Nikon 1 J4 vs Panasonic G7

The Nikon 1 J4 and the Panasonic Lumix DMC-G7 are two digital cameras that were officially introduced, respectively, in April 2014 and May 2015. Both the J4 and the G7 are mirrorless interchangeable lens cameras that are based on an one-inch (J4) and a Four Thirds (G7) sensor. The Nikon has a resolution of 18.2 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon 1 J4		Panasonic G7
Mirrorless system camera		Mirrorless system camera
Nikon 1 mount lenses		Micro Four Thirds lenses
18.2 MP – 1" sensor		15.8 MP – Four Thirds sensor
1080/60p Video		4K/30p Video
ISO 160-12,800		ISO 160-25,600
No viewfinder, LCD framing		Electronic viewfinder (2360k dots)
3.0" LCD – 1037k dots		3.0" LCD – 1040k dots
no rear screen		Swivel touchscreen
60 shutter flaps per second		7 shutter flaps per second
300 shots per battery charge		350 shots per battery charge
100 x 60 x 29 mm, 232 g		125 x 86 x 77 mm, 410 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 J4 and the Panasonic Lumix DMC-G7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Nikon 1 J4 and the Panasonic G7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The J4 can be obtained in four different colors (black, silver, orange, white), while the G7 is available in two color-versions (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G7 is considerably larger (79 percent) than the Nikon 1 J4. Moreover, the G7 is substantially heavier (77 percent) than the J4. In this context, it is worth noting that neither the J4 nor the G7 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon 1 J4	100 mm	60 mm	29 mm	232 g	300	n	Apr 2014	549	ebay.com
2.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	649	ebay.com
3.		Canon G9 X	98 mm	58 mm	31 mm	209 g	220	n	Oct 2015	529	ebay.com
4.		Canon G9 X Mark II	98 mm	58 mm	31 mm	206 g	235	n	Jan 2017	529	ebay.com
5.		Canon SL1	117 mm	91 mm	69 mm	407 g	380	n	Mar 2013	549	ebay.com
6.		Nikon 1 J5	98 mm	60 mm	32 mm	231 g	250	n	Apr 2015	399	ebay.com
7.		Nikon 1 V2	109 mm	82 mm	46 mm	278 g	310	n	Oct 2012	799	ebay.com
8.		Nikon 1 V3	111 mm	65 mm	33 mm	381 g	310	n	Mar 2014	799	ebay.com
9.		Nikon P900	140 mm	103 mm	137 mm	899 g	360	n	Mar 2015	599	ebay.com
10.		Panasonic FZ1000	137 mm	99 mm	131 mm	831 g	360	n	Jun 2014	899	ebay.com
11.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	599	ebay.com
12.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
13.		Panasonic GF7	107 mm	65 mm	33 mm	266 g	230	n	Jan 2015	499	ebay.com
14.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
15.		Panasonic GM1	99 mm	55 mm	30 mm	204 g	230	n	Oct 2013	749	ebay.com
16.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	749	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The J4 was launched at a somewhat lower price (by 15 percent) than the G7, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Nikon 1 J4 features an one-inch sensor and the Panasonic G7 a Four Thirds sensor. The sensor area in the G7 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the J4 has a native 3:2 aspect ratio, while the one in the G7 offers a 4:3 aspect.

Despite having a smaller sensor, the Nikon 1 J4 offers a higher resolution of 18.2 megapixels, compared with 15.8 MP of the Panasonic G7. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.52μm versus 3.77μm for the G7). Moreover, it should be noted that the G7 is a somewhat more recent model (by 1 year and 1 month) than the J4, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the J4 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Nikon 1 J4 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the J4 for good quality output (200 dots per inch) amounts to 26.2 x 17.4 inches or 66.4 x 44.3 cm, for very good quality (250 dpi) 20.9 x 14 inches or 53.2 x 35.4 cm, and for excellent quality (300 dpi) 17.4 x 11.6 inches or 44.3 x 29.5 cm. The corresponding values for the Panasonic G7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The J4 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Nikon 1 J4 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-G7 are ISO 160 to ISO 25600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon 1 J4	1-inch	18.2	5232	3488	1080/60p	20.8	10.7	426	53
2.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
3.		Canon G9 X	1-inch	20.0	5472	3648	1080/60p	21.5	12.3	495	63
4.		Canon G9 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.9	12.5	522	65
5.		Canon SL1	APS-C	17.9	5184	3456	1080/30p	21.8	11.3	843	63
6.		Nikon 1 J5	1-inch	20.7	5568	3712	4K/15p	21.1	12.0	479	65
7.		Nikon 1 V2	1-inch	14.2	4608	3072	1080/60p	20.2	10.8	403	50
8.		Nikon 1 V3	1-inch	18.2	5232	3488	1080/60p	20.8	10.7	384	52
9.		Nikon P900	1/2.3	15.9	4608	3456	1080/60p	20.2	11.6	727	47
10.		Panasonic FZ1000	1-inch	20.0	5472	3648	4K/30p	22.1	11.7	517	64
11.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
12.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
13.		Panasonic GF7	Four Thirds	15.8	4592	3448	1080/60p	22.7	12.3	874	70
14.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
15.		Panasonic GM1	Four Thirds	15.8	4592	3448	1080/60i	22.3	11.7	660	66
16.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G7 provides a better video resolution than the J4. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the G7 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the J4 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Nikon 1 J4 and Panasonic G7 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon 1 J4	none	n	3.0 / 1037	Fixed	Y	1/4000s	60.0/s	Y	n
2.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
3.		Canon G9 X	none	n	3.0 / 1040	fixed	Y	1/2000s	6.0/s	Y	Y
4.		Canon G9 X Mark II	none	n	3.0 / 1040	fixed	Y	1/2000s	8.2/s	Y	Y
5.		Canon SL1	optical	n	3.0 / 1040	fixed	Y	1/4000s	4.9/s	Y	n
6.		Nikon 1 J5	none	n	3.0 / 1037	tilting	Y	1/4000s	60.0/s	Y	n
7.		Nikon 1 V2	1440	n	3.0 / 921	fixed	n	1/4000s	15.0/s	Y	n
8.		Nikon 1 V3	optional	n	3.0 / 1037	tilting	Y	1/4000s	60.0/s	Y	n
9.		Nikon P900	921	n	3.0 / 921	swivel	n	1/4000s	7.0/s	Y	Y
10.		Panasonic FZ1000	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
11.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
12.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
13.		Panasonic GF7	none	n	3.0 / 1040	tilting	Y	1/500s	5.8/s	Y	n
14.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
15.		Panasonic GM1	none	n	3.0 / 1036	fixed	Y	1/500s	5.0/s	Y	n
16.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic G7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The J4 writes its imaging data to micro SDXC cards, while the G7 uses SDXC cards. The G7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the J4 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 J4 and Panasonic Lumix DMC-G7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon 1 J4	-	stereo / mono	-	-	mini	2.0	Y	-	-
2.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
3.		Canon G9 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
4.		Canon G9 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
5.		Canon SL1	Y	mono / mono	Y	-	mini	2.0	-	-	-
6.		Nikon 1 J5	-	stereo / mono	-	-	micro	2.0	Y	Y	-
7.		Nikon 1 V2	-	stereo / mono	-	-	mini	2.0	-	-	-
8.		Nikon 1 V3	-	stereo / mono	Y	-	mini	2.0	Y	-	-
9.		Nikon P900	-	stereo / mono	-	-	micro	2.0	Y	Y	-
10.		Panasonic FZ1000	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
11.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
13.		Panasonic GF7	-	stereo / mono	-	-	micro	2.0	Y	Y	-
14.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
15.		Panasonic GM1	-	stereo / mono	-	-	micro	2.0	Y	-	-
16.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-

It is notable that the G7 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The J4 does not feature such a mic input.

Both the J4 and the G7 have been discontinued, but can regularly be found used on ebay. The J4 was replaced by the Nikon 1 J5, while the G7 was followed by the Panasonic G85. Further information on the features and operation of the J4 and G7 can be found, respectively, in the Nikon 1 J4 Manual (free pdf) or the online Panasonic G7 Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Nikon 1 J4 and the Panasonic G7? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Nikon 1 J4:

• More detail: Offers more megapixels (18.2 vs 15.8MP) with a 10% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Faster burst: Shoots at higher frequency (60 vs 7 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (100x60mm vs 125x86mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 178g or 43 percent) and hence easier to carry around.
• More affordable: Was introduced into a lower priced segment (15 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in April 2014).

Reasons to prefer the Panasonic Lumix DMC-G7:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Gets more shots (350 versus 300) out of a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Was introduced somewhat (1 year and 1 month) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the G7 is the clear winner of the contest (15 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon 1 J4 and the Panasonic G7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the J4 or the G7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon 1 J4	3/5	..	..	..	4.5/5	4/5	Apr 2014	549	ebay.com
2.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	649	ebay.com
3.		Canon G9 X	3.5/5	+ +	..	..	4.5/5	4.5/5	Oct 2015	529	ebay.com
4.		Canon G9 X Mark II	4/5	..	4/5	75/100	4.5/5	4.5/5	Jan 2017	529	ebay.com
5.		Canon SL1	4/5	+	..	78/100	4/5	4/5	Mar 2013	549	ebay.com
6.		Nikon 1 J5	..	..	..	..	4.5/5	4.5/5	Apr 2015	399	ebay.com
7.		Nikon 1 V2	3/5	..	..	..	4.5/5	4/5	Oct 2012	799	ebay.com
8.		Nikon 1 V3	3/5	..	..	76/100	4.5/5	4/5	Mar 2014	799	ebay.com
9.		Nikon P900	..	..	..	77/100	4/5	4/5	Mar 2015	599	ebay.com
10.		Panasonic FZ1000	4/5	+ +	..	82/100	4.5/5	4.5/5	Jun 2014	899	ebay.com
11.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	599	ebay.com
12.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
13.		Panasonic GF7	4/5	+	..	..	4.5/5	4.5/5	Jan 2015	499	ebay.com
14.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
15.		Panasonic GM1	3/5	+	..	78/100	5/5	4.5/5	Oct 2013	749	ebay.com
16.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	749	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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