Leica SL2 vs Panasonic GH5s
The Leica SL2 and the Panasonic Lumix DC-GH5s are two enthusiast cameras that were revealed to the public, respectively, in November 2019 and January 2018. Both the SL2 and the GH5s are mirrorless interchangeable lens cameras that are based on a full frame (SL2) and a Four Thirds (GH5s) sensor. The Leica has a resolution of 46.7 megapixels, whereas the Panasonic provides 9.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica SL2 and the Panasonic Lumix DC-GH5s? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica SL2 and the Panasonic GH5s. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH5s is notably smaller (13 percent) than the Leica SL2. Moreover, the GH5s is markedly lighter (31 percent) than the SL2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the SL2 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Leica SL2||146 mm||107 mm||42 mm||953 g||370||Y||Nov 2019||5,999|
|2.||Panasonic GH5s||139 mm||98 mm||87 mm||660 g||440||Y||Jan 2018||2,499|
|3.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899|
|4.||Leica SL2-S||146 mm||107 mm||83 mm||931 g||510||Y||Dec 2020||4,895|
|5.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995|
|6.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|7.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399|
|8.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499|
|9.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699|
|10.||Panasonic S1H||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999|
|11.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|12.||Panasonic FZ300||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|13.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|14.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299|
|15.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|16.||Pentax K-1 II||137 mm||110 mm||86 mm||1010 g||670||Y||Feb 2018||1,999|
|17.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GH5s was launched at a markedly lower price (by 58 percent) than the SL2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica SL2 features a full frame sensor and the Panasonic GH5s a Four Thirds sensor. The sensor area in the GH5s is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the SL2 has a native 3:2 aspect ratio, while the one in the GH5s offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 46.7MP, the SL2 offers a higher resolution than the GH5s (9.9MP), but the SL2 has smaller individual pixels (pixel pitch of 4.30μm versus 4.77μm for the GH5s). However, the SL2 is a somewhat more recent model (by 1 year and 9 months) than the GH5s, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Leica SL2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL2 for good quality output (200 dots per inch) amounts to 41.8 x 27.9 inches or 106.3 x 70.9 cm, for very good quality (250 dpi) 33.5 x 22.3 inches or 85 x 56.7 cm, and for excellent quality (300 dpi) 27.9 x 18.6 inches or 70.8 x 47.3 cm. The corresponding values for the Panasonic GH5s are 18.4 x 13.5 inches or 46.7 x 34.3 cm for good quality, 14.7 x 10.8 inches or 37.4 x 27.4 cm for very good quality, and 12.3 x 9 inches or 31.2 x 22.9 cm for excellent quality prints.
Unlike the GH5s, the SL2 has the capacity to capture high quality composite images (187MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica SL2 has a native sensitivity range from ISO 100 to ISO 50000, which can be extended to ISO 50-50000. The corresponding ISO settings for the Panasonic Lumix DC-GH5s are ISO 160 to ISO 51200, with the possibility to increase the ISO range to 80-204800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Leica SL2||Full Frame||46.7||8368||5584||4K/60p||25.3||14.3||2866||95|
|2.||Panasonic GH5s||Four Thirds||9.9||3680||2700||4K/60p||23.1||12.8||1154||74|
|3.||Canon R5||Full Frame||44.8||8192||5464||8K/30p||25.3||14.6||3042||95|
|4.||Leica SL2-S||Full Frame||24.0||6000||4000||4K/60p||25.2||14.1||3504||95|
|5.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|6.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|7.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|8.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|9.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|10.||Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||25.2||14.2||2805||94|
|11.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|13.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|14.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|15.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|16.||Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||25.1||14.0||2698||93|
|17.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/60p).
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the SL2 offers a substantially higher resolution than the one in the GH5s (5760k vs 3680k dots). The following table reports on some other key feature differences and similarities of the Leica SL2, the Panasonic GH5s, and comparable cameras.
|1.||Leica SL2||5760||Y||3.2 / 2100||fixed||Y||1/8000s||10.0/s||n||Y|
|2.||Panasonic GH5s||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||n|
|3.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||10.0/s||n||Y|
|4.||Leica SL2-S||5760||Y||3.2 / 2100||fixed||Y||1/8000s||20.0/s||n||Y|
|5.||Leica Q2||3680||n||3.0 / 1040||fixed||Y||1/2000s||20.0/s||n||Y|
|6.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0/s||n||n|
|7.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0/s||n||Y|
|8.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|9.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|10.||Panasonic S1H||5760||Y||3.2 / 2330||swivel||Y||1/8000s||9.0/s||n||Y|
|11.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|12.||Panasonic FZ300||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0/s||Y||Y|
|13.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0/s||Y||n|
|14.||Panasonic GH3||1746||n||3.0 / 614||swivel||Y||1/4000s||6.0/s||Y||n|
|15.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6/s||Y||n|
|16.||Pentax K-1 II||optical||Y||3.2 / 1037||full-flex||n||1/8000s||4.4/s||n||Y|
|17.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the SL2, but is missing on the GH5s is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The GH5s has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the SL2 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica SL2 and the Panasonic GH5s both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SL2 and the GH5s write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both the SL2 and the GH5s support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s, on both slots.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica SL2 and Panasonic Lumix DC-GH5s and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica SL2||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|2.||Panasonic GH5s||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|3.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Leica SL2-S||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|5.||Leica Q2||Y||stereo / mono||-||-||-||-||Y||-||Y|
|6.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|7.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|8.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|9.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|10.||Panasonic S1H||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|11.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|12.||Panasonic FZ300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|13.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Panasonic GH3||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|15.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Pentax K-1 II||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|17.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the SL2 and the GH5s are recent models that are part of the current product line-up. The SL2 replaced the earlier Leica SL (Typ 601), while the GH5s does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Leica SL2 and the Panasonic GH5s? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Leica SL2:
- More detail: Offers more megapixels (46.7 vs 9.9MP) with a 120% higher linear resolution.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 3680k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.76x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1620k dots).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Is somewhat more recent (announced 1 year and 9 months after the GH5s).
Reasons to prefer the Panasonic Lumix DC-GH5s:
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (139x98mm vs 146x107mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 293g or 31 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (440 versus 370) out of a single battery charge.
- More affordable: Was introduced into a lower priced category (58 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2018).
If the number of relative strengths (bullet points above) is taken as a guide, the SL2 is the clear winner of the match-up (14 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica SL2 and the Panasonic GH5s place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SL2 or the GH5s. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica SL2||4/5||..||4.5/5||..||4.5/5||4/5||Nov 2019||5,999|
|2.||Panasonic GH5s||..||..||4.5/5||84/100||4.5/5||4.5/5||Jan 2018||2,499|
|3.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899|
|4.||Leica SL2-S||4/5||..||4/5||..||4.5/5||4.5/5||Dec 2020||4,895|
|5.||Leica Q2||..||..||..||84/100||4.5/5||4/5||Mar 2019||4,995|
|6.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450|
|7.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399|
|8.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499|
|9.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699|
|10.||Panasonic S1H||..||..||4/5||90/100||..||..||May 2019||3,999|
|11.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|12.||Panasonic FZ300||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599|
|13.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|14.||Panasonic GH3||5/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||1,299|
|15.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|16.||Pentax K-1 II||..||..||4.5/5||79/100||4.5/5||4.5/5||Feb 2018||1,999|
|17.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Leica SL2 vs Panasonic GH5s
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica SL2||Panasonic GH5s|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Leica L mount lenses||Micro Four Thirds lenses|
|Launch Date||November 2019||January 2018|
|Launch Price||USD 5,999||USD 2,499|
|Sensor Specs||Leica SL2||Panasonic GH5s|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||46.7 Megapixels||9.9 Megapixels|
|Image Resolution||8368 x 5584 pixels||3680 x 2700 pixels|
|Pixel Pitch||4.30 μm||4.77 μm|
|Pixel Density||5.41 MP/cm2||4.42 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/60p Video||4K/60p Video|
|ISO Setting||100 - 50,000 ISO||160 - 51,200 ISO|
|ISO Boost||50 - 50,000 ISO||80 - 204,800 ISO|
|Image Processor||Maestro III||Venus 10|
|Screen Specs||Leica SL2||Panasonic GH5s|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots||3680k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.2inch|
|LCD Resolution||2100k dots||1620k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Leica SL2||Panasonic GH5s|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||400 000 actuations||200 000 actuations|
|Electronic Shutter||up to 1/40000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||Dual UHS-II||Dual UHS-II|
|Connectivity Specs||Leica SL2||Panasonic GH5s|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.1||USB 3.1|
|HDMI Port||full HDMI||full HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Leica SL2||Panasonic GH5s|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||370 shots per charge||440 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
146 x 107 x 42 mm
(5.7 x 4.2 x 1.7 in)
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
|Camera Weight||953 g (33.6 oz)||660 g (23.3 oz)|
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