Nikon 1 J4 vs Sony A7R IV
The Nikon 1 J4 and the Sony Alpha A7R IV are two digital cameras that were officially introduced, respectively, in April 2014 and July 2019. Both the J4 and the A7R IV are mirrorless interchangeable lens cameras that are based on an one-inch (J4) and a full frame (A7R IV) sensor. The Nikon has a resolution of 18.2 megapixels, whereas the Sony provides 60.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 J4 and the Sony Alpha A7R IV? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon 1 J4 and the Sony A7R IV. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The J4 can be obtained in four different colors (black, silver, orange, white), while the A7R IV is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R IV is considerably larger (106 percent) than the Nikon 1 J4. Moreover, the A7R IV is substantially heavier (187 percent) than the J4. It is noteworthy in this context that the A7R IV is splash and dust-proof, while the J4 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the A7R IV can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Nikon 1 J4||100 mm||60 mm||29 mm||232 g||300||n||Apr 2014||549|
|2.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499|
|3.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|4.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|5.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|6.||Nikon P900||140 mm||103 mm||137 mm||899 g||360||n||Mar 2015||599|
|7.||Nikon 1 J5||98 mm||60 mm||32 mm||231 g||250||n||Apr 2015||399|
|8.||Nikon 1 V3||111 mm||65 mm||33 mm||381 g||310||n||Mar 2014||799|
|9.||Nikon 1 V2||109 mm||82 mm||46 mm||278 g||310||n||Oct 2012||799|
|10.||Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499|
|11.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|12.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|13.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499|
|14.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|15.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|16.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|17.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The J4 was launched at a markedly lower price (by 84 percent) than the A7R IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon 1 J4 features an one-inch sensor and the Sony A7R IV a full frame sensor. The sensor area in the A7R IV is 633 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 60.2MP, the A7R IV offers a higher resolution than the J4 (18.2MP), but the A7R IV nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 2.52μm for the J4) due to its larger sensor. Moreover, the A7R IV is a much more recent model (by 5 years and 3 months) than the J4, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A7R IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R IV for good quality output (200 dots per inch) amounts to 47.5 x 31.7 inches or 120.7 x 80.5 cm, for very good quality (250 dpi) 38 x 25.3 inches or 96.6 x 64.4 cm, and for excellent quality (300 dpi) 31.7 x 21.1 inches or 80.5 x 53.6 cm. The corresponding values for the Nikon 1 J4 are 26.2 x 17.4 inches or 66.4 x 44.3 cm for good quality, 20.9 x 14 inches or 53.2 x 35.4 cm for very good quality, and 17.4 x 11.6 inches or 44.3 x 29.5 cm for excellent quality prints.
Unlike the J4, the A7R IV has the capacity to capture high quality composite images (241MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon 1 J4 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Sony Alpha A7R IV are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7R IV offers substantially better image quality than the J4 (overall score 46 points higher). The advantage is based on 5.2 bits higher color depth, 4.1 EV in additional dynamic range, and 3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|1.||Nikon 1 J4||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||426||53|
|2.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|3.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|4.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|7.||Nikon 1 J5||1-inch||20.7||5568||3712||4K/15p||21.1||12.0||479||65|
|8.||Nikon 1 V3||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||384||52|
|9.||Nikon 1 V2||1-inch||14.2||4608||3072||1080/60p||20.2||10.8||403||50|
|10.||Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..|
|12.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|13.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|14.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|15.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|16.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|17.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7R IV provides a better video resolution than the J4. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7R IV has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the J4 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Nikon 1 J4 and Sony A7R IV in connection with corresponding information for a sample of similar cameras.
|1.||Nikon 1 J4||none||n||3.0||1037||Fixed||Y||1/4000s||60.0||Y||n|
|2.||Sony A7R IV||5760||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|3.||Canon G9 X Mark II||none||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y|
|4.||Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y|
|7.||Nikon 1 J5||none||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n|
|8.||Nikon 1 V3||optional||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n|
|9.||Nikon 1 V2||1440||n||3.0||921||fixed||n||1/4000s||15.0||Y||n|
|13.||Sony A7S III||9440||n||3.0||1440||swivel||Y||1/8000s||10.0||n||Y|
|14.||Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|16.||Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
|17.||Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The J4 has one, while the A7R IV does not. While the built-in flash of the J4 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7R IV has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The J4 writes its imaging data to micro SDXC cards, while the A7R IV uses SDXC cards. The A7R IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the J4 only has one slot. The A7R IV supports UHS-II cards (on both slots), while the J4 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 J4 and Sony Alpha A7R IV and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Nikon 1 J4||-||stereo||mono||-||-||mini||2.0||Y||-||-|
|2.||Sony A7R IV||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|3.||Canon G9 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|4.||Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|7.||Nikon 1 J5||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|8.||Nikon 1 V3||-||stereo||mono||Y||-||mini||2.0||Y||-||-|
|9.||Nikon 1 V2||-||stereo||mono||-||-||mini||2.0||-||-||-|
|13.||Sony A7S III||Y||stereo||mono||Y||Y||full||3.2||Y||-||Y|
|14.||Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7R IV has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The J4 lacks such a headphone port.
Studio photographers will appreciate that the Sony A7R IV (unlike the J4) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A7R IV is a recent model that features in the current product line-up of Sony. In contrast, the J4 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the J4 was succeeded by the Nikon 1 J5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Nikon 1 J4 or the Sony A7R IV – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon 1 J4:
- Faster burst: Shoots at higher frequency (60 vs 10 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (100x60mm vs 129x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 433g or 65 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (84 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in April 2014).
Advantages of the Sony Alpha A7R IV:
- More detail: Has more megapixels (60.2 vs 18.2MP), which boosts linear resolution by 82%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (46 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (5.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (4.1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (3 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 1037k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (670 versus 300) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 5 years and 3 months of technical progress since the J4 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7R IV is the clear winner of the contest (25 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon 1 J4 and the Sony A7R IV place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the J4 or the A7R IV perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon 1 J4||3/5||..||..||4.5/5||4/5||Apr 2014||549|
|2.||Sony A7R IV||5/5||+||91/100||4.5/5||5/5||Jul 2019||3,499|
|3.||Canon G9 X Mark II||4/5||..||75/100||4.5/5||4.5/5||Jan 2017||529|
|4.||Canon G9 X||3.5/5||+ +||..||4.5/5||4.5/5||Oct 2015||529|
|5.||Canon SL1||4/5||+||78/100||4/5||4/5||Mar 2013||549|
|6.||Nikon P900||..||..||77/100||4/5||4/5||Mar 2015||599|
|7.||Nikon 1 J5||..||..||..||4.5/5||4.5/5||Apr 2015||399|
|8.||Nikon 1 V3||3/5||..||76/100||4.5/5||4/5||Mar 2014||799|
|9.||Nikon 1 V2||3/5||..||..||4.5/5||4/5||Oct 2012||799|
|10.||Panasonic GF7||4/5||+||..||4.5/5||4.5/5||Jan 2015||499|
|11.||Panasonic FZ1000||4/5||+ +||82/100||4.5/5||4.5/5||Jun 2014||899|
|12.||Panasonic G6||4/5||+ +||..||5/5||4.5/5||Apr 2013||599|
|13.||Sony A7S III||..||+ +||91/100||4.5/5||5/5||Jul 2020||3,499|
|14.||Sony A7R III||..||+ +||90/100||4.5/5||5/5||Oct 2017||3,199|
|15.||Sony A9||5/5||+ +||89/100||5/5||5/5||Apr 2017||4,499|
|16.||Sony A7R II||5/5||+ +||90/100||5/5||5/5||Jun 2015||3,199|
|17.||Sony A7S II||5/5||+||..||4.5/5||5/5||Sep 2015||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Nikon 1 J4 vs Sony A7R IV
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon 1 J4||Sony A7R IV|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Nikon 1 mount lenses||Sony E mount lenses|
|Launch Date||April 2014||July 2019|
|Launch Price||USD 549||USD 3,499|
|Sensor Specs||Nikon 1 J4||Sony A7R IV|
|Sensor Format||1" Sensor||Full Frame Sensor|
|Sensor Size||13.2 x 8.8 mm||35.7 x 23.8 mm|
|Sensor Area||116.16 mm2||849.66 mm2|
|Sensor Diagonal||15.9 mm||42.9 mm|
|Sensor Resolution||18.2 Megapixels||60.2 Megapixels|
|Image Resolution||5232 x 3488 pixels||9504 x 6336 pixels|
|Pixel Pitch||2.52 μm||3.76 μm|
|Pixel Density||15.71 MP/cm2||7.09 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||160 - 12,800 ISO||100 - 32,000 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|Image Processor||EXPEED 4||BIONZ X|
|DXO Sensor Quality (score)||53||99|
|DXO Color Depth (bits)||20.8||26.0|
|DXO Dynamic Range (EV)||10.7||14.8|
|DXO Low Light (ISO)||426||3344|
|Screen Specs||Nikon 1 J4||Sony A7R IV|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||5760k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1037k dots||1440k dots|
|LCD Attachment||Tilting screen|
|Shooting Specs||Nikon 1 J4||Sony A7R IV|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||60 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||micro or SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Nikon 1 J4||Sony A7R IV|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Nikon 1 J4||Sony A7R IV|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||300 shots per charge||670 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
100 x 60 x 29 mm
(3.9 x 2.4 x 1.1 in)
129 x 96 x 78 mm
(5.1 x 3.8 x 3.1 in)
|Camera Weight||232 g (8.2 oz)||665 g (23.5 oz)|
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