Leica TL vs Olympus E-M5 III
The Leica TL and the Olympus OM-D E-M5 Mark III are two digital cameras that were officially introduced, respectively, in November 2016 and October 2019. Both the TL and the E-M5 III are mirrorless interchangeable lens cameras that are based on an APS-C (TL) and a Four Thirds (E-M5 III) sensor. The Leica has a resolution of 16.1 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica TL||Olympus E-M5 III|
|Mirrorless system camera||Mirrorless system camera|
|Leica T mount lenses||Micro Four Thirds lenses|
|16.1 MP, APS-C Sensor||20.2 MP, Four Thirds Sensor|
|1080/30p Video||4k/24p Video|
|ISO 100-12500||ISO 200-25600|
|Viewfinder optional||Electronic viewfinder (2360k dots)|
|3.7" LCD, 1230k dots||3.0" LCD, 1040k dots|
|Fixed touchscreen||Swivel touchscreen|
|5 shutter flaps per second||10 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|400 shots per battery charge||310 shots per battery charge|
|134 x 69 x 33 mm, 384 g||125 x 85 x 50 mm, 414 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica TL and the Olympus OM-D E-M5 Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica TL and the Olympus E-M5 III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The TL can be obtained in three different colors (black, silver, titanium), while the E-M5 III is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 III is notably larger (15 percent) than the Leica TL. Moreover, the E-M5 III is markedly heavier (8 percent) than the TL. It is noteworthy in this context that the E-M5 III is splash and dust-proof, while the TL does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Leica TL»||5.3 in||2.7 in||1.3 in||13.5 oz||400||n||Nov 2016||1,695||Leica TL|
|Olympus E-M5 III«||4.9 in||3.3 in||2.0 in||14.6 oz||310||Y||Oct 2019||1,199||Olympus E-M5 III|
|Fujifilm X70« »||4.4 in||2.5 in||1.7 in||12.0 oz||330||n||Jan 2016||799||Fujifilm X70|
|Fujifilm X-A10« »||4.6 in||2.6 in||1.6 in||11.7 oz||410||n||Dec 2016||399||Fujifilm X-A10|
|Fujifilm X-E2S« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699||Fujifilm X-E2S|
|Fujifilm X-A2« »||4.6 in||2.6 in||1.6 in||12.3 oz||410||n||Jan 2015||399||Fujifilm X-A2|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||Fujifilm X-T10|
|Fujifilm X-Pro1« »||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||Fujifilm X-Pro1|
|Leica CL« »||5.2 in||3.1 in||1.8 in||14.2 oz||220||n||Nov 2017||2,795||Leica CL|
|Leica TL2« »||5.3 in||2.7 in||1.3 in||14.1 oz||250||n||Jul 2017||1,950||Leica TL2|
|Leica T« »||5.3 in||2.7 in||1.3 in||13.5 oz||400||n||Apr 2014||1,850||Leica T|
|Leica X2« »||4.9 in||2.7 in||2.0 in||12.2 oz||450||n||May 2012||1,995||Leica X2|
|Olympus PEN-F« »||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199||Olympus PEN-F|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||Olympus E-M1|
|Olympus E-M5« »||4.8 in||3.5 in||1.7 in||15.0 oz||360||Y||Feb 2012||1,299||Olympus E-M5|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||Panasonic GX8|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-M5 III was launched at a markedly lower price (by 29 percent) than the TL, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica TL features an APS-C sensor and the Olympus E-M5 III a Four Thirds sensor. The sensor area in the E-M5 III is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the TL has a native 3:2 aspect ratio, while the one in the E-M5 III offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the E-M5 III offers a higher resolution of 20.2 megapixels, compared with 16.1 MP of the TL. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.80μm for the TL). However, it should be noted that the E-M5 III is much more recent (by 2 years and 11 months) than the TL, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Olympus E-M5 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M5 III for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Leica TL are 24.6 x 16.3 inch or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inch or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inch or 41.7 x 27.6 cm for excellent quality prints.
The E-M5 III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the TL, the E-M5 III has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica TL has a native sensitivity range from ISO 100 to ISO 12500. The corresponding ISO settings for the Olympus OM-D E-M5 Mark III are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Leica TL||APS-C||16.1||4928||3264||1080/30p||..||..||..||..||Leica TL|
|Olympus E-M5 III||Four Thirds||20.2||5184||3888||4k/24p||..||..||..||..||Olympus E-M5 III|
|Fujifilm X70||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X70|
|Fujifilm X-A10||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-A10|
|Fujifilm X-E2S||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-E2S|
|Fujifilm X-A2||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-A2|
|Fujifilm X-T10||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-T10|
|Fujifilm X-Pro1||APS-C||16.0||4896||3264||1080/24p||..||..||..||..||Fujifilm X-Pro1|
|Leica CL||APS-C||24.1||6014||4014||4K/30p||..||..||..||..||Leica CL|
|Leica TL2||APS-C||24.1||6014||4014||4K/30p||..||..||..||..||Leica TL2|
|Leica T||APS-C||16.2||4944||3278||1080/30p||23.0||12.7||1082||75||Leica T|
|Leica X2||APS-C||16.1||4928||3264||none||..||..||..||..||Leica X2|
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74||Olympus PEN-F|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71||Olympus E-M5|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the E-M5 III provides a better video resolution than the TL. It can shoot movie footage at 4k/24p, while the Leica is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-M5 III has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the TL relies on live view and the rear LCD for framing. That said, the TL can be equipped with an optional viewfinder – the Visoflex (Typ 020). The following table reports on some other key feature differences and similarities of the Leica TL, the Olympus E-M5 III, and comparable cameras.
|Leica TL||optional||n||3.7||1230||fixed||Y||1/4000s||5.0||Y||n||Leica TL|
|Olympus E-M5 III||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 III|
|Fujifilm X70||optional||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X70|
|Fujifilm X-A10||none||n||3.0||1040||tilting||n||1/4000s||6.0||Y||n||Fujifilm X-A10|
|Fujifilm X-E2S||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2S|
|Fujifilm X-A2||none||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A2|
|Fujifilm X-T10||2360||n||3.0||920||tilting||n||1/4000s||8.0||Y||n||Fujifilm X-T10|
|Fujifilm X-Pro1||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Leica CL||2360||Y||3.0||1040||fixed||Y||1/8000s||10.0||n||n||Leica CL|
|Leica TL2||optional||n||3.7||1230||fixed||Y||1/4000s||7.0||n||n||Leica TL2|
|Leica T||optional||n||3.7||1300||fixed||Y||1/4000s||5.0||Y||n||Leica T|
|Leica X2||optional||n||2.7||230||fixed||n||1/2000s||5.0||Y||n||Leica X2|
|Olympus PEN-F||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus PEN-F|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M1||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Olympus E-M5||1440||n||3.0||610||tilting||Y||1/4000s||9.0||n||Y||Olympus E-M5|
|Panasonic GX8||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
One difference between the cameras concerns the presence of an on-board flash. The TL has one, while the E-M5 III does not. While the built-in flash of the TL is not very powerful, it can at times be useful as a fill-in light.The E-M5 III has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the TL does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M5 III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the TL and the E-M5 III write their files to SDXC cards. The E-M5 III supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the TL cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica TL and Olympus OM-D E-M5 Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica TL||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Leica TL|
|Olympus E-M5 III||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Olympus E-M5 III|
|Fujifilm X70||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X70|
|Fujifilm X-A10||-||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A10|
|Fujifilm X-E2S||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2S|
|Fujifilm X-A2||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A2|
|Fujifilm X-T10||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Fujifilm X-Pro1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Leica CL||Y||stereo||mono||-||-||none||none||Y||-||-||Leica CL|
|Leica TL2||Y||stereo||mono||-||-||micro||3.0||Y||-||-||Leica TL2|
|Leica T||Y||stereo||mono||-||-||none||2.0||Y||-||-||Leica T|
|Leica X2||Y||none||none||-||-||mini||2.0||-||-||-||Leica X2|
|Olympus PEN-F||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus PEN-F|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M1||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Olympus E-M5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-M5|
|Panasonic GX8||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
It is notable that the E-M5 III has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The TL does not feature such a mic input.
Studio photographers will appreciate that the Olympus E-M5 III (unlike the TL) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The E-M5 III is a recent model that features in the current product line-up of Olympus. In contrast, the TL has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the TL was succeeded by the Leica TL2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Olympus websites.
So what is the bottom line? Is the Leica TL better than the Olympus E-M5 III or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Leica TL:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Larger screen: Has a bigger rear LCD (3.7" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
- More compact: Is smaller (134x69mm vs 125x85mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (400 versus 310) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in November 2016).
Reasons to prefer the Olympus OM-D E-M5 Mark III:
- More detail: Has more megapixels (20.2 vs 16.1MP), which boosts linear resolution by 10%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (4k/24p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More modern: Reflects 2 years and 11 months of technical progress since the TL launch.
If the number of relative strengths (bullet points above) is taken as a guide, the E-M5 III is the clear winner of the contest (19 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica TL and the Olympus E-M5 III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the TL or the E-M5 III perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark III vs Leica TL
- Canon R6 vs Olympus E-M5 III
- Canon SX740 vs Leica TL
- Canon T6 vs Leica TL
- Fujifilm X-A10 vs Olympus E-M5 III
- Fujifilm X-E2S vs Olympus E-M5 III
- Fujifilm X-Pro3 vs Leica TL
- Fujifilm X-T1 vs Leica TL
- Leica TL vs Leica V-LUX 5
- Leica TL vs Olympus XZ-2
- Leica TL vs Panasonic GF7
- Leica TL vs Sony HX400V
Specifications: Leica TL vs Olympus E-M5 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica TL||Olympus E-M5 III|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Leica T mount lenses||Micro Four Thirds lenses|
|Launch Date||November 2016||October 2019|
|Launch Price||USD 1695||USD 1199|
|Sensor Specs||Leica TL||Olympus E-M5 III|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.7 mm||17.3 x 13.0 mm|
|Sensor Area||370.52 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||16.1 Megapixels||20.2 Megapixels|
|Image Resolution||4928 x 3264 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.80 μm||3.34 μm|
|Pixel Density||4.34 MP/cm2||8.96 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/30p Video||4k/24p Video|
|ISO Setting||100-12500 ISO||200-25600 ISO|
|ISO Boost||no Enhancement||64-25600 ISO|
|Screen Specs||Leica TL||Olympus E-M5 III|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.7 inch||3.0 inch|
|LCD Resolution||1230k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Leica TL||Olympus E-M5 III|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-II|
|Connectivity Specs||Leica TL||Olympus E-M5 III|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Leica TL||Olympus E-M5 III|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||310 shots per charge|
|In-Camera Charging||USB charging||USB charging|
134 x 69 x 33 mm
(5.3 x 2.7 x 1.3 in)
125 x 85 x 50 mm
(4.9 x 3.3 x 2.0 in)
|Camera Weight||384 g (13.5 oz)||414 g (14.6 oz)|
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