Leica X1 vs Pentax K-3
The Leica X1 and the Pentax K-3 are two digital cameras that were revealed to the public, respectively, in September 2009 and October 2013. The X1 is a fixed lens compact, while the K-3 is a DSLR. Both cameras are equipped with an APS-C sensor. The Leica has a resolution of 12.2 megapixels, whereas the Pentax provides 24.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica X1||Pentax K-3|
|Fixed lens compact camera||Digital single lens reflex|
|36mm f/2.8||Pentax K mount lenses|
|12.2 MP, APS-C Sensor||24.1 MP, APS-C Sensor|
|no Video||1080/60i Video|
|ISO 100-3200||ISO 100-51200|
|No viewfinder, LCD framing||Optical viewfinder|
|2.7" LCD, 230k dots||3.2" LCD, 1037k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|3 shutter flaps per second||8.3 shutter flaps per second|
|No shake reduction||In-body stabilization|
|Not weather sealed||Weathersealed body|
|260 shots per battery charge||560 shots per battery charge|
|124 x 60 x 32 mm, 306 g||131 x 100 x 77 mm, 800 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica X1 and the Pentax K-3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica X1 and the Pentax K-3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-3 is considerably larger (76 percent) than the Leica X1. It is noteworthy in this context that the K-3 is splash and dust-proof, while the X1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X1 has a lens built in, whereas the K-3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica X1»||4.9 in||2.4 in||1.3 in||10.8 oz||260||n||Sep 2009||1,995||-||Leica X1|
|Pentax K-3«||5.2 in||3.9 in||3.0 in||28.2 oz||560||Y||Oct 2013||1,299||-||Pentax K-3|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Fujifilm X100« »||5.0 in||3.0 in||2.1 in||15.7 oz||300||n||Sep 2010||1,199||-||Fujifilm X100|
|Leica X Typ 113« »||5.2 in||2.9 in||3.1 in||17.1 oz||350||n||Sep 2014||2,295||Leica X Typ 113|
|Leica D-LUX 6« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699||-||Leica D-LUX 6|
|Leica X2« »||4.9 in||2.7 in||2.0 in||12.2 oz||450||n||May 2012||1,995||-||Leica X2|
|Leica D-LUX 5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Sep 2010||699||-||Leica D-LUX 5|
|Leica V-LUX 2« »||4.9 in||3.1 in||3.7 in||18.3 oz||410||n||Sep 2010||849||-||Leica V-LUX 2|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||-||Panasonic LX5|
|Pentax KP« »||5.2 in||4.0 in||3.0 in||24.8 oz||390||Y||Jan 2017||1,099||Pentax KP|
|Pentax K-70« »||5.0 in||3.7 in||2.9 in||24.3 oz||410||Y||Jun 2016||649||Pentax K-70|
|Pentax K-3 II« »||5.2 in||3.9 in||3.0 in||28.2 oz||720||Y||Apr 2015||1,099||Pentax K-3 II|
|Pentax K-5« »||5.2 in||3.8 in||2.9 in||26.8 oz||740||Y||Sep 2010||1,099||-||Pentax K-5|
|Sony A77« »||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||-||Sony A77|
|Sony NEX-3« »||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||-||Sony NEX-3|
|Sony NEX-5« »||4.4 in||2.3 in||1.5 in||10.1 oz||330||n||May 2010||699||-||Sony NEX-5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the K-3 is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the K-3 offers a higher resolution of 24.1 megapixels, compared with 12.2 MP of the X1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.90μm versus 5.51μm for the X1). However, it should be noted that the K-3 is much more recent (by 4 years) than the X1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the K-3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-3 for good quality output (200 dots per inch) amounts to 30.1 x 20 inch or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inch or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inch or 50.9 x 33.9 cm. The corresponding values for the Leica X1 are 21.4 x 14.3 inch or 54.3 x 36.3 cm for good quality, 17.1 x 11.4 inch or 43.4 x 29 cm for very good quality, and 14.2 x 9.5 inch or 36.2 x 24.2 cm for excellent quality prints.
The Leica X1 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Pentax K-3 are ISO 100 to ISO 51200 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica X1»||APS-C||12.2||4272||2856||-||-||-||-||-||Leica X1|
|Pentax K-3«||APS-C||24.1||6016||4000||1080/60i||23.7||13.4||1216||80||Pentax K-3|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Fujifilm X100« »||APS-C||12.2||4288||2848||720/30p||22.9||12.4||1001||73||Fujifilm X100|
|Leica X Typ 113« »||APS-C||16.1||4928||3264||1080/30p||-||-||-||-||Leica X Typ 113|
|Leica D-LUX 6« »||1/1.7||10.0||3648||2736||1080/60p||-||-||-||-||Leica D-LUX 6|
|Leica X2« »||APS-C||16.1||4928||3264||-||-||-||-||-||Leica X2|
|Leica D-LUX 5« »||1/1.7||10.0||3648||2736||720/60p||-||-||-||-||Leica D-LUX 5|
|Leica V-LUX 2« »||1/2.3||14.0||4320||3240||1080/60i||-||-||-||-||Leica V-LUX 2|
|Panasonic LX5« »||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
|Pentax KP« »||APS-C||24.1||6016||4000||1080/60i||-||-||-||-||Pentax KP|
|Pentax K-70« »||APS-C||24.0||6000||4000||1080/60i||-||-||-||-||Pentax K-70|
|Pentax K-3 II« »||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80||Pentax K-3 II|
|Pentax K-5« »||APS-C||16.1||4928||3264||1080/25p||23.7||14.1||1162||82||Pentax K-5|
|Sony A77« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
|Sony NEX-3« »||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
|Sony NEX-5« »||APS-C||14.0||4592||3056||1080/60i||22.2||12.2||796||69||Sony NEX-5|
Many modern cameras are not only capable of taking still images, but can also record movies. The K-3 indeed provides for movie recording, while the X1 does not. The highest resolution format that the K-3 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the K-3 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the X1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Leica X1, the Pentax K-3, and comparable cameras.
|Leica X1»||-||n||2.7||230||fixed||n||1/2000s||3.0||Y||n||Leica X1|
|Pentax K-3«||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||Y||Y||Pentax K-3|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Fujifilm X100« »||1440||n||2.8||460||fixed||n||1/4000s||5.0||Y||n||Fujifilm X100|
|Leica X Typ 113« »||-||n||3.0||920||fixed||n||1/2000s||5.0||Y||n||Leica X Typ 113|
|Leica D-LUX 6« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Leica D-LUX 6|
|Leica X2« »||-||n||2.7||230||fixed||n||1/2000s||5.0||Y||n||Leica X2|
|Leica D-LUX 5« »||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Leica D-LUX 5|
|Leica V-LUX 2« »||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Leica V-LUX 2|
|Panasonic LX5« »||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
|Pentax KP« »||optical||n||3.0||921||tilting||n||1/6000s||7.0||Y||Y||Pentax KP|
|Pentax K-70« »||optical||n||3.0||921||swivel||n||1/6000s||6.0||Y||Y||Pentax K-70|
|Pentax K-3 II« »||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||n||Y||Pentax K-3 II|
|Pentax K-5« »||optical||Y||3.0||921||fixed||n||1/8000s||7.0||Y||Y||Pentax K-5|
|Sony A77« »||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
|Sony NEX-3« »||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
|Sony NEX-5« »||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-5|
One feature that is present on the K-3, but is missing on the X1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Pentax K-3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X1 writes its imaging data to SDHC cards, while the K-3 uses SDXC cards. The K-3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X1 only has one slot. The K-3 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the X1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica X1 and Pentax K-3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica X1»||Y||-||-||-||-||mini||2.0||-||-||-||Leica X1|
|Pentax K-3«||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Fujifilm X100« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Fujifilm X100|
|Leica X Typ 113« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica X Typ 113|
|Leica D-LUX 6« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 6|
|Leica X2« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica X2|
|Leica D-LUX 5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 5|
|Leica V-LUX 2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica V-LUX 2|
|Panasonic LX5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
|Pentax KP« »||Y||stereo||mono||Y||-||-||2.0||Y||-||-||Pentax KP|
|Pentax K-70« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Pentax K-70|
|Pentax K-3 II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3 II|
|Pentax K-5« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Pentax K-5|
|Sony A77« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
|Sony NEX-3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
|Sony NEX-5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5|
Studio photographers will appreciate that the Pentax K-3 (unlike the X1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X1 and the K-3 have been discontinued, but can regularly be found used on eBay. The X1 was replaced by the Leica X2, while the K-3 was followed by the Pentax K-3 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Pentax websites.
So what is the bottom line? Is the Leica X1 better than the Pentax K-3 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Leica X1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Ready to shoot: Comes with a built-in lens, while the K-3 requires a separate lens.
- More compact: Is smaller (124x60mm vs 131x100mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the K-3).
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2009).
Arguments in favor of the Pentax K-3:
- More detail: Has more megapixels (24.1 vs 12.2MP), which boosts linear resolution by 41%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 230k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (8.3 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (560 versus 260) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years of technical progress since the X1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the K-3 is the clear winner of the contest (19 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica X1 and the Pentax K-3 place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X1 or the K-3. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica X1»||-||+||-||-||4/5||Sep 2009||1,995||-||Leica X1|
|Pentax K-3«||-||83/100||5/5||4.5/5||5/5||Oct 2013||1,299||-||Pentax K-3|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Fujifilm X100« »||-||75/100||4/5||4/5||5/5||Sep 2010||1,199||-||Fujifilm X100|
|Leica X Typ 113« »||-||-||3.5/5||-||4/5||Sep 2014||2,295||Leica X Typ 113|
|Leica D-LUX 6« »||-||-||4/5||-||4/5||Sep 2012||699||-||Leica D-LUX 6|
|Leica X2« »||-||-||3/5||-||4/5||May 2012||1,995||-||Leica X2|
|Leica D-LUX 5« »||-||-||4.5/5||-||4/5||Sep 2010||699||-||Leica D-LUX 5|
|Leica V-LUX 2« »||-||-||-||-||-||Sep 2010||849||-||Leica V-LUX 2|
|Panasonic LX5« »||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499||-||Panasonic LX5|
|Pentax KP« »||-||82/100||5/5||-||4.5/5||Jan 2017||1,099||Pentax KP|
|Pentax K-70« »||-||79/100||4.5/5||4/5||4.5/5||Jun 2016||649||Pentax K-70|
|Pentax K-3 II« »||-||-||5/5||4.5/5||5/5||Apr 2015||1,099||Pentax K-3 II|
|Pentax K-5« »||-||83/100||5/5||4.5/5||4.5/5||Sep 2010||1,099||-||Pentax K-5|
|Sony A77« »||91/100||81/100||-||4.5/5||5/5||Aug 2011||1,399||-||Sony A77|
|Sony NEX-3« »||-||70/100||4.5/5||5/5||4/5||May 2010||599||-||Sony NEX-3|
|Sony NEX-5« »||+ +||71/100||4.5/5||4/5||4/5||May 2010||699||-||Sony NEX-5|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 6D Mark II vs Pentax K-3
- Canon G9 X vs Pentax K-3 II
- Canon SL1 vs Pentax K-3
- Fujifilm GFX 50S vs Pentax K-3 II
- Leica X1 vs Panasonic TZ200
- Leica X1 vs Panasonic ZS200
- Leica X1 vs Sony A6300
- Leica X1 vs Sony A6500
- Olympus E-P3 vs Pentax K-3 II
- Olympus TG-5 vs Pentax K-3
- Panasonic G6 vs Pentax K-3
- Pentax K-3 II vs Sony A7 II
Specifications: Leica X1 vs Pentax K-3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica X1||Pentax K-3|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||36mm f/2.8||Pentax K mount lenses|
|Launch Date||September 2009||October 2013|
|Launch Price||USD 1995||USD 1299|
|Sensor Specs||Leica X1||Pentax K-3|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.7 x 15.6 mm||23.5 x 15.6 mm|
|Sensor Area||369.72 mm2||366.6 mm2|
|Sensor Diagonal||28.4 mm||28.2 mm|
|Sensor Resolution||12.2 Megapixels||24.1 Megapixels|
|Image Resolution||4272 x 2856 pixels||6016 x 4000 pixels|
|Pixel Pitch||5.51 μm||3.90 μm|
|Pixel Density||3.30 MP/cm2||6.56 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100-3200 ISO||100-51200 ISO|
|DXO Sensor Quality (score)||..||80|
|DXO Color Depth (bits)||..||23.7|
|DXO Dynamic Range (EV)||..||13.4|
|DXO Low Light (ISO)||..||1216|
|Screen Specs||Leica X1||Pentax K-3|
|Viewfinder Type||No viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||2.7 inch||3.2 inch|
|LCD Resolution||230k dots||1037k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Leica X1||Pentax K-3|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/8000/s|
|Continuous Shooting||3 shutter flaps/s||8.3 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||No shake reduction||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDHC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica X1||Pentax K-3|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Leica X1||Pentax K-3|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||260 shots per charge||560 shots per charge|
124 x 60 x 32 mm
(4.9 x 2.4 x 1.3 in)
131 x 100 x 77 mm
(5.2 x 3.9 x 3.0 in)
|Camera Weight||306 g (10.8 oz)||800 g (28.2 oz)|
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