Leica V-LUX 3 vs Pentax K-1

The Leica V-LUX 3 and the Pentax K-1 are two digital cameras that were revealed to the public, respectively, in December 2011 and February 2016. The V-LUX 3 is a fixed lens compact, while the K-1 is a DSLR. The cameras are based on a 1/2.3-inch (V-LUX 3) and a full frame (K-1) sensor. The Leica has a resolution of 12 megapixels, whereas the Pentax provides 36.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Leica V-LUX 3		Pentax K-1
Fixed lens compact camera		Digital single lens reflex
25-600mm f/2.8-5.2		Pentax K mount lenses
12 MP – 1/2.3" sensor		36.2 MP – Full Frame sensor
1080/60p Video		1080/60i Video
ISO 100-3,200 (100 - 6,400)		ISO 100-204,800
Electronic viewfinder (202k dots)		Optical viewfinder
3.0" LCD – 460k dots		3.2" LCD – 1037k dots
Swivel screen (not touch-sensitive)		Fully flexible screen (no touchscreen)
12 shutter flaps per second		4.4 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
410 shots per battery charge		760 shots per battery charge
124 x 81 x 95 mm, 540 g		137 x 110 x 86 mm, 1010 g

Check V-LUX 3 offers at
ebay.com
Check K-1 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 3 and the Pentax K-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Leica V-LUX 3 and the Pentax K-1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The K-1 can be obtained in two different colors (black, silver), while the V-LUX 3 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 is considerably larger (50 percent) than the Leica V-LUX 3. It is noteworthy in this context that the K-1 is splash and dust-proof, while the V-LUX 3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 3 has a lens built in, whereas the K-1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the V-LUX 3 gets 410 shots out of its Leica BP-DC9 battery, while the K-1 can take 760 images on a single charge of its Pentax D-LI90 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Leica V-LUX 3	124 mm	81 mm	95 mm	540 g	410	n	Dec 2011	949	ebay.com
2.		Pentax K-1	137 mm	110 mm	86 mm	1010 g	760	Y	Feb 2016	1,799	ebay.com
3.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	3,499	amazon.com
4.		Canon G1 X Mark II	116 mm	74 mm	66 mm	553 g	240	n	Feb 2014	799	ebay.com
5.		Canon G1 X	117 mm	81 mm	65 mm	534 g	250	n	Jan 2012	799	ebay.com
6.		Canon SX50	123 mm	87 mm	106 mm	595 g	315	n	Sep 2012	429	ebay.com
7.		Canon SX40	123 mm	92 mm	108 mm	600 g	380	n	Sep 2011	429	ebay.com
8.		Canon SX30	123 mm	92 mm	108 mm	601 g	370	n	Sep 2010	429	ebay.com
9.		Leica V-LUX 4	125 mm	87 mm	110 mm	588 g	540	n	Sep 2012	949	ebay.com
10.		Leica V-LUX 2	124 mm	80 mm	95 mm	520 g	410	n	Sep 2010	849	ebay.com
11.		Nikon D500	147 mm	115 mm	81 mm	860 g	1240	Y	Jan 2016	1,999	ebay.com
12.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	599	ebay.com
13.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	499	ebay.com
14.		Panasonic FZ100	124 mm	82 mm	92 mm	540 g	410	n	Jul 2010	499	ebay.com
15.		Pentax K-1 II	137 mm	110 mm	86 mm	1010 g	670	Y	Feb 2018	1,999	amazon.com
16.		Sony A7R IIIA	127 mm	96 mm	74 mm	650 g	650	Y	Apr 2021	3,199	amazon.com
17.		Sony A99 II	143 mm	104 mm	76 mm	849 g	490	Y	Sep 2016	3,199	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The V-LUX 3 was launched at a lower price than the K-1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Leica V-LUX 3 features a 1/2.3-inch sensor and the Pentax K-1 a full frame sensor. The sensor area in the K-1 is 2979 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the V-LUX 3 has a native 4:3 aspect ratio, while the one in the K-1 offers a 3:2 aspect.

With 36.2MP, the K-1 offers a higher resolution than the V-LUX 3 (12MP), but the K-1 nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 1.53μm for the V-LUX 3) due to its larger sensor. Moreover, the K-1 is a much more recent model (by 4 years and 2 months) than the V-LUX 3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Pentax K-1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Leica V-LUX 3 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

Unlike the V-LUX 3, the K-1 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Leica V-LUX 3 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Pentax K-1 are ISO 100 to ISO 204800 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Leica V-LUX 3	1/2.3	12.0	4000	3000	1080/60p	19.7	11.0	430	42
2.		Pentax K-1	Full Frame	36.2	7360	4912	1080/60i	25.4	14.6	3280	96
3.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
4.		Canon G1 X Mark II	1.5-inch	13.0	4160	3120	1080/30p	21.5	10.8	581	58
5.		Canon G1 X	1.5-inch	14.2	4352	3264	1080/24p	21.7	10.8	644	60
6.		Canon SX50	1/2.3	12.0	4000	3000	1080/24p	20.3	11.2	179	47
7.		Canon SX40	1/2.3	12.0	4000	3000	1080/24p	19.6	10.9	409	41
8.		Canon SX30	1/2.3	14.0	4320	3240	720/30p	19.4	10.7	320	39
9.		Leica V-LUX 4	1/2.3	12.0	4000	3000	1080/60p	19.8	11.1	501	43
10.		Leica V-LUX 2	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	321	39
11.		Nikon D500	APS-C	20.7	5568	3712	4K/30p	24.0	14.0	1324	83
12.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
13.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
14.		Panasonic FZ100	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	306	39
15.		Pentax K-1 II	Full Frame	36.2	7360	4912	1080/60i	25.1	14.0	2698	93
16.		Sony A7R IIIA	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
17.		Sony A99 II	Full Frame	42.2	7952	5304	4K/30p	25.4	13.4	2317	92
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the V-LUX 3 provides a higher frame rate than the K-1. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the V-LUX 3 has an electronic viewfinder (202k dots), while the K-1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Leica V-LUX 3 and Pentax K-1 in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Leica V-LUX 3	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
2.		Pentax K-1	optical	Y	3.2 / 1037	full-flex	n	1/8000s	4.4/s	n	Y
3.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
4.		Canon G1 X Mark II	optional	n	3.0 / 1040	tilting	Y	1/4000s	5.2/s	Y	Y
5.		Canon G1 X	optical	n	3.0 / 922	swivel	n	1/4000s	1.9/s	Y	Y
6.		Canon SX50	202	n	3.0 / 461	swivel	n	1/2000s	2.2/s	Y	Y
7.		Canon SX40	202	n	2.7 / 230	swivel	n	1/3200s	10.3/s	Y	Y
8.		Canon SX30	202	n	2.7 / 230	swivel	n	1/3200s	0.6/s	Y	Y
9.		Leica V-LUX 4	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
10.		Leica V-LUX 2	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
11.		Nikon D500	optical	Y	3.2 / 2359	tilting	Y	1/8000s	10.0/s	n	n
12.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
13.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
14.		Panasonic FZ100	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
15.		Pentax K-1 II	optical	Y	3.2 / 1037	full-flex	n	1/8000s	4.4/s	n	Y
16.		Sony A7R IIIA	3686	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
17.		Sony A99 II	2400	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The V-LUX 3 has one, while the K-1 does not. While the built-in flash of the V-LUX 3 is not very powerful, it can at times be useful as a fill-in light.

The Pentax K-1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the V-LUX 3 and the K-1 write their files to SDXC cards. The K-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the V-LUX 3 only has one slot. The K-1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the V-LUX 3 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 3 and Pentax K-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Leica V-LUX 3	Y	stereo / -	-	-	mini	2.0	-	-	-
2.		Pentax K-1	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
3.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
4.		Canon G1 X Mark II	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
5.		Canon G1 X	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Canon SX50	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Canon SX40	Y	stereo / mono	-	-	YES	2.0	-	-	-
8.		Canon SX30	Y	stereo / mono	-	-	YES	2.0	-	-	-
9.		Leica V-LUX 4	Y	stereo / mono	Y	-	mini	2.0	-	-	-
10.		Leica V-LUX 2	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Nikon D500	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
12.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
13.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
14.		Panasonic FZ100	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Pentax K-1 II	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
16.		Sony A7R IIIA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
17.		Sony A99 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y

It is notable that the K-1 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the V-LUX 3 does not provide wifi capability.

Studio photographers will appreciate that the Pentax K-1 (unlike the V-LUX 3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the K-1 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

Both the V-LUX 3 and the K-1 have been discontinued, but can regularly be found used on ebay. The V-LUX 3 was replaced by the Leica V-LUX 4, while the K-1 was followed by the Pentax K-1 II. Further information on the features and operation of the V-LUX 3 and K-1 can be found, respectively, in the Leica V-LUX 3 Manual (free pdf) or the online Pentax K-1 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Leica V-LUX 3 or the Pentax K-1 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Advantages of the Leica V-LUX 3:

• Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
• More framing info: Has an electronic viewfinder that displays shooting data.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 4.4 flaps/sec) to capture the decisive moment.
• Ready to shoot: Comes with a built-in lens, while the K-1 requires a separate lens.
• More compact: Is smaller (124x81mm vs 137x110mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the K-1).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in December 2011).

Reasons to prefer the Pentax K-1:

• More detail: Has more megapixels (36.2 vs 12MP), which boosts linear resolution by 77%.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1037k vs 460k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Makes it possible to change lenses and thus to use specialty optics.
• Longer lasting: Gets more shots (760 versus 410) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 4 years and 2 months of technical progress since the V-LUX 3 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the K-1 is the clear winner of the contest (23 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Leica V-LUX 3 and the Pentax K-1 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the V-LUX 3 and the K-1 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Leica V-LUX 3	..	..	..	..	..	..	Dec 2011	949	ebay.com
2.		Pentax K-1	5/5	..	..	84/100	5/5	5/5	Feb 2016	1,799	ebay.com
3.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	3,499	amazon.com
4.		Canon G1 X Mark II	3/5	+	..	77/100	4/5	4.5/5	Feb 2014	799	ebay.com
5.		Canon G1 X	5/5	+	..	76/100	4/5	4.5/5	Jan 2012	799	ebay.com
6.		Canon SX50	3/5	+ +	..	72/100	4.5/5	4.5/5	Sep 2012	429	ebay.com
7.		Canon SX40	..	+	..	..	4.5/5	4/5	Sep 2011	429	ebay.com
8.		Canon SX30	3/5	+ +	..	..	3.5/5	4/5	Sep 2010	429	ebay.com
9.		Leica V-LUX 4	..	..	..	..	..	..	Sep 2012	949	ebay.com
10.		Leica V-LUX 2	..	..	..	..	..	..	Sep 2010	849	ebay.com
11.		Nikon D500	5/5	+ +	4.7/5	91/100	4.5/5	5/5	Jan 2016	1,999	ebay.com
12.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	599	ebay.com
13.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	499	ebay.com
14.		Panasonic FZ100	..	+	..	..	4.5/5	4.5/5	Jul 2010	499	ebay.com
15.		Pentax K-1 II	..	..	4.5/5	79/100	4.5/5	4.5/5	Feb 2018	1,999	amazon.com
16.		Sony A7R IIIA	..	+ +	4/5	90/100	4.5/5	5/5	Apr 2021	3,199	amazon.com
17.		Sony A99 II	..	..	4.5/5	85/100	4.5/5	4.5/5	Sep 2016	3,199	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Check K-1 offers at
ebay.com

Other camera comparisons

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