Leica V-LUX 3 vs Sony A9
The Leica V-LUX 3 and the Sony Alpha A9 are two digital cameras that were announced, respectively, in December 2011 and April 2017. The V-LUX 3 is a fixed lens compact, while the A9 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (V-LUX 3) and a full frame (A9) sensor. The Leica has a resolution of 12 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 3 and the Sony Alpha A9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Leica V-LUX 3 and the Sony A9 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A9 is notably larger (21 percent) than the Leica V-LUX 3. It is noteworthy in this context that the A9 is splash and dust-proof, while the V-LUX 3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 3 has a lens built in, whereas the A9 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A9 and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the V-LUX 3 gets 410 shots out of its Leica BP-DC9 battery, while the A9 can take 650 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A9 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 3 | 124 mm | 81 mm | 95 mm | 540 g | 410 | n | Dec 2011 | 949 | ebay.com | |
2. | Sony A9 | 127 mm | 96 mm | 63 mm | 673 g | 650 | Y | Apr 2017 | 4,499 | ebay.com | |
3. | Canon G1 X Mark II | 116 mm | 74 mm | 66 mm | 553 g | 240 | n | Feb 2014 | 799 | ebay.com | |
4. | Canon G1 X | 117 mm | 81 mm | 65 mm | 534 g | 250 | n | Jan 2012 | 799 | ebay.com | |
5. | Canon SX50 | 123 mm | 87 mm | 106 mm | 595 g | 315 | n | Sep 2012 | 429 | ebay.com | |
6. | Canon SX40 | 123 mm | 92 mm | 108 mm | 600 g | 380 | n | Sep 2011 | 429 | ebay.com | |
7. | Canon SX30 | 123 mm | 92 mm | 108 mm | 601 g | 370 | n | Sep 2010 | 429 | ebay.com | |
8. | Leica V-LUX 4 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Sep 2012 | 949 | ebay.com | |
9. | Leica V-LUX 2 | 124 mm | 80 mm | 95 mm | 520 g | 410 | n | Sep 2010 | 849 | ebay.com | |
10. | Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | 599 | ebay.com | |
11. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | 499 | ebay.com | |
12. | Panasonic FZ100 | 124 mm | 82 mm | 92 mm | 540 g | 410 | n | Jul 2010 | 499 | ebay.com | |
13. | Sony A7R V | 131 mm | 97 mm | 82 mm | 723 g | 530 | Y | Oct 2022 | 3,899 | amazon.com | |
14. | Sony A7R IIIA | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Apr 2021 | 3,199 | amazon.com | |
15. | Sony A9 II | 129 mm | 96 mm | 76 mm | 678 g | 690 | Y | Oct 2019 | 4,499 | amazon.com | |
16. | Sony A7 III | 127 mm | 96 mm | 74 mm | 650 g | 610 | Y | Feb 2018 | 1,999 | amazon.com | |
17. | Sony A7 II | 127 mm | 96 mm | 60 mm | 599 g | 350 | Y | Nov 2014 | 1,999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The V-LUX 3 was launched at a lower price than the A9, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica V-LUX 3 features a 1/2.3-inch sensor and the Sony A9 a full frame sensor. The sensor area in the A9 is 2925 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the V-LUX 3 has a native 4:3 aspect ratio, while the one in the A9 offers a 3:2 aspect.
With 24MP, the A9 offers a higher resolution than the V-LUX 3 (12MP), but the A9 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 1.53μm for the V-LUX 3) due to its larger sensor. Moreover, the A9 is a much more recent model (by 5 years and 4 months) than the V-LUX 3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the V-LUX 3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A9 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A9 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Leica V-LUX 3 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The A9 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica V-LUX 3 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Alpha A9 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
In terms of underlying technology, the V-LUX 3 is build around a CMOS sensor, while the A9 uses a Stacked BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 3 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.7 | 11.0 | 430 | 42 | |
2. | Sony A9 | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 24.9 | 13.3 | 3517 | 92 | |
3. | Canon G1 X Mark II | 1.5-inch | 13.0 | 4160 | 3120 | 1080/30p | 21.5 | 10.8 | 581 | 58 | |
4. | Canon G1 X | 1.5-inch | 14.2 | 4352 | 3264 | 1080/24p | 21.7 | 10.8 | 644 | 60 | |
5. | Canon SX50 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 20.3 | 11.2 | 179 | 47 | |
6. | Canon SX40 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 19.6 | 10.9 | 409 | 41 | |
7. | Canon SX30 | 1/2.3 | 14.0 | 4320 | 3240 | 720/30p | 19.4 | 10.7 | 320 | 39 | |
8. | Leica V-LUX 4 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.8 | 11.1 | 501 | 43 | |
9. | Leica V-LUX 2 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 321 | 39 | |
10. | Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | |
11. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
12. | Panasonic FZ100 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 306 | 39 | |
13. | Sony A7R V | Full Frame | 60.2 | 9504 | 6336 | 8k/24p | 26.5 | 14.8 | 3187 | 100 | |
14. | Sony A7R IIIA | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
15. | Sony A9 II | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.0 | 3434 | 93 | |
16. | Sony A7 III | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3730 | 96 | |
17. | Sony A7 II | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.9 | 13.6 | 2449 | 90 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A9 provides a better video resolution than the V-LUX 3. It can shoot movie footage at 4K/30p, while the Leica is limited to 1080/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A9 offers a substantially higher resolution than the one in the V-LUX 3 (3686k vs 202k dots). The table below summarizes some of the other core capabilities of the Leica V-LUX 3 and Sony A9 in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 3 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
2. | Sony A9 | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
3. | Canon G1 X Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 5.2/s | Y | Y | |
4. | Canon G1 X | optical | n | 3.0 / 922 | swivel | n | 1/4000s | 1.9/s | Y | Y | |
5. | Canon SX50 | 202 | n | 3.0 / 461 | swivel | n | 1/2000s | 2.2/s | Y | Y | |
6. | Canon SX40 | 202 | n | 2.7 / 230 | swivel | n | 1/3200s | 10.3/s | Y | Y | |
7. | Canon SX30 | 202 | n | 2.7 / 230 | swivel | n | 1/3200s | 0.6/s | Y | Y | |
8. | Leica V-LUX 4 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
9. | Leica V-LUX 2 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
10. | Panasonic FZ200 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
11. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
12. | Panasonic FZ100 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
13. | Sony A7R V | 9440 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 10.0/s | n | Y | |
14. | Sony A7R IIIA | 3686 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
15. | Sony A9 II | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
16. | Sony A7 III | 2359 | n | 3.0 / 922 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
17. | Sony A7 II | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The V-LUX 3 has one, while the A9 does not. While the built-in flash of the V-LUX 3 is not very powerful, it can at times be useful as a fill-in light.
The V-LUX 3 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A9 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The V-LUX 3 writes its imaging data to SDXC cards, while the A9 uses SDXC or Memory Stick PRO Duo cards. The A9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the V-LUX 3 only has one slot. The A9 supports UHS-II cards on its first slot and UHS-I on its second one, while the V-LUX 3 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 3 and Sony Alpha A9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
2. | Sony A9 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
3. | Canon G1 X Mark II | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
4. | Canon G1 X | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
5. | Canon SX50 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Canon SX40 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
7. | Canon SX30 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
8. | Leica V-LUX 4 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
9. | Leica V-LUX 2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Panasonic FZ200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
11. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic FZ100 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Sony A7R V | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
14. | Sony A7R IIIA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
15. | Sony A9 II | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
16. | Sony A7 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
17. | Sony A7 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - |
It is notable that the A9 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the V-LUX 3 does not provide wifi capability.
Studio photographers will appreciate that the Sony A9 (unlike the V-LUX 3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the V-LUX 3 and the A9 have been discontinued, but can regularly be found used on ebay. The V-LUX 3 was replaced by the Leica V-LUX 4, while the A9 was followed by the Sony A9 II. Further information on the features and operation of the V-LUX 3 and A9 can be found, respectively, in the Leica V-LUX 3 Manual (free pdf) or the online Sony A9 Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Leica V-LUX 3 or the Sony A9 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Leica V-LUX 3:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the A9 requires a separate lens.
- More compact: Is smaller (124x81mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A9).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in December 2011).
Reasons to prefer the Sony Alpha A9:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3686k vs 202k dots).
- More detailed LCD: Has a higher resolution rear screen (1440k vs 460k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 12 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (650 versus 410) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More modern: Reflects 5 years and 4 months of technical progress since the V-LUX 3 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A9 is the clear winner of the contest (27 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX 3 and the Sony A9 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the V-LUX 3 and the A9 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 3 | .. | .. | .. | .. | .. | .. | Dec 2011 | 949 | ebay.com | |
2. | Sony A9 | 5/5 | + + | 4.8/5 | 89/100 | 5/5 | 5/5 | Apr 2017 | 4,499 | ebay.com | |
3. | Canon G1 X Mark II | 3/5 | + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2014 | 799 | ebay.com | |
4. | Canon G1 X | 5/5 | + | .. | 76/100 | 4/5 | 4.5/5 | Jan 2012 | 799 | ebay.com | |
5. | Canon SX50 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Sep 2012 | 429 | ebay.com | |
6. | Canon SX40 | .. | + | .. | .. | 4.5/5 | 4/5 | Sep 2011 | 429 | ebay.com | |
7. | Canon SX30 | 3/5 | + + | .. | .. | 3.5/5 | 4/5 | Sep 2010 | 429 | ebay.com | |
8. | Leica V-LUX 4 | .. | .. | .. | .. | .. | .. | Sep 2012 | 949 | ebay.com | |
9. | Leica V-LUX 2 | .. | .. | .. | .. | .. | .. | Sep 2010 | 849 | ebay.com | |
10. | Panasonic FZ200 | 3/5 | + + | .. | 80/100 | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
11. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | 499 | ebay.com | |
12. | Panasonic FZ100 | .. | + | .. | .. | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
13. | Sony A7R V | 5/5 | + + | 4.5/5 | 92/100 | .. | .. | Oct 2022 | 3,899 | amazon.com | |
14. | Sony A7R IIIA | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Apr 2021 | 3,199 | amazon.com | |
15. | Sony A9 II | .. | .. | 5/5 | 90/100 | 5/5 | 5/5 | Oct 2019 | 4,499 | amazon.com | |
16. | Sony A7 III | .. | + + | 4.5/5 | 89/100 | 5/5 | 5/5 | Feb 2018 | 1,999 | amazon.com | |
17. | Sony A7 II | 5/5 | + | 4/5 | 82/100 | 4.5/5 | 5/5 | Nov 2014 | 1,999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Leica V-LUX 3 vs Sony A9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica V-LUX 3 | Sony A9 |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 25-600mm f/2.8-5.2 | Sony E mount lenses |
Launch Date | December 2011 | April 2017 |
Launch Price | USD 949 | USD 4,499 |
Sensor Specs | Leica V-LUX 3 | Sony A9 |
Sensor Technology | CMOS | Stacked BSI-CMOS |
Sensor Format | 1/2.3" Sensor | Full Frame Sensor |
Sensor Size | 6.17 x 4.55 mm | 35.6 x 23.8 mm |
Sensor Area | 28.0735 mm2 | 847.28 mm2 |
Sensor Diagonal | 7.7 mm | 42.8 mm |
Crop Factor | 5.6x | 1.0x |
Sensor Resolution | 12 Megapixels | 24 Megapixels |
Image Resolution | 4000 x 3000 pixels | 6000 x 4000 pixels |
Pixel Pitch | 1.53 μm | 5.94 μm |
Pixel Density | 42.74 MP/cm2 | 2.83 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 4K/30p Video |
ISO Setting | 100 - 3,200 ISO | 100 - 51,200 ISO |
ISO Boost | 100 - 6,400 ISO | 50 - 204,800 ISO |
DXO Sensor Quality (score) | .. | 92 |
DXO Color Depth (bits) | .. | 24.9 |
DXO Dynamic Range (EV) | .. | 13.3 |
DXO Low Light (ISO) | .. | 3517 |
Screen Specs | Leica V-LUX 3 | Sony A9 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.78x | |
Viewfinder Resolution | 202k dots | 3686k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 460k dots | 1440k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Leica V-LUX 3 | Sony A9 |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/8000s |
Continuous Shooting | 12 shutter flaps/s | 20 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/32000s |
Image Stabilization | Lens-based stabilization | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | no | Single UHS-II |
Connectivity Specs | Leica V-LUX 3 | Sony A9 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Leica V-LUX 3 | Sony A9 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Leica BP-DC9 | Sony NP-FZ100 |
Battery Life (CIPA) | 410 shots per charge | 650 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
124 x 81 x 95 mm (4.9 x 3.2 x 3.7 in) |
127 x 96 x 63 mm (5.0 x 3.8 x 2.5 in) |
Camera Weight | 540 g (19.0 oz) | 673 g (23.7 oz) |
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