Leica TL2 vs Sony A7S II
The Leica TL2 and the Sony Alpha 7S II are two digital cameras that were officially introduced, respectively, in July 2017 and September 2015. Both the TL2 and the A7S II are mirrorless interchangeable lens cameras that are based on an APS-C (TL2) and a full frame (A7S II) sensor. The Leica has a resolution of 24.1 megapixels, whereas the Sony provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica TL2 and the Sony Alpha 7S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica TL2 and the Sony A7S II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The TL2 can be obtained in two different colors (black, silver), while the A7S II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S II is notably larger (32 percent) than the Leica TL2. Moreover, the A7S II is substantially heavier (57 percent) than the TL2. It is noteworthy in this context that the A7S II is splash and dust-proof, while the TL2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Leica TL2||134 mm||69 mm||33 mm||399 g||250||n||Jul 2017||1,950|
|2.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|3.||Fujifilm X-T100||121 mm||83 mm||47 mm||448 g||430||n||May 2018||599|
|4.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|5.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|6.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049|
|7.||Leica CL||131 mm||78 mm||45 mm||403 g||220||n||Nov 2017||2,795|
|8.||Leica TL||134 mm||69 mm||33 mm||384 g||400||n||Nov 2016||1,695|
|9.||Leica T||134 mm||69 mm||33 mm||384 g||400||n||Apr 2014||1,850|
|10.||Nikon D3500||124 mm||97 mm||70 mm||415 g||1550||n||Aug 2018||429|
|11.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699|
|12.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499|
|13.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499|
|14.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|15.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|16.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|17.||Sony A7S||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The TL2 was launched at a markedly lower price (by 35 percent) than the A7S II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica TL2 features an APS-C sensor and the Sony A7S II a full frame sensor. The sensor area in the A7S II is 128 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Leica TL2 offers a higher resolution of 24.1 megapixels, compared with 12 MP of the Sony A7S II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 8.40μm for the A7S II). However, it should be noted that the TL2 is a somewhat more recent model (by 1 year and 9 months) than the A7S II, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the TL2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica TL2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TL2 for good quality output (200 dots per inch) amounts to 30.1 x 20.1 inches or 76.4 x 51 cm, for very good quality (250 dpi) 24.1 x 16.1 inches or 61.1 x 40.8 cm, and for excellent quality (300 dpi) 20 x 13.4 inches or 50.9 x 34 cm. The corresponding values for the Sony A7S II are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.
The Leica TL2 has a native sensitivity range from ISO 100 to ISO 50000. The corresponding ISO settings for the Sony Alpha 7S II are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|13.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|14.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|15.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|16.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|17.||Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7S II has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the TL2 relies on live view and the rear LCD for framing. That said, the TL2 can be equipped with an optional viewfinder – the Visoflex (Typ 020). The table below summarizes some of the other core capabilities of the Leica TL2 and Sony A7S II in connection with corresponding information for a sample of similar cameras.
|1.||Leica TL2||optional||n||3.7 / 1230||fixed||Y||1/4000s||7.0||n||n|
|2.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|3.||Fujifilm X-T100||2360||n||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|4.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|5.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|6.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|7.||Leica CL||2360||Y||3.0 / 1040||fixed||Y||1/8000s||10.0||n||n|
|8.||Leica TL||optional||n||3.7 / 1230||fixed||Y||1/4000s||5.0||Y||n|
|9.||Leica T||optional||n||3.7 / 1230||fixed||Y||1/4000s||5.0||Y||n|
|10.||Nikon D3500||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|11.||Nikon D5600||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|12.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|13.||Sony A7S III||9440||n||3.0 / 1440||swivel||Y||1/8000s||10.0||n||Y|
|14.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0||n||Y|
|15.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|16.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
|17.||Sony A7S||2400||n||3.0 / 921||tilting||n||1/8000s||5.0||n||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The TL2 has a touchscreen, while the A7S II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The TL2 writes its imaging data to SDXC cards, while the A7S II uses SDXC or Memory Stick PRO Duo cards. The TL2 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A7S II can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica TL2 and Sony Alpha 7S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica TL2||Y||stereo / mono||-||-||micro||3.0||Y||-||-|
|2.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Fujifilm X-T100||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|4.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|5.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Leica CL||Y||stereo / mono||-||-||-||-||Y||-||-|
|8.||Leica TL||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Leica T||Y||stereo / mono||-||-||-||2.0||Y||-||-|
|10.||Nikon D3500||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|11.||Nikon D5600||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|12.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|13.||Sony A7S III||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|14.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|15.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7S||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7S II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The TL2 lacks such a headphone port.
The TL2 is a recent model that features in the current product line-up of Leica. In contrast, the A7S II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7S II was succeeded by the Sony A7S III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Leica TL2 or the Sony A7S II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Leica TL2:
- More detail: Offers more megapixels (24.1 vs 12MP) with a 42% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Larger screen: Has a bigger rear LCD (3.7" vs 3.0") for image review and settings control.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (134x69mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 228g or 36 percent) and hence easier to carry around.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced into a lower priced category (35 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 9 months after the A7S II).
Advantages of the Sony Alpha 7S II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Longer lasting: Gets more shots (370 versus 250) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in September 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the A7S II is the clear winner of the contest (16 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica TL2 and the Sony A7S II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the TL2 or the A7S II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica TL2||3.5/5||..||3/5||..||4/5||4/5||Jul 2017||1,950|
|2.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|3.||Fujifilm X-T100||4/5||+||4.5/5||79/100||4/5||4.5/5||May 2018||599|
|4.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899|
|5.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|6.||Leica C-LUX||..||..||..||..||4.5/5||4/5||Jun 2018||1,049|
|7.||Leica CL||..||..||4.2/5||..||..||4/5||Nov 2017||2,795|
|8.||Leica TL||..||..||..||..||..||4/5||Nov 2016||1,695|
|9.||Leica T||3/5||..||..||..||4/5||4/5||Apr 2014||1,850|
|10.||Nikon D3500||..||..||4/5||75/100||4/5||4.5/5||Aug 2018||429|
|11.||Nikon D5600||4/5||..||4/5||79/100||4.5/5||4/5||Nov 2016||699|
|12.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499|
|13.||Sony A7S III||..||+ +||5/5||91/100||4.5/5||5/5||Jul 2020||3,499|
|14.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|15.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|16.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|17.||Sony A7S||4/5||..||..||86/100||4.5/5||5/5||Apr 2014||2,499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Leica TL2 vs Sony A7S II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica TL2||Sony A7S II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Leica T mount lenses||Sony E mount lenses|
|Launch Date||July 2017||September 2015|
|Launch Price||USD 1,950||USD 2,999|
|Sensor Specs||Leica TL2||Sony A7S II|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.6 x 15.7 mm||35.6 x 23.8 mm|
|Sensor Area||370.52 mm2||847.28 mm2|
|Sensor Diagonal||28.3 mm||42.8 mm|
|Sensor Resolution||24.1 Megapixels||12 Megapixels|
|Image Resolution||6014 x 4014 pixels||4240 x 2832 pixels|
|Pixel Pitch||3.92 μm||8.40 μm|
|Pixel Density||6.52 MP/cm2||1.42 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 50,000 ISO||100 - 102,400 ISO|
|ISO Boost||no Enhancement||50 - 409,600 ISO|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||23.6|
|DXO Dynamic Range (EV)||..||13.3|
|DXO Low Light (ISO)||..||2993|
|Screen Specs||Leica TL2||Sony A7S II|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.7inch||3.0inch|
|LCD Resolution||1230k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Leica TL2||Sony A7S II|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||7 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Leica TL2||Sony A7S II|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Leica TL2||Sony A7S II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||250 shots per charge||370 shots per charge|
|In-Camera Charging||USB charging||USB charging|
134 x 69 x 33 mm
(5.3 x 2.7 x 1.3 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||399 g (14.1 oz)||627 g (22.1 oz)|
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