Leica V-LUX 2 vs Sony RX100 VII
The Leica V-LUX 2 and the Sony Cyber-shot DSC-RX100 VII are two digital cameras that were officially introduced, respectively, in September 2010 and July 2019. Both the V-LUX 2 and the RX100 VII are fixed lens compact cameras that are based on a 1/2.3-inch (V-LUX 2) and an one-inch (RX100 VII) sensor. The Leica has a resolution of 14 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 2 and the Sony Cyber-shot DSC-RX100 VII? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Leica V-LUX 2 and the Sony RX100 VII. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 VII is considerably smaller (40 percent) than the Leica V-LUX 2. Moreover, the RX100 VII is substantially lighter (42 percent) than the V-LUX 2. In this context, it is worth noting that neither the V-LUX 2 nor the RX100 VII are weather-sealed.
Concerning battery life, the V-LUX 2 gets 410 shots out of its Leica BP-DC9 battery, while the RX100 VII can take 260 images on a single charge of its Sony NP-BX1 power pack. The power pack in the RX100 VII can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 2 | 124 mm | 80 mm | 95 mm | 520 g | 410 | n | Sep 2010 | 849 | ebay.com | |
2. | Sony RX100 VII | 102 mm | 58 mm | 43 mm | 302 g | 260 | n | Jul 2019 | 1,199 | amazon.com | |
3. | Canon G1 X Mark II | 116 mm | 74 mm | 66 mm | 553 g | 240 | n | Feb 2014 | 799 | ebay.com | |
4. | Canon SX20 | 123 mm | 88 mm | 87 mm | 600 g | .. | n | Aug 2009 | 399 | ebay.com | |
5. | Canon SX30 | 123 mm | 92 mm | 108 mm | 601 g | 370 | n | Sep 2010 | 429 | ebay.com | |
6. | Canon SX40 | 123 mm | 92 mm | 108 mm | 600 g | 380 | n | Sep 2011 | 429 | ebay.com | |
7. | Leica C-LUX | 113 mm | 67 mm | 46 mm | 340 g | 370 | n | Jun 2018 | 1,049 | ebay.com | |
8. | Leica V-LUX 1 | 141 mm | 86 mm | 142 mm | 734 g | 360 | n | Sep 2006 | 849 | ebay.com | |
9. | Leica V-LUX 3 | 124 mm | 81 mm | 95 mm | 540 g | 410 | n | Dec 2011 | 949 | ebay.com | |
10. | Leica V-LUX 4 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Sep 2012 | 949 | ebay.com | |
11. | Leica X Typ 113 | 133 mm | 73 mm | 78 mm | 486 g | 350 | n | Sep 2014 | 2,295 | ebay.com | |
12. | Panasonic FZ100 | 124 mm | 82 mm | 92 mm | 540 g | 410 | n | Jul 2010 | 499 | ebay.com | |
13. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | 499 | ebay.com | |
14. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | 999 | ebay.com | |
15. | Sony RX100 V | 102 mm | 58 mm | 41 mm | 299 g | 220 | n | Oct 2016 | 999 | ebay.com | |
16. | Sony RX100 VI | 102 mm | 58 mm | 43 mm | 301 g | 240 | n | Jun 2018 | 1,199 | ebay.com | |
17. | Sony ZV-1 | 105 mm | 60 mm | 44 mm | 294 g | 260 | n | May 2020 | 799 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The V-LUX 2 was launched at a markedly lower price (by 29 percent) than the RX100 VII, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica V-LUX 2 features a 1/2.3-inch sensor and the Sony RX100 VII an one-inch sensor. The sensor area in the RX100 VII is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the V-LUX 2 has a native 4:3 aspect ratio, while the one in the RX100 VII offers a 3:2 aspect.
With 20MP, the RX100 VII offers a higher resolution than the V-LUX 2 (14MP), but the RX100 VII nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.41μm for the V-LUX 2) due to its larger sensor. Moreover, the RX100 VII is a much more recent model (by 8 years and 10 months) than the V-LUX 2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the V-LUX 2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony RX100 VII implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX100 VII for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Leica V-LUX 2 are 21.6 x 16.2 inches or 54.9 x 41.1 cm for good quality, 17.3 x 13 inches or 43.9 x 32.9 cm for very good quality, and 14.4 x 10.8 inches or 36.6 x 27.4 cm for excellent quality prints.
The RX100 VII has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica V-LUX 2 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 VII are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
In terms of underlying technology, the V-LUX 2 is build around a CMOS sensor, while the RX100 VII uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 2 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 321 | 39 | |
2. | Sony RX100 VII | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.8 | 12.4 | 418 | 63 | |
3. | Canon G1 X Mark II | 1.5-inch | 13.0 | 4160 | 3120 | 1080/30p | 21.5 | 10.8 | 581 | 58 | |
4. | Canon SX20 | 1/2.3 | 12.0 | 4000 | 3000 | 720/30p | 19.2 | 10.5 | 225 | 37 | |
5. | Canon SX30 | 1/2.3 | 14.0 | 4320 | 3240 | 720/30p | 19.4 | 10.7 | 320 | 39 | |
6. | Canon SX40 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 19.6 | 10.9 | 409 | 41 | |
7. | Leica C-LUX | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 481 | 64 | |
8. | Leica V-LUX 1 | 1/1.8 | 10.0 | 3648 | 2736 | 480/30p | 18.4 | 9.5 | -727 | 29 | |
9. | Leica V-LUX 3 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.7 | 11.0 | 430 | 42 | |
10. | Leica V-LUX 4 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.8 | 11.1 | 501 | 43 | |
11. | Leica X Typ 113 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.6 | 12.8 | 1491 | 78 | |
12. | Panasonic FZ100 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 306 | 39 | |
13. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
14. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
15. | Sony RX100 V | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.4 | 586 | 70 | |
16. | Sony RX100 VI | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 478 | 64 | |
17. | Sony ZV-1 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.6 | 669 | 66 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the RX100 VII provides a better video resolution than the V-LUX 2. It can shoot movie footage at 4K/30p, while the Leica is limited to 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the RX100 VII offers a substantially higher resolution than the one in the V-LUX 2 (2359k vs 202k dots). The following table reports on some other key feature differences and similarities of the Leica V-LUX 2, the Sony RX100 VII, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 2 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
2. | Sony RX100 VII | 2359 | n | 3.0 / 921 | tilting | Y | 1/2000s | 90.0/s | Y | Y | |
3. | Canon G1 X Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 5.2/s | Y | Y | |
4. | Canon SX20 | 202 | n | 2.5 / 230 | swivel | n | 1/3200s | 0.7/s | Y | Y | |
5. | Canon SX30 | 202 | n | 2.7 / 230 | swivel | n | 1/3200s | 0.6/s | Y | Y | |
6. | Canon SX40 | 202 | n | 2.7 / 230 | swivel | n | 1/3200s | 10.3/s | Y | Y | |
7. | Leica C-LUX | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
8. | Leica V-LUX 1 | 235 | n | 2.0 / 207 | tilting | n | 1/2000s | 2.0/s | Y | Y | |
9. | Leica V-LUX 3 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
10. | Leica V-LUX 4 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
11. | Leica X Typ 113 | optional | n | 3.0 / 920 | fixed | n | 1/2000s | 5.0/s | Y | n | |
12. | Panasonic FZ100 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
13. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
14. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
15. | Sony RX100 V | 2359 | n | 3.0 / 1229 | tilting | n | 1/2000s | 24.0/s | Y | Y | |
16. | Sony RX100 VI | 2359 | n | 3.0 / 1229 | tilting | Y | 1/2000s | 24.0/s | Y | Y | |
17. | Sony ZV-1 | none | n | 3.0 / 922 | swivel | Y | 1/2000s | 24.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The RX100 VII has a touchscreen, while the V-LUX 2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX100 VII is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony RX100 VII has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the V-LUX 2 and the RX100 VII have zoom lenses built in. The V-LUX 2 has a 25-600mm f/2.8-5.2 optic and the RX100 VII offers a 24-200mm f/2.8-4.5 (focal lengths in full frame equivalent terms). Hence, the Sony provides a wider angle of view at the short end than the Leica, but less tele-photo reach at the long end. Both cameras offer the same maximum aperture.
The V-LUX 2 writes its imaging data to SDXC cards, while the RX100 VII uses SDXC or Memory Stick PRO Duo cards. The RX100 VII supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the V-LUX 2 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 2 and Sony Cyber-shot DSC-RX100 VII and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
2. | Sony RX100 VII | - | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y | |
3. | Canon G1 X Mark II | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
4. | Canon SX20 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
5. | Canon SX30 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
6. | Canon SX40 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
7. | Leica C-LUX | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
8. | Leica V-LUX 1 | Y | mono / mono | - | - | - | 2.0 | - | - | - | |
9. | Leica V-LUX 3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
10. | Leica V-LUX 4 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
11. | Leica X Typ 113 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic FZ100 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
14. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Sony RX100 V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony RX100 VI | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
17. | Sony ZV-1 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y |
It is notable that the V-LUX 2 has a hotshoe, while the RX100 VII does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The RX100 VII is a recent model that features in the current product line-up of Sony. In contrast, the V-LUX 2 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the V-LUX 2 was succeeded by the Leica V-LUX 3. Further information on the features and operation of the V-LUX 2 and RX100 VII can be found, respectively, in the Leica V-LUX 2 Manual (free pdf) or the online Sony RX100 VII Manual.
Review summary
So how do things add up? Is the Leica V-LUX 2 better than the Sony RX100 VII or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Leica V-LUX 2:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (410 versus 260) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2010).
Reasons to prefer the Sony Cyber-shot DSC-RX100 VII:
- More detail: Has more megapixels (20 vs 14MP), which boosts linear resolution by 22%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 202k dots).
- More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (90 vs 11 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (102x58mm vs 124x80mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 218g or 42 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 8 years and 10 months of technical progress since the V-LUX 2 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the RX100 VII is the clear winner of the contest (24 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX 2 and the Sony RX100 VII place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the V-LUX 2 or the RX100 VII. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 2 | .. | .. | .. | .. | .. | .. | Sep 2010 | 849 | ebay.com | |
2. | Sony RX100 VII | 4.5/5 | .. | 4/5 | .. | 4/5 | 5/5 | Jul 2019 | 1,199 | amazon.com | |
3. | Canon G1 X Mark II | 3/5 | + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2014 | 799 | ebay.com | |
4. | Canon SX20 | .. | + + | .. | 73/100 | .. | 4/5 | Aug 2009 | 399 | ebay.com | |
5. | Canon SX30 | 3/5 | + + | .. | .. | 3.5/5 | 4/5 | Sep 2010 | 429 | ebay.com | |
6. | Canon SX40 | .. | + | .. | .. | 4.5/5 | 4/5 | Sep 2011 | 429 | ebay.com | |
7. | Leica C-LUX | .. | .. | 3.5/5 | .. | 4.5/5 | 4/5 | Jun 2018 | 1,049 | ebay.com | |
8. | Leica V-LUX 1 | .. | .. | .. | .. | .. | .. | Sep 2006 | 849 | ebay.com | |
9. | Leica V-LUX 3 | .. | .. | .. | .. | .. | .. | Dec 2011 | 949 | ebay.com | |
10. | Leica V-LUX 4 | .. | .. | .. | .. | .. | .. | Sep 2012 | 949 | ebay.com | |
11. | Leica X Typ 113 | 3.5/5 | .. | .. | .. | 3.5/5 | 4/5 | Sep 2014 | 2,295 | ebay.com | |
12. | Panasonic FZ100 | .. | + | .. | .. | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
13. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | 499 | ebay.com | |
14. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | 999 | ebay.com | |
15. | Sony RX100 V | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Oct 2016 | 999 | ebay.com | |
16. | Sony RX100 VI | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Jun 2018 | 1,199 | ebay.com | |
17. | Sony ZV-1 | 4/5 | + | 4/5 | 85/100 | 4/5 | 4.5/5 | May 2020 | 799 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G7 X Mark II vs Sony RX100 VII
- Canon Rebel vs Leica V-LUX 2
- Canon SL2 vs Leica V-LUX 2
- Fujifilm X-T10 vs Sony RX100 VII
- Leica M8 vs Sony RX100 VII
- Leica V-LUX 2 vs Olympus E-5
- Leica V-LUX 2 vs Panasonic GX800
- Leica V-LUX 2 vs Sony A850
- Leica V-LUX 2 vs Sony HX350
- Nikon P900 vs Sony RX100 VII
- Pentax 645Z vs Sony RX100 VII
- Pentax K-30 vs Sony RX100 VII
Specifications: Leica V-LUX 2 vs Sony RX100 VII
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica V-LUX 2 | Sony RX100 VII |
---|---|---|
Camera Type | Fixed lens compact camera | Fixed lens compact camera |
Camera Lens | 25-600mm f/2.8-5.2 | 24-200mm f/2.8-4.5 |
Launch Date | September 2010 | July 2019 |
Launch Price | USD 849 | USD 1,199 |
Sensor Specs | Leica V-LUX 2 | Sony RX100 VII |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | 1/2.3" Sensor | 1" Sensor |
Sensor Size | 6.17 x 4.55 mm | 13.2 x 8.8 mm |
Sensor Area | 28.0735 mm2 | 116.16 mm2 |
Sensor Diagonal | 7.7 mm | 15.9 mm |
Crop Factor | 5.6x | 2.7x |
Sensor Resolution | 14 Megapixels | 20 Megapixels |
Image Resolution | 4320 x 3240 pixels | 5472 x 3648 pixels |
Pixel Pitch | 1.41 μm | 2.41 μm |
Pixel Density | 49.86 MP/cm2 | 17.18 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/60i Video | 4K/30p Video |
ISO Setting | 100 - 1,600 ISO | 125 - 12,800 ISO |
ISO Boost | 100 - 6,400 ISO | 80 - 25,600 ISO |
DXO Sensor Quality (score) | .. | 63 |
DXO Color Depth (bits) | .. | 21.8 |
DXO Dynamic Range (EV) | .. | 12.4 |
DXO Low Light (ISO) | .. | 418 |
Screen Specs | Leica V-LUX 2 | Sony RX100 VII |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.59x | |
Viewfinder Resolution | 202k dots | 2359k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 460k dots | 921k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Leica V-LUX 2 | Sony RX100 VII |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/2000s |
Continuous Shooting | 11 shutter flaps/s | 90 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/32000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Leica V-LUX 2 | Sony RX100 VII |
External Flash | Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Leica V-LUX 2 | Sony RX100 VII |
Battery Type | Leica BP-DC9 | Sony NP-BX1 |
Battery Life (CIPA) | 410 shots per charge | 260 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
124 x 80 x 95 mm (4.9 x 3.1 x 3.7 in) |
102 x 58 x 43 mm (4.0 x 2.3 x 1.7 in) |
Camera Weight | 520 g (18.3 oz) | 302 g (10.7 oz) |
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