Leica V-LUX 1 vs Sony A7
The Leica V-LUX 1 and the Sony Alpha A7 are two digital cameras that were officially introduced, respectively, in September 2006 and October 2013. The V-LUX 1 is a fixed lens compact, while the A7 is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.8-inch (V-LUX 1) and a full frame (A7) sensor. The Leica has a resolution of 10 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 1 and the Sony Alpha A7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica V-LUX 1 and the Sony A7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 is somewhat smaller (2 percent) than the Leica V-LUX 1. It is noteworthy in this context that the A7 is splash and dust-proof, while the V-LUX 1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 1 has a lens built in, whereas the A7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7 and their specifications in the Sony FE Lens Catalog.
The power pack in the A7 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Leica V-LUX 1||141 mm||86 mm||142 mm||734 g||360||n||Sep 2006||849|
|2.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|3.||Leica Q Typ 116||130 mm||80 mm||93 mm||640 g||300||n||Jun 2015||4,249|
|4.||Leica X Vario||133 mm||73 mm||95 mm||680 g||450||n||Jun 2013||2,850|
|5.||Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699|
|6.||Leica V-LUX 4||125 mm||87 mm||110 mm||588 g||540||n||Sep 2012||949|
|7.||Leica V-LUX 3||124 mm||81 mm||95 mm||540 g||410||n||Dec 2011||949|
|8.||Leica D-LUX 5||110 mm||65 mm||43 mm||271 g||400||n||Sep 2010||699|
|9.||Leica V-LUX 2||124 mm||80 mm||95 mm||520 g||410||n||Sep 2010||849|
|10.||Leica X1||124 mm||60 mm||32 mm||306 g||260||n||Sep 2009||1,995|
|11.||Nikon D80||132 mm||103 mm||77 mm||668 g||600||n||Aug 2006||999|
|12.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|13.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|14.||Sony A7S||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499|
|15.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299|
|16.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799|
|17.||Sony RX1||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The V-LUX 1 was launched at a lower price than the A7, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica V-LUX 1 features a 1/1.8-inch sensor and the Sony A7 a full frame sensor. The sensor area in the A7 is 2153 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.8 and 1.0. The sensor in the V-LUX 1 has a native 4:3 aspect ratio, while the one in the A7 offers a 3:2 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the A7 offers a higher resolution than the V-LUX 1 (10MP), but the A7 nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 1.95μm for the V-LUX 1) due to its larger sensor. Moreover, the A7 is a much more recent model (by 7 years and 1 month) than the V-LUX 1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the V-LUX 1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Leica V-LUX 1 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The A7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica V-LUX 1 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Sony Alpha A7 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||18.4||9.5||-727||29|
|2.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|3.||Leica Q Typ 116||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|4.||Leica X Vario||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78|
|5.||Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||19.8||10.8||-303||43|
|6.||Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||19.8||11.1||501||43|
|7.||Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||19.7||11.0||430||42|
|8.||Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||19.5||10.4||-583||39|
|9.||Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||19.4||10.7||321||39|
|13.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|14.||Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|15.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|16.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
|17.||Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7 provides a better video resolution than the V-LUX 1. It can shoot movie footage at 1080/60p, while the Leica is limited to 480/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7 offers a substantially higher resolution than the one in the V-LUX 1 (2400k vs 235k dots). The adjacent table lists some of the other core features of the Leica V-LUX 1 and Sony A7 along with similar information for a selection of comparators.
|1.||Leica V-LUX 1||235||n||2.0 / 207||tilting||n||1/2000s||2.0/s||Y||Y|
|2.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||n|
|3.||Leica Q Typ 116||3680||n||3.0 / 1040||fixed||Y||1/2000s||10.0/s||n||Y|
|4.||Leica X Vario||optional||n||3.0 / 920||fixed||n||1/2000s||5.0/s||Y||n|
|5.||Leica D-LUX 6||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|6.||Leica V-LUX 4||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|7.||Leica V-LUX 3||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|8.||Leica D-LUX 5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|9.||Leica V-LUX 2||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|10.||Leica X1||none||n||2.7 / 230||fixed||n||1/2000s||3.0/s||Y||n|
|11.||Nikon D80||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|12.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|13.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||Y|
|14.||Sony A7S||2400||n||3.0 / 921||tilting||n||1/8000s||5.0/s||n||n|
|15.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0/s||n||n|
|16.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0/s||Y||n|
|17.||Sony RX1||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The V-LUX 1 has one, while the A7 does not. While the built-in flash of the V-LUX 1 is not very powerful, it can at times be useful as a fill-in light.The V-LUX 1 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7 does not have a selfie-screen.
The V-LUX 1 writes its imaging data to SDHC cards, while the A7 uses SDXC or Memory Stick PRO Duo cards. The A7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the V-LUX 1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 1 and Sony Alpha A7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica V-LUX 1||Y||mono / mono||-||-||-||2.0||-||-||-|
|2.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Leica Q Typ 116||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Leica X Vario||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Leica D-LUX 6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Leica V-LUX 4||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|7.||Leica V-LUX 3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|8.||Leica D-LUX 5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|9.||Leica V-LUX 2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Leica X1||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Nikon D80||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|13.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Sony A7S||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Sony RX1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the A7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the V-LUX 1 does not provide wifi capability.
Both the V-LUX 1 and the A7 have been discontinued, but can regularly be found used on eBay. The V-LUX 1 was replaced by the Leica V-LUX 2, while the A7 was followed by the Sony A7 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what is the bottom line? Is the Leica V-LUX 1 better than the Sony A7 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Leica V-LUX 1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the A7 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in September 2006).
Arguments in favor of the Sony Alpha A7:
- More detail: Has more megapixels (24 vs 10MP), which boosts linear resolution by 58%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/60p vs 480/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2400k vs 235k dots).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 207k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 2 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 7 years and 1 month of technical progress since the V-LUX 1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7 is the clear winner of the contest (22 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX 1 and the Sony A7 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the V-LUX 1 and the A7 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica V-LUX 1||..||..||..||..||..||..||Sep 2006||849|
|2.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|3.||Leica Q Typ 116||5/5||..||..||80/100||4.5/5||4.5/5||Jun 2015||4,249|
|4.||Leica X Vario||3/5||..||..||..||4/5||4/5||Jun 2013||2,850|
|5.||Leica D-LUX 6||..||..||..||..||4/5||4/5||Sep 2012||699|
|6.||Leica V-LUX 4||..||..||..||..||..||..||Sep 2012||949|
|7.||Leica V-LUX 3||..||..||..||..||..||..||Dec 2011||949|
|8.||Leica D-LUX 5||..||..||..||..||4.5/5||4/5||Sep 2010||699|
|9.||Leica V-LUX 2||..||..||..||..||..||..||Sep 2010||849|
|10.||Leica X1||3/5||..||..||+||..||4/5||Sep 2009||1,995|
|11.||Nikon D80||..||+||..||+ +||o||4.5/5||Aug 2006||999|
|12.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|13.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|14.||Sony A7S||4/5||..||..||86/100||4.5/5||5/5||Apr 2014||2,499|
|15.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299|
|16.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799|
|17.||Sony RX1||5/5||..||..||79/100||4/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Leica V-LUX 1 vs Sony A7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica V-LUX 1||Sony A7|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||35-420mm f/2.8-3.7||Sony E mount lenses|
|Launch Date||September 2006||October 2013|
|Launch Price||USD 849||USD 1,699|
|Sensor Specs||Leica V-LUX 1||Sony A7|
|Sensor Format||1/1.8" Sensor||Full Frame Sensor|
|Sensor Size||7.14 x 5.36 mm||35.8 x 23.9 mm|
|Sensor Area||38.2704 mm2||855.62 mm2|
|Sensor Diagonal||8.9 mm||43 mm|
|Sensor Resolution||10 Megapixels||24 Megapixels|
|Image Resolution||3648 x 2736 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.95 μm||5.97 μm|
|Pixel Density||26.08 MP/cm2||2.80 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||480/30p Video||1080/60p Video|
|ISO Setting||100 - 1,600 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 3,200 ISO||50 - 51,200 ISO|
|DXO Sensor Quality (score)||..||90|
|DXO Color Depth (bits)||..||24.8|
|DXO Dynamic Range (EV)||..||14.2|
|DXO Low Light (ISO)||..||2248|
|Screen Specs||Leica V-LUX 1||Sony A7|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||235k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.0inch||3.0inch|
|LCD Resolution||207k dots||1230k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Leica V-LUX 1||Sony A7|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/8000s|
|Continuous Shooting||2 shutter flaps/s||5 shutter flaps/s|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDHC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica V-LUX 1||Sony A7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Leica V-LUX 1||Sony A7|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||360 shots per charge||340 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
141 x 86 x 142 mm
(5.6 x 3.4 x 5.6 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||734 g (25.9 oz)||474 g (16.7 oz)|
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