Nikon 1 J4 vs Panasonic LX7
The Nikon 1 J4 and the Panasonic Lumix DMC-LX7 are two digital cameras that were announced, respectively, in April 2014 and July 2012. The J4 is a mirrorless interchangeable lens camera, while the LX7 is a fixed lens compact. The cameras are based on an one-inch (J4) and a 1/1.7-inch (LX7) sensor. The Nikon has a resolution of 18.2 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon 1 J4||Panasonic LX7|
|Mirrorless system camera||Fixed lens compact camera|
|Nikon 1 mount lenses||24-90mm f/1.4-2.3|
|18.2 MP, 1" Sensor||10 MP, 1/1.7" Sensor|
|1080/60p Video||1080/60p Video|
|ISO 160-12800||ISO 80-6400 (80-12800)|
|No viewfinder, LCD framing||Viewfinder optional|
|3.0" LCD, 1037k dots||3.0" LCD, 920k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|60 shutter flaps per second||11 shutter flaps per second|
|300 shots per battery charge||330 shots per battery charge|
|100 x 60 x 29 mm, 232 g||111 x 68 x 46 mm, 298 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 J4 and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon 1 J4 and the Panasonic LX7. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The J4 can be obtained in four different colors (black, silver, orange, white), while the LX7 is available in two color-versions (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is notably larger (26 percent) than the Nikon 1 J4. In this context, it is worth noting that neither the J4 nor the LX7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the J4 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Nikon 1 J4»||3.9 in||2.4 in||1.1 in||8.2 oz||300||n||Apr 2014||549||Nikon 1 J4|
|Panasonic LX7«||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||Panasonic LX7|
|Canon G9 X Mark II« »||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||Canon G9 X|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||Canon SL1|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||Fujifilm X10|
|Nikon P900« »||5.5 in||4.1 in||5.4 in||31.7 oz||360||n||Mar 2015||599||Nikon P900|
|Nikon 1 J5« »||3.9 in||2.4 in||1.3 in||8.1 oz||250||n||Apr 2015||399||Nikon 1 J5|
|Nikon 1 V3« »||4.4 in||2.6 in||1.3 in||13.4 oz||310||n||Mar 2014||799||Nikon 1 V3|
|Nikon 1 V2« »||4.3 in||3.2 in||1.8 in||9.8 oz||310||n||Oct 2012||799||Nikon 1 V2|
|Panasonic GF7« »||4.2 in||2.6 in||1.3 in||9.4 oz||230||n||Jan 2015||499||Panasonic GF7|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||Panasonic FZ1000|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||Panasonic G6|
|Panasonic GF5« »||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||Panasonic GF5|
|Panasonic GF3« »||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||Panasonic GF3|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||Panasonic LX5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX7 was launched at a lower price than the J4, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon 1 J4 features an one-inch sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 64 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 4.65. The sensor in the J4 has a native 3:2 aspect ratio, while the one in the LX7 offers a 4:3 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 18.2MP, the J4 offers a higher resolution than the LX7 (10MP), but the J4 nevertheless has larger individual pixels (pixel pitch of 2.52μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the J4 is a somewhat more recent model (by 1 year and 8 months) than the LX7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the J4 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon 1 J4 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the J4 for good quality output (200 dots per inch) amounts to 26.2 x 17.4 inch or 66.4 x 44.3 cm, for very good quality (250 dpi) 20.9 x 14 inch or 53.2 x 35.4 cm, and for excellent quality (300 dpi) 17.4 x 11.6 inch or 44.3 x 29.5 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The J4 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon 1 J4 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon 1 J4||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||426||53||Nikon 1 J4|
|Panasonic LX7||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63||Canon G9 X|
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon SL1||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Fujifilm X10||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Nikon P900||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Nikon P900|
|Nikon 1 J5||1-inch||20.7||5568||3712||4K/15p||21.1||12.0||479||65||Nikon 1 J5|
|Nikon 1 V3||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||384||52||Nikon 1 V3|
|Nikon 1 V2||1-inch||14.2||4608||3072||1080/60p||20.2||10.8||403||50||Nikon 1 V2|
|Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..||Panasonic GF7|
|Panasonic FZ1000||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Panasonic LX5||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. The J4 and the LX7 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The adjacent table lists some of the other core features of the Nikon 1 J4 and Panasonic LX7 along with similar information for a selection of comparators.
|Nikon 1 J4||none||n||3.0||1037||Fixed||Y||1/4000s||60.0||Y||n||Nikon 1 J4|
|Panasonic LX7||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Canon G9 X Mark II||none||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y||Canon G9 X|
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon SL1||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Fujifilm X10||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Nikon P900||921||n||3.0||921||swivel||n||1/4000s||7.0||Y||Y||Nikon P900|
|Nikon 1 J5||none||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n||Nikon 1 J5|
|Nikon 1 V3||optional||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n||Nikon 1 V3|
|Nikon 1 V2||1440||n||3.0||921||fixed||n||1/4000s||15.0||Y||n||Nikon 1 V2|
|Panasonic GF7||none||n||3.0||1040||tilting||Y||1/500s||5.8||Y||n||Panasonic GF7|
|Panasonic FZ1000||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Panasonic G6||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GF5||none||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Panasonic GF3||none||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Panasonic LX5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The J4 has a touchscreen, while the LX7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the J4 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The J4 writes its imaging data to micro SDXC cards, while the LX7 uses SDXC cards. The J4 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX7 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 J4 and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon 1 J4||-||stereo||mono||-||-||mini||2.0||Y||-||-||Nikon 1 J4|
|Panasonic LX7||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Canon G9 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G9 X|
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon SL1||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Fujifilm X10||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Nikon P900||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon P900|
|Nikon 1 J5||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon 1 J5|
|Nikon 1 V3||-||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon 1 V3|
|Nikon 1 V2||-||stereo||mono||-||-||mini||2.0||-||-||-||Nikon 1 V2|
|Panasonic GF7||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic GF7|
|Panasonic FZ1000||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Panasonic G6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GF5||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Panasonic GF3||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Panasonic LX5||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
It is notable that the J4 offers wifi support, while the LX7 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the J4 and the LX7 have been discontinued, but can regularly be found used on eBay. The LX7 was replaced by the Panasonic LX10, while the J4 was followed by the Nikon 1 J5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what is the bottom line? Is the Nikon 1 J4 better than the Panasonic LX7 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Nikon 1 J4:
- More detail: Offers more megapixels (18.2 vs 10MP) with a 38% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better low-light sensitivity: Requires less light for good images (1.5 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (60 vs 11 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (100x60mm vs 111x68mm) and thus needs less room in the bag.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Is somewhat more recent (announced 1 year and 8 months after the LX7).
Arguments in favor of the Panasonic Lumix DMC-LX7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More dynamic range: Captures a broader range of light and dark details (1 EV of extra DR).
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has an integrated lens, whereas the J4 necessitates an extra lens.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in July 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the J4 emerges as the winner of the contest (13 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon 1 J4 and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the J4 or the LX7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G5 X Mark II vs Panasonic LX7
- Canon Rebel vs Panasonic LX7
- Canon SX420 vs Nikon 1 J4
- Canon SX50 vs Panasonic LX7
- Fujifilm X-T20 vs Panasonic LX7
- Leica M Typ 240 vs Nikon 1 J4
- Leica X Typ 113 vs Panasonic LX7
- Nikon 1 J4 vs Nikon D1
- Nikon 1 J4 vs Nikon D6
- Nikon 1 J4 vs Nikon D7000
- Nikon 1 J4 vs Nikon L840
- Panasonic GX7 vs Panasonic LX7
Specifications: Nikon 1 J4 vs Panasonic LX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon 1 J4||Panasonic LX7|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Nikon 1 mount lenses||24-90mm f/1.4-2.3|
|Launch Date||April 2014||July 2012|
|Launch Price||USD 549||USD 499|
|Sensor Specs||Nikon 1 J4||Panasonic LX7|
|Sensor Format||1" Sensor||1/1.7" Sensor|
|Sensor Size||13.2 x 8.8 mm||7.44 x 5.58 mm|
|Sensor Area||116.16 mm2||41.5152 mm2|
|Sensor Diagonal||15.9 mm||9.3 mm|
|Sensor Resolution||18.2 Megapixels||10 Megapixels|
|Image Resolution||5232 x 3488 pixels||3648 x 2736 pixels|
|Pixel Pitch||2.52 μm||2.05 μm|
|Pixel Density||15.71 MP/cm2||24.04 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||160-12800 ISO||80-6400 ISO|
|ISO Boost||no Enhancement||80-12800 ISO|
|Image Processor||Expeed 4||Venus|
|DXO Sensor Quality (score)||53||50|
|DXO Color Depth (bits)||20.8||20.7|
|DXO Dynamic Range (EV)||10.7||11.7|
|DXO Low Light (ISO)||426||147|
|Screen Specs||Nikon 1 J4||Panasonic LX7|
|Viewfinder Type||No viewfinder||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1037k dots||920k dots|
|LCD Attachment||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Nikon 1 J4||Panasonic LX7|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Continuous Shooting||60 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||micro or SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Nikon 1 J4||Panasonic LX7|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Nikon 1 J4||Panasonic LX7|
|Battery Life (CIPA)||300 shots per charge||330 shots per charge|
100 x 60 x 29 mm
(3.9 x 2.4 x 1.1 in)
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
|Camera Weight||232 g (8.2 oz)||298 g (10.5 oz)|
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