Leica T vs Panasonic S1R
The Leica T (Typ 701) and the Panasonic Lumix DC-S1R are two digital cameras that were revealed to the public, respectively, in April 2014 and February 2019. Both the T Typ 701 and the S1R are mirrorless interchangeable lens cameras that are based on an APS-C (T Typ 701) and a full frame (S1R) sensor. The Leica has a resolution of 16.2 megapixels, whereas the Panasonic provides 46.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica T||Panasonic S1R|
|Mirrorless system camera||Mirrorless system camera|
|Leica T mount lenses||Leica L mount lenses|
|16.2 MP, APS-C Sensor||46.7 MP, Full Frame Sensor|
|1080/30p Video||4K/60p Video|
|ISO 100-12500||ISO 100-25600 (50-51200)|
|Viewfinder optional||Electronic viewfinder (5760k dots)|
|3.7" LCD, 1300k dots||3.2" LCD, 2100k dots|
|Fixed touchscreen||Fully flexible touchscreen|
|5 shutter flaps per second||9 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|400 shots per battery charge||380 shots per battery charge|
|134 x 69 x 33 mm, 384 g||149 x 110 x 97 mm, 1016 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica T (Typ 701) and the Panasonic Lumix DC-S1R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica T and the Panasonic S1R are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The T Typ 701 can be obtained in two different colors (black, silver), while the S1R is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1R is considerably larger (77 percent) than the Leica T. Moreover, the S1R is substantially heavier (165 percent) than the T Typ 701. It is noteworthy in this context that the S1R is splash and dust-proof, while the T Typ 701 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Leica T»||134 mm||69 mm||33 mm||384 g||400||n||Apr 2014||1,850||-||Leica T|
|Panasonic S1R«||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||Panasonic S1R|
|Canon M3« »||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679||-||Canon M3|
|Canon M10« »||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499||-||Canon M10|
|Canon 100D« »||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||-||Canon 100D|
|Leica SL2« »||146 mm||107 mm||42 mm||953 g||370||Y||Nov 2019||5,999||Leica SL2|
|Leica TL2« »||134 mm||69 mm||33 mm||399 g||250||n||Jul 2017||1,950||Leica TL2|
|Leica TL« »||134 mm||69 mm||33 mm||384 g||400||n||Nov 2016||1,695||-||Leica TL|
|Leica X Vario« »||133 mm||73 mm||95 mm||680 g||450||n||Jun 2013||2,850||Leica X Vario|
|Leica X2« »||124 mm||69 mm||52 mm||345 g||450||n||May 2012||1,995||-||Leica X2|
|Nikon Z7« »||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399||Nikon Z7|
|Nikon D5500« »||124 mm||97 mm||70 mm||420 g||820||n||Jan 2015||899||-||Nikon D5500|
|Olympus E-M10 II« »||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649||-||Olympus E-M10 II|
|Panasonic S1« »||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499||Panasonic S1|
|Panasonic S1H« »||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999||Panasonic S1H|
|Panasonic G7« »||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||-||Panasonic G7|
|Sony A99 II« »||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199||Sony A99 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The T Typ 701 was launched at a markedly lower price (by 50 percent) than the S1R, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica T features an APS-C sensor and the Panasonic S1R a full frame sensor. The sensor area in the S1R is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 46.7MP, the S1R offers a higher resolution than the T Typ 701 (16.2MP), but the S1R has smaller individual pixels (pixel pitch of 4.30μm versus 4.79μm for the T Typ 701). Yet, the S1R is a much more recent model (by 4 years and 9 months) than the T Typ 701, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Panasonic S1R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1R for good quality output (200 dots per inch) amounts to 41.8 x 27.9 inch or 106.3 x 70.9 cm, for very good quality (250 dpi) 33.5 x 22.3 inch or 85 x 56.7 cm, and for excellent quality (300 dpi) 27.9 x 18.6 inch or 70.8 x 47.3 cm. The corresponding values for the Leica T are 24.7 x 16.4 inch or 62.8 x 41.6 cm for good quality, 19.8 x 13.1 inch or 50.2 x 33.3 cm for very good quality, and 16.5 x 10.9 inch or 41.9 x 27.8 cm for excellent quality prints.
Unlike the T Typ 701, the S1R has the capacity to capture high quality composite images (187MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica T (Typ 701) has a native sensitivity range from ISO 100 to ISO 12500. The corresponding ISO settings for the Panasonic Lumix DC-S1R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the S1R offers substantially better image quality than the T Typ 701 (overall score 25 points higher). The advantage is based on 3.4 bits higher color depth, 1.4 EV in additional dynamic range, and 1.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Leica T»||APS-C||16.2||4944||3278||1080/30p||23.0||12.7||1082||75||Leica T|
|Panasonic S1R«||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100||Panasonic S1R|
|Canon M3« »||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72||Canon M3|
|Canon M10« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65||Canon M10|
|Canon 100D« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon 100D|
|Leica SL2« »||Full Frame||46.7||8368||5584||4K/60p||-||-||-||-||Leica SL2|
|Leica TL2« »||APS-C||24.1||6014||4014||4K/30p||-||-||-||-||Leica TL2|
|Leica TL« »||APS-C||16.1||4928||3264||1080/30p||-||-||-||-||Leica TL|
|Leica X Vario« »||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78||Leica X Vario|
|Leica X2« »||APS-C||16.1||4928||3264||-||-||-||-||-||Leica X2|
|Nikon Z7« »||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99||Nikon Z7|
|Nikon D5500« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Panasonic S1« »||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95||Panasonic S1|
|Panasonic S1H« »||Full Frame||24.0||6000||4000||6K/30p||-||-||-||-||Panasonic S1H|
|Panasonic G7« »||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-||Panasonic G7|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S1R provides a better video resolution than the T Typ 701. It can shoot movie footage at 4K/60p, while the Leica is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the S1R has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the T Typ 701 relies on live view and the rear LCD for framing. That said, the T Typ 701 can be equipped with an optional viewfinder – the Visoflex (Typ 020). The adjacent table lists some of the other core features of the Leica T and Panasonic S1R along with similar information for a selection of comparators.
|Leica T»||-||n||3.7||1300||fixed||Y||1/4000s||5.0||Y||n||Leica T|
|Panasonic S1R«||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1R|
|Canon M3« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Canon M3|
|Canon M10« »||-||n||3.0||1040||tilting||Y||1/4000s||4.6||Y||n||Canon M10|
|Canon 100D« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon 100D|
|Leica SL2« »||5760||Y||3.2||2100||fixed||Y||1/8000s||10.0||n||Y||Leica SL2|
|Leica TL2« »||-||n||3.7||1230||fixed||Y||1/4000s||7.0||n||n||Leica TL2|
|Leica TL« »||-||n||3.7||1230||fixed||Y||1/4000s||5.0||Y||n||Leica TL|
|Leica X Vario« »||-||n||3.0||920||fixed||n||1/2000s||5.0||Y||n||Leica X Vario|
|Leica X2« »||-||n||2.7||230||fixed||n||1/2000s||5.0||Y||n||Leica X2|
|Nikon Z7« »||3690||Y||3.2||2100||tilting||Y||1/8000s||9.0||n||Y||Nikon Z7|
|Nikon D5500« »||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Panasonic S1« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1|
|Panasonic S1H« »||5760||Y||3.2||2330||swivel||Y||1/8000s||9.0||n||Y||Panasonic S1H|
|Panasonic G7« »||2360||n||3.0||1040||swivel||Y||1/4000s||7.0||Y||n||Panasonic G7|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
One difference between the cameras concerns the presence of an on-board flash. The T Typ 701 has one, while the S1R does not. While the built-in flash of the T Typ 701 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic S1R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The T Typ 701 writes its imaging data to SDXC cards, while the S1R uses SDHC or XQD cards. The S1R features dual card slots, which can be very useful in case a memory card fails. In contrast, the T Typ 701 only has one slot. The S1R supports UHS-II cards (on both slots), while the T Typ 701 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica T (Typ 701) and Panasonic Lumix DC-S1R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica T»||Y||stereo||mono||-||-||-||2.0||Y||-||-||Leica T|
|Panasonic S1R«||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Canon M3« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon M3|
|Canon M10« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon M10|
|Canon 100D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 100D|
|Leica SL2« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Leica SL2|
|Leica TL2« »||Y||stereo||mono||-||-||micro||3.0||Y||-||-||Leica TL2|
|Leica TL« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Leica TL|
|Leica X Vario« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica X Vario|
|Leica X2« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica X2|
|Nikon Z7« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z7|
|Nikon D5500« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Olympus E-M10 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Panasonic S1« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1|
|Panasonic S1H« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1H|
|Panasonic G7« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Sony A99 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
It is notable that the S1R has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The T Typ 701 lacks such a headphone port.
Studio photographers will appreciate that the Panasonic S1R (unlike the T Typ 701) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The S1R is a recent model that features in the current product line-up of Panasonic. In contrast, the T Typ 701 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the T Typ 701 was succeeded by the Leica TL. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So how do things add up? Is there a clear favorite between the Leica T and the Panasonic S1R? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Leica T (Typ 701):
- Larger screen: Has a bigger rear LCD (3.7" vs 3.2") for image review and settings control.
- More compact: Is smaller (134x69mm vs 149x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 632g or 62 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in April 2014).
Advantages of the Panasonic Lumix DC-S1R:
- More detail: Has more megapixels (46.7 vs 16.2MP), which boosts linear resolution by 70%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (25 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.4 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.7 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/60p vs 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1300k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 4 years and 9 months of technical progress since the T Typ 701 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the S1R is the clear winner of the contest (26 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica T and the Panasonic S1R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the T Typ 701 or the S1R perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica T»||-||-||4/5||-||4/5||Apr 2014||1,850||-||Leica T|
|Panasonic S1R«||-||89/100||4.5/5||-||4.5/5||Feb 2019||3,699||Panasonic S1R|
|Canon M3« »||o||75/100||4.5/5||4.5/5||4/5||Feb 2015||679||-||Canon M3|
|Canon M10« »||-||-||-||o||4/5||Oct 2015||499||-||Canon M10|
|Canon 100D« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon 100D|
|Leica SL2« »||-||-||-||-||4/5||Nov 2019||5,999||Leica SL2|
|Leica TL2« »||-||-||4/5||-||4/5||Jul 2017||1,950||Leica TL2|
|Leica TL« »||-||-||-||-||4/5||Nov 2016||1,695||-||Leica TL|
|Leica X Vario« »||-||-||4/5||4/5||4/5||Jun 2013||2,850||Leica X Vario|
|Leica X2« »||-||-||3/5||-||4/5||May 2012||1,995||-||Leica X2|
|Nikon Z7« »||+||89/100||4.5/5||4.5/5||5/5||Aug 2018||3,399||Nikon Z7|
|Nikon D5500« »||+||79/100||4.5/5||5/5||4.5/5||Jan 2015||899||-||Nikon D5500|
|Olympus E-M10 II« »||+ +||80/100||5/5||5/5||5/5||Aug 2015||649||-||Olympus E-M10 II|
|Panasonic S1« »||+ +||88/100||4.5/5||-||4/5||Feb 2019||2,499||Panasonic S1|
|Panasonic S1H« »||-||-||-||-||-||May 2019||3,999||Panasonic S1H|
|Panasonic G7« »||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649||-||Panasonic G7|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1200D vs Leica T
- Canon 650D vs Leica T
- Canon T3i vs Panasonic S1R
- Fujifilm GFX 50R vs Leica T
- Fujifilm X-A3 vs Panasonic S1R
- Leica M-E Typ 240 vs Panasonic S1R
- Leica T vs Leica V-LUX 4
- Leica T vs Olympus XZ-2
- Leica T vs Panasonic ZS80
- Leica T vs Ricoh GR II
- Leica T vs Sony RX10 III
- Olympus E-510 vs Panasonic S1R
Specifications: Leica T vs Panasonic S1R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica T||Panasonic S1R|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Leica T mount lenses||Leica L mount lenses|
|Launch Date||April 2014||February 2019|
|Launch Price||USD 1850||USD 3699|
|Sensor Specs||Leica T||Panasonic S1R|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.6 x 15.7 mm||36.0 x 24.0 mm|
|Sensor Area||370.52 mm2||864 mm2|
|Sensor Diagonal||28.3 mm||43.3 mm|
|Sensor Resolution||16.2 Megapixels||46.7 Megapixels|
|Image Resolution||4944 x 3278 pixels||8368 x 5584 pixels|
|Pixel Pitch||4.79 μm||4.30 μm|
|Pixel Density||4.37 MP/cm2||5.41 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/30p Video||4K/60p Video|
|ISO Setting||100-12500 ISO||100-25600 ISO|
|ISO Boost||no Enhancement||50-51200 ISO|
|DXO Sensor Quality (score)||75||100|
|DXO Color Depth (bits)||23.0||26.4|
|DXO Dynamic Range (EV)||12.7||14.1|
|DXO Low Light (ISO)||1082||3525|
|Screen Specs||Leica T||Panasonic S1R|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.7 inch||3.2 inch|
|LCD Resolution||1300k dots||2100k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Leica T||Panasonic S1R|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||5 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Leica T||Panasonic S1R|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||no HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Leica T||Panasonic S1R|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||380 shots per charge|
|In-Camera Charging||USB charging||USB charging|
134 x 69 x 33 mm
(5.3 x 2.7 x 1.3 in)
149 x 110 x 97 mm
(5.9 x 4.3 x 3.8 in)
|Camera Weight||384 g (13.5 oz)||1016 g (35.8 oz)|
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