Nikon 1 J4 vs Panasonic GH3
The Nikon 1 J4 and the Panasonic Lumix DMC-GH3 are two digital cameras that were revealed to the public, respectively, in April 2014 and September 2012. Both the J4 and the GH3 are mirrorless interchangeable lens cameras that are based on an one-inch (J4) and a Four Thirds (GH3) sensor. The Nikon has a resolution of 18.2 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 J4 and the Panasonic Lumix DMC-GH3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon 1 J4 and the Panasonic GH3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The J4 can be obtained in four different colors (black, silver, orange, white), while the GH3 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH3 is considerably larger (106 percent) than the Nikon 1 J4. Moreover, the GH3 is substantially heavier (137 percent) than the J4. It is noteworthy in this context that the GH3 is splash and dust-proof, while the J4 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Nikon 1 J4||100 mm||60 mm||29 mm||232 g||300||n||Apr 2014||549||ebay.com|
|2.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299||ebay.com|
|3.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529||amazon.com|
|4.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529||ebay.com|
|5.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||ebay.com|
|6.||Nikon P900||140 mm||103 mm||137 mm||899 g||360||n||Mar 2015||599||ebay.com|
|7.||Nikon 1 J5||98 mm||60 mm||32 mm||231 g||250||n||Apr 2015||399||ebay.com|
|8.||Nikon 1 V3||111 mm||65 mm||33 mm||381 g||310||n||Mar 2014||799||ebay.com|
|9.||Nikon 1 V2||109 mm||82 mm||46 mm||278 g||310||n||Oct 2012||799||ebay.com|
|10.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||ebay.com|
|11.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||ebay.com|
|12.||Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499||ebay.com|
|13.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||ebay.com|
|14.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499||ebay.com|
|15.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|16.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599||ebay.com|
|17.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The J4 was launched at a markedly lower price (by 58 percent) than the GH3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon 1 J4 features an one-inch sensor and the Panasonic GH3 a Four Thirds sensor. The sensor area in the GH3 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the J4 has a native 3:2 aspect ratio, while the one in the GH3 offers a 4:3 aspect.
Despite having a smaller sensor, the Nikon 1 J4 offers a higher resolution of 18.2 megapixels, compared with 15.9 MP of the Panasonic GH3. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.52μm versus 3.76μm for the GH3). However, it should be noted that the J4 is a somewhat more recent model (by 1 year and 6 months) than the GH3, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the J4 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon 1 J4 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the J4 for good quality output (200 dots per inch) amounts to 26.2 x 17.4 inches or 66.4 x 44.3 cm, for very good quality (250 dpi) 20.9 x 14 inches or 53.2 x 35.4 cm, and for excellent quality (300 dpi) 17.4 x 11.6 inches or 44.3 x 29.5 cm. The corresponding values for the Panasonic GH3 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The J4 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon 1 J4 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-GH3 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 125-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the GH3 offers substantially better image quality than the J4 (overall score 18 points higher). The advantage is based on 1.9 bits higher color depth, 1.7 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Nikon 1 J4||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||426||53|
|2.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|3.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|4.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|7.||Nikon 1 J5||1-inch||20.7||5568||3712||4K/15p||21.1||12.0||479||65|
|8.||Nikon 1 V3||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||384||52|
|9.||Nikon 1 V2||1-inch||14.2||4608||3072||1080/60p||20.2||10.8||403||50|
|10.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|11.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|12.||Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||22.7||12.3||874||70|
|14.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|15.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|16.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||21.4||11.6||618||61|
|17.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GH3 has an electronic viewfinder (1746k dots), which can be very helpful when shooting in bright sunlight. In contrast, the J4 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Nikon 1 J4 and Panasonic GH3 in connection with corresponding information for a sample of similar cameras.
|1.||Nikon 1 J4||none||n||3.0 / 1037||Fixed||Y||1/4000s||60.0/s||Y||n|
|2.||Panasonic GH3||1746||n||3.0 / 614||swivel||Y||1/4000s||6.0/s||Y||n|
|3.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2/s||Y||Y|
|4.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0/s||Y||Y|
|5.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|6.||Nikon P900||921||n||3.0 / 921||swivel||n||1/4000s||7.0/s||Y||Y|
|7.||Nikon 1 J5||none||n||3.0 / 1037||tilting||Y||1/4000s||60.0/s||Y||n|
|8.||Nikon 1 V3||optional||n||3.0 / 1037||tilting||Y||1/4000s||60.0/s||Y||n|
|9.||Nikon 1 V2||1440||n||3.0 / 921||fixed||n||1/4000s||15.0/s||Y||n|
|10.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|11.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0/s||n||Y|
|12.||Panasonic GF7||none||n||3.0 / 1040||tilting||Y||1/500s||5.8/s||Y||n|
|13.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|14.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0/s||Y||n|
|15.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|16.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0/s||Y||n|
|17.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The J4 writes its imaging data to micro SDXC cards, while the GH3 uses SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 J4 and Panasonic Lumix DMC-GH3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon 1 J4||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|2.||Panasonic GH3||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|3.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|4.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|5.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|6.||Nikon P900||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|7.||Nikon 1 J5||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Nikon 1 V3||-||stereo / mono||Y||-||mini||2.0||Y||-||-|
|9.||Nikon 1 V2||-||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Panasonic GF7||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|13.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|14.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|16.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the GH3 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The J4 lacks such a headphone port.
Studio photographers will appreciate that the Panasonic GH3 (unlike the J4) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the J4 and the GH3 have been discontinued, but can regularly be found used on ebay. The GH3 was replaced by the Panasonic GH4, while the J4 was followed by the Nikon 1 J5. Further information on the features and operation of the J4 and GH3 can be found, respectively, in the Nikon 1 J4 Manual (free pdf) or the online Panasonic GH3 Manual.
So what conclusions can be drawn? Is the Nikon 1 J4 better than the Panasonic GH3 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Nikon 1 J4:
- More detail: Offers more megapixels (18.2 vs 15.9MP) with a 9% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 614k dots).
- Faster burst: Shoots at higher frequency (60 vs 6 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (100x60mm vs 133x93mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 318g or 58 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (58 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 6 months after the GH3).
Advantages of the Panasonic Lumix DMC-GH3:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (18 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.9 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.9 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (540 versus 300) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been on the market for longer (launched in September 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the GH3 is the clear winner of the contest (16 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon 1 J4 and the Panasonic GH3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the J4 and the GH3 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon 1 J4||3/5||..||..||..||4.5/5||4/5||Apr 2014||549||ebay.com|
|2.||Panasonic GH3||5/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||1,299||ebay.com|
|3.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529||amazon.com|
|4.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529||ebay.com|
|5.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549||ebay.com|
|6.||Nikon P900||..||..||..||77/100||4/5||4/5||Mar 2015||599||ebay.com|
|7.||Nikon 1 J5||..||..||..||..||4.5/5||4.5/5||Apr 2015||399||ebay.com|
|8.||Nikon 1 V3||3/5||..||..||76/100||4.5/5||4/5||Mar 2014||799||ebay.com|
|9.||Nikon 1 V2||3/5||..||..||..||4.5/5||4/5||Oct 2012||799||ebay.com|
|10.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099||ebay.com|
|11.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399||ebay.com|
|12.||Panasonic GF7||4/5||+||..||..||4.5/5||4.5/5||Jan 2015||499||ebay.com|
|13.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899||ebay.com|
|14.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499||ebay.com|
|15.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|16.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|17.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 300D vs Panasonic GH3
- Canon M5 vs Nikon 1 J4
- Canon R5 vs Nikon 1 J4
- Canon SX70 vs Nikon 1 J4
- Nikon 1 J4 vs Nikon D5500
- Nikon 1 J4 vs Olympus E-P2
- Nikon 1 J4 vs Olympus TG-5
- Nikon D60 vs Panasonic GH3
- Panasonic GH3 vs Panasonic GX85
- Panasonic GH3 vs Pentax K-5
- Panasonic GH3 vs Sony A6500
- Panasonic GH3 vs Sony A900
Specifications: Nikon 1 J4 vs Panasonic GH3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon 1 J4||Panasonic GH3|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Nikon 1 mount lenses||Micro Four Thirds lenses|
|Launch Date||April 2014||September 2012|
|Launch Price||USD 549||USD 1,299|
|Sensor Specs||Nikon 1 J4||Panasonic GH3|
|Sensor Format||1" Sensor||Four Thirds Sensor|
|Sensor Size||13.2 x 8.8 mm||17.3 x 13.0 mm|
|Sensor Area||116.16 mm2||224.9 mm2|
|Sensor Diagonal||15.9 mm||21.6 mm|
|Sensor Resolution||18.2 Megapixels||15.9 Megapixels|
|Image Resolution||5232 x 3488 pixels||4608 x 3456 pixels|
|Pixel Pitch||2.52 μm||3.76 μm|
|Pixel Density||15.71 MP/cm2||7.08 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||160 - 12,800 ISO||200 - 12,800 ISO|
|ISO Boost||no Enhancement||125 - 25,600 ISO|
|Image Processor||EXPEED 4||Venus VII FHD|
|DXO Sensor Quality (score)||53||71|
|DXO Color Depth (bits)||20.8||22.7|
|DXO Dynamic Range (EV)||10.7||12.4|
|DXO Low Light (ISO)||426||812|
|Screen Specs||Nikon 1 J4||Panasonic GH3|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1746k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1037k dots||614k dots|
|LCD Attachment||Swivel screen|
|Shooting Specs||Nikon 1 J4||Panasonic GH3|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Continuous Shooting||60 shutter flaps/s||6 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||mSDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Nikon 1 J4||Panasonic GH3|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Nikon 1 J4||Panasonic GH3|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||300 shots per charge||540 shots per charge|
100 x 60 x 29 mm
(3.9 x 2.4 x 1.1 in)
133 x 93 x 82 mm
(5.2 x 3.7 x 3.2 in)
|Camera Weight||232 g (8.2 oz)||550 g (19.4 oz)|
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