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Leica SL versus Fujifilm GFX 50S

The Leica SL (Typ 601) and the Fujifilm GFX 50S are two digital cameras that were officially introduced, respectively, in October 2015 and September 2016. Both the SL and the GFX are mirrorless interchangeable lens cameras that are based on a full frame (SL) and a medium format (GFX) sensor. The Leica has a resolution of 24 megapixel, whereas the Fujifilm provides 51.1 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Leica SL vs Fujifilm GFX 50S

An illustration of the physical size and weight of the Leica SL and the Fujifilm GFX 50S is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the SL – represents the basis for the calculations across all the size and weight measures).

Compare Leica SL vs Fujifilm GFX 50S
SL versus GFX top view
SL and GFX rear side
Body view (SL on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably smaller (9 percent) than the Leica SL. Moreover, the GFX is markedly lighter (13 percent) than the SL. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Leica SL (⇒ rgt) 147 mm 104 mm 39 mm 847 g 400 YES 2015 7,450 latest check
Fujifilm GFX 50S (⇒ lft) 148 mm 94 mm 91 mm 740 g 400 YES 2016 6,499 latest check
Canon 80D (⇒ lft | rgt) 139 mm 105 mm 79 mm 730 g 960 YES 2016 1,199 latest check
Canon 1D X Mark II (⇒ lft | rgt) 158 mm 168 mm 83 mm 1530 g 1210 YES 2016 5,999 latest check
Canon 5DS R (⇒ lft | rgt) 152 mm 116 mm 76 mm 930 g 700 YES 2015 3,699 latest check
Canon 5DS (⇒ lft | rgt) 152 mm 116 mm 76 mm 930 g 700 YES 2015 3,699 latest check
Fujifilm X-Pro2 (⇒ lft | rgt) 141 mm 83 mm 46 mm 495 g 350 YES 2016 1,699 latest check
Fujifilm X-T2 (⇒ lft | rgt) 133 mm 92 mm 49 mm 507 g 340 YES 2016 1,599 latest check
Hasselblad X1D (⇒ lft | rgt) 150 mm 98 mm 71 mm 725 g .. YES 2016 8,995 latest check
Leica Q Typ 116 (⇒ lft | rgt) 130 mm 80 mm 93 mm 640 g 300 no 2015 4,249 latest check
Leica M Typ 240 (⇒ lft | rgt) 139 mm 80 mm 42 mm 680 g .. YES 2012 6,950discont. check
Nikon D5 (⇒ lft | rgt) 160 mm 159 mm 92 mm 1415 g 3780 YES 2016 6,499 latest check
Nikon D500 (⇒ lft | rgt) 147 mm 115 mm 81 mm 860 g 1240 YES 2016 1,999 latest check
Nikon D7200 (⇒ lft | rgt) 136 mm 107 mm 76 mm 765 g 1110 YES 2015 1,199discont. check
Nikon D750 (⇒ lft | rgt) 141 mm 113 mm 78 mm 750 g 1230 YES 2014 2,299 latest check
Sony A6300 (⇒ lft | rgt) 120 mm 67 mm 49 mm 404 g 400 YES 2016 999discont. check

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GFX was launched at a somewhat lower price (by 13 percent) than the SL, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.


Sensor comparison: Leica SL vs Fujifilm GFX 50S

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Leica SL features a full frame sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX is 68 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 0.79. The sensor in the SL has a native 3:2 aspect ratio, while the one in the GFX offers a 4:3 aspect.

Leica SL and Fujifilm GFX 50S sensor measures
Sensor size

With 51.1MP, the GFX offers a higher resolution than the SL (24MP), but the GFX has smaller individual pixels (pixel pitch of 5.33μm versus 6.00μm for the SL). Yet, the GFX is a somewhat more recent model (by 11 months) than the SL, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

SL versus GFX MP
Sensor resolution

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Leica SL (⇒ rgt) Full Frame 24.0 6000 4000 4K/30p 25.0 13.4 1821 88
Fujifilm GFX 50S (⇒ lft) MF 51.1 8256 6192 1080/30p .. .. .. ..
Canon 80D (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 23.6 13.2 1135 79
Canon 1D X Mark II (⇒ lft | rgt) Full Frame 20.0 5472 3648 4K/60p 24.1 13.5 3207 88
Canon 5DS R (⇒ lft | rgt) Full Frame 50.3 8688 5792 1080/60p 24.6 12.4 2308 86
Canon 5DS (⇒ lft | rgt) Full Frame 50.3 8688 5792 1080/60p 24.7 12.4 2381 87
Fujifilm X-Pro2 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p - - - -
Fujifilm X-T2 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p - - - -
Hasselblad X1D (⇒ lft | rgt) Medium Format 51.3 8272 6200 1080/25p 26.2 14.8 4489 102
Leica Q Typ 116 (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.3 12.7 2221 85
Leica M Typ 240 (⇒ lft | rgt) Full Frame 23.7 5952 3976 1080/25p 24.0 13.3 1860 84
Nikon D5 (⇒ lft | rgt) Full Frame 20.7 5588 3712 4K/30p 25.1 12.3 2343 88
Nikon D500 (⇒ lft | rgt) APS-C 20.7 5568 3712 4K/30p 24.0 14.0 1324 83
Nikon D7200 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 24.5 14.6 1333 87
Nikon D750 (⇒ lft | rgt) Full Frame 24.2 6016 4016 1080/60p 24.8 14.5 2956 93
Sony A6300 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.4 13.7 1437 85

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the SL provides a higher video resolution than the GFX. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

Feature comparison: Leica SL vs Fujifilm GFX 50S

Beyond body and sensor, cameras can and do differ across a range of features. For example, the SL has an electronic viewfinder (4400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Leica SL and Fujifilm GFX 50S in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Leica SL (⇒ rgt) 4400 YES 3.0 1040 fixed YES 8000 11.0 no no
Fujifilm GFX 50S (⇒ lft) no YES 3.2 2360 tilting YES 4000 3.0 no no
Canon 80D (⇒ lft | rgt) optical YES 3.0 1040 swivel YES 8000 7.0 12 no
Canon 1D X Mark II (⇒ lft | rgt) optical YES 3.2 1620 fixed YES 8000 16.0 no no
Canon 5DS R (⇒ lft | rgt) optical YES 3.2 1040 fixed no 8000 5.0 no no
Canon 5DS (⇒ lft | rgt) optical YES 3.2 1040 fixed no 8000 5.0 no no
Fujifilm X-Pro2 (⇒ lft | rgt) 2360 no 3.0 1620 fixed no 8000 8.0 no no
Fujifilm X-T2 (⇒ lft | rgt) 2360 no 3.0 1040 tilting no 8000 14.0 no no
Hasselblad X1D (⇒ lft | rgt) 2360 no 3.0 920 fixed YES 2000 2.3 no no
Leica Q Typ 116 (⇒ lft | rgt) 3680 no 3.0 1040 fixed YES 2000 10.0 no no
Leica M Typ 240 (⇒ lft | rgt) optical no 3.0 920 fixed no 4000 3.0 no no
Nikon D5 (⇒ lft | rgt) optical YES 3.2 2359 fixed YES 8000 14.0 no no
Nikon D500 (⇒ lft | rgt) optical YES 3.2 2359 tilting YES 8000 10.0 no no
Nikon D7200 (⇒ lft | rgt) optical YES 3.2 1229 fixed no 8000 6.0 12 no
Nikon D750 (⇒ lft | rgt) optical YES 3.2 1229 tilting no 4000 6.0 12 no
Sony A6300 (⇒ lft | rgt) 2300 no 3.0 922 tilting no 4000 11.0 6 no

Both the SL and the GFX are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Leica and Fujifilm.

Review summary: Leica SL vs Fujifilm GFX 50S

So what conclusions can be drawn? Which of the two cameras – the Leica SL or the Fujifilm GFX 50S – has the upper hand? The listing below highlights the relative strengths of the two models.


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Reasons to prefer the Leica SL (Typ 601):

  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • Easier framing: Has an electronic viewfinder for image framing and settings control.
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
  • More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
  • More heavily discounted: Has been on the market for longer (launched in October 2015).

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Advantages of the Fujifilm GFX 50S:

  • More detail: Has more megapixels (51.1 vs 24MP), which boosts linear resolution by 43%.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Less heavy: Has a lower weight (by 107g or 13 percent) and is thus easier to take along.
  • More affordable: Was released into a lower priced segment (13 percent cheaper at launch).
  • More modern: Was introduced somewhat (11 months) more recently.

If the count of individual advantages (bullet points above) is taken as a guide, the GFX comes out slightly ahead of the SL (7 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

SL 06:07 GFX

In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the SL or the GFX handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
.com
dp
review
.com
ephoto
zine
.com
imaging
resource
.com
photography
blog
.com
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Leica SL (⇒ rgt) - 84/100 4.5/5 4/5 4/5 2015 7,450 latest check
Fujifilm GFX 50S (⇒ lft) - 85/100 Gold 5/5 5/5 4.5/5 2016 6,499 latest check
Canon 80D (⇒ lft | rgt) HiRec 84/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,199 latest check
Canon 1D X Mark II (⇒ lft | rgt) - 89/100 Gold 4.5/5 5/5 4.5/5 2016 5,999 latest check
Canon 5DS R (⇒ lft | rgt) Rec 83/100 Silver 5/5 5/5 4.5/5 2015 3,699 latest check
Canon 5DS (⇒ lft | rgt) Rec 83/100 Silver 4.5/5 5/5 4.5/5 2015 3,699 latest check
Fujifilm X-Pro2 (⇒ lft | rgt) Rec 83/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,699 latest check
Fujifilm X-T2 (⇒ lft | rgt) HiRec 86/100 Gold 4.5/5 5/5 5/5 2016 1,599 latest check
Hasselblad X1D (⇒ lft | rgt) reviewed - - - 4/5 2016 8,995 latest check
Leica Q Typ 116 (⇒ lft | rgt) - 80/100 Silver 4.5/5 - 4.5/5 2015 4,249 latest check
Leica M Typ 240 (⇒ lft | rgt) - - 4/5 - - 2012 6,950discont. check
Nikon D5 (⇒ lft | rgt) - 89/100 Gold 4.5/5 5/5 5/5 2016 6,499 latest check
Nikon D500 (⇒ lft | rgt) HiRec 91/100 Gold 4.5/5 5/5 5/5 2016 1,999 latest check
Nikon D7200 (⇒ lft | rgt) HiRec 84/100 Silver 4.5/5 4/5 4.5/5 2015 1,199discont. check
Nikon D750 (⇒ lft | rgt) HiRec 90/100 Gold 4.5/5 5/5 4.5/5 2014 2,299 latest check
Sony A6300 (⇒ lft | rgt) Rec 85/100 Gold 5/5 5/5 5/5 2016 999discont. check

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.


Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If the camera you are interested in is not available, please contact me, and I will try to update the database with the necessary infos.

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