Nikon 1 J5 vs Olympus E-620

The Nikon 1 J5 and the Olympus E-620 are two digital cameras that were announced, respectively, in April 2015 and February 2009. The J5 is a mirrorless interchangeable lens camera, while the E-620 is a DSLR. The cameras are based on an one-inch (J5) and a Four Thirds (E-620) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Olympus provides 12.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon 1 J5		Olympus E-620
Mirrorless system camera		Digital single lens reflex
Nikon 1 mount lenses		Four Thirds lenses
20.7 MP – 1" sensor		12.2 MP – Four Thirds sensor
4K/15p Video		no Video
ISO 160-12,800		ISO 100-3,200
No viewfinder, LCD framing		Optical viewfinder
3.0" LCD – 1037k dots		2.7" LCD – 230k dots
Tilting touchscreen		Swivel screen (not touch-sensitive)
60 shutter flaps per second		4 shutter flaps per second
Lens stabilization only		In-body stabilization
250 shots per battery charge		500 shots per battery charge
98 x 60 x 32 mm, 231 g		130 x 94 x 60 mm, 521 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 J5 and the Olympus E-620? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Nikon 1 J5 and the Olympus E-620. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The J5 can be obtained in three different colors (black, silver, white), while the E-620 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-620 is considerably larger (108 percent) than the Nikon 1 J5. Moreover, the E-620 is substantially heavier (126 percent) than the J5. In this context, it is worth noting that neither the J5 nor the E-620 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon 1 J5	98 mm	60 mm	32 mm	231 g	250	n	Apr 2015	399	ebay.com
2.		Olympus E-620	130 mm	94 mm	60 mm	521 g	500	n	Feb 2009	699	ebay.com
3.		Canon G7 X	103 mm	60 mm	40 mm	304 g	210	n	Sep 2014	699	ebay.com
4.		Canon G9 X	98 mm	58 mm	31 mm	209 g	220	n	Oct 2015	529	ebay.com
5.		Canon G9 X Mark II	98 mm	58 mm	31 mm	206 g	235	n	Jan 2017	529	ebay.com
6.		Nikon 1 J4	100 mm	60 mm	29 mm	232 g	300	n	Apr 2014	549	ebay.com
7.		Nikon 1 V3	111 mm	65 mm	33 mm	381 g	310	n	Mar 2014	799	ebay.com
8.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	699	ebay.com
9.		Olympus E-420	130 mm	91 mm	53 mm	440 g	500	n	Mar 2008	599	ebay.com
10.		Olympus E-510	136 mm	92 mm	68 mm	538 g	750	n	Mar 2007	799	ebay.com
11.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	699	ebay.com
12.		Olympus E-600	130 mm	94 mm	60 mm	535 g	500	n	Aug 2009	449	ebay.com
13.		Panasonic FZ1000	137 mm	99 mm	131 mm	831 g	360	n	Jun 2014	899	ebay.com
14.		Sony A5000	110 mm	63 mm	36 mm	269 g	420	n	Jan 2014	449	ebay.com
15.		Sony RX100 III	102 mm	58 mm	41 mm	290 g	320	n	May 2014	799	ebay.com
16.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	999	ebay.com
17.		Sony RX100 V	102 mm	58 mm	41 mm	299 g	220	n	Oct 2016	999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The J5 was launched at a markedly lower price (by 43 percent) than the E-620, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Nikon 1 J5 features an one-inch sensor and the Olympus E-620 a Four Thirds sensor. The sensor area in the E-620 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the J5 has a native 3:2 aspect ratio, while the one in the E-620 offers a 4:3 aspect.

Despite having a smaller sensor, the Nikon 1 J5 offers a higher resolution of 20.7 megapixels, compared with 12.2 MP of the Olympus E-620. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.37μm versus 4.29μm for the E-620). However, it should be noted that the J5 is much more recent (by 6 years and 1 month) than the E-620, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the J5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Nikon 1 J5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the J5 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inches or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inches or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.1 x 31.4 cm. The corresponding values for the Olympus E-620 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.

The J5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Nikon 1 J5 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Olympus E-620 are ISO 100 to ISO 3200 (no boost).

In terms of underlying technology, the J5 is build around a BSI-CMOS sensor, while the E-620 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the J5 has a notably higher overall DXO score than the E-620 (overall score 10 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.2 bits lower color depth, 1.7 EV in additional dynamic range, and 0.2 stops of reduced low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon 1 J5	1-inch	20.7	5568	3712	4K/15p	21.1	12.0	479	65
2.		Olympus E-620	Four Thirds	12.2	4032	3024	none	21.3	10.3	536	55
3.		Canon G7 X	1-inch	20.0	5472	3648	1080/60p	23.0	12.7	556	71
4.		Canon G9 X	1-inch	20.0	5472	3648	1080/60p	21.5	12.3	495	63
5.		Canon G9 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.9	12.5	522	65
6.		Nikon 1 J4	1-inch	18.2	5232	3488	1080/60p	20.8	10.7	426	53
7.		Nikon 1 V3	1-inch	18.2	5232	3488	1080/60p	20.8	10.7	384	52
8.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
9.		Olympus E-420	Four Thirds	10.0	3648	2736	none	21.5	10.4	527	56
10.		Olympus E-510	Four Thirds	10.0	3648	2736	none	21.2	10.0	442	52
11.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
12.		Olympus E-600	Four Thirds	12.2	4032	3024	none	21.5	10.3	541	55
13.		Panasonic FZ1000	1-inch	20.0	5472	3648	4K/30p	22.1	11.7	517	64
14.		Sony A5000	APS-C	19.8	5456	3632	1080/60i	23.8	13.0	1089	79
15.		Sony RX100 III	1-inch	20.0	5472	3648	1080/60p	22.4	12.3	495	67
16.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
17.		Sony RX100 V	1-inch	20.0	5472	3648	4K/30p	22.8	12.4	586	70

Many modern cameras cannot only take still pictures, but also record videos. The J5 indeed provides movie recording capabilities, while the E-620 does not. The highest resolution format that the J5 can use is 4K/15p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-620 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the J5 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Nikon 1 J5, the Olympus E-620, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon 1 J5	none	n	3.0 / 1037	tilting	Y	1/4000s	60.0/s	Y	n
2.		Olympus E-620	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
3.		Canon G7 X	none	n	3.0 / 1040	tilting	Y	1/2000s	6.5/s	Y	Y
4.		Canon G9 X	none	n	3.0 / 1040	fixed	Y	1/2000s	6.0/s	Y	Y
5.		Canon G9 X Mark II	none	n	3.0 / 1040	fixed	Y	1/2000s	8.2/s	Y	Y
6.		Nikon 1 J4	none	n	3.0 / 1037	Fixed	Y	1/4000s	60.0/s	Y	n
7.		Nikon 1 V3	optional	n	3.0 / 1037	tilting	Y	1/4000s	60.0/s	Y	n
8.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
9.		Olympus E-420	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	n
10.		Olympus E-510	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	Y
11.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
12.		Olympus E-600	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
13.		Panasonic FZ1000	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
14.		Sony A5000	none	n	3.0 / 461	tilting	n	1/4000s	3.5/s	Y	n
15.		Sony RX100 III	1440	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
16.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
17.		Sony RX100 V	2359	n	3.0 / 1229	tilting	n	1/2000s	24.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The J5 has a touchscreen, while the E-620 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the J5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Nikon 1 J5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The J5 writes its imaging data to SDXC cards, while the E-620 uses Compact Flash or xD Picture cards. The E-620 features dual card slots, which can be very useful in case a memory card fails. In contrast, the J5 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 J5 and Olympus E-620 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon 1 J5	-	stereo / mono	-	-	micro	2.0	Y	Y	-
2.		Olympus E-620	Y	- / -	-	-	-	2.0	-	-	-
3.		Canon G7 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
4.		Canon G9 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
5.		Canon G9 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
6.		Nikon 1 J4	-	stereo / mono	-	-	mini	2.0	Y	-	-
7.		Nikon 1 V3	-	stereo / mono	Y	-	mini	2.0	Y	-	-
8.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
9.		Olympus E-420	Y	- / -	-	-	-	2.0	-	-	-
10.		Olympus E-510	Y	- / -	-	-	-	2.0	-	-	-
11.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
12.		Olympus E-600	Y	- / -	-	-	-	2.0	-	-	-
13.		Panasonic FZ1000	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
14.		Sony A5000	-	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony RX100 III	-	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony RX100 V	-	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the J5 offers wifi support, while the E-620 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both the J5 and the E-620 have been discontinued, but can regularly be found used on ebay. The E-620 was replaced by the Olympus E-600, while the J5 does not have a direct successor. Further information on the features and operation of the J5 and E-620 can be found, respectively, in the Nikon 1 J5 Manual (free pdf) or the online Olympus E-620 Manual.

Review summary

So how do things add up? Which of the two cameras – the Nikon 1 J5 or the Olympus E-620 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Nikon 1 J5:

• More detail: Offers more megapixels (20.7 vs 12.2MP) with a 33% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Scores markedly higher (10 points) in the DXO overall assessment.
• More dynamic range: Captures a larger spectrum of light and dark details (1.7 EV of extra DR).
• Broader imaging potential: Can record not only still images but also 4K/15p movies.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1037k vs 230k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (60 vs 4 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (98x60mm vs 130x94mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 290g or 56 percent) and hence easier to carry around.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
• More modern: Reflects 6 years and 1 month of technical progress since the E-620 launch.

Arguments in favor of the Olympus E-620:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Longer lasting: Gets more shots (500 versus 250) out of a single battery charge.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been around for much longer (launched in February 2009).

If the number of relative strengths (bullet points above) is taken as a guide, the J5 is the clear winner of the match-up (19 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon 1 J5 and the Olympus E-620 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the J5 or the E-620 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon 1 J5	..	..	..	..	4.5/5	4.5/5	Apr 2015	399	ebay.com
2.		Olympus E-620	3/5	88/100	..	72/100	4.5/5	5/5	Feb 2009	699	ebay.com
3.		Canon G7 X	4/5	+ +	..	77/100	4.5/5	4.5/5	Sep 2014	699	ebay.com
4.		Canon G9 X	3.5/5	+ +	..	..	4.5/5	4.5/5	Oct 2015	529	ebay.com
5.		Canon G9 X Mark II	4/5	..	4/5	75/100	4.5/5	4.5/5	Jan 2017	529	ebay.com
6.		Nikon 1 J4	3/5	..	..	..	4.5/5	4/5	Apr 2014	549	ebay.com
7.		Nikon 1 V3	3/5	..	..	76/100	4.5/5	4/5	Mar 2014	799	ebay.com
8.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	699	ebay.com
9.		Olympus E-420	..	85/100	..	+ +	4/5	4.5/5	Mar 2008	599	ebay.com
10.		Olympus E-510	..	89/100	..	+ +	3.5/5	4.5/5	Mar 2007	799	ebay.com
11.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	699	ebay.com
12.		Olympus E-600	..	..	..	..	..	4.5/5	Aug 2009	449	ebay.com
13.		Panasonic FZ1000	4/5	+ +	..	82/100	4.5/5	4.5/5	Jun 2014	899	ebay.com
14.		Sony A5000	3/5	+	..	..	4.5/5	4.5/5	Jan 2014	449	ebay.com
15.		Sony RX100 III	5/5	+ +	..	82/100	4.5/5	5/5	May 2014	799	ebay.com
16.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	999	ebay.com
17.		Sony RX100 V	4.5/5	+ +	..	83/100	4/5	4.5/5	Oct 2016	999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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