Leica V-LUX 5 vs Pentax K-S1
The Leica V-LUX 5 and the Pentax K-S1 are two digital cameras that were officially introduced, respectively, in July 2019 and August 2014. The V-LUX 5 is a fixed lens compact, while the K-S1 is a DSLR. The cameras are based on an one-inch (V-LUX 5) and an APS-C (K-S1) sensor. Both cameras offer a resolution of 20 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 5 and the Pentax K-S1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Leica V-LUX 5 and the Pentax K-S1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The K-S1 can be obtained in four different colors (black, grey, orange, white), while the V-LUX 5 is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-S1 is notably smaller (15 percent) than the Leica V-LUX 5. In this context, it is worth noting that neither the V-LUX 5 nor the K-S1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 5 has a lens built in, whereas the K-S1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the V-LUX 5 gets 350 shots out of its BP-DC12 battery, while the K-S1 can take 410 images on a single charge of its D-LI109 power pack. The power pack in the V-LUX 5 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) | Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 5 | 136 mm | 97 mm | 131 mm | 812 g | 350 | n | Jul 2019 | 1,249 | ||
2. | Pentax K-S1 | 121 mm | 93 mm | 70 mm | 558 g | 410 | n | Aug 2014 | 749 | ||
3. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | 399 | ||
4. | Leica D-LUX 7 | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Nov 2018 | 1,195 | ||
5. | Leica C-LUX | 113 mm | 67 mm | 46 mm | 340 g | 370 | n | Jun 2018 | 1,049 | ||
6. | Leica V-LUX Typ 114 | 137 mm | 99 mm | 131 mm | 830 g | 360 | n | Sep 2014 | 1,349 | ||
7. | Nikon D5300 | 125 mm | 98 mm | 76 mm | 480 g | 600 | n | Oct 2013 | 799 | ||
8. | Panasonic FZ1000 II | 136 mm | 97 mm | 131 mm | 810 g | 350 | n | Feb 2019 | 899 | ||
9. | Panasonic TZ95 | 112 mm | 69 mm | 42 mm | 327 g | 380 | n | Feb 2019 | 449 | ||
10. | Panasonic LX100 II | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Aug 2018 | 999 | ||
11. | Panasonic FZ2000 | 138 mm | 102 mm | 135 mm | 915 g | 350 | n | Sep 2016 | 1,199 | ||
12. | Pentax K-S2 | 123 mm | 91 mm | 73 mm | 678 g | 410 | Y | Feb 2015 | 749 | ||
13. | Pentax K-500 | 130 mm | 97 mm | 71 mm | 646 g | 710 | n | Jun 2013 | 549 | ||
14. | Pentax K-3 | 131 mm | 100 mm | 77 mm | 800 g | 560 | Y | Oct 2013 | 1,299 | ||
15. | Sony RX100 VII | 102 mm | 58 mm | 43 mm | 302 g | 260 | n | Jul 2019 | 1,199 | ||
16. | Sony RX100 VI | 102 mm | 58 mm | 43 mm | 301 g | 240 | n | Jun 2018 | 1,199 | ||
17. | Sony A68 | 143 mm | 104 mm | 81 mm | 610 g | 540 | n | Nov 2015 | 699 | ||
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica V-LUX 5 features an one-inch sensor and the Pentax K-S1 an APS-C sensor. The sensor area in the K-S1 is 216 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Even though the K-S1 has a larger sensor, both cameras offer the same resolution of 20 megapixels. This implies that the K-S1 has a lower pixel density and larger individual pixels (with a pixel pitch of 4.28μm versus 2.41μm for the V-LUX 5), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the V-LUX 5 is much more recent (by 4 years and 10 months) than the K-S1, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the K-S1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Leica V-LUX 5 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Pentax K-S1 are ISO 100 to ISO 51200 (no boost).

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports | DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 5 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | .. | .. | .. | .. | |
2. | Pentax K-S1 | APS-C | 20.0 | 5472 | 3648 | 1080/30p | 23.5 | 13.0 | 1061 | 78 | |
3. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | .. | .. | .. | .. | |
4. | Leica D-LUX 7 | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | .. | .. | .. | .. | |
5. | Leica C-LUX | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | .. | .. | .. | .. | |
6. | Leica V-LUX Typ 114 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | .. | .. | .. | .. | |
7. | Nikon D5300 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.9 | 1338 | 83 | |
8. | Panasonic FZ1000 II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | .. | .. | .. | .. | |
9. | Panasonic TZ95 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | .. | .. | .. | .. | |
10. | Panasonic LX100 II | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | .. | .. | .. | .. | |
11. | Panasonic FZ2000 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | .. | .. | .. | .. | |
12. | Pentax K-S2 | APS-C | 20.0 | 5472 | 3648 | 1080/30p | .. | .. | .. | .. | |
13. | Pentax K-500 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.7 | 13.1 | 1087 | 79 | |
14. | Pentax K-3 | APS-C | 24.1 | 6016 | 4000 | 1080/60i | 23.7 | 13.4 | 1216 | 80 | |
15. | Sony RX100 VII | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.8 | 12.4 | 418 | 63 | |
16. | Sony RX100 VI | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | .. | .. | .. | .. | |
17. | Sony A68 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.1 | 13.5 | 701 | 79 |
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the V-LUX 5 provides a higher video resolution than the K-S1. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the V-LUX 5 has an electronic viewfinder (2360k dots), while the K-S1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the V-LUX 5 has a higher magnification than the one of the K-S1 (0.70x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Leica V-LUX 5 and Pentax K-S1 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Size (inch) |
LCD Resolution (000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Mech Shutter Speed |
Shutter Flaps (1/sec) | Built-in Flash (yes/no) | Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 5 | 2360 | n | 3.0 | 1240 | swivel | Y | 1/4000s | 12.0 | Y | Y | |
2. | Pentax K-S1 | optical | n | 3.0 | 921 | fixed | n | 1/6000s | 5.4 | Y | Y | |
3. | Canon SX740 | none | n | 3.0 | 922 | tilting | n | 1/3200s | 10.0 | Y | Y | |
4. | Leica D-LUX 7 | 2764 | n | 3.0 | 1240 | fixed | Y | 1/4000s | 11.0 | n | Y | |
5. | Leica C-LUX | 2330 | n | 3.0 | 1240 | fixed | Y | 1/2000s | 10.0 | Y | Y | |
6. | Leica V-LUX Typ 114 | 2359 | n | 3.0 | 921 | swivel | n | 1/4000s | 12.0 | Y | Y | |
7. | Nikon D5300 | optical | n | 3.2 | 1037 | swivel | n | 1/4000s | 5.0 | Y | n | |
8. | Panasonic FZ1000 II | 2360 | n | 3.0 | 1240 | swivel | Y | 1/4000s | 12.0 | Y | Y | |
9. | Panasonic TZ95 | 2330 | n | 3.0 | 1040 | tilting | Y | 1/2000s | 10.0 | Y | Y | |
10. | Panasonic LX100 II | 2764 | n | 3.0 | 1240 | fixed | Y | 1/4000s | 11.0 | n | Y | |
11. | Panasonic FZ2000 | 2360 | n | 3.0 | 1040 | swivel | Y | 1/4000s | 12.0 | Y | Y | |
12. | Pentax K-S2 | optical | n | 3.0 | 921 | swivel | n | 1/6000s | 5.4 | Y | Y | |
13. | Pentax K-500 | optical | n | 3.0 | 921 | fixed | n | 1/6000s | 6.0 | Y | Y | |
14. | Pentax K-3 | optical | Y | 3.2 | 1037 | fixed | n | 1/8000s | 8.3 | Y | Y | |
15. | Sony RX100 VII | 2359 | n | 3.0 | 921 | tilting | Y | 1/2000s | 90.0 | Y | Y | |
16. | Sony RX100 VI | 2359 | n | 3.0 | 1229 | tilting | Y | 1/2000s | 24.0 | Y | Y | |
17. | Sony A68 | 1440 | Y | 2.7 | 460 | tilting | n | 1/4000s | 8.0 | Y | Y |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The V-LUX 5 has a touchscreen, while the K-S1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The V-LUX 5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the K-S1 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the V-LUX 5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica V-LUX 5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the V-LUX 5 and the K-S1 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 5 and Pentax K-S1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Microphone |
Internal Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support | NFC Support | Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 5 | Y | stereo | mono | - | - | micro | 2.0 | Y | - | Y | |
2. | Pentax K-S1 | Y | stereo | mono | - | - | micro | 2.0 | - | - | - | |
3. | Canon SX740 | - | stereo | mono | - | - | micro | 2.0 | Y | - | Y | |
4. | Leica D-LUX 7 | Y | stereo | mono | - | - | micro | 2.0 | Y | - | Y | |
5. | Leica C-LUX | - | stereo | mono | - | - | micro | 2.0 | Y | - | - | |
6. | Leica V-LUX Typ 114 | Y | stereo | mono | Y | - | micro | 2.0 | Y | Y | - | |
7. | Nikon D5300 | Y | stereo | mono | Y | - | mini | 2.0 | Y | - | - | |
8. | Panasonic FZ1000 II | Y | stereo | mono | Y | - | micro | 2.0 | Y | - | Y | |
9. | Panasonic TZ95 | - | stereo | mono | - | - | micro | 2.0 | Y | - | Y | |
10. | Panasonic LX100 II | Y | stereo | mono | - | - | micro | 2.0 | Y | - | Y | |
11. | Panasonic FZ2000 | Y | stereo | mono | Y | Y | micro | 2.0 | Y | - | - | |
12. | Pentax K-S2 | Y | mono | mono | Y | - | micro | 2.0 | Y | Y | - | |
13. | Pentax K-500 | Y | mono | mono | - | - | - | 2.0 | - | - | - | |
14. | Pentax K-3 | Y | mono | mono | Y | Y | mini | 3.0 | - | - | - | |
15. | Sony RX100 VII | - | stereo | mono | Y | - | micro | 2.0 | Y | Y | Y | |
16. | Sony RX100 VI | - | stereo | mono | - | - | micro | 2.0 | Y | Y | Y | |
17. | Sony A68 | Y | stereo | mono | Y | - | micro | 2.0 | - | - | - |
It is notable that the V-LUX 5 offers wifi support, while the K-S1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The V-LUX 5 is a recent model that features in the current product line-up of Leica. In contrast, the K-S1 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the K-S1 was succeeded by the Pentax K-S2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Pentax websites.
Review summary
So what is the bottom line? Which of the two cameras – the Leica V-LUX 5 or the Pentax K-S1 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Leica V-LUX 5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.63x).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 5.4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with a built-in lens, while the K-S1 requires a separate lens.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 4 years and 10 months of technical progress since the K-S1 launch.

Arguments in favor of the Pentax K-S1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/4000s) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- More compact: Is smaller (121x93mm vs 136x97mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (410 versus 350) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in August 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the V-LUX 5 is the clear winner of the match-up (17 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX 5 and the Pentax K-S1 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the V-LUX 5 or the K-S1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 5 | .. | .. | .. | 4/5 | 4/5 | Jul 2019 | 1,249 | ||
2. | Pentax K-S1 | 4/5 | .. | .. | 4.5/5 | 4/5 | Aug 2014 | 749 | ||
3. | Canon SX740 | .. | + | .. | 4/5 | 4/5 | Jul 2018 | 399 | ||
4. | Leica D-LUX 7 | .. | .. | .. | .. | 4.5/5 | Nov 2018 | 1,195 | ||
5. | Leica C-LUX | .. | .. | .. | 4.5/5 | 4/5 | Jun 2018 | 1,049 | ||
6. | Leica V-LUX Typ 114 | .. | .. | .. | .. | 5/5 | Sep 2014 | 1,349 | ||
7. | Nikon D5300 | 4/5 | + + | 79/100 | 4.5/5 | 4.5/5 | Oct 2013 | 799 | ||
8. | Panasonic FZ1000 II | .. | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2019 | 899 | ||
9. | Panasonic TZ95 | .. | + + | .. | 4.5/5 | .. | Feb 2019 | 449 | ||
10. | Panasonic LX100 II | 4.5/5 | + | 82/100 | 4.5/5 | 4.5/5 | Aug 2018 | 999 | ||
11. | Panasonic FZ2000 | .. | + | 82/100 | 4.5/5 | 5/5 | Sep 2016 | 1,199 | ||
12. | Pentax K-S2 | 4.5/5 | .. | .. | 5/5 | 4.5/5 | Feb 2015 | 749 | ||
13. | Pentax K-500 | .. | .. | .. | 4.5/5 | 4.5/5 | Jun 2013 | 549 | ||
14. | Pentax K-3 | 4/5 | .. | 83/100 | 5/5 | 5/5 | Oct 2013 | 1,299 | ||
15. | Sony RX100 VII | 4.5/5 | .. | .. | 4/5 | 5/5 | Jul 2019 | 1,199 | ||
16. | Sony RX100 VI | 4.5/5 | + + | 83/100 | 4/5 | 4.5/5 | Jun 2018 | 1,199 | ||
17. | Sony A68 | 3/5 | .. | .. | 4/5 | 4/5 | Nov 2015 | 699 | ||
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Leica V-LUX 5 vs Pentax K-S1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica V-LUX 5 | Pentax K-S1 |
---|---|---|
Camera Type | Fixed lens compact camera | Digital single lens reflex |
Camera Lens | 25-400mm f/2.8-4.0 | Pentax K mount lenses |
Launch Date | July 2019 | August 2014 |
Launch Price | USD 1,249 | USD 749 |
Sensor Specs | Leica V-LUX 5 | Pentax K-S1 |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1" Sensor | APS-C Sensor |
Sensor Size | 13.2 x 8.8 mm | 23.5 x 15.6 mm |
Sensor Area | 116.16 mm2 | 366.6 mm2 |
Sensor Diagonal | 15.9 mm | 28.2 mm |
Crop Factor | 2.7x | 1.5x |
Sensor Resolution | 20 Megapixels | 20 Megapixels |
Image Resolution | 5472 x 3648 pixels | 5472 x 3648 pixels |
Pixel Pitch | 2.41 μm | 4.28 μm |
Pixel Density | 17.18 MP/cm2 | 5.45 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 4K/30p Video | 1080/30p Video |
ISO Setting | 125 - 12,800 ISO | 100 - 51,200 ISO |
ISO Boost | 80 - 25,600 ISO | no Enhancement |
DXO Sensor Quality (score) | .. | 78 |
DXO Color Depth (bits) | .. | 23.5 |
DXO Dynamic Range (EV) | .. | 13.0 |
DXO Low Light (ISO) | .. | 1061 |
Screen Specs | Leica V-LUX 5 | Pentax K-S1 |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | 0.63x |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1240k dots | 921k dots |
LCD Attachment | Swivel screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Leica V-LUX 5 | Pentax K-S1 |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/6000s |
Continuous Shooting | 12 shutter flaps/s | 5.4 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | Lens-based stabilization | In-body stabilization |
Fill Flash | Build-in Flash | Build-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Second Storage Option | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Leica V-LUX 5 | Pentax K-S1 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Wifi Support | Wifi built-in | no Wifi |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Leica V-LUX 5 | Pentax K-S1 |
Battery Type | BP-DC12 | D-LI109 |
Battery Life (CIPA) | 350 shots per charge | 410 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
136 x 97 x 131 mm (5.4 x 3.8 x 5.2 in) |
121 x 93 x 70 mm (4.8 x 3.7 x 2.8 in) |
Camera Weight | 812 g (28.6 oz) | 558 g (19.7 oz) |
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