm | 414 g | 310 | Y | Oct 2019 | 1,199 | ebay.com | |
3. | Canon G15 | 107 mm | 76 mm | 40 mm | 352 g | 350 | n | Sep 2012 | 499 | ebay.com | |
4. | Fujifilm X10 | 117 mm | 70 mm | 57 mm | 350 g | 270 | n | Sep 2011 | 599 | ebay.com | |
5. | Nikon 1 J5 | 98 mm | 60 mm | 32 mm | 231 g | 250 | n | Apr 2015 | 399 | ebay.com | |
6. | Nikon 1 V3 | 111 mm | 65 mm | 33 mm | 381 g | 310 | n | Mar 2014 | 799 | ebay.com | |
7. | Nikon 1 J4 | 100 mm | 60 mm | 29 mm | 232 g | 300 | n | Apr 2014 | 549 | ebay.com | |
8. | Nikon 1 V2 | 109 mm | 82 mm | 46 mm | 278 g | 310 | n | Oct 2012 | 799 | ebay.com | |
9. | Olympus PEN-F | 125 mm | 72 mm | 37 mm | 427 g | 330 | n | Jan 2016 | 1,199 | ebay.com | |
10. | Olympus E-M5 II | 124 mm | 85 mm | 45 mm | 469 g | 310 | Y | Feb 2015 | 1,099 | ebay.com | |
11. | Olympus E-M1 | 130 mm | 94 mm | 63 mm | 497 g | 350 | Y | Sep 2013 | 1,399 | ebay.com | |
12. | Olympus E-M5 | 122 mm | 89 mm | 43 mm | 425 g | 360 | Y | Feb 2012 | 1,299 | ebay.com | |
13. | Olympus E-P3 | 122 mm | 69 mm | 34 mm | 369 g | 330 | n | Jun 2011 | 799 | ebay.com | |
14. | Panasonic GX8 | 133 mm | 78 mm | 63 mm | 487 g | 330 | Y | Jul 2015 | 1,199 | ebay.com | |
15. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | 699 | ebay.com | |
16. | Panasonic G10 | 124 mm | 84 mm | 74 mm | 388 g | 380 | n | Mar 2010 | 499 | ebay.com | |
17. | Panasonic G2 | 124 mm | 84 mm | 74 mm | 428 g | 360 | n | Mar 2010 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The V1 was launched at a markedly lower price (by 33 percent) than the E-M5 III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon 1 V1 features an one-inch sensor and the Olympus E-M5 III a Four Thirds sensor. The sensor area in the E-M5 III is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the V1 has a native 3:2 aspect ratio, while the one in the E-M5 III offers a 4:3 aspect.
With 20.2MP, the E-M5 III offers a higher resolution than the V1 (10MP), but the E-M5 III has marginally smaller individual pixels (pixel pitch of 3.34μm versus 3.41μm for the V1). Yet, the E-M5 III is a much more recent model (by 8 years) than the V1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the E-M5 III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Olympus E-M5 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M5 III for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Nikon 1 V1 are 19.4 x 13 inches or 49.2 x 32.9 cm for good quality, 15.5 x 10.4 inches or 39.3 x 26.3 cm for very good quality, and 12.9 x 8.6 inches or 32.8 x 21.9 cm for excellent quality prints.
The E-M5 III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the V1, the E-M5 III has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon 1 V1 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Olympus OM-D E-M5 Mark III are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon 1 V1 | 1-inch | 10.0 | 3872 | 2592 | 1080/60i | 21.3 | 11.0 | 346 | 54 | |
2. | Olympus E-M5 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.1 | 1324 | 76 | |
3. | Canon G15 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/24p | 19.9 | 11.5 | 165 | 46 | |
4. | Fujifilm X10 | 2/3 | 12.0 | 4000 | 3000 | 1080/30p | 20.5 | 11.3 | 245 | 50 | |
5. | Nikon 1 J5 | 1-inch | 20.7 | 5568 | 3712 | 4K/15p | 21.1 | 12.0 | 479 | 65 | |
6. | Nikon 1 V3 | 1-inch | 18.2 | 5232 | 3488 | 1080/60p | 20.8 | 10.7 | 384 | 52 | |
7. | Nikon 1 J4 | 1-inch | 18.2 | 5232 | 3488 | 1080/60p | 20.8 | 10.7 | 426 | 53 | |
8. | Nikon 1 V2 | 1-inch | 14.2 | 4608 | 3072 | 1080/60p | 20.2 | 10.8 | 403 | 50 | |
9. | Olympus PEN-F | Four Thirds | 20.2 | 5184 | 3888 | 1080/60p | 23.1 | 12.4 | 894 | 74 | |
10. | Olympus E-M5 II | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 23.0 | 12.5 | 842 | 73 | |
11. | Olympus E-M1 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 23.0 | 12.7 | 757 | 73 | |
12. | Olympus E-M5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 22.8 | 12.3 | 826 | 71 | |
13. | Olympus E-P3 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 20.8 | 10.1 | 536 | 51 | |
14. | Panasonic GX8 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.5 | 12.6 | 806 | 75 | |
15. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
16. | Panasonic G10 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.1 | 411 | 52 | |
17. | Panasonic G2 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 493 | 53 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the E-M5 III provides a better video resolution than the V1. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the E-M5 III offers a substantially higher resolution than the one in the V1 (2360k vs 1440k dots). The table below summarizes some of the other core capabilities of the Nikon 1 V1 and Olympus E-M5 III in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon 1 V1 | 1440 | n | 3.0 / 921 | fixed | n | 1/4000s | 10.0/s | n | n | |
2. | Olympus E-M5 III | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
3. | Canon G15 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.1/s | Y | Y | |
4. | Fujifilm X10 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
5. | Nikon 1 J5 | none | n | 3.0 / 1037 | tilting | Y | 1/4000s | 60.0/s | Y | n | |
6. | Nikon 1 V3 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 60.0/s | Y | n | |
7. | Nikon 1 J4 | none | n | 3.0 / 1037 | Fixed | Y | 1/4000s | 60.0/s | Y | n | |
8. | Nikon 1 V2 | 1440 | n | 3.0 / 921 | fixed | n | 1/4000s | 15.0/s | Y | n | |
9. | Olympus PEN-F | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
10. | Olympus E-M5 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
11. | Olympus E-M1 | 2360 | n | 3.0 / 1037 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
12. | Olympus E-M5 | 1440 | n | 3.0 / 610 | tilting | Y | 1/4000s | 9.0/s | n | Y | |
13. | Olympus E-P3 | optional | n | 3.0 / 614 | fixed | Y | 1/4000s | 3.0/s | Y | Y | |
14. | Panasonic GX8 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
15. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
16. | Panasonic G10 | 202 | n | 3.0 / 460 | fixed | n | 1/4000s | 2.6/s | Y | n | |
17. | Panasonic G2 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 2.6/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-M5 III has a touchscreen, while the V1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The E-M5 III has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the V1 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon 1 V1 and the Olympus E-M5 III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the V1 and the E-M5 III write their files to SDXC cards. The E-M5 III supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the V1 can use UHS-I cards (up to 104 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 V1 and Olympus OM-D E-M5 Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon 1 V1 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
2. | Olympus E-M5 III | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
3. | Canon G15 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
4. | Fujifilm X10 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
5. | Nikon 1 J5 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
6. | Nikon 1 V3 | - | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
7. | Nikon 1 J4 | - | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
8. | Nikon 1 V2 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Olympus PEN-F | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Olympus E-M5 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
11. | Olympus E-M1 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
12. | Olympus E-M5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Olympus E-P3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
14. | Panasonic GX8 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
15. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic G10 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
17. | Panasonic G2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the E-M5 III offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the V1 does not provide wifi capability.
Both the V1 and the E-M5 III have been discontinued, but can regularly be found used on ebay. The V1 was replaced by the Nikon 1 V2, while the E-M5 III was followed by the OM System OM-5. Further information on the features and operation of the V1 and E-M5 III can be found, respectively, in the Nikon 1 V1 Manual (free pdf) or the online Olympus E-M5 III Manual.
Review summary
So what is the bottom line? Which of the two cameras – the Nikon 1 V1 or the Olympus E-M5 III – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Nikon 1 V1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (113x76mm vs 125x85mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (350 versus 310) on a single battery charge.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2011).
Reasons to prefer the Olympus OM-D E-M5 Mark III:
- More detail: Has more megapixels (20.2 vs 10MP), which boosts linear resolution by 39%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 8 years of technical progress since the V1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the E-M5 III is the clear winner of the contest (24 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon 1 V1 and the Olympus E-M5 III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the V1 or the E-M5 III. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon 1 V1 | .. | + | .. | 69/100 | 4.5/5 | 4/5 | Sep 2011 | 799 | ebay.com | |
2. | Olympus E-M5 III | 5/5 | + | 5/5 | 82/100 | 4.5/5 | 4.5/5 | Oct 2019 | 1,199 | ebay.com | |
3. | Canon G15 | 4/5 | + | .. | 76/100 | 4.5/5 | 4.5/5 | Sep 2012 | 499 | ebay.com | |
4. | Fujifilm X10 | .. | .. | .. | 76/100 | 4/5 | 4.5/5 | Sep 2011 | 599 | ebay.com | |
5. | Nikon 1 J5 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2015 | 399 | ebay.com | |
6. | Nikon 1 V3 | 3/5 | .. | .. | 76/100 | 4.5/5 | 4/5 | Mar 2014 | 799 | ebay.com | |
7. | Nikon 1 J4 | 3/5 | .. | .. | .. | 4.5/5 | 4/5 | Apr 2014 | 549 | ebay.com | |
8. | Nikon 1 V2 | 3/5 | .. | .. | .. | 4.5/5 | 4/5 | Oct 2012 | 799 | ebay.com | |
9. | Olympus PEN-F | .. | .. | 4/5 | 82/100 | 4.5/5 | 5/5 | Jan 2016 | 1,199 | ebay.com | |
10. | Olympus E-M5 II | 5/5 | + + | 4.5/5 | 81/100 | 5/5 | 5/5 | Feb 2015 | 1,099 | ebay.com | |
11. | Olympus E-M1 | 5/5 | + + | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2013 | 1,399 | ebay.com | |
12. | Olympus E-M5 | 4/5 | + + | .. | 80/100 | 4.5/5 | 5/5 | Feb 2012 | 1,299 | ebay.com | |
13. | Olympus E-P3 | .. | 83/100 | .. | 74/100 | 4.5/5 | 4.5/5 | Jun 2011 | 799 | ebay.com | |
14. | Panasonic GX8 | 5/5 | + | .. | 82/100 | 4.5/5 | 4.5/5 | Jul 2015 | 1,199 | ebay.com | |
15. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | 699 | ebay.com | |
16. | Panasonic G10 | 3/5 | .. | .. | 70/100 | 4/5 | 4/5 | Mar 2010 | 499 | ebay.com | |
17. | Panasonic G2 | .. | .. | .. | 72/100 | 4/5 | 4.5/5 | Mar 2010 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 80D vs Nikon 1 V1
- Canon M6 Mark II vs Olympus E-M5 III
- Fujifilm GFX 50S II vs Nikon 1 V1
- Fujifilm X-Pro2 vs Nikon 1 V1
- Fujifilm X-T20 vs Olympus E-M5 III
- Fujifilm XF10 vs Nikon 1 V1
- Nikon 1 V1 vs Sony A6400
- Nikon 1 V1 vs Sony RX0 II
- Nikon D780 vs Olympus E-M5 III
- Olympus E-M5 III vs Panasonic FZ82
- Olympus E-M5 III vs Sigma fp L
- Olympus E-M5 III vs Zeiss ZX1
Specifications: Nikon 1 V1 vs Olympus E-M5 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon 1 V1 | Olympus E-M5 III |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Nikon 1 mount lenses | Micro Four Thirds lenses |
Launch Date | September 2011 | October 2019 |
Launch Price | USD 799 | USD 1,199 |
Sensor Specs | Nikon 1 V1 | Olympus E-M5 III |
Sensor Technology | CMOS | CMOS |
Sensor Format | 1" Sensor | Four Thirds Sensor |
Sensor Size | 13.2 x 8.8 mm | 17.3 x 13.0 mm |
Sensor Area | 116.16 mm2 | 224.9 mm2 |
Sensor Diagonal | 15.9 mm | 21.6 mm |
Crop Factor | 2.7x | 2.0x |
Sensor Resolution | 10 Megapixels | 20.2 Megapixels |
Image Resolution | 3872 x 2592 pixels | 5184 x 3888 pixels |
Pixel Pitch | 3.41 μm | 3.34 μm |
Pixel Density | 8.64 MP/cm2 | 8.96 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 1080/60i Video | 4K/30p Video |
ISO Setting | 100 - 3,200 ISO | 200 - 25,600 ISO |
ISO Boost | 100 - 6,400 ISO | 64 - 25,600 ISO |
DXO Sensor Quality (score) | 54 | .. |
DXO Color Depth (bits) | 21.3 | .. |
DXO Dynamic Range (EV) | 11 | .. |
DXO Low Light (ISO) | 346 | .. |
Screen Specs | Nikon 1 V1 | Olympus E-M5 III |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.68x | |
Viewfinder Resolution | 1440k dots | 2360k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 921k dots | 1040k dots |
LCD Attachment | Fixed screen | Swivel screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Nikon 1 V1 | Olympus E-M5 III |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 10 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | up to 1/16000s | up to 1/32000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-II |
Connectivity Specs | Nikon 1 V1 | Olympus E-M5 III |
External Flash | no Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | no Wifi | Wifi built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Nikon 1 V1 | Olympus E-M5 III |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Nikon EN-EL15 | Olympus BLS-50 |
Battery Life (CIPA) | 350 shots per charge | 310 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
113 x 76 x 44 mm (4.4 x 3.0 x 1.7 in) |
125 x 85 x 50 mm (4.9 x 3.3 x 2.0 in) |
Camera Weight | 383 g (13.5 oz) | 414 g (14.6 oz) |
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