Leica V-LUX 4 vs Sony RX100 VII
The Leica V-LUX 4 and the Sony Cyber-shot DSC-RX100 VII are two digital cameras that were revealed to the public, respectively, in September 2012 and July 2019. Both the V-LUX 4 and the RX100 VII are fixed lens compact cameras that are based on a 1/2.3-inch (V-LUX 4) and an one-inch (RX100 VII) sensor. The Leica has a resolution of 12 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 4 and the Sony Cyber-shot DSC-RX100 VII? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Leica V-LUX 4 and the Sony RX100 VII. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 VII is considerably smaller (46 percent) than the Leica V-LUX 4. Moreover, the RX100 VII is substantially lighter (49 percent) than the V-LUX 4. In this context, it is worth noting that neither the V-LUX 4 nor the RX100 VII are weather-sealed.
Concerning battery life, the V-LUX 4 gets 540 shots out of its BP-DC12 battery, while the RX100 VII can take 260 images on a single charge of its NP-BX1 power pack. The power pack in the RX100 VII can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 4 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Sep 2012 | 949 | ebay.com | |
2. | Sony RX100 VII | 102 mm | 58 mm | 43 mm | 302 g | 260 | n | Jul 2019 | 1,199 | amazon.com | |
3. | Canon G1 X Mark II | 116 mm | 74 mm | 66 mm | 553 g | 240 | n | Feb 2014 | 799 | ebay.com | |
4. | Canon G1 X | 117 mm | 81 mm | 65 mm | 534 g | 250 | n | Jan 2012 | 799 | ebay.com | |
5. | Canon SX50 | 123 mm | 87 mm | 106 mm | 595 g | 315 | n | Sep 2012 | 429 | ebay.com | |
6. | Canon SX40 | 123 mm | 92 mm | 108 mm | 600 g | 380 | n | Sep 2011 | 429 | ebay.com | |
7. | Leica C-LUX | 113 mm | 67 mm | 46 mm | 340 g | 370 | n | Jun 2018 | 1,049 | ebay.com | |
8. | Leica X Vario | 133 mm | 73 mm | 95 mm | 680 g | 450 | n | Jun 2013 | 2,850 | ebay.com | |
9. | Leica D-LUX 6 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Sep 2012 | 699 | ebay.com | |
10. | Leica V-LUX 3 | 124 mm | 81 mm | 95 mm | 540 g | 410 | n | Dec 2011 | 949 | ebay.com | |
11. | Leica V-LUX 2 | 124 mm | 80 mm | 95 mm | 520 g | 410 | n | Sep 2010 | 849 | ebay.com | |
12. | Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | 599 | ebay.com | |
13. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | 499 | ebay.com | |
14. | Sony ZV-1 | 105 mm | 60 mm | 44 mm | 294 g | 260 | n | May 2020 | 799 | ebay.com | |
15. | Sony RX100 VI | 102 mm | 58 mm | 43 mm | 301 g | 240 | n | Jun 2018 | 1,199 | ebay.com | |
16. | Sony RX100 V | 102 mm | 58 mm | 41 mm | 299 g | 220 | n | Oct 2016 | 999 | ebay.com | |
17. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The V-LUX 4 was launched at a somewhat lower price (by 21 percent) than the RX100 VII, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica V-LUX 4 features a 1/2.3-inch sensor and the Sony RX100 VII an one-inch sensor. The sensor area in the RX100 VII is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the V-LUX 4 has a native 4:3 aspect ratio, while the one in the RX100 VII offers a 3:2 aspect.
With 20MP, the RX100 VII offers a higher resolution than the V-LUX 4 (12MP), but the RX100 VII nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.53μm for the V-LUX 4) due to its larger sensor. Moreover, the RX100 VII is a much more recent model (by 6 years and 10 months) than the V-LUX 4, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the V-LUX 4 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony RX100 VII implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX100 VII for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Leica V-LUX 4 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The RX100 VII has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica V-LUX 4 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 VII are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 4 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.8 | 11.1 | 501 | 43 | |
2. | Sony RX100 VII | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.8 | 12.4 | 418 | 63 | |
3. | Canon G1 X Mark II | 1.5-inch | 13.0 | 4160 | 3120 | 1080/30p | 21.5 | 10.8 | 581 | 58 | |
4. | Canon G1 X | 1.5-inch | 14.2 | 4352 | 3264 | 1080/24p | 21.7 | 10.8 | 644 | 60 | |
5. | Canon SX50 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 20.3 | 11.2 | 179 | 47 | |
6. | Canon SX40 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 19.6 | 10.9 | 409 | 41 | |
7. | Leica C-LUX | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 481 | 64 | |
8. | Leica X Vario | APS-C | 16.1 | 4928 | 3272 | 1080/30p | 23.4 | 12.7 | 1320 | 78 | |
9. | Leica D-LUX 6 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 19.8 | 10.8 | -303 | 43 | |
10. | Leica V-LUX 3 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.7 | 11.0 | 430 | 42 | |
11. | Leica V-LUX 2 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 321 | 39 | |
12. | Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | |
13. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
14. | Sony ZV-1 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.6 | 669 | 66 | |
15. | Sony RX100 VI | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 478 | 64 | |
16. | Sony RX100 V | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.4 | 586 | 70 | |
17. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the RX100 VII provides a better video resolution than the V-LUX 4. It can shoot movie footage at 4K/30p, while the Leica is limited to 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the RX100 VII offers a substantially higher resolution than the one in the V-LUX 4 (2359k vs 1312k dots). The following table reports on some other key feature differences and similarities of the Leica V-LUX 4, the Sony RX100 VII, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 4 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
2. | Sony RX100 VII | 2359 | n | 3.0 / 921 | tilting | Y | 1/2000s | 90.0/s | Y | Y | |
3. | Canon G1 X Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 5.2/s | Y | Y | |
4. | Canon G1 X | optical | n | 3.0 / 922 | swivel | n | 1/4000s | 1.9/s | Y | Y | |
5. | Canon SX50 | 202 | n | 3.0 / 461 | swivel | n | 1/2000s | 2.2/s | Y | Y | |
6. | Canon SX40 | 202 | n | 2.7 / 230 | swivel | n | 1/3200s | 10.3/s | Y | Y | |
7. | Leica C-LUX | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
8. | Leica X Vario | optional | n | 3.0 / 920 | fixed | n | 1/2000s | 5.0/s | Y | n | |
9. | Leica D-LUX 6 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
10. | Leica V-LUX 3 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
11. | Leica V-LUX 2 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
12. | Panasonic FZ200 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
13. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
14. | Sony ZV-1 | none | n | 3.0 / 922 | swivel | Y | 1/2000s | 24.0/s | n | n | |
15. | Sony RX100 VI | 2359 | n | 3.0 / 1229 | tilting | Y | 1/2000s | 24.0/s | Y | Y | |
16. | Sony RX100 V | 2359 | n | 3.0 / 1229 | tilting | n | 1/2000s | 24.0/s | Y | Y | |
17. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The RX100 VII has a touchscreen, while the V-LUX 4 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX100 VII is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony RX100 VII has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the V-LUX 4 and the RX100 VII have zoom lenses built in. The V-LUX 4 has a 25-600mm f/2.8-2.8 optic and the RX100 VII offers a 24-200mm f/2.8-4.5 (focal lengths in full frame equivalent terms). Hence, the Sony provides a wider angle of view at the short end than the Leica, but less tele-photo reach at the long end. Both cameras offer the same maximum aperture.
The V-LUX 4 writes its imaging data to SDXC cards, while the RX100 VII uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 4 and Sony Cyber-shot DSC-RX100 VII and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 4 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
2. | Sony RX100 VII | - | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y | |
3. | Canon G1 X Mark II | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
4. | Canon G1 X | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
5. | Canon SX50 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Canon SX40 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
7. | Leica C-LUX | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
8. | Leica X Vario | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Leica D-LUX 6 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Leica V-LUX 3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
11. | Leica V-LUX 2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic FZ200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
13. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
14. | Sony ZV-1 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
15. | Sony RX100 VI | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
16. | Sony RX100 V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the V-LUX 4 has a hotshoe, while the RX100 VII does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The RX100 VII is a recent model that features in the current product line-up of Sony. In contrast, the V-LUX 4 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the V-LUX 4 was succeeded by the Leica V-LUX Typ 114. Further information on the features and operation of the V-LUX 4 and RX100 VII can be found, respectively, in the Leica V-LUX 4 Manual (free pdf) or the online Sony RX100 VII Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Leica V-LUX 4 and the Sony RX100 VII? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Leica V-LUX 4:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (540 versus 260) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced into a lower priced segment (21 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2012).
Reasons to prefer the Sony Cyber-shot DSC-RX100 VII:
- More detail: Has more megapixels (20 vs 12MP), which boosts linear resolution by 32%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 1312k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.59x vs 0.46x).
- More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (90 vs 12 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (102x58mm vs 125x87mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 286g or 49 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 6 years and 10 months of technical progress since the V-LUX 4 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the RX100 VII is the clear winner of the contest (23 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX 4 and the Sony RX100 VII place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the V-LUX 4 or the RX100 VII. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 4 | .. | .. | .. | .. | .. | .. | Sep 2012 | 949 | ebay.com | |
2. | Sony RX100 VII | 4.5/5 | .. | 4/5 | .. | 4/5 | 5/5 | Jul 2019 | 1,199 | amazon.com | |
3. | Canon G1 X Mark II | 3/5 | + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2014 | 799 | ebay.com | |
4. | Canon G1 X | 5/5 | + | .. | 76/100 | 4/5 | 4.5/5 | Jan 2012 | 799 | ebay.com | |
5. | Canon SX50 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Sep 2012 | 429 | ebay.com | |
6. | Canon SX40 | .. | + | .. | .. | 4.5/5 | 4/5 | Sep 2011 | 429 | ebay.com | |
7. | Leica C-LUX | .. | .. | 3.5/5 | .. | 4.5/5 | 4/5 | Jun 2018 | 1,049 | ebay.com | |
8. | Leica X Vario | 3/5 | .. | .. | .. | 4/5 | 4/5 | Jun 2013 | 2,850 | ebay.com | |
9. | Leica D-LUX 6 | .. | .. | .. | .. | 4/5 | 4/5 | Sep 2012 | 699 | ebay.com | |
10. | Leica V-LUX 3 | .. | .. | .. | .. | .. | .. | Dec 2011 | 949 | ebay.com | |
11. | Leica V-LUX 2 | .. | .. | .. | .. | .. | .. | Sep 2010 | 849 | ebay.com | |
12. | Panasonic FZ200 | 3/5 | + + | .. | 80/100 | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
13. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | 499 | ebay.com | |
14. | Sony ZV-1 | 4/5 | + | 4/5 | 85/100 | 4/5 | 4.5/5 | May 2020 | 799 | ebay.com | |
15. | Sony RX100 VI | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Jun 2018 | 1,199 | ebay.com | |
16. | Sony RX100 V | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Oct 2016 | 999 | ebay.com | |
17. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon R50 vs Sony RX100 VII
- Canon T6 vs Leica V-LUX 4
- Fujifilm GFX 100 vs Leica V-LUX 4
- Fujifilm X-A7 vs Leica V-LUX 4
- Fujifilm XQ1 vs Leica V-LUX 4
- Leica V-LUX 4 vs Olympus E-M1 II
- Leica V-LUX 4 vs Pentax KP
- Nikon D3 vs Sony RX100 VII
- Nikon W300 vs Sony RX100 VII
- Olympus E-620 vs Sony RX100 VII
- Panasonic TS7 vs Sony RX100 VII
- Sony RX10 IV vs Sony RX100 VII
Specifications: Leica V-LUX 4 vs Sony RX100 VII
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica V-LUX 4 | Sony RX100 VII |
---|---|---|
Camera Type | Fixed lens compact camera | Fixed lens compact camera |
Camera Lens | 25-600mm f/2.8 | 24-200mm f/2.8-4.5 |
Launch Date | September 2012 | July 2019 |
Launch Price | USD 949 | USD 1,199 |
Sensor Specs | Leica V-LUX 4 | Sony RX100 VII |
Sensor Technology | BSI-CMOS | BSI-CMOS |
Sensor Format | 1/2.3" Sensor | 1" Sensor |
Sensor Size | 6.17 x 4.55 mm | 13.2 x 8.8 mm |
Sensor Area | 28.0735 mm2 | 116.16 mm2 |
Sensor Diagonal | 7.7 mm | 15.9 mm |
Crop Factor | 5.6x | 2.7x |
Sensor Resolution | 12 Megapixels | 20 Megapixels |
Image Resolution | 4000 x 3000 pixels | 5472 x 3648 pixels |
Pixel Pitch | 1.53 μm | 2.41 μm |
Pixel Density | 42.74 MP/cm2 | 17.18 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 4K/30p Video |
ISO Setting | 100 - 3,200 ISO | 125 - 12,800 ISO |
ISO Boost | 100 - 6,400 ISO | 80 - 25,600 ISO |
DXO Sensor Quality (score) | .. | 63 |
DXO Color Depth (bits) | .. | 21.8 |
DXO Dynamic Range (EV) | .. | 12.4 |
DXO Low Light (ISO) | .. | 418 |
Screen Specs | Leica V-LUX 4 | Sony RX100 VII |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.46x | 0.59x |
Viewfinder Resolution | 1312k dots | 2359k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 460k dots | 921k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Leica V-LUX 4 | Sony RX100 VII |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/2000s |
Continuous Shooting | 12 shutter flaps/s | 90 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/32000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Leica V-LUX 4 | Sony RX100 VII |
External Flash | Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Leica V-LUX 4 | Sony RX100 VII |
Battery Type | BP-DC12 | NP-BX1 |
Battery Life (CIPA) | 540 shots per charge | 260 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
125 x 87 x 110 mm (4.9 x 3.4 x 4.3 in) |
102 x 58 x 43 mm (4.0 x 2.3 x 1.7 in) |
Camera Weight | 588 g (20.7 oz) | 302 g (10.7 oz) |
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