Leica TL2 vs Fujifilm GFX 50S
The Leica TL2 and the Fujifilm GFX 50S are two digital cameras that were announced, respectively, in July 2017 and September 2016. Both the TL2 and the GFX 50S are mirrorless interchangeable lens cameras that are based on an APS-C (TL2) and a medium format (GFX 50S) sensor. The Leica has a resolution of 24.1 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica TL2 and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Leica TL2 and the Fujifilm GFX 50S are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The TL2 can be obtained in two different colors (black, silver), while the GFX 50S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is considerably larger (50 percent) than the Leica TL2. Moreover, the GFX 50S is substantially heavier (85 percent) than the TL2. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the TL2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the TL2 gets 250 shots out of its Leica BP-DC13 battery, while the GFX 50S can take 400 images on a single charge of its Fujifilm NP-T125 power pack. The power pack in the TL2 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica TL2 | 134 mm | 69 mm | 33 mm | 399 g | 250 | n | Jul 2017 | 1,950 | ebay.com | |
2. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
3. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
4. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
5. | Fujifilm X-A3 | 117 mm | 67 mm | 40 mm | 339 g | 410 | n | Aug 2016 | 399 | ebay.com | |
6. | Fujifilm X-T20 | 118 mm | 83 mm | 41 mm | 383 g | 350 | n | Jan 2017 | 899 | ebay.com | |
7. | Fujifilm X-T100 | 121 mm | 83 mm | 47 mm | 448 g | 430 | n | May 2018 | 599 | ebay.com | |
8. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | 5,750 | ebay.com | |
9. | Leica C-LUX | 113 mm | 67 mm | 46 mm | 340 g | 370 | n | Jun 2018 | 1,049 | ebay.com | |
10. | Leica CL | 131 mm | 78 mm | 45 mm | 403 g | 220 | n | Nov 2017 | 2,795 | ebay.com | |
11. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
12. | Leica SL | 147 mm | 104 mm | 39 mm | 847 g | 400 | Y | Oct 2015 | 7,450 | ebay.com | |
13. | Leica T | 134 mm | 69 mm | 33 mm | 384 g | 400 | n | Apr 2014 | 1,850 | ebay.com | |
14. | Leica TL | 134 mm | 69 mm | 33 mm | 384 g | 400 | n | Nov 2016 | 1,695 | ebay.com | |
15. | Nikon D3400 | 124 mm | 98 mm | 76 mm | 445 g | 1200 | n | Aug 2016 | 499 | ebay.com | |
16. | Nikon D3500 | 124 mm | 97 mm | 70 mm | 415 g | 1550 | n | Aug 2018 | 429 | ebay.com | |
17. | Nikon D5600 | 124 mm | 97 mm | 70 mm | 465 g | 970 | n | Nov 2016 | 699 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The TL2 was launched at a markedly lower price (by 70 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica TL2 features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 291 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 0.79. The sensor in the TL2 has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.
With 51.1MP, the GFX 50S offers a higher resolution than the TL2 (24.1MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.92μm for the TL2) due to its larger sensor. However, the TL2 is a somewhat more recent model (by 9 months) than the GFX 50S, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Leica TL2 are 30.1 x 20.1 inches or 76.4 x 51 cm for good quality, 24.1 x 16.1 inches or 61.1 x 40.8 cm for very good quality, and 20 x 13.4 inches or 50.9 x 34 cm for excellent quality prints.
The Leica TL2 has a native sensitivity range from ISO 100 to ISO 50000. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica TL2 | APS-C | 24.1 | 6014 | 4014 | 4K/30p | 23.9 | 13.3 | 1753 | 82 | |
2. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
3. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
4. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
5. | Fujifilm X-A3 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 13.1 | 1664 | 81 | |
6. | Fujifilm X-T20 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.9 | 13.2 | 1704 | 81 | |
7. | Fujifilm X-T100 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1829 | 83 | |
8. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
9. | Leica C-LUX | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 481 | 64 | |
10. | Leica CL | APS-C | 24.1 | 6014 | 4014 | 4K/30p | 24.0 | 13.3 | 1788 | 82 | |
11. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
12. | Leica SL | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 13.4 | 1821 | 88 | |
13. | Leica T | APS-C | 16.2 | 4944 | 3278 | 1080/30p | 23.0 | 12.7 | 1082 | 75 | |
14. | Leica TL | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.9 | 13.2 | 1690 | 81 | |
15. | Nikon D3400 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.8 | 13.9 | 1192 | 86 | |
16. | Nikon D3500 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.4 | 1851 | 83 | |
17. | Nikon D5600 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 14.0 | 1306 | 84 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the TL2 provides a higher video resolution than the GFX 50S. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The TL2 and the GFX 50S are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the Visoflex (Typ 020) for the TL2 and the EVF-TL1 for the GFX 50S – are available as accessories. The adjacent table lists some of the other core features of the Leica TL2 and Fujifilm GFX 50S along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica TL2 | optional | n | 3.7 / 1230 | fixed | Y | 1/4000s | 7.0/s | n | n | |
2. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
3. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
4. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
5. | Fujifilm X-A3 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
6. | Fujifilm X-T20 | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
7. | Fujifilm X-T100 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
8. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
9. | Leica C-LUX | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
10. | Leica CL | 2360 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 10.0/s | n | n | |
11. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
12. | Leica SL | 4400 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 11.0/s | n | n | |
13. | Leica T | optional | n | 3.7 / 1230 | fixed | Y | 1/4000s | 5.0/s | Y | n | |
14. | Leica TL | optional | n | 3.7 / 1230 | fixed | Y | 1/4000s | 5.0/s | Y | n | |
15. | Nikon D3400 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 5.0/s | Y | n | |
16. | Nikon D3500 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 5.0/s | Y | n | |
17. | Nikon D5600 | optical | n | 3.2 / 1037 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the GFX 50S, but is missing on the TL2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the TL2 and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the TL2 only has one slot. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica TL2 and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica TL2 | Y | stereo / mono | - | - | micro | 3.0 | Y | - | - | |
2. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
3. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
4. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
5. | Fujifilm X-A3 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
6. | Fujifilm X-T20 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
7. | Fujifilm X-T100 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
8. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
9. | Leica C-LUX | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Leica CL | Y | stereo / mono | - | - | - | - | Y | - | - | |
11. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
12. | Leica SL | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | - | |
13. | Leica T | Y | stereo / mono | - | - | - | 2.0 | Y | - | - | |
14. | Leica TL | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
15. | Nikon D3400 | Y | mono / mono | - | - | mini | 2.0 | - | - | Y | |
16. | Nikon D3500 | Y | mono / mono | - | - | mini | 2.0 | - | - | Y | |
17. | Nikon D5600 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y |
It is notable that the GFX 50S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The TL2 lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the TL2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the TL2 and the GFX 50S have been discontinued, but can regularly be found used on ebay. The GFX 50S was replaced by the Fujifilm GFX 50S II, while the TL2 does not have a direct successor. Further information on the features and operation of the TL2 and GFX 50S can be found, respectively, in the Leica TL2 Manual (free pdf) or the online Fujifilm GFX 50S Manual.
Review summary
So what is the bottom line? Is the Leica TL2 better than the Fujifilm GFX 50S or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Leica TL2:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Larger screen: Has a bigger rear LCD (3.7" vs 3.2") for image review and settings control.
- Faster burst: Shoots at higher frequency (7 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (134x69mm vs 148x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 341g or 46 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 9 months after the GFX 50S).
Arguments in favor of the Fujifilm GFX 50S:
- More detail: Has more megapixels (51.1 vs 24.1MP), which boosts linear resolution by 43%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1230k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (400 versus 250) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in September 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the contest (17 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica TL2 and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the TL2 and the GFX 50S in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica TL2 | 3.5/5 | .. | 3/5 | .. | 4/5 | 4/5 | Jul 2017 | 1,950 | ebay.com | |
2. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
3. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
4. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
5. | Fujifilm X-A3 | .. | .. | .. | 74/100 | 4.5/5 | 4/5 | Aug 2016 | 399 | ebay.com | |
6. | Fujifilm X-T20 | 5/5 | + + | 5/5 | 82/100 | 5/5 | 4.5/5 | Jan 2017 | 899 | ebay.com | |
7. | Fujifilm X-T100 | 4/5 | + | 4.5/5 | 79/100 | 4/5 | 4.5/5 | May 2018 | 599 | ebay.com | |
8. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | 5,750 | ebay.com | |
9. | Leica C-LUX | .. | .. | 3.5/5 | .. | 4.5/5 | 4/5 | Jun 2018 | 1,049 | ebay.com | |
10. | Leica CL | .. | .. | 4.2/5 | .. | .. | 4/5 | Nov 2017 | 2,795 | ebay.com | |
11. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
12. | Leica SL | 4/5 | .. | 4/5 | 84/100 | 4.5/5 | 4/5 | Oct 2015 | 7,450 | ebay.com | |
13. | Leica T | 3/5 | .. | .. | .. | 4/5 | 4/5 | Apr 2014 | 1,850 | ebay.com | |
14. | Leica TL | .. | .. | .. | .. | .. | 4/5 | Nov 2016 | 1,695 | ebay.com | |
15. | Nikon D3400 | 4/5 | + | 4/5 | 76/100 | 4/5 | 4.5/5 | Aug 2016 | 499 | ebay.com | |
16. | Nikon D3500 | 4/5 | .. | 4/5 | 75/100 | 4/5 | 4.5/5 | Aug 2018 | 429 | ebay.com | |
17. | Nikon D5600 | 4/5 | .. | 4/5 | 79/100 | 4.5/5 | 4/5 | Nov 2016 | 699 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark III vs Fujifilm GFX 50S
- Canon M100 vs Leica TL2
- Canon RP vs Fujifilm GFX 50S
- Canon SX510 vs Leica TL2
- Fujifilm GFX 50S vs Fujifilm X-H2
- Fujifilm GFX 50S vs Fujifilm X-T10
- Fujifilm GFX 50S vs Nikon D3
- Fujifilm GFX 50S vs Nikon Z6
- Fujifilm X-A10 vs Leica TL2
- Leica TL2 vs Olympus E-600
- Leica TL2 vs Panasonic GX850
- Leica TL2 vs Sony RX10 II
Specifications: Leica TL2 vs Fujifilm GFX 50S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica TL2 | Fujifilm GFX 50S |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Leica T mount lenses | Fujifilm G mount lenses |
Launch Date | July 2017 | September 2016 |
Launch Price | USD 1,950 | USD 6,499 |
Sensor Specs | Leica TL2 | Fujifilm GFX 50S |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Medium Format Sensor |
Sensor Size | 23.6 x 15.7 mm | 44.0 x 33.0 mm |
Sensor Area | 370.52 mm2 | 1452 mm2 |
Sensor Diagonal | 28.3 mm | 55 mm |
Crop Factor | 1.5x | 0.79x |
Sensor Resolution | 24.1 Megapixels | 51.1 Megapixels |
Image Resolution | 6014 x 4014 pixels | 8256 x 6192 pixels |
Pixel Pitch | 3.92 μm | 5.33 μm |
Pixel Density | 6.52 MP/cm2 | 3.52 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 4K/30p Video | 1080/30p Video |
ISO Setting | 100 - 50,000 ISO | 100 - 12,800 ISO |
ISO Boost | no Enhancement | 50 - 102,400 ISO |
Screen Specs | Leica TL2 | Fujifilm GFX 50S |
Viewfinder Type | Viewfinder optional | Viewfinder optional |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.7inch | 3.2inch |
LCD Resolution | 1230k dots | 2360k dots |
LCD Attachment | Fixed screen | Fully flexible screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Leica TL2 | Fujifilm GFX 50S |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 7 shutter flaps/s | 3 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-II | Dual UHS-II |
Connectivity Specs | Leica TL2 | Fujifilm GFX 50S |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 3.0 | USB 3.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Body Specs | Leica TL2 | Fujifilm GFX 50S |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Leica BP-DC13 | Fujifilm NP-T125 |
Battery Life (CIPA) | 250 shots per charge | 400 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
134 x 69 x 33 mm (5.3 x 2.7 x 1.3 in) |
148 x 94 x 91 mm (5.8 x 3.7 x 3.6 in) |
Camera Weight | 399 g (14.1 oz) | 740 g (26.1 oz) |
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