Leica V-LUX 5 vs Olympus E-M5 II
The Leica V-LUX 5 and the Olympus OM-D E-M5 Mark II are two digital cameras that were officially introduced, respectively, in July 2019 and February 2015. The V-LUX 5 is a fixed lens compact, while the E-M5 II is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (V-LUX 5) and a Four Thirds (E-M5 II) sensor. The Leica has a resolution of 20 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica V-LUX 5||Olympus E-M5 II|
|Fixed lens compact camera||Mirrorless system camera|
|25-400mm f/2.8-4.0||Micro Four Thirds lenses|
|20 MP, 1" Sensor||15.9 MP, Four Thirds Sensor|
|4K/30p Video||1080/60p Video|
|ISO 125-12800 (80-25600)||ISO 200-25600|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (2360k dots)|
|3.0" LCD, 1240k dots||3.0" LCD, 1037k dots|
|Swivel touchscreen||Swivel touchscreen|
|12 shutter flaps per second||10 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|350 shots per battery charge||310 shots per battery charge|
|136 x 97 x 131 mm, 812 g||124 x 85 x 45 mm, 469 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 5 and the Olympus OM-D E-M5 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica V-LUX 5 and the Olympus E-M5 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-M5 II can be obtained in two different colors (black, silver), while the V-LUX 5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is notably smaller (20 percent) than the Leica V-LUX 5. It is noteworthy in this context that the E-M5 II is splash and dust-proof, while the V-LUX 5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 5 has a lens built in, whereas the E-M5 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M5 II and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the V-LUX 5 gets 350 shots out of its BP-DC12 battery, while the E-M5 II can take 310 images on a single charge of its BLN-1 power pack. The power pack in the V-LUX 5 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Leica V-LUX 5»||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Jul 2019||1,249||Leica V-LUX 5|
|Olympus E-M5 II«||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Canon G5 X Mark II« »||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899||Canon G5 X Mark II|
|Leica D-LUX 7« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Nov 2018||1,195||Leica D-LUX 7|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Leica V-LUX Typ 114« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Sep 2014||1,349||-||Leica V-LUX Typ 114|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649||-||Olympus E-M10 II|
|Olympus E-M10« »||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699||-||Olympus E-M10|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||-||Olympus E-M1|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||-||Olympus E-P5|
|Olympus E-M5« »||4.8 in||3.5 in||1.7 in||15.0 oz||360||Y||Feb 2012||1,299||-||Olympus E-M5|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic FZ2500« »||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Sony RX100 VII« »||4.0 in||2.3 in||1.7 in||10.7 oz||260||n||Jul 2019||1,199||Sony RX100 VII|
|Sony RX100 VI« »||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199||-||Sony RX100 VI|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica V-LUX 5 features an one-inch sensor and the Olympus E-M5 II a Four Thirds sensor. The sensor area in the E-M5 II is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the V-LUX 5 has a native 3:2 aspect ratio, while the one in the E-M5 II offers a 4:3 aspect.
Despite having a smaller sensor, the Leica V-LUX 5 offers a higher resolution of 20 megapixels, compared with 15.9 MP of the Olympus E-M5 II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 3.76μm for the E-M5 II). However, it should be noted that the V-LUX 5 is much more recent (by 4 years and 5 months) than the E-M5 II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Leica V-LUX 5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the V-LUX 5 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Olympus E-M5 II are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
Unlike the V-LUX 5, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica V-LUX 5 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Olympus OM-D E-M5 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica V-LUX 5»||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica V-LUX 5|
|Olympus E-M5 II«||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Canon G5 X Mark II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Canon G5 X Mark II|
|Leica D-LUX 7« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Leica D-LUX 7|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Leica V-LUX Typ 114« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica V-LUX Typ 114|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-M10« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Olympus E-P5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Olympus E-M5« »||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71||Olympus E-M5|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic FZ2500« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ2500|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Sony RX100 VII« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VII|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the V-LUX 5 provides a higher video resolution than the E-M5 II. It can shoot video footage at 4K/30p, while the Olympus is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The V-LUX 5 and the E-M5 II are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The following table reports on some other key feature differences and similarities of the Leica V-LUX 5, the Olympus E-M5 II, and comparable cameras.
|Leica V-LUX 5»||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Leica V-LUX 5|
|Olympus E-M5 II«||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Canon G5 X Mark II« »||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G5 X Mark II|
|Leica D-LUX 7« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Leica D-LUX 7|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Leica C-LUX|
|Leica V-LUX Typ 114« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Leica V-LUX Typ 114|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-M10« »||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Olympus E-P5« »||-||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Olympus E-M5« »||1440||n||3.0||610||tilting||Y||1/4000s||9.0||n||Y||Olympus E-M5|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic FZ2500« »||2360||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ2500|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Sony RX100 VII« »||2359||n||3.0||921||tilting||Y||1/2000s||90.0||Y||Y||Sony RX100 VII|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y||Sony RX100 VI|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
One difference between the cameras concerns the presence of an on-board flash. The V-LUX 5 has one, while the E-M5 II does not. While the built-in flash of the V-LUX 5 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica V-LUX 5 and the Olympus E-M5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the V-LUX 5 and the E-M5 II write their files to SDXC cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the V-LUX 5 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 5 and Olympus OM-D E-M5 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica V-LUX 5»||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica V-LUX 5|
|Olympus E-M5 II«||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Canon G5 X Mark II« »||-||stereo||mono||-||-||micro||3.1||Y||-||Y||Canon G5 X Mark II|
|Leica D-LUX 7« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica D-LUX 7|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Leica V-LUX Typ 114« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Leica V-LUX Typ 114|
|Olympus E-M10 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-M10« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-M1« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Olympus E-P5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Olympus E-M5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-M5|
|Panasonic FZ1000 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic FZ2500« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Sony RX100 VII« »||-||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony RX100 VII|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Sony RX10 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
It is notable that the E-M5 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The V-LUX 5 does not feature such a mic input.
Studio photographers will appreciate that the Olympus E-M5 II (unlike the V-LUX 5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the V-LUX 5 and the E-M5 II are recent models that are part of the current product line-up. The E-M5 II replaced the earlier Olympus E-M5, while the V-LUX 5 followed on from the Leica V-LUX Typ 114. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Olympus websites.
So what is the bottom line? Is there a clear favorite between the Leica V-LUX 5 and the Olympus E-M5 II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Leica V-LUX 5:
- More detail: Offers more megapixels (20 vs 15.9MP) with a 14% higher linear resolution.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1037k dots).
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the E-M5 II requires a separate lens.
- Longer lasting: Can take more shots (350 versus 310) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 4 years and 5 months of technical progress since the E-M5 II launch.
Arguments in favor of the Olympus OM-D E-M5 Mark II:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.70x).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (124x85mm vs 136x97mm) and will fit more readily into a bag.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been around for much longer (launched in February 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (10 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX 5 and the Olympus E-M5 II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the V-LUX 5 and the E-M5 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica V-LUX 5»||-||-||4/5||-||4/5||Jul 2019||1,249||Leica V-LUX 5|
|Olympus E-M5 II«||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099||Olympus E-M5 II|
|Canon G5 X Mark II« »||+||82/100||-||-||4/5||Jul 2019||899||Canon G5 X Mark II|
|Leica D-LUX 7« »||-||-||-||-||4.5/5||Nov 2018||1,195||Leica D-LUX 7|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Leica V-LUX Typ 114« »||-||-||-||-||5/5||Sep 2014||1,349||-||Leica V-LUX Typ 114|
|Olympus E-M10 II« »||+ +||80/100||5/5||5/5||5/5||Aug 2015||649||-||Olympus E-M10 II|
|Olympus E-M10« »||-||80/100||5/5||4.5/5||5/5||Jan 2014||699||-||Olympus E-M10|
|Olympus E-M1« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-||Olympus E-M1|
|Olympus E-P5« »||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999||-||Olympus E-P5|
|Olympus E-M5« »||+ +||80/100||4.5/5||5/5||5/5||Feb 2012||1,299||-||Olympus E-M5|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic FZ2500« »||+||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199||Panasonic FZ2500|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Sony RX100 VII« »||-||-||4/5||-||-||Jul 2019||1,199||Sony RX100 VII|
|Sony RX100 VI« »||+ +||83/100||4/5||-||4.5/5||Jun 2018||1,199||-||Sony RX100 VI|
|Sony RX10 II« »||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds vs Olympus E-M5 II
- Canon G16 vs Olympus E-M5 II
- Leica S Typ 007 vs Leica V-LUX 5
- Leica SL vs Olympus E-M5 II
- Leica V-LUX 5 vs Olympus E-M5
- Leica V-LUX 5 vs Panasonic L10
- Leica V-LUX 5 vs Sony RX10 II
- Nikon D3000 vs Olympus E-M5 II
- Nikon D70 vs Olympus E-M5 II
- Olympus E-450 vs Olympus E-M5 II
- Olympus E-M5 II vs Panasonic G7
- Olympus E-M5 II vs Sony A77 II
Specifications: Leica V-LUX 5 vs Olympus E-M5 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica V-LUX 5||Olympus E-M5 II|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-400mm f/2.8-4.0||Micro Four Thirds lenses|
|Launch Date||July 2019||February 2015|
|Launch Price||USD 1249||USD 1099|
|Sensor Specs||Leica V-LUX 5||Olympus E-M5 II|
|Sensor Format||1" Sensor||Four Thirds Sensor|
|Sensor Size||13.2 x 8.8 mm||17.3 x 13.0 mm|
|Sensor Area||116.16 mm2||224.9 mm2|
|Sensor Diagonal||15.9 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||15.9 Megapixels|
|Image Resolution||5472 x 3648 pixels||4608 x 3456 pixels|
|Pixel Pitch||2.41 μm||3.76 μm|
|Pixel Density||17.18 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||125-12800 ISO||200-25600 ISO|
|ISO Boost||80-25600 ISO||100-25600 ISO|
|DXO Sensor Quality (score)||..||73|
|DXO Color Depth (bits)||..||23.0|
|DXO Dynamic Range (EV)||..||12.5|
|DXO Low Light (ISO)||..||842|
|Screen Specs||Leica V-LUX 5||Olympus E-M5 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1240k dots||1037k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Leica V-LUX 5||Olympus E-M5 II|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||12 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Leica V-LUX 5||Olympus E-M5 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Leica V-LUX 5||Olympus E-M5 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||310 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
136 x 97 x 131 mm
(5.4 x 3.8 x 5.2 in)
124 x 85 x 45 mm
(4.9 x 3.3 x 1.8 in)
|Camera Weight||812 g (28.6 oz)||469 g (16.5 oz)|
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