Nikon 1 J5 vs Panasonic GH5
The Nikon 1 J5 and the Panasonic Lumix DC-GH5 are two digital cameras that were officially introduced, respectively, in April 2015 and January 2017. Both the J5 and the GH5 are mirrorless interchangeable lens cameras that are based on an one-inch (J5) and a Four Thirds (GH5) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 J5 and the Panasonic Lumix DC-GH5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon 1 J5 and the Panasonic GH5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The J5 can be obtained in three different colors (black, silver, white), while the GH5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH5 is considerably larger (132 percent) than the Nikon 1 J5. Moreover, the GH5 is substantially heavier (214 percent) than the J5. It is noteworthy in this context that the GH5 is splash and dust-proof, while the J5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Nikon 1 J5||98 mm||60 mm||32 mm||231 g||250||n||Apr 2015||399|
|2.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|3.||Canon SX720||110 mm||64 mm||36 mm||270 g||250||n||Feb 2016||379|
|4.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|5.||Canon SX710||113 mm||66 mm||35 mm||269 g||230||n||Jan 2015||349|
|6.||Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|7.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|8.||Nikon 1 V3||111 mm||65 mm||33 mm||381 g||310||n||Mar 2014||799|
|9.||Nikon 1 J4||100 mm||60 mm||29 mm||232 g||300||n||Apr 2014||549|
|10.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|11.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699|
|12.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999|
|13.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699|
|14.||Sony HX80||102 mm||58 mm||36 mm||245 g||390||n||Mar 2016||349|
|15.||Sony HX90V||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429|
|16.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449|
|17.||YI M1||114 mm||64 mm||34 mm||281 g||450||n||Sep 2016||349|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The J5 was launched at a markedly lower price (by 80 percent) than the GH5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon 1 J5 features an one-inch sensor and the Panasonic GH5 a Four Thirds sensor. The sensor area in the GH5 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the J5 has a native 3:2 aspect ratio, while the one in the GH5 offers a 4:3 aspect.
Despite having a smaller sensor, the Nikon 1 J5 offers a higher resolution of 20.7 megapixels, compared with 20.2 MP of the Panasonic GH5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.37μm versus 3.34μm for the GH5). Moreover, it should be noted that the GH5 is a somewhat more recent model (by 1 year and 9 months) than the J5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The J5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon 1 J5 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DC-GH5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the GH5 offers substantially better image quality than the J5 (overall score 12 points higher). The advantage is based on 2.8 bits higher color depth, 1 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Nikon 1 J5||1-inch||20.7||5568||3712||4K/15p||21.1||12.0||479||65|
|2.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|4.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|8.||Nikon 1 V3||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||384||52|
|9.||Nikon 1 J4||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||426||53|
|10.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|11.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||23.7||13.1||1136||79|
|12.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|13.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||23.1||12.8||1138||74|
|17.||YI M1||Four Thirds||20.2||5184||3888||4K/30p||23.0||12.6||1030||73|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GH5 provides a faster frame rate than the J5. It can shoot movie footage at 4K/60p, while the Nikon is limited to 4K/15p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GH5 has an electronic viewfinder (3680k dots), which can be very helpful when shooting in bright sunlight. In contrast, the J5 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Nikon 1 J5 and Panasonic GH5 in connection with corresponding information for a sample of similar cameras.
|1.||Nikon 1 J5||none||n||3.0 / 1037||tilting||Y||1/4000s||60.0||Y||n|
|2.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|3.||Canon SX720||none||n||3.0 / 922||fixed||n||1/3200s||5.9||Y||Y|
|4.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0||Y||Y|
|5.||Canon SX710||none||n||3.0 / 922||fixed||n||1/3200s||6.0||Y||Y|
|6.||Canon 1200D||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|7.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|8.||Nikon 1 V3||optional||n||3.0 / 1037||tilting||Y||1/4000s||60.0||Y||n|
|9.||Nikon 1 J4||none||n||3.0 / 1037||Fixed||Y||1/4000s||60.0||Y||n|
|10.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|11.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0||n||Y|
|12.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0||n||Y|
|13.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0||n||Y|
|14.||Sony HX80||638||n||3.0 / 922||tilting||n||1/2000s||10.0||Y||Y|
|15.||Sony HX90V||638||n||3.0 / 921||tilting||n||1/2000s||10.0||Y||Y|
|16.||Sony A5000||none||n||3.0 / 461||tilting||n||1/4000s||3.5||Y||n|
|17.||YI M1||none||n||3.0 / 1040||fixed||Y||1/4000s||5.0||n||n|
One difference between the cameras concerns the presence of an on-board flash. The J5 has one, while the GH5 does not. While the built-in flash of the J5 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon 1 J5 and the Panasonic GH5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the J5 and the GH5 write their files to SDXC cards. The GH5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the J5 only has one slot. The GH5 supports UHS-II cards (on both slots), while the J5 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 J5 and Panasonic Lumix DC-GH5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon 1 J5||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|2.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|3.||Canon SX720||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|5.||Canon SX710||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Canon 1200D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|7.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|8.||Nikon 1 V3||-||stereo / mono||Y||-||mini||2.0||Y||-||-|
|9.||Nikon 1 J4||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|10.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|11.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|12.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|13.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|14.||Sony HX80||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony HX90V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony A5000||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||YI M1||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
It is notable that the GH5 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The J5 lacks such a headphone port.
Studio photographers will appreciate that the Panasonic GH5 (unlike the J5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the J5 and the GH5 have been discontinued, but can regularly be found used on eBay. The GH5 was replaced by the Panasonic GH5 II, while the J5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Nikon 1 J5 or the Panasonic GH5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon 1 J5:
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Faster burst: Shoots at higher frequency (60 vs 12 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (98x60mm vs 139x98mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 494g or 68 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in April 2015).
Advantages of the Panasonic Lumix DC-GH5:
- Better image quality: Scores substantially higher (12 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.8 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
- Better video: Provides higher movie framerates (4K/60p versus 4K/15p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1037k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (410 versus 250) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (1 year and 9 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the GH5 is the clear winner of the contest (23 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon 1 J5 and the Panasonic GH5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the J5 or the GH5 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon 1 J5||..||..||..||..||4.5/5||4.5/5||Apr 2015||399|
|2.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|3.||Canon SX720||..||+||..||..||4/5||4.5/5||Feb 2016||379|
|4.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529|
|5.||Canon SX710||..||+||..||..||4/5||3.5/5||Jan 2015||349|
|6.||Canon 1200D||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|7.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|8.||Nikon 1 V3||3/5||..||..||76/100||4.5/5||4/5||Mar 2014||799|
|9.||Nikon 1 J4||3/5||..||..||..||4.5/5||4/5||Apr 2014||549|
|10.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|11.||Panasonic GH5 II||4.5/5||..||4.5/5||85/100||4.5/5||5/5||May 2021||1,699|
|12.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999|
|13.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699|
|14.||Sony HX80||..||..||..||..||..||..||Mar 2016||349|
|15.||Sony HX90V||4/5||+ +||..||..||4/5||4.5/5||Apr 2015||429|
|16.||Sony A5000||3/5||+||..||..||4.5/5||4.5/5||Jan 2014||449|
|17.||YI M1||..||..||..||69/100||..||..||Sep 2016||349|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 650D vs Panasonic GH5
- Canon SX730 vs Nikon 1 J5
- Leica M-E Typ 240 vs Panasonic GH5
- Leica T vs Nikon 1 J5
- Nikon 1 J4 vs Nikon 1 J5
- Nikon 1 J5 vs Nikon Z7
- Nikon 1 J5 vs Nikon Z7 II
- Nikon 1 J5 vs Sony NEX-C3
- Panasonic FZ100 vs Panasonic GH5
- Panasonic GH5 vs Panasonic TZ100
- Panasonic GH5 vs Sony A58
- Panasonic GH5 vs Sony NEX-3N
Specifications: Nikon 1 J5 vs Panasonic GH5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon 1 J5||Panasonic GH5|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Nikon 1 mount lenses||Micro Four Thirds lenses|
|Launch Date||April 2015||January 2017|
|Launch Price||USD 399||USD 1,999|
|Sensor Specs||Nikon 1 J5||Panasonic GH5|
|Sensor Format||1" Sensor||Four Thirds Sensor|
|Sensor Size||13.2 x 8.8 mm||17.3 x 13.0 mm|
|Sensor Area||116.16 mm2||224.9 mm2|
|Sensor Diagonal||15.9 mm||21.6 mm|
|Sensor Resolution||20.7 Megapixels||20.2 Megapixels|
|Image Resolution||5568 x 3712 pixels||5184 x 3888 pixels|
|Pixel Pitch||2.37 μm||3.34 μm|
|Pixel Density||17.79 MP/cm2||8.96 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/15p Video||4K/60p Video|
|ISO Setting||160 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Image Processor||EXPEED 5||Venus 10|
|DXO Sensor Quality (score)||65||77|
|DXO Color Depth (bits)||21.1||23.9|
|DXO Dynamic Range (EV)||12.0||13.0|
|DXO Low Light (ISO)||479||807|
|Screen Specs||Nikon 1 J5||Panasonic GH5|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3680k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1037k dots||1620k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Nikon 1 J5||Panasonic GH5|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||60 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Nikon 1 J5||Panasonic GH5|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Nikon 1 J5||Panasonic GH5|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||250 shots per charge||410 shots per charge|
98 x 60 x 32 mm
(3.9 x 2.4 x 1.3 in)
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
|Camera Weight||231 g (8.1 oz)||725 g (25.6 oz)|
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