Leica V-LUX 1 vs Panasonic GX7
The Leica V-LUX 1 and the Panasonic Lumix DMC-GX7 are two digital cameras that were announced, respectively, in September 2006 and August 2013. The V-LUX 1 is a fixed lens compact, while the GX7 is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.8-inch (V-LUX 1) and a Four Thirds (GX7) sensor. The Leica has a resolution of 10 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 1 and the Panasonic Lumix DMC-GX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica V-LUX 1 and the Panasonic GX7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The GX7 can be obtained in two different colors (black, silver), while the V-LUX 1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX7 is notably smaller (28 percent) than the Leica V-LUX 1. In this context, it is worth noting that neither the V-LUX 1 nor the GX7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 1 has a lens built in, whereas the GX7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GX7 and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Leica V-LUX 1||141 mm||86 mm||142 mm||734 g||360||n||Sep 2006||849|
|2.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|3.||Leica Q Typ 116||130 mm||80 mm||93 mm||640 g||300||n||Jun 2015||4,249|
|4.||Leica X Vario||133 mm||73 mm||95 mm||680 g||450||n||Jun 2013||2,850|
|5.||Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699|
|6.||Leica V-LUX 4||125 mm||87 mm||110 mm||588 g||540||n||Sep 2012||949|
|7.||Leica V-LUX 3||124 mm||81 mm||95 mm||540 g||410||n||Dec 2011||949|
|8.||Leica D-LUX 5||110 mm||65 mm||43 mm||271 g||400||n||Sep 2010||699|
|9.||Leica V-LUX 2||124 mm||80 mm||95 mm||520 g||410||n||Sep 2010||849|
|10.||Leica X1||124 mm||60 mm||32 mm||306 g||260||n||Sep 2009||1,995|
|11.||Nikon D80||132 mm||103 mm||77 mm||668 g||600||n||Aug 2006||999|
|12.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|13.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599|
|14.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|15.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|16.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|17.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The V-LUX 1 was launched at a lower price than the GX7, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica V-LUX 1 features a 1/1.8-inch sensor and the Panasonic GX7 a Four Thirds sensor. The sensor area in the GX7 is 492 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.8 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 15.8MP, the GX7 offers a higher resolution than the V-LUX 1 (10MP), but the GX7 nevertheless has larger individual pixels (pixel pitch of 3.77μm versus 1.95μm for the V-LUX 1) due to its larger sensor. Moreover, the GX7 is a much more recent model (by 6 years and 10 months) than the V-LUX 1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the V-LUX 1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic GX7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GX7 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Leica V-LUX 1 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Leica V-LUX 1 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DMC-GX7 are ISO 125 to ISO 25600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||..||..||..||..|
|2.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|3.||Leica Q Typ 116||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|4.||Leica X Vario||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78|
|5.||Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..|
|6.||Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..|
|7.||Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..|
|8.||Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||..||..||..||..|
|9.||Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..|
|12.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|13.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|14.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|15.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|17.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GX7 provides a better video resolution than the V-LUX 1. It can shoot movie footage at 1080/60p, while the Leica is limited to 480/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GX7 offers a substantially higher resolution than the one in the V-LUX 1 (2760k vs 235k dots). The table below summarizes some of the other core capabilities of the Leica V-LUX 1 and Panasonic GX7 in connection with corresponding information for a sample of similar cameras.
|1.||Leica V-LUX 1||235||n||2.0 / 207||tilting||n||1/2000s||2.0||Y||Y|
|2.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
|3.||Leica Q Typ 116||3680||n||3.0 / 1040||fixed||Y||1/2000s||10.0||n||Y|
|4.||Leica X Vario||optional||n||3.0 / 920||fixed||n||1/2000s||5.0||Y||n|
|5.||Leica D-LUX 6||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
|6.||Leica V-LUX 4||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|7.||Leica V-LUX 3||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|8.||Leica D-LUX 5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5||Y||Y|
|9.||Leica V-LUX 2||202||n||3.0 / 460||swivel||n||1/2000s||11.0||Y||Y|
|10.||Leica X1||none||n||2.7 / 230||fixed||n||1/2000s||3.0||Y||n|
|11.||Nikon D80||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|12.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0||Y||Y|
|13.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
|14.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|15.||Panasonic GX85||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|16.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|17.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GX7 has a touchscreen, while the V-LUX 1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The V-LUX 1 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GX7 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The V-LUX 1 writes its imaging data to SDHC cards, while the GX7 uses SDXC cards. The GX7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the V-LUX 1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 1 and Panasonic Lumix DMC-GX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica V-LUX 1||Y||mono / mono||-||-||-||2.0||-||-||-|
|2.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|3.||Leica Q Typ 116||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Leica X Vario||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Leica D-LUX 6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Leica V-LUX 4||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|7.||Leica V-LUX 3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|8.||Leica D-LUX 5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|9.||Leica V-LUX 2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Leica X1||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Nikon D80||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Panasonic GX85||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|17.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the GX7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the V-LUX 1 does not provide wifi capability.
Both the V-LUX 1 and the GX7 have been discontinued, but can regularly be found used on eBay. The V-LUX 1 was replaced by the Leica V-LUX 2, while the GX7 was followed by the Panasonic GX85. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Leica V-LUX 1 and the Panasonic GX7? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Leica V-LUX 1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the GX7 requires a separate lens.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in September 2006).
Advantages of the Panasonic Lumix DMC-GX7:
- More detail: Has more megapixels (15.8 vs 10MP), which boosts linear resolution by 26%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/60p vs 480/30p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2760k vs 235k dots).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 207k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (123x71mm vs 141x86mm) and will fit more readily into a bag.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years and 10 months of technical progress since the V-LUX 1 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the GX7 is the clear winner of the contest (21 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX 1 and the Panasonic GX7 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the V-LUX 1 and the GX7 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica V-LUX 1||..||..||..||..||..||..||Sep 2006||849|
|2.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|3.||Leica Q Typ 116||5/5||..||..||80/100||4.5/5||4.5/5||Jun 2015||4,249|
|4.||Leica X Vario||3/5||..||..||..||4/5||4/5||Jun 2013||2,850|
|5.||Leica D-LUX 6||..||..||..||..||4/5||4/5||Sep 2012||699|
|6.||Leica V-LUX 4||..||..||..||..||..||..||Sep 2012||949|
|7.||Leica V-LUX 3||..||..||..||..||..||..||Dec 2011||949|
|8.||Leica D-LUX 5||..||..||..||..||4.5/5||4/5||Sep 2010||699|
|9.||Leica V-LUX 2||..||..||..||..||..||..||Sep 2010||849|
|10.||Leica X1||3/5||..||..||+||..||4/5||Sep 2009||1,995|
|11.||Nikon D80||..||+||..||+ +||o||4.5/5||Aug 2006||999|
|12.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|13.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599|
|14.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|15.||Panasonic GX85||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|16.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|17.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 100D vs Leica V-LUX 1
- Canon 7D II vs Leica V-LUX 1
- Canon G15 vs Panasonic GX7
- Canon T2i vs Panasonic GX7
- Leica V-LUX 1 vs Nikon D200
- Leica V-LUX 1 vs Panasonic FZ100
- Leica V-LUX 1 vs Panasonic G6
- Leica V-LUX 1 vs Sony NEX-3N
- Nikon P1000 vs Panasonic GX7
- Nikon Z6 vs Panasonic GX7
- Panasonic GF5 vs Panasonic GX7
- Panasonic GX7 vs Sony RX100 VI
Specifications: Leica V-LUX 1 vs Panasonic GX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica V-LUX 1||Panasonic GX7|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||35-420mm f/2.8-3.7||Micro Four Thirds lenses|
|Launch Date||September 2006||August 2013|
|Launch Price||USD 849||USD 999|
|Sensor Specs||Leica V-LUX 1||Panasonic GX7|
|Sensor Format||1/1.8" Sensor||Four Thirds Sensor|
|Sensor Size||7.14 x 5.36 mm||17.3 x 13.0 mm|
|Sensor Area||38.2704 mm2||224.9 mm2|
|Sensor Diagonal||8.9 mm||21.6 mm|
|Sensor Resolution||10 Megapixels||15.8 Megapixels|
|Image Resolution||3648 x 2736 pixels||4592 x 3448 pixels|
|Pixel Pitch||1.95 μm||3.77 μm|
|Pixel Density||26.08 MP/cm2||7.04 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||480/30p Video||1080/60p Video|
|ISO Setting||100 - 1,600 ISO||125 - 25,600 ISO|
|ISO Boost||100 - 3,200 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||70|
|DXO Color Depth (bits)||..||22.6|
|DXO Dynamic Range (EV)||..||12.2|
|DXO Low Light (ISO)||..||718|
|Screen Specs||Leica V-LUX 1||Panasonic GX7|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||235k dots||2760k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.0inch||3.0inch|
|LCD Resolution||207k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica V-LUX 1||Panasonic GX7|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/8000s|
|Continuous Shooting||2 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDHC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica V-LUX 1||Panasonic GX7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Leica V-LUX 1||Panasonic GX7|
|Battery Life (CIPA)||360 shots per charge||350 shots per charge|
141 x 86 x 142 mm
(5.6 x 3.4 x 5.6 in)
123 x 71 x 55 mm
(4.8 x 2.8 x 2.2 in)
|Camera Weight||734 g (25.9 oz)||402 g (14.2 oz)|
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