Leica SL2-S vs Sony A7S III
The Leica SL2-S and the Sony Alpha 7S III are two digital cameras that were announced, respectively, in December 2020 and July 2020. Both the SL2-S and the A7S III are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The Leica has a resolution of 24 megapixels, whereas the Sony provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica SL2-S and the Sony Alpha 7S III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica SL2-S and the Sony A7S III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S III is notably smaller (21 percent) than the Leica SL2-S. Moreover, the A7S III is markedly lighter (25 percent) than the SL2-S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Leica SL2-S||146 mm||107 mm||83 mm||931 g||510||Y||Dec 2020||4,895|
|2.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499|
|3.||Leica SL2||146 mm||107 mm||42 mm||953 g||370||Y||Nov 2019||5,999|
|4.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|5.||Nikon D780||144 mm||116 mm||76 mm||840 g||2260||Y||Jan 2020||2,299|
|6.||Olympus E-M5 III||125 mm||85 mm||50 mm||414 g||310||Y||Oct 2019||1,199|
|7.||Olympus E-M1X||144 mm||147 mm||75 mm||997 g||870||Y||Jan 2019||2,999|
|8.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999|
|9.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499|
|10.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699|
|11.||Panasonic S1H||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999|
|12.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|13.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499|
|14.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|15.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|16.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|17.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A7S III was launched at a markedly lower price (by 29 percent) than the SL2-S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7S III is 2 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the SL2-S offers a higher resolution than the A7S III (12MP), but the SL2-S has smaller individual pixels (pixel pitch of 6.00μm versus 8.40μm for the A7S III). However, the SL2-S is a somewhat more recent model (by 4 months) than the A7S III, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the SL2-S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica SL2-S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL2-S for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Sony A7S III are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.
Unlike the A7S III, the SL2-S has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica SL2-S has a native sensitivity range from ISO 100 to ISO 50000, which can be extended to ISO 50-100000. The corresponding ISO settings for the Sony Alpha 7S III are ISO 80 to ISO 102400, with the possibility to increase the ISO range to 40-409600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|1.||Leica SL2-S||Full Frame||24.0||6000||4000||4K/60p||..||..||..||..|
|2.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|3.||Leica SL2||Full Frame||46.7||8368||5584||4K/60p||..||..||..||..|
|4.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|5.||Nikon D780||Full Frame||24.3||6048||4024||4K/30p||..||..||..||..|
|6.||Olympus E-M5 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|7.||Olympus E-M1X||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|8.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||..||..||..||..|
|9.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|10.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|11.||Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||..||..||..||..|
|12.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|13.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|14.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|15.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|16.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|17.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7S III provides a faster frame rate than the SL2-S. It can shoot movie footage at 4K/120p, while the Leica is limited to 4K/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7S III offers a substantially higher resolution than the one in the SL2-S (9440k vs 5760k dots). The adjacent table lists some of the other core features of the Leica SL2-S and Sony A7S III along with similar information for a selection of comparators.
|2.||Sony A7S III||9440||n||3.0||1440||swivel||Y||1/8000s||10.0||n||Y|
|6.||Olympus E-M5 III||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y|
|12.||Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|13.||Sony A7R IV||5760||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|14.||Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|16.||Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
|17.||Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
One feature that is present on the SL2-S, but is missing on the A7S III is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The A7S III has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the SL2-S does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica SL2-S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The SL2-S writes its imaging data to SDXC cards, while the A7S III uses CFexpress or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both the SL2-S and the A7S III support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s, on both slots.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica SL2-S and Sony Alpha 7S III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|2.||Sony A7S III||Y||stereo||mono||Y||Y||full||3.2||Y||-||Y|
|6.||Olympus E-M5 III||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|12.||Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|13.||Sony A7R IV||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|14.||Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
Both the SL2-S and the A7S III are recent models that are part of the current product line-up. The A7S III replaced the earlier Sony A7S II, while the SL2-S does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what conclusions can be drawn? Is the Leica SL2-S better than the Sony A7S III or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Leica SL2-S:
- More detail: Offers more megapixels (24 vs 12MP) with a 41% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1440k dots).
- Faster burst: Shoots at higher frequency (20 vs 10 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Is somewhat more recent (announced 4 months after the A7S III).
Arguments in favor of the Sony Alpha 7S III:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (4K/120p versus 4K/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 5760k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.91x vs 0.78x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (127x97mm vs 146x107mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 232g or 25 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (600 versus 510) out of a single battery charge.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in July 2020).
If the number of relative strengths (bullet points above) is taken as a guide, the A7S III comes out slightly ahead of the SL2-S (11 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica SL2-S and the Sony A7S III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the SL2-S or the A7S III perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica SL2-S||4/5||..||..||..||4.5/5||Dec 2020||4,895|
|2.||Sony A7S III||..||+ +||91/100||4.5/5||5/5||Jul 2020||3,499|
|3.||Leica SL2||4/5||..||..||4.5/5||4/5||Nov 2019||5,999|
|4.||Leica SL||4/5||..||84/100||4.5/5||4/5||Oct 2015||7,450|
|5.||Nikon D780||5/5||..||87/100||4.5/5||4.5/5||Jan 2020||2,299|
|6.||Olympus E-M5 III||5/5||+||82/100||4.5/5||4.5/5||Oct 2019||1,199|
|7.||Olympus E-M1X||4.5/5||o||..||4.5/5||..||Jan 2019||2,999|
|8.||Panasonic S5||4.5/5||+ +||..||4.5/5||4.5/5||Sep 2020||1,999|
|9.||Panasonic S1||4.5/5||+ +||88/100||4.5/5||4/5||Feb 2019||2,499|
|10.||Panasonic S1R||4.5/5||..||89/100||4.5/5||4.5/5||Feb 2019||3,699|
|11.||Panasonic S1H||..||..||90/100||..||..||May 2019||3,999|
|12.||Sony A9 II||..||..||90/100||5/5||5/5||Oct 2019||4,499|
|13.||Sony A7R IV||5/5||+||91/100||4.5/5||5/5||Jul 2019||3,499|
|14.||Sony A7R III||..||+ +||90/100||4.5/5||5/5||Oct 2017||3,199|
|15.||Sony A9||5/5||+ +||89/100||5/5||5/5||Apr 2017||4,499|
|16.||Sony A7R II||5/5||+ +||90/100||5/5||5/5||Jun 2015||3,199|
|17.||Sony A7S II||5/5||+||..||4.5/5||5/5||Sep 2015||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Leica SL2-S vs Sony A7S III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica SL2-S||Sony A7S III|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Leica L mount lenses||Sony E mount lenses|
|Launch Date||December 2020||July 2020|
|Launch Price||USD 4,895||USD 3,499|
|Sensor Specs||Leica SL2-S||Sony A7S III|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||35.6 x 23.8 mm|
|Sensor Area||864 mm2||847.28 mm2|
|Sensor Diagonal||43.3 mm||42.8 mm|
|Sensor Resolution||24 Megapixels||12 Megapixels|
|Image Resolution||6000 x 4000 pixels||4240 x 2832 pixels|
|Pixel Pitch||6.00 μm||8.40 μm|
|Pixel Density||2.78 MP/cm2||1.42 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||4K/120p Video|
|ISO Setting||100 - 50,000 ISO||80 - 102,400 ISO|
|ISO Boost||50 - 100,000 ISO||40 - 409,600 ISO|
|Image Processor||Maestro III||BIONZ XR|
|DXO Sensor Quality (score)||..||86|
|DXO Color Depth (bits)||..||23.7|
|DXO Dynamic Range (EV)||..||13.9|
|DXO Low Light (ISO)||..||2520|
|Screen Specs||Leica SL2-S||Sony A7S III|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots||9440k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2100k dots||1440k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Leica SL2-S||Sony A7S III|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||20 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CFexpress or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||Dual UHS-II||Dual UHS-II|
|Connectivity Specs||Leica SL2-S||Sony A7S III|
|USB Connector||USB 3.2||USB 3.2|
|HDMI Port||full HDMI||full HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Leica SL2-S||Sony A7S III|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||510 shots per charge||600 shots per charge|
|In-Camera Charging||USB charging||USB charging|
146 x 107 x 83 mm
(5.7 x 4.2 x 3.3 in)
127 x 97 x 81 mm
(5.0 x 3.8 x 3.2 in)
|Camera Weight||931 g (32.8 oz)||699 g (24.7 oz)|
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