Leica V-LUX Typ 114 vs Panasonic FZ2000
The Leica V-LUX (Typ 114) and the Panasonic Lumix DMC-FZ2000 (labelled Panasonic FZ2500 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2014 and September 2016. Both the V-LUX Typ 114 and the FZ2000 are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica V-LUX Typ 114||Panasonic FZ2000|
|Fixed lens compact camera||Fixed lens compact camera|
|25-400mm f/2.8-4.0||24-480mm f/2.8-4.5|
|20 MP, 1" Sensor||20 MP, 1" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 125-12,800 (80 - 25,600)||ISO 125-12,800 (80 - 25,600)|
|Electronic viewfinder (2359k dots)||Electronic viewfinder (2360k dots)|
|3.0 LCD, 921k dots||3.0 LCD, 1040k dots|
|Swivel screen (not touch-sensitive)||Swivel touchscreen|
|12 shutter flaps per second||12 shutter flaps per second|
|360 shots per battery charge||350 shots per battery charge|
|137 x 99 x 131 mm, 830 g||138 x 102 x 135 mm, 915 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX (Typ 114) and the Panasonic Lumix DMC-FZ2000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica V-LUX Typ 114 and the Panasonic FZ2000. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2000 is somewhat larger (4 percent) than the Leica V-LUX Typ 114. Moreover, the FZ2000 is markedly heavier (10 percent) than the V-LUX Typ 114. In this context, it is worth noting that neither the V-LUX Typ 114 nor the FZ2000 are weather-sealed.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica V-LUX Typ 114||137 mm||99 mm||131 mm||830 g||360||n||Sep 2014||1,349|
|Panasonic FZ2000||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199|
|Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299|
|Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249|
|Leica D-LUX 7||115 mm||66 mm||65 mm||392 g||300||n||Nov 2018||1,195|
|Leica Q Typ 116||130 mm||80 mm||93 mm||640 g||300||n||Jun 2015||4,249|
|Leica D-LUX Typ 109||118 mm||66 mm||55 mm||405 g||300||n||Sep 2014||1,195|
|Leica X Vario||133 mm||73 mm||95 mm||680 g||450||n||Jun 2013||2,850|
|Leica V-LUX 4||125 mm||87 mm||110 mm||588 g||540||n||Sep 2012||949|
|Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
|Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|Sony RX10||129 mm||88 mm||102 mm||813 g||420||Y||Oct 2013||1,299|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ2000 was launched at a somewhat lower price (by 11 percent) than the V-LUX Typ 114, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixels. This similarity in sensor specs implies that both the V-LUX Typ 114 and the FZ2000 have the same pixel density, as well as the same pixel size. It should, however, be noted that the FZ2000 is much more recent (by 2 years) than the V-LUX Typ 114, and its sensor will have benefitted from technological advances during this time.
The Leica V-LUX (Typ 114) has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The Panasonic Lumix DMC-FZ2000 offers exactly the same ISO settings.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Leica V-LUX Typ 114||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Leica D-LUX 7||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|Leica Q Typ 116||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|Leica D-LUX Typ 109||Four Thirds||12.7||4112||3088||4K/30p||..||..||..||..|
|Leica X Vario||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78|
|Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..|
|Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the FZ2000 offers a slightly higher resolution than the one in the V-LUX Typ 114 (2360k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Leica V-LUX Typ 114, the Panasonic FZ2000, and comparable cameras.
|Leica V-LUX Typ 114||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y|
|Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|Leica D-LUX 7||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y|
|Leica Q Typ 116||3680||n||3.0||1040||fixed||Y||1/2000s||10.0||n||Y|
|Leica D-LUX Typ 109||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y|
|Leica X Vario||optional||n||3.0||920||fixed||n||1/2000s||5.0||Y||n|
|Leica V-LUX 4||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y|
|Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y|
|Sony RX10 II||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ2000 has a touchscreen, while the V-LUX Typ 114 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica V-LUX Typ 114 and the Panasonic FZ2000 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the V-LUX Typ 114 and the FZ2000 have zoom lenses built in. The V-LUX Typ 114 has a 25-400mm f/2.8-4.0 optic and the FZ2000 offers a 24-480mm f/2.8-4.5 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Leica. Both cameras offer the same maximum aperture.
Concerning the storage of imaging data, both the V-LUX Typ 114 and the FZ2000 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX (Typ 114) and Panasonic Lumix DMC-FZ2000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Leica V-LUX Typ 114||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-|
|Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|Leica D-LUX 7||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|Leica Q Typ 116||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Leica D-LUX Typ 109||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Leica X Vario||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Leica V-LUX 4||Y||stereo||mono||Y||-||mini||2.0||-||-||-|
|Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony RX10 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
The FZ2000 is a recent model that features in the current product line-up of Panasonic. In contrast, the V-LUX Typ 114 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the V-LUX Typ 114 was succeeded by the Leica V-LUX 5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Leica V-LUX Typ 114 and the Panasonic FZ2000? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Leica V-LUX (Typ 114):
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2014).
Reasons to prefer the Panasonic Lumix DMC-FZ2000:
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More affordable: Was released into a lower priced segment (11 percent cheaper at launch).
- More modern: Reflects 2 years of technical progress since the V-LUX Typ 114 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the FZ2000 is the clear winner of the contest (8 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX Typ 114 and the Panasonic FZ2000 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the V-LUX Typ 114 or the FZ2000 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica V-LUX Typ 114||..||..||..||..||5/5||Sep 2014||1,349|
|Panasonic FZ2000||+||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199|
|Fujifilm X100F||+||83/100||4.5/5||..||4.5/5||Jan 2017||1,299|
|Leica V-LUX 5||..||..||4/5||..||4/5||Jul 2019||1,249|
|Leica D-LUX 7||..||..||..||..||4.5/5||Nov 2018||1,195|
|Leica Q Typ 116||..||80/100||4.5/5||..||4.5/5||Jun 2015||4,249|
|Leica D-LUX Typ 109||..||..||4.5/5||..||4.5/5||Sep 2014||1,195|
|Leica X Vario||..||..||4/5||4/5||4/5||Jun 2013||2,850|
|Leica V-LUX 4||..||..||..||..||..||Sep 2012||949|
|Panasonic FZ1000||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899|
|Sony RX100 V||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999|
|Sony RX10 II||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299|
|Sony RX100 IV||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999|
|Sony RX10||+||80/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 60D vs Panasonic FZ2000
- Canon 650D vs Panasonic FZ2000
- Canon SX70 vs Leica V-LUX Typ 114
- Fujifilm GFX 100 vs Panasonic FZ2000
- Leica V-LUX Typ 114 vs Nikon W150
- Leica V-LUX Typ 114 vs Panasonic G1
- Leica V-LUX Typ 114 vs Sony NEX-3N
- Nikon D5300 vs Panasonic FZ2000
- Olympus TG-6 vs Panasonic FZ2000
- Panasonic FZ2000 vs Panasonic G5
- Panasonic FZ2000 vs Panasonic S1
- Panasonic FZ2000 vs Sony RX100 IV
Specifications: Leica V-LUX Typ 114 vs Panasonic FZ2000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica V-LUX Typ 114||Panasonic FZ2000|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-400mm f/2.8-4.0||24-480mm f/2.8-4.5|
|Launch Date||September 2014||September 2016|
|Launch Price||USD 1,349||USD 1,199|
|Sensor Specs||Leica V-LUX Typ 114||Panasonic FZ2000|
|Sensor Format||1" Sensor||1" Sensor|
|Sensor Size||13.2 x 8.8 mm||13.2 x 8.8 mm|
|Sensor Area||116.16 mm2||116.16 mm2|
|Sensor Diagonal||15.9 mm||15.9 mm|
|Sensor Resolution||20 Megapixels||20 Megapixels|
|Image Resolution||5472 x 3648 pixels||5472 x 3648 pixels|
|Pixel Pitch||2.41 μm||2.41 μm|
|Pixel Density||17.18 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||125 - 12,800 ISO|
|ISO Boost||80 - 25,600 ISO||80 - 25,600 ISO|
|Screen Specs||Leica V-LUX Typ 114||Panasonic FZ2000|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica V-LUX Typ 114||Panasonic FZ2000|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||12 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Leica V-LUX Typ 114||Panasonic FZ2000|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Leica V-LUX Typ 114||Panasonic FZ2000|
|Battery Life (CIPA)||360 shots per charge||350 shots per charge|
137 x 99 x 131 mm
(5.4 x 3.9 x 5.2 in)
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
|Camera Weight||830 g (29.3 oz)||915 g (32.3 oz)|
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