Nikon 1 J5 vs Sony A7 III
The Nikon 1 J5 and the Sony Alpha A7 III are two digital cameras that were announced, respectively, in April 2015 and February 2018. Both the J5 and the A7 III are mirrorless interchangeable lens cameras that are based on an one-inch (J5) and a full frame (A7 III) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 J5 and the Sony Alpha A7 III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon 1 J5 and the Sony A7 III. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The J5 can be obtained in three different colors (black, silver, white), while the A7 III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 III is considerably larger (107 percent) than the Nikon 1 J5. Moreover, the A7 III is substantially heavier (181 percent) than the J5. It is noteworthy in this context that the A7 III is splash and dust-proof, while the J5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the A7 III can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Nikon 1 J5||98 mm||60 mm||32 mm||231 g||250||n||Apr 2015||399|
|2.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|3.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|4.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|5.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|6.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999|
|7.||Nikon 1 V3||111 mm||65 mm||33 mm||381 g||310||n||Mar 2014||799|
|8.||Nikon 1 J4||100 mm||60 mm||29 mm||232 g||300||n||Apr 2014||549|
|9.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|10.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499|
|11.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|12.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|13.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|14.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|15.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|16.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449|
|17.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The J5 was launched at a markedly lower price (by 80 percent) than the A7 III, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon 1 J5 features an one-inch sensor and the Sony A7 III a full frame sensor. The sensor area in the A7 III is 630 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around BSI-CMOS sensors.
With 24MP, the A7 III offers a higher resolution than the J5 (20.7MP), but the A7 III nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 2.37μm for the J5) due to its larger sensor. Moreover, the A7 III is a much more recent model (by 2 years and 10 months) than the J5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the J5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 III for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon 1 J5 are 27.8 x 18.6 inches or 70.7 x 47.1 cm for good quality, 22.3 x 14.8 inches or 56.6 x 37.7 cm for very good quality, and 18.6 x 12.4 inches or 47.1 x 31.4 cm for excellent quality prints.
The Nikon 1 J5 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Sony Alpha A7 III are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7 III offers substantially better image quality than the J5 (overall score 31 points higher). The advantage is based on 3.9 bits higher color depth, 2.7 EV in additional dynamic range, and 3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|1.||Nikon 1 J5||1-inch||20.7||5568||3712||4K/15p||21.1||12.0||479||65|
|2.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|3.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|4.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|5.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|6.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|7.||Nikon 1 V3||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||384||52|
|8.||Nikon 1 J4||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||426||53|
|10.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|11.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|12.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|13.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|14.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|15.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|17.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7 III provides a faster frame rate than the J5. It can shoot movie footage at 4K/30p, while the Nikon is limited to 4K/15p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7 III has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the J5 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Nikon 1 J5, the Sony A7 III, and comparable cameras.
|1.||Nikon 1 J5||none||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n|
|2.||Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
|3.||Canon G9 X Mark II||none||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y|
|4.||Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y|
|5.||Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y|
|7.||Nikon 1 V3||optional||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n|
|8.||Nikon 1 J4||none||n||3.0||1037||Fixed||Y||1/4000s||60.0||Y||n|
|10.||Sony A7R IV||5760||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|11.||Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|13.||Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y|
|14.||Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
|15.||Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
|17.||Sony RX100 III||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The J5 has one, while the A7 III does not. While the built-in flash of the J5 is not very powerful, it can at times be useful as a fill-in light.The J5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7 III does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon 1 J5 and the Sony A7 III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The J5 writes its imaging data to SDXC cards, while the A7 III uses SDXC or Memory Stick PRO Duo cards. The A7 III features dual card slots, which can be very useful in case a memory card fails. In contrast, the J5 only has one slot. The A7 III supports UHS-II cards (on its first slot), while the J5 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 J5 and Sony Alpha A7 III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Nikon 1 J5||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|2.||Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|3.||Canon G9 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|4.||Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|5.||Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|7.||Nikon 1 V3||-||stereo||mono||Y||-||mini||2.0||Y||-||-|
|8.||Nikon 1 J4||-||stereo||mono||-||-||mini||2.0||Y||-||-|
|10.||Sony A7R IV||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|11.||Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|13.||Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony RX100 III||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the A7 III has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The J5 lacks such a headphone port.
The A7 III is a recent model that features in the current product line-up of Sony. In contrast, the J5 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the J5 from Nikon. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So how do things add up? Which of the two cameras – the Nikon 1 J5 or the Sony A7 III – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Nikon 1 J5:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (60 vs 10 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (98x60mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 419g or 64 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in April 2015).
Reasons to prefer the Sony Alpha A7 III:
- More detail: Has more megapixels (24 vs 20.7MP), which boosts linear resolution by 8%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (31 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.9 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (3 stops ISO advantage).
- Better video: Provides higher movie framerates (4K/30p versus 4K/15p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (610 versus 250) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 10 months of technical progress since the J5 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A7 III is the clear winner of the contest (21 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon 1 J5 and the Sony A7 III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the J5 or the A7 III perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon 1 J5||..||..||..||4.5/5||4.5/5||Apr 2015||399|
|2.||Sony A7 III||..||+ +||89/100||5/5||5/5||Feb 2018||1,999|
|3.||Canon G9 X Mark II||4/5||..||75/100||4.5/5||4.5/5||Jan 2017||529|
|4.||Canon G9 X||3.5/5||+ +||..||4.5/5||4.5/5||Oct 2015||529|
|5.||Canon G7 X||4/5||+ +||77/100||4.5/5||4.5/5||Sep 2014||699|
|6.||Nikon Z6||5/5||..||..||4.5/5||5/5||Aug 2018||1,999|
|7.||Nikon 1 V3||3/5||..||76/100||4.5/5||4/5||Mar 2014||799|
|8.||Nikon 1 J4||3/5||..||..||4.5/5||4/5||Apr 2014||549|
|9.||Panasonic FZ1000||4/5||+ +||82/100||4.5/5||4.5/5||Jun 2014||899|
|10.||Sony A7R IV||5/5||+||91/100||4.5/5||5/5||Jul 2019||3,499|
|11.||Sony A7R III||..||+ +||90/100||4.5/5||5/5||Oct 2017||3,199|
|12.||Sony A9||5/5||+ +||89/100||5/5||5/5||Apr 2017||4,499|
|13.||Sony RX100 V||4.5/5||+ +||83/100||4/5||4.5/5||Oct 2016||999|
|14.||Sony RX100 IV||4.5/5||+ +||85/100||4/5||4.5/5||Jun 2015||999|
|15.||Sony A7 II||5/5||+||82/100||4.5/5||5/5||Nov 2014||1,999|
|16.||Sony A5000||3/5||+||..||4.5/5||4.5/5||Jan 2014||449|
|17.||Sony RX100 III||5/5||+ +||82/100||4.5/5||5/5||May 2014||799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Nikon 1 J5 vs Sony A7 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon 1 J5||Sony A7 III|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Nikon 1 mount lenses||Sony E mount lenses|
|Launch Date||April 2015||February 2018|
|Launch Price||USD 399||USD 1,999|
|Sensor Specs||Nikon 1 J5||Sony A7 III|
|Sensor Format||1" Sensor||Full Frame Sensor|
|Sensor Size||13.2 x 8.8 mm||35.6 x 23.8 mm|
|Sensor Area||116.16 mm2||847.28 mm2|
|Sensor Diagonal||15.9 mm||42.8 mm|
|Sensor Resolution||20.7 Megapixels||24 Megapixels|
|Image Resolution||5568 x 3712 pixels||6000 x 4000 pixels|
|Pixel Pitch||2.37 μm||5.94 μm|
|Pixel Density||17.79 MP/cm2||2.83 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/15p Video||4K/30p Video|
|ISO Setting||160 - 12,800 ISO||100 - 51,200 ISO|
|ISO Boost||no Enhancement||50 - 204,800 ISO|
|Image Processor||EXPEED 5||BIONZ X|
|DXO Sensor Quality (score)||65||96|
|DXO Color Depth (bits)||21.1||25.0|
|DXO Dynamic Range (EV)||12.0||14.7|
|DXO Low Light (ISO)||479||3730|
|Screen Specs||Nikon 1 J5||Sony A7 III|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1037k dots||922k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Nikon 1 J5||Sony A7 III|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||60 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||YES|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Single UHS-II|
|Connectivity Specs||Nikon 1 J5||Sony A7 III|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Nikon 1 J5||Sony A7 III|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||250 shots per charge||610 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
98 x 60 x 32 mm
(3.9 x 2.4 x 1.3 in)
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
|Camera Weight||231 g (8.1 oz)||650 g (22.9 oz)|
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