Leica V-LUX 5 vs Sony RX10 II
The Leica V-LUX 5 and the Sony Cyber-shot DSC-RX10 II are two digital cameras that were officially introduced, respectively, in July 2019 and June 2015. Both the V-LUX 5 and the RX10 II are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica V-LUX 5||Sony RX10 II|
|Fixed lens compact camera||Fixed lens compact camera|
|25-400mm f/2.8-4.0||24-200mm f/2.8|
|20 MP, 1" Sensor||20 MP, 1" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 125-12,800 (80 - 25,600)||ISO 100-12,800 (64 - 25,600)|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (2359k dots)|
|3.0 LCD, 1240k dots||3.0 LCD, 1229k dots|
|Swivel touchscreen||Tilting screen (not touch-sensitive)|
|12 shutter flaps per second||14 shutter flaps per second|
|not weather sealed||Weathersealed body|
|350 shots per battery charge||400 shots per battery charge|
|136 x 97 x 131 mm, 812 g||129 x 88 x 102 mm, 813 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 5 and the Sony Cyber-shot DSC-RX10 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica V-LUX 5 and the Sony RX10 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 II is notably smaller (14 percent) than the Leica V-LUX 5. However, the RX10 II is slightly heavier (0 percent) than the V-LUX 5. It is noteworthy in this context that the RX10 II is splash and dust-proof, while the V-LUX 5 does not feature any corresponding weather-sealing.
Concerning battery life, the V-LUX 5 gets 350 shots out of its BP-DC12 battery, while the RX10 II can take 400 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica V-LUX 5||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Jul 2019||1,249|
|Sony RX10 II||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299|
|Canon G5 X Mark II||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899|
|Canon 80D||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Canon G3 X||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999|
|Leica D-LUX 7||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Nov 2018||1,195|
|Leica C-LUX||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049|
|Leica V-LUX Typ 114||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Sep 2014||1,349|
|Panasonic FZ1000 II||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899|
|Panasonic FZ2500||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199|
|Panasonic FZ1000||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899|
|Sony RX100 VII||4.0 in||2.3 in||1.7 in||10.7 oz||260||n||Jul 2019||1,199|
|Sony RX100 VI||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199|
|Sony RX10 III||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499|
|Sony RX100 IV||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999|
|Sony RX10||5.1 in||3.5 in||4.0 in||28.7 oz||420||Y||Oct 2013||1,299|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The V-LUX 5 was somewhat cheaper (by 4 percent) than the RX10 II at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixels. This similarity in sensor specs implies that both the V-LUX 5 and the RX10 II have the same pixel density, as well as the same pixel size. It should, however, be noted that the V-LUX 5 is much more recent (by 4 years and 1 month) than the RX10 II, and its sensor will have benefitted from technological advances during this time.
The Leica V-LUX 5 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 64-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Leica D-LUX 7||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|Leica V-LUX Typ 114||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the V-LUX 5 offers a slightly higher resolution than the one in the RX10 II (2360k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Leica V-LUX 5, the Sony RX10 II, and comparable cameras.
|Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|Sony RX10 II||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y|
|Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y|
|Leica D-LUX 7||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y|
|Leica V-LUX Typ 114||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y|
|Panasonic FZ1000 II||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|Sony RX100 VII||2359||n||3.0||921||tilting||Y||1/2000s||90.0||Y||Y|
|Sony RX100 VI||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y|
|Sony RX10 III||2359||Y||3.0||1229||tilting||n||1/2000s||14.0||Y||Y|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The V-LUX 5 has a touchscreen, while the RX10 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The V-LUX 5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the RX10 II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica V-LUX 5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the V-LUX 5 and the RX10 II have zoom lenses built in. The V-LUX 5 has a 25-400mm f/2.8-4.0 optic and the RX10 II offers a 24-200mm f/2.8-2.8 (focal lengths in full frame equivalent terms). Hence, the Sony provides a wider angle of view at the short end than the Leica, but less tele-photo reach at the long end. Both cameras offer the same maximum aperture.
The V-LUX 5 writes its imaging data to SDXC cards, while the RX10 II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 5 and Sony Cyber-shot DSC-RX10 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|Sony RX10 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y|
|Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-|
|Leica D-LUX 7||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|Leica V-LUX Typ 114||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-|
|Panasonic FZ1000 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|Sony RX100 VII||-||stereo||mono||Y||-||micro||2.0||Y||Y||Y|
|Sony RX100 VI||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|Sony RX10 III||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the RX10 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The V-LUX 5 does not feature such a mic input.
The V-LUX 5 is a recent model that features in the current product line-up of Leica. In contrast, the RX10 II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the RX10 II was succeeded by the Sony RX10 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Leica V-LUX 5 or the Sony RX10 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Leica V-LUX 5:
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/3200s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 4 years and 1 month of technical progress since the RX10 II launch.
Reasons to prefer the Sony Cyber-shot DSC-RX10 II:
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster burst: Shoots at higher frequency (14 vs 12 flaps/sec) to capture the decisive moment.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (129x88mm vs 136x97mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (400 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in June 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the RX10 II comes out slightly ahead of the V-LUX 5 (10 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX 5 and the Sony RX10 II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the V-LUX 5 or the RX10 II perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica V-LUX 5||..||..||4/5||..||4/5||Jul 2019||1,249|
|Sony RX10 II||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299|
|Canon G5 X Mark II||+||82/100||..||..||4/5||Jul 2019||899|
|Canon 80D||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon G3 X||+||..||4.5/5||3.5/5||4/5||Jun 2015||999|
|Leica D-LUX 7||..||..||..||..||4.5/5||Nov 2018||1,195|
|Leica C-LUX||..||..||4.5/5||..||4/5||Jun 2018||1,049|
|Leica V-LUX Typ 114||..||..||..||..||5/5||Sep 2014||1,349|
|Panasonic FZ1000 II||..||83/100||4.5/5||..||4.5/5||Feb 2019||899|
|Panasonic FZ2500||+||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199|
|Panasonic FZ1000||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899|
|Sony RX100 VII||..||..||4/5||..||5/5||Jul 2019||1,199|
|Sony RX100 VI||+ +||83/100||4/5||..||4.5/5||Jun 2018||1,199|
|Sony RX10 III||+||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499|
|Sony RX100 IV||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999|
|Sony RX10||+||80/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark IV vs Leica V-LUX 5
- Canon R6 vs Leica V-LUX 5
- Fujifilm XP130 vs Leica V-LUX 5
- Leica V-LUX 4 vs Leica V-LUX 5
- Leica V-LUX 5 vs Nikon D3
- Leica V-LUX 5 vs Nikon D3500
- Leica V-LUX 5 vs Nikon D6
- Leica V-LUX 5 vs Ricoh WG-60
- Pentax MX-1 vs Sony RX10 II
- Sony A6100 vs Sony RX10 II
- Sony H200 vs Sony RX10 II
- Sony RX10 II vs Sony WX800
Specifications: Leica V-LUX 5 vs Sony RX10 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica V-LUX 5||Sony RX10 II|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-400mm f/2.8-4.0||24-200mm f/2.8|
|Launch Date||July 2019||June 2015|
|Launch Price||USD 1,249||USD 1,299|
|Sensor Specs||Leica V-LUX 5||Sony RX10 II|
|Sensor Format||1" Sensor||1" Sensor|
|Sensor Size||13.2 x 8.8 mm||13.2 x 8.8 mm|
|Sensor Area||116.16 mm2||116.16 mm2|
|Sensor Diagonal||15.9 mm||15.9 mm|
|Sensor Resolution||20 Megapixels||20 Megapixels|
|Image Resolution||5472 x 3648 pixels||5472 x 3648 pixels|
|Pixel Pitch||2.41 μm||2.41 μm|
|Pixel Density||17.18 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||100 - 12,800 ISO|
|ISO Boost||80 - 25,600 ISO||64 - 25,600 ISO|
|DXO Sensor Quality (score)||..||70|
|DXO Color Depth (bits)||..||23.0|
|DXO Dynamic Range (EV)||..||12.6|
|DXO Low Light (ISO)||..||531|
|Screen Specs||Leica V-LUX 5||Sony RX10 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1240k dots||1229k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Leica V-LUX 5||Sony RX10 II|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/3200s|
|Continuous Shooting||12 shutter flaps/s||14 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Leica V-LUX 5||Sony RX10 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Leica V-LUX 5||Sony RX10 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||USB charging|
136 x 97 x 131 mm
(5.4 x 3.8 x 5.2 in)
129 x 88 x 102 mm
(5.1 x 3.5 x 4.0 in)
|Camera Weight||812 g (28.6 oz)||813 g (28.7 oz)|
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