Leica V-LUX 5 vs Nikon D2Xs
The Leica V-LUX 5 and the Nikon D2Xs are two digital cameras that were officially introduced, respectively, in July 2019 and June 2006. The V-LUX 5 is a fixed lens compact, while the D2Xs is a DSLR. The cameras are based on an one-inch (V-LUX 5) and an APS-C (D2Xs) sensor. The Leica has a resolution of 20 megapixels, whereas the Nikon provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 5 and the Nikon D2Xs? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Leica V-LUX 5 and the Nikon D2Xs is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D2Xs is considerably larger (80 percent) than the Leica V-LUX 5. It is noteworthy in this context that the D2Xs is splash and dust-proof, while the V-LUX 5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 5 has a lens built in, whereas the D2Xs is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D2Xs and their specifications in the Nikon Lens Catalog.
Concerning battery life, the V-LUX 5 gets 350 shots out of its Leica BP-DC12 battery, while the D2Xs can take 3800 images on a single charge of its Nikon EN-EL4a power pack. As can be seen in the images above, the D2Xs has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the V-LUX 5 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 5 | 136 mm | 97 mm | 131 mm | 812 g | 350 | n | Jul 2019 | 1,249 | amazon.com | |
2. | Nikon D2Xs | 158 mm | 150 mm | 86 mm | 1252 g | 3800 | Y | Jun 2006 | 4,699 | ebay.com | |
3. | Canon G5 X Mark II | 111 mm | 61 mm | 46 mm | 340 g | 230 | n | Jul 2019 | 899 | ebay.com | |
4. | Leica D-LUX 7 | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Nov 2018 | 1,195 | ebay.com | |
5. | Leica C-LUX | 113 mm | 67 mm | 46 mm | 340 g | 370 | n | Jun 2018 | 1,049 | ebay.com | |
6. | Leica V-LUX Typ 114 | 137 mm | 99 mm | 131 mm | 830 g | 360 | n | Sep 2014 | 1,349 | ebay.com | |
7. | Nikon D300S | 147 mm | 115 mm | 81 mm | 938 g | 950 | Y | Jul 2009 | 1,799 | ebay.com | |
8. | Nikon D3 | 160 mm | 157 mm | 88 mm | 1300 g | 4300 | Y | Aug 2007 | 4,999 | ebay.com | |
9. | Nikon D300 | 147 mm | 114 mm | 74 mm | 925 g | 1000 | Y | Aug 2007 | 1,799 | ebay.com | |
10. | Nikon D200 | 147 mm | 113 mm | 74 mm | 920 g | 400 | Y | Nov 2005 | 1,699 | ebay.com | |
11. | Nikon D2X | 158 mm | 150 mm | 86 mm | 1252 g | 3800 | Y | Sep 2004 | 4,999 | ebay.com | |
12. | Panasonic FZ1000 II | 136 mm | 97 mm | 131 mm | 810 g | 350 | n | Feb 2019 | 899 | amazon.com | |
13. | Panasonic FZ2500 | 138 mm | 102 mm | 135 mm | 915 g | 350 | n | Sep 2016 | 1,199 | amazon.com | |
14. | Panasonic FZ1000 | 137 mm | 99 mm | 131 mm | 831 g | 360 | n | Jun 2014 | 899 | ebay.com | |
15. | Sony RX100 VII | 102 mm | 58 mm | 43 mm | 302 g | 260 | n | Jul 2019 | 1,199 | amazon.com | |
16. | Sony RX100 VI | 102 mm | 58 mm | 43 mm | 301 g | 240 | n | Jun 2018 | 1,199 | ebay.com | |
17. | Sony RX10 II | 129 mm | 88 mm | 102 mm | 813 g | 400 | Y | Jun 2015 | 1,299 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The V-LUX 5 was launched at a lower price than the D2Xs, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica V-LUX 5 features an one-inch sensor and the Nikon D2Xs an APS-C sensor. The sensor area in the D2Xs is 221 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Leica V-LUX 5 offers a higher resolution of 20 megapixels, compared with 12.2 MP of the Nikon D2Xs. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 5.52μm for the D2Xs). However, it should be noted that the V-LUX 5 is much more recent (by 13 years and 1 month) than the D2Xs, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Leica V-LUX 5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the V-LUX 5 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Nikon D2Xs are 21.4 x 14.2 inches or 54.5 x 36.2 cm for good quality, 17.2 x 11.4 inches or 43.6 x 28.9 cm for very good quality, and 14.3 x 9.5 inches or 36.3 x 24.1 cm for excellent quality prints.
The Leica V-LUX 5 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Nikon D2Xs are ISO 100 to ISO 800, with the possibility to increase the ISO range to 800-3200.
In terms of underlying technology, the V-LUX 5 is build around a BSI-CMOS sensor, while the D2Xs uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 5 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 584 | 65 | |
2. | Nikon D2Xs | APS-C | 12.2 | 4288 | 2848 | none | 22.2 | 10.9 | 489 | 59 | |
3. | Canon G5 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 583 | 65 | |
4. | Leica D-LUX 7 | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.9 | 12.8 | 1002 | 72 | |
5. | Leica C-LUX | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 481 | 64 | |
6. | Leica V-LUX Typ 114 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.6 | 11.7 | 127 | 60 | |
7. | Nikon D300S | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.5 | 12.2 | 787 | 70 | |
8. | Nikon D3 | Full Frame | 12.1 | 4256 | 2832 | none | 23.5 | 12.2 | 2290 | 81 | |
9. | Nikon D300 | APS-C | 12.2 | 4288 | 2848 | none | 22.1 | 12.0 | 679 | 67 | |
10. | Nikon D200 | APS-C | 10.0 | 3872 | 2592 | none | 22.3 | 11.5 | 583 | 64 | |
11. | Nikon D2X | APS-C | 12.2 | 4288 | 2848 | none | 22.1 | 10.9 | 476 | 59 | |
12. | Panasonic FZ1000 II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.4 | 546 | 65 | |
13. | Panasonic FZ2500 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.0 | 12.6 | 538 | 70 | |
14. | Panasonic FZ1000 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 11.7 | 517 | 64 | |
15. | Sony RX100 VII | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.8 | 12.4 | 418 | 63 | |
16. | Sony RX100 VI | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 478 | 64 | |
17. | Sony RX10 II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.0 | 12.6 | 531 | 70 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The V-LUX 5 indeed provides movie recording capabilities, while the D2Xs does not. The highest resolution format that the V-LUX 5 can use is 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the V-LUX 5 has an electronic viewfinder (2360k dots), while the D2Xs has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the V-LUX 5 has a higher magnification than the one of the D2Xs (0.70x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Leica V-LUX 5 and Nikon D2Xs along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 5 | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
2. | Nikon D2Xs | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 5.0/s | n | n | |
3. | Canon G5 X Mark II | 2360 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 30/s | Y | Y | |
4. | Leica D-LUX 7 | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
5. | Leica C-LUX | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
6. | Leica V-LUX Typ 114 | 2359 | n | 3.0 / 921 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
7. | Nikon D300S | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 7.0/s | Y | n | |
8. | Nikon D3 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 11.0/s | n | n | |
9. | Nikon D300 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 6.0/s | Y | n | |
10. | Nikon D200 | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 5.0/s | Y | n | |
11. | Nikon D2X | optical | Y | 2.5 / 235 | fixed | n | 1/8000s | 5.0/s | n | n | |
12. | Panasonic FZ1000 II | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
13. | Panasonic FZ2500 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
14. | Panasonic FZ1000 | 2359 | n | 3.0 / 921 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
15. | Sony RX100 VII | 2359 | n | 3.0 / 921 | tilting | Y | 1/2000s | 90.0/s | Y | Y | |
16. | Sony RX100 VI | 2359 | n | 3.0 / 1229 | tilting | Y | 1/2000s | 24.0/s | Y | Y | |
17. | Sony RX10 II | 2359 | Y | 3.0 / 1229 | tilting | n | 1/3200s | 14.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The V-LUX 5 has one, while the D2Xs does not. While the built-in flash of the V-LUX 5 is not very powerful, it can at times be useful as a fill-in light.
The V-LUX 5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the D2Xs does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the V-LUX 5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica V-LUX 5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The V-LUX 5 writes its imaging data to SDXC cards, while the D2Xs uses Compact Flash cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 5 and Nikon D2Xs and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
2. | Nikon D2Xs | Y | - / - | - | - | - | 2.0 | - | - | - | |
3. | Canon G5 X Mark II | - | stereo / mono | - | - | micro | 3.1 | Y | - | Y | |
4. | Leica D-LUX 7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
5. | Leica C-LUX | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
6. | Leica V-LUX Typ 114 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
7. | Nikon D300S | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
8. | Nikon D3 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
9. | Nikon D300 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
10. | Nikon D200 | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Nikon D2X | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Panasonic FZ1000 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
13. | Panasonic FZ2500 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | - | |
14. | Panasonic FZ1000 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
15. | Sony RX100 VII | - | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y | |
16. | Sony RX100 VI | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
17. | Sony RX10 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - |
It is notable that the V-LUX 5 offers wifi support, while the D2Xs does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Nikon D2Xs (unlike the V-LUX 5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The V-LUX 5 is a recent model that features in the current product line-up of Leica. In contrast, the D2Xs has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the D2Xs was succeeded by the Nikon D3X. Further information on the features and operation of the V-LUX 5 and D2Xs can be found, respectively, in the Leica V-LUX 5 Manual (free pdf) or the online Nikon D2Xs Manual.
Review summary
So what conclusions can be drawn? Is the Leica V-LUX 5 better than the Nikon D2Xs or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Leica V-LUX 5:
- More detail: Offers more megapixels (20 vs 12.2MP) with a 28% higher linear resolution.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.57x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with a built-in lens, while the D2Xs requires a separate lens.
- More compact: Is smaller (136x97mm vs 158x150mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the D2Xs).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 13 years and 1 month of technical progress since the D2Xs launch.
Advantages of the Nikon D2Xs:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (3800 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in June 2006).
If the count of individual advantages (bullet points above) is taken as a guide, the V-LUX 5 is the clear winner of the match-up (23 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX 5 and the Nikon D2Xs place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the V-LUX 5 and the D2Xs in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 5 | .. | .. | .. | .. | 4/5 | 4/5 | Jul 2019 | 1,249 | amazon.com | |
2. | Nikon D2Xs | .. | .. | .. | .. | .. | .. | Jun 2006 | 4,699 | ebay.com | |
3. | Canon G5 X Mark II | 4/5 | + | 4/5 | 82/100 | .. | 4/5 | Jul 2019 | 899 | ebay.com | |
4. | Leica D-LUX 7 | .. | .. | .. | .. | .. | 4.5/5 | Nov 2018 | 1,195 | ebay.com | |
5. | Leica C-LUX | .. | .. | 3.5/5 | .. | 4.5/5 | 4/5 | Jun 2018 | 1,049 | ebay.com | |
6. | Leica V-LUX Typ 114 | .. | .. | .. | .. | .. | 5/5 | Sep 2014 | 1,349 | ebay.com | |
7. | Nikon D300S | 5/5 | + + | .. | 82/100 | 4/5 | 4.5/5 | Jul 2009 | 1,799 | ebay.com | |
8. | Nikon D3 | .. | .. | .. | + + | 5/5 | 4.5/5 | Aug 2007 | 4,999 | ebay.com | |
9. | Nikon D300 | .. | + + | .. | + + | 5/5 | 4.5/5 | Aug 2007 | 1,799 | ebay.com | |
10. | Nikon D200 | .. | + + | .. | + + | o | .. | Nov 2005 | 1,699 | ebay.com | |
11. | Nikon D2X | .. | .. | .. | + + | .. | .. | Sep 2004 | 4,999 | ebay.com | |
12. | Panasonic FZ1000 II | .. | .. | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2019 | 899 | amazon.com | |
13. | Panasonic FZ2500 | .. | + | .. | 82/100 | 4.5/5 | 5/5 | Sep 2016 | 1,199 | amazon.com | |
14. | Panasonic FZ1000 | 4/5 | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Jun 2014 | 899 | ebay.com | |
15. | Sony RX100 VII | 4.5/5 | .. | 4/5 | .. | 4/5 | 5/5 | Jul 2019 | 1,199 | amazon.com | |
16. | Sony RX100 VI | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Jun 2018 | 1,199 | ebay.com | |
17. | Sony RX10 II | 5/5 | + + | .. | 82/100 | 4.5/5 | 4/5 | Jun 2015 | 1,299 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark III vs Leica V-LUX 5
- Canon 1D Mark IV vs Leica V-LUX 5
- Canon 1D X Mark III vs Nikon D2Xs
- Canon XC10 vs Leica V-LUX 5
- Leica V-LUX 2 vs Nikon D2Xs
- Leica V-LUX 5 vs Nikon 1 J5
- Leica V-LUX 5 vs Nikon D200
- Leica V-LUX 5 vs Olympus E-620
- Nikon D2Xs vs Nikon Z50
- Nikon D2Xs vs Panasonic G7
- Nikon D2Xs vs Pentax Q
- Nikon D2Xs vs Sony A6300
Specifications: Leica V-LUX 5 vs Nikon D2Xs
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica V-LUX 5 | Nikon D2Xs |
---|---|---|
Camera Type | Fixed lens compact camera | Digital single lens reflex |
Camera Lens | 25-400mm f/2.8-4.0 | Nikon F mount lenses |
Launch Date | July 2019 | June 2006 |
Launch Price | USD 1,249 | USD 4,699 |
Sensor Specs | Leica V-LUX 5 | Nikon D2Xs |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1" Sensor | APS-C Sensor |
Sensor Size | 13.2 x 8.8 mm | 23.7 x 15.7 mm |
Sensor Area | 116.16 mm2 | 372.09 mm2 |
Sensor Diagonal | 15.9 mm | 28.4 mm |
Crop Factor | 2.7x | 1.5x |
Sensor Resolution | 20 Megapixels | 12.2 Megapixels |
Image Resolution | 5472 x 3648 pixels | 4288 x 2848 pixels |
Pixel Pitch | 2.41 μm | 5.52 μm |
Pixel Density | 17.18 MP/cm2 | 3.28 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | no Video |
ISO Setting | 125 - 12,800 ISO | 100 - 800 ISO |
ISO Boost | 80 - 25,600 ISO | 800 - 3,200 ISO |
DXO Sensor Quality (score) | .. | 59 |
DXO Color Depth (bits) | .. | 22.2 |
DXO Dynamic Range (EV) | .. | 10.9 |
DXO Low Light (ISO) | .. | 489 |
Screen Specs | Leica V-LUX 5 | Nikon D2Xs |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | 0.57x |
Viewfinder Resolution | 2360k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | |
Rear LCD Size | 3.0inch | 2.5inch |
LCD Resolution | 1240k dots | 230k dots |
LCD Attachment | Swivel screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Leica V-LUX 5 | Nikon D2Xs |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 12 shutter flaps/s | 5 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | CF cards |
Single or Dual Card Slots | Single card slot | Single card slot |
Connectivity Specs | Leica V-LUX 5 | Nikon D2Xs |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | no HDMI |
Wifi Support | Wifi built-in | no Wifi |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Leica V-LUX 5 | Nikon D2Xs |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Leica BP-DC12 | Nikon EN-EL4a |
Battery Life (CIPA) | 350 shots per charge | 3800 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
136 x 97 x 131 mm (5.4 x 3.8 x 5.2 in) |
158 x 150 x 86 mm (6.2 x 5.9 x 3.4 in) |
Camera Weight | 812 g (28.6 oz) | 1252 g (44.2 oz) |
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