Leica V-LUX 2 vs Sony NEX-7
The Leica V-LUX 2 and the Sony Alpha NEX-7 are two digital cameras that were announced, respectively, in September 2010 and August 2011. The V-LUX 2 is a fixed lens compact, while the NEX-7 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (V-LUX 2) and an APS-C (NEX-7) sensor. The Leica has a resolution of 14 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 2 and the Sony Alpha NEX-7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica V-LUX 2 and the Sony NEX-7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-7 is notably smaller (19 percent) than the Leica V-LUX 2. In this context, it is worth noting that neither the V-LUX 2 nor the NEX-7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 2 has a lens built in, whereas the NEX-7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-7 and their specifications in the Sony E-Mount Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|Leica V-LUX 2||4.9 in||3.1 in||3.7 in||18.3 oz||410||n||Sep 2010||849|
|Sony NEX-7||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349|
|Canon G1 X Mark II||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799|
|Canon SX40||4.8 in||3.6 in||4.3 in||21.2 oz||380||n||Sep 2011||429|
|Canon SX30||4.8 in||3.6 in||4.3 in||21.2 oz||370||n||Sep 2010||429|
|Canon SX20||4.8 in||3.5 in||3.4 in||21.2 oz||..||n||Aug 2009||399|
|Fujifilm X100||5.0 in||3.0 in||2.1 in||15.7 oz||300||n||Sep 2010||1,199|
|Leica X Typ 113||5.2 in||2.9 in||3.1 in||17.1 oz||350||n||Sep 2014||2,295|
|Leica V-LUX 4||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Sep 2012||949|
|Leica V-LUX 3||4.9 in||3.2 in||3.7 in||19.0 oz||410||n||Dec 2011||949|
|Leica V-LUX 1||5.6 in||3.4 in||5.6 in||25.9 oz||360||n||Sep 2006||849|
|Panasonic FZ150||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499|
|Panasonic FZ100||4.9 in||3.2 in||3.6 in||19.0 oz||410||n||Jul 2010||499|
|Sony A6400||4.7 in||2.6 in||2.0 in||14.2 oz||410||n||Jan 2019||899|
|Sony A6000||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599|
|Sony A3000||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329|
|Sony RX1||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Sep 2012||2,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The V-LUX 2 was launched at a lower price than the NEX-7, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica V-LUX 2 features a 1/2.3-inch sensor and the Sony NEX-7 an APS-C sensor. The sensor area in the NEX-7 is 1204 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the V-LUX 2 has a native 4:3 aspect ratio, while the one in the NEX-7 offers a 3:2 aspect.
With 24MP, the NEX-7 offers a higher resolution than the V-LUX 2 (14MP), but the NEX-7 nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 1.41μm for the V-LUX 2) due to its larger sensor. Moreover, the NEX-7 is a somewhat more recent model (by 11 months) than the V-LUX 2, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the V-LUX 2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony NEX-7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Leica V-LUX 2 are 21.6 x 16.2 inches or 54.9 x 41.1 cm for good quality, 17.3 x 13 inches or 43.9 x 32.9 cm for very good quality, and 14.4 x 10.8 inches or 36.6 x 27.4 cm for excellent quality prints.
The Leica V-LUX 2 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Alpha NEX-7 are ISO 100 to ISO 16000 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Leica X Typ 113||APS-C||16.1||4928||3264||1080/30p||..||..||..||..|
|Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..|
|Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..|
|Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||..||..||..||..|
|Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60i).
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the NEX-7 offers a substantially higher resolution than the one in the V-LUX 2 (2359k vs 202k dots). The adjacent table lists some of the other core features of the Leica V-LUX 2 and Sony NEX-7 along with similar information for a selection of comparators.
|Leica V-LUX 2||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y|
|Leica X Typ 113||optional||n||3.0||920||fixed||n||1/2000s||5.0||Y||n|
|Leica V-LUX 4||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y|
|Leica V-LUX 3||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y|
|Leica V-LUX 1||235||n||2.0||207||swivel||n||1/2000s||2.0||Y||Y|
The V-LUX 2 writes its imaging data to SDXC cards, while the NEX-7 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 2 and Sony Alpha NEX-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|Leica V-LUX 2||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|Leica X Typ 113||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Leica V-LUX 4||Y||stereo||mono||Y||-||mini||2.0||-||-||-|
|Leica V-LUX 3||Y||stereo||-||-||-||mini||2.0||-||-||-|
|Leica V-LUX 1||Y||mono||mono||-||-||-||2.0||-||-||-|
It is notable that the NEX-7 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The V-LUX 2 does not feature such a mic input.
Both the V-LUX 2 and the NEX-7 have been discontinued, but can regularly be found used on eBay. The V-LUX 2 was replaced by the Leica V-LUX 3, while the NEX-7 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what conclusions can be drawn? Is the Leica V-LUX 2 better than the Sony NEX-7 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Leica V-LUX 2:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the NEX-7 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in September 2010).
Arguments in favor of the Sony Alpha NEX-7:
- More detail: Has more megapixels (24 vs 14MP), which boosts linear resolution by 34%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 202k dots).
- More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (120x67mm vs 124x80mm) and will fit more readily into a bag.
- More modern: Was introduced somewhat (11 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the NEX-7 is the clear winner of the contest (13 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX 2 and the Sony NEX-7 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the V-LUX 2 or the NEX-7 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica V-LUX 2||..||..||..||..||..||Sep 2010||849|
|Sony NEX-7||+ +||81/100||4.5/5||5/5||5/5||Aug 2011||1,349|
|Canon G1 X Mark II||+||77/100||4/5||4/5||4.5/5||Feb 2014||799|
|Canon SX40||+||..||4.5/5||5/5||4/5||Sep 2011||429|
|Canon SX30||+ +||..||3.5/5||4.5/5||4/5||Sep 2010||429|
|Canon SX20||+ +||73/100||..||4/5||4/5||Aug 2009||399|
|Fujifilm X100||..||75/100||4/5||4/5||5/5||Sep 2010||1,199|
|Leica X Typ 113||..||..||3.5/5||..||4/5||Sep 2014||2,295|
|Leica V-LUX 4||..||..||..||..||..||Sep 2012||949|
|Leica V-LUX 3||..||..||..||..||..||Dec 2011||949|
|Leica V-LUX 1||..||..||..||..||..||Sep 2006||849|
|Panasonic FZ150||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499|
|Panasonic FZ100||+||..||4.5/5||..||4.5/5||Jul 2010||499|
|Sony A6400||+||85/100||4.5/5||..||4/5||Jan 2019||899|
|Sony A6000||+||80/100||4.5/5||5/5||5/5||Feb 2014||599|
|Sony A3000||+||..||4/5||4.5/5||4/5||Aug 2013||329|
|Sony RX1||..||79/100||4/5||4.5/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Leica V-LUX 2 vs Sony NEX-7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica V-LUX 2||Sony NEX-7|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-600mm f/2.8-5.2||Sony E mount lenses|
|Launch Date||September 2010||August 2011|
|Launch Price||USD 849||USD 1,349|
|Sensor Specs||Leica V-LUX 2||Sony NEX-7|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.4 x 15.6 mm|
|Sensor Area||28.0735 mm2||365.04 mm2|
|Sensor Diagonal||7.7 mm||28.1 mm|
|Sensor Resolution||14 Megapixels||24 Megapixels|
|Image Resolution||4320 x 3240 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.41 μm||3.90 μm|
|Pixel Density||49.86 MP/cm2||6.57 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||1080/60i Video|
|ISO Setting||100 - 1,600 ISO||100 - 16,000 ISO|
|ISO Boost||100 - 6,400 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||81|
|DXO Color Depth (bits)||..||24.1|
|DXO Dynamic Range (EV)||..||13.4|
|DXO Low Light (ISO)||..||1016|
|Screen Specs||Leica V-LUX 2||Sony NEX-7|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||202k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||921k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Leica V-LUX 2||Sony NEX-7|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||11 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Leica V-LUX 2||Sony NEX-7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Leica V-LUX 2||Sony NEX-7|
|Battery Life (CIPA)||410 shots per charge||430 shots per charge|
124 x 80 x 95 mm
(4.9 x 3.1 x 3.7 in)
120 x 67 x 43 mm
(4.7 x 2.6 x 1.7 in)
|Camera Weight||520 g (18.3 oz)||400 g (14.1 oz)|
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