Leica V-LUX 5 vs Olympus E-500
The Leica V-LUX 5 and the Olympus Evolt E-500 are two digital cameras that were announced, respectively, in July 2019 and September 2005. The V-LUX 5 is a fixed lens compact, while the E-500 is a DSLR. The cameras are based on an one-inch (V-LUX 5) and a Four Thirds (E-500) sensor. The Leica has a resolution of 20 megapixels, whereas the Olympus provides 8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 5 and the Olympus Evolt E-500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica V-LUX 5 and the Olympus E-500. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-500 is notably smaller (6 percent) than the Leica V-LUX 5. In this context, it is worth noting that neither the V-LUX 5 nor the E-500 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 5 has a lens built in, whereas the E-500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-500 and their specifications in the Four Thirds Lens Catalog.
Concerning battery life, the V-LUX 5 gets 350 shots out of its BP-DC12 battery, while the E-500 can take 750 images on a single charge of its BLM-1 power pack. The power pack in the V-LUX 5 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|Leica V-LUX 5||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Jul 2019||1,249|
|Olympus E-500||5.1 in||3.7 in||2.6 in||16.9 oz||750||n||Sep 2005||599|
|Canon G5 X Mark II||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899|
|Leica D-LUX 7||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Nov 2018||1,195|
|Leica C-LUX||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049|
|Leica V-LUX Typ 114||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Sep 2014||1,349|
|Olympus E-410||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699|
|Olympus E-510||5.4 in||3.6 in||2.7 in||19.0 oz||750||n||Mar 2007||799|
|Olympus E-330||5.5 in||3.4 in||2.8 in||22.5 oz||750||n||Jan 2006||999|
|Olympus E-400||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Sep 2006||699|
|Olympus E-300||5.8 in||3.3 in||2.5 in||22.0 oz||750||n||Sep 2004||799|
|Panasonic FZ1000 II||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899|
|Panasonic FZ2500||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199|
|Panasonic FZ1000||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899|
|Sony RX100 VII||4.0 in||2.3 in||1.7 in||10.7 oz||260||n||Jul 2019||1,199|
|Sony RX100 VI||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199|
|Sony RX10 II||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica V-LUX 5 features an one-inch sensor and the Olympus E-500 a Four Thirds sensor. The sensor area in the E-500 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the V-LUX 5 has a native 3:2 aspect ratio, while the one in the E-500 offers a 4:3 aspect.
Despite having a smaller sensor, the Leica V-LUX 5 offers a higher resolution of 20 megapixels, compared with 8 MP of the Olympus E-500. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 5.30μm for the E-500). However, it should be noted that the V-LUX 5 is much more recent (by 13 years and 9 months) than the E-500, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Leica V-LUX 5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the V-LUX 5 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Olympus E-500 are 16.3 x 12.2 inches or 41.5 x 31.1 cm for good quality, 13.1 x 9.8 inches or 33.2 x 24.9 cm for very good quality, and 10.9 x 8.2 inches or 27.6 x 20.7 cm for excellent quality prints.
The Leica V-LUX 5 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Olympus Evolt E-500 are ISO 100 to ISO 400, with the possibility to increase the ISO range to 100-1600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Olympus E-500||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Leica D-LUX 7||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|Leica V-LUX Typ 114||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|Olympus E-330||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|Olympus E-400||Four Thirds||10.0||3648||2736||none||..||..||..||..|
|Olympus E-300||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The V-LUX 5 indeed provides movie recording capabilities, while the E-500 does not. The highest resolution format that the V-LUX 5 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the V-LUX 5 has an electronic viewfinder (2360k dots), while the E-500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the V-LUX 5 offers a wider field of view (100%) than the one in the E-500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the V-LUX 5 has a higher magnification (0.70x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Leica V-LUX 5 and Olympus E-500 in connection with corresponding information for a sample of similar cameras.
|Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|Leica D-LUX 7||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y|
|Leica V-LUX Typ 114||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y|
|Panasonic FZ1000 II||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|Sony RX100 VII||2359||n||3.0||921||tilting||Y||1/2000s||90.0||Y||Y|
|Sony RX100 VI||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y|
|Sony RX10 II||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The V-LUX 5 has a touchscreen, while the E-500 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The V-LUX 5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the E-500 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the V-LUX 5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica V-LUX 5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The V-LUX 5 writes its imaging data to SDXC cards, while the E-500 uses Compact Flash or xD Picture cards. The E-500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the V-LUX 5 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 5 and Olympus Evolt E-500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y|
|Leica D-LUX 7||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|Leica V-LUX Typ 114||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-|
|Panasonic FZ1000 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|Sony RX100 VII||-||stereo||mono||Y||-||micro||2.0||Y||Y||Y|
|Sony RX100 VI||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|Sony RX10 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the V-LUX 5 offers wifi support, while the E-500 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The V-LUX 5 is a recent model that features in the current product line-up of Leica. In contrast, the E-500 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-500 was succeeded by the Olympus E-510. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Olympus websites.
So how do things add up? Is there a clear favorite between the Leica V-LUX 5 and the Olympus E-500? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Leica V-LUX 5:
- More detail: Offers more megapixels (20 vs 8MP) with a 61% higher linear resolution.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.45x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 215k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with a built-in lens, while the E-500 requires a separate lens.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 13 years and 9 months of technical progress since the E-500 launch.
Advantages of the Olympus Evolt E-500:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (750 versus 350) out of a single battery charge.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in September 2005).
If the count of relative strengths (bullet points above) is taken as a measure, the V-LUX 5 is the clear winner of the match-up (20 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX 5 and the Olympus E-500 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the V-LUX 5 or the E-500. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica V-LUX 5||..||..||4/5||..||4/5||Jul 2019||1,249|
|Olympus E-500||76/100||+ +||..||..||..||Sep 2005||599|
|Canon G5 X Mark II||+||82/100||..||..||4/5||Jul 2019||899|
|Leica D-LUX 7||..||..||..||..||4.5/5||Nov 2018||1,195|
|Leica C-LUX||..||..||4.5/5||..||4/5||Jun 2018||1,049|
|Leica V-LUX Typ 114||..||..||..||..||5/5||Sep 2014||1,349|
|Olympus E-410||86/100||+ +||4/5||o||4.5/5||Mar 2007||699|
|Olympus E-510||89/100||+ +||3.5/5||o||4.5/5||Mar 2007||799|
|Olympus E-330||..||+||o||3.5/5||..||Jan 2006||999|
|Olympus E-400||85/100||..||4/5||..||4/5||Sep 2006||699|
|Olympus E-300||..||+||o||o||4.5/5||Sep 2004||799|
|Panasonic FZ1000 II||..||83/100||4.5/5||..||4.5/5||Feb 2019||899|
|Panasonic FZ2500||+||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199|
|Panasonic FZ1000||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899|
|Sony RX100 VII||..||..||4/5||..||5/5||Jul 2019||1,199|
|Sony RX100 VI||+ +||83/100||4/5||..||4.5/5||Jun 2018||1,199|
|Sony RX10 II||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Leica V-LUX 5 vs Olympus E-500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica V-LUX 5||Olympus E-500|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||25-400mm f/2.8-4.0||Four Thirds lenses|
|Launch Date||July 2019||September 2005|
|Launch Price||USD 1,249||USD 599|
|Sensor Specs||Leica V-LUX 5||Olympus E-500|
|Sensor Format||1" Sensor||Four Thirds Sensor|
|Sensor Size||13.2 x 8.8 mm||17.3 x 13.0 mm|
|Sensor Area||116.16 mm2||224.9 mm2|
|Sensor Diagonal||15.9 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||8 Megapixels|
|Image Resolution||5472 x 3648 pixels||3264 x 2448 pixels|
|Pixel Pitch||2.41 μm||5.30 μm|
|Pixel Density||17.18 MP/cm2||3.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||no Video|
|ISO Setting||125 - 12,800 ISO||100 - 400 ISO|
|ISO Boost||80 - 25,600 ISO||100 - 1,600 ISO|
|Screen Specs||Leica V-LUX 5||Olympus E-500|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View|
|Rear LCD Size||3.0inch||2.5inch|
|LCD Resolution||1240k dots||215k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Leica V-LUX 5||Olympus E-500|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||12 shutter flaps/s||2.5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Leica V-LUX 5||Olympus E-500|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Leica V-LUX 5||Olympus E-500|
|Battery Life (CIPA)||350 shots per charge||750 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
136 x 97 x 131 mm
(5.4 x 3.8 x 5.2 in)
130 x 95 x 66 mm
(5.1 x 3.7 x 2.6 in)
|Camera Weight||812 g (28.6 oz)||479 g (16.9 oz)|
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