Leica S2 vs Panasonic FZ2500
The Leica S2 and the Panasonic Lumix DMC-FZ2500 (labelled Panasonic FZ2000 in some countries) are two digital cameras that were announced, respectively, in September 2008 and September 2016. The S2 is a DSLR, while the FZ2500 is a fixed lens compact. The cameras are based on a medium format (S2) and an one-inch (FZ2500) sensor. The Leica has a resolution of 37.5 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica S2 and the Panasonic Lumix DMC-FZ2500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica S2 and the Panasonic FZ2500. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2500 is notably smaller (27 percent) than the Leica S2. It is worth mentioning in this context that the S2 is splash and dust resistant, while the FZ2500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2500 has a lens built in, whereas the S2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Leica S2||160 mm||120 mm||80 mm||1410 g||..||Y||Sep 2008||22,995|
|2.||Panasonic FZ2500||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199|
|3.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999|
|4.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299|
|5.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249|
|6.||Leica S3||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2018||18,995|
|7.||Leica S-E Typ 006||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2014||16,900|
|8.||Leica S Typ 007||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2014||24,490|
|9.||Leica S Typ 006||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2012||21,950|
|10.||Leica S1||339 mm||214 mm||119 mm||2500 g||..||n||Aug 1996||21,490|
|11.||Nikon D3S||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199|
|12.||Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999|
|13.||Nikon D3||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999|
|14.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899|
|15.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|16.||Pentax 645D||156 mm||117 mm||119 mm||1480 g||800||Y||Mar 2010||9,995|
|17.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ2500 was launched at a lower price than the S2, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica S2 features a medium format sensor and the Panasonic FZ2500 an one-inch sensor. The sensor area in the FZ2500 is 91 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.8 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 37.5MP, the S2 offers a higher resolution than the FZ2500 (20MP), but the S2 nevertheless has larger individual pixels (pixel pitch of 6.00μm versus 2.41μm for the FZ2500) due to its larger sensor. However, the FZ2500 is a much more recent model (by 7 years and 11 months) than the S2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the S2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica S2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S2 for good quality output (200 dots per inch) amounts to 37.5 x 25 inches or 95.3 x 63.5 cm, for very good quality (250 dpi) 30 x 20 inches or 76.2 x 50.8 cm, and for excellent quality (300 dpi) 25 x 16.7 inches or 63.5 x 42.3 cm. The corresponding values for the Panasonic FZ2500 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Leica S2 has a native sensitivity range from ISO 80 to ISO 1250. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2500 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|1.||Leica S2||Medium Format||37.5||7500||5000||none||..||..||..||..|
|3.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|5.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|6.||Leica S3||Medium Format||64.0||9800||6533||4K/24p||..||..||..||..|
|7.||Leica S-E Typ 006||Medium Format||37.5||7500||5000||none||..||..||..||..|
|8.||Leica S Typ 007||Medium Format||37.5||7500||5000||4K/24p||..||..||..||..|
|9.||Leica S Typ 006||Medium Format||37.5||7500||5000||none||23.9||12.2||824||76|
|10.||Leica S1||Medium Format||26.4||5140||5140||none||..||..||..||..|
|11.||Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|12.||Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|13.||Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
|14.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|16.||Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82|
|17.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The FZ2500 indeed provides for movie recording, while the S2 does not. The highest resolution format that the FZ2500 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), while the S2 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ2500 offers a wider field of view (100%) than the one in the S2 (96%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the S2 has a higher magnification (0.86x vs 0.74x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Leica S2, the Panasonic FZ2500, and comparable cameras.
|3.||Canon 1Ds Mark III||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n|
|5.||Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|7.||Leica S-E Typ 006||optical||Y||3.0||922||fixed||n||1/4000s||1.5||n||n|
|8.||Leica S Typ 007||optical||Y||3.0||922||fixed||n||1/4000s||3.5||n||n|
|9.||Leica S Typ 006||optical||Y||3.0||922||fixed||n||1/4000s||1.5||n||n|
|14.||Panasonic FZ1000 II||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|17.||Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
One feature that is present on the S2, but is missing on the FZ2500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ2500 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the S2 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The S2 writes its imaging data to Compact Flash or SDHC cards, while the FZ2500 uses SDXC cards. The S2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ2500 only has one slot. The FZ2500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the S2 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica S2 and Panasonic Lumix DMC-FZ2500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|3.||Canon 1Ds Mark III||Y||mono||-||-||-||-||2.0||-||-||-|
|5.||Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|7.||Leica S-E Typ 006||Y||-||-||-||-||mini||2.0||-||-||-|
|8.||Leica S Typ 007||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-|
|9.||Leica S Typ 006||Y||-||-||-||-||mini||2.0||-||-||-|
|14.||Panasonic FZ1000 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|17.||Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the FZ2500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the S2 does not provide wifi capability.
Studio photographers will appreciate that the Leica S2 (unlike the FZ2500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the S2 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the S2 was succeeded by the Leica S Typ 006. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Leica S2 and the Panasonic FZ2500? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Leica S2:
- More detail: Offers more megapixels (37.5 vs 20MP) with a 37% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.86x vs 0.74x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2008).
Reasons to prefer the Panasonic Lumix DMC-FZ2500:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 96%).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the S2 requires a separate lens.
- More compact: Is smaller (138x102mm vs 160x120mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the S2).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 7 years and 11 months of technical progress since the S2 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the FZ2500 is the clear winner of the contest (20 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica S2 and the Panasonic FZ2500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the S2 or the FZ2500. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica S2||..||..||..||..||..||Sep 2008||22,995|
|2.||Panasonic FZ2500||..||+||82/100||4.5/5||5/5||Sep 2016||1,199|
|3.||Canon 1Ds Mark III||..||..||+ +||4.5/5||..||Aug 2007||7,999|
|4.||Fujifilm X100F||5/5||+||83/100||4.5/5||4.5/5||Jan 2017||1,299|
|5.||Leica V-LUX 5||..||..||..||4/5||4/5||Jul 2019||1,249|
|6.||Leica S3||..||..||..||..||..||Sep 2018||18,995|
|7.||Leica S-E Typ 006||..||..||..||..||..||Sep 2014||16,900|
|8.||Leica S Typ 007||4/5||..||..||..||..||Sep 2014||24,490|
|9.||Leica S Typ 006||..||..||..||..||..||Sep 2012||21,950|
|10.||Leica S1||..||..||..||..||..||Aug 1996||21,490|
|11.||Nikon D3S||5/5||..||89/100||4.5/5||5/5||Oct 2009||5,199|
|12.||Nikon D3X||..||..||86/100||4/5||5/5||Dec 2008||7,999|
|13.||Nikon D3||..||..||+ +||5/5||4.5/5||Aug 2007||4,999|
|14.||Panasonic FZ1000 II||..||..||83/100||4.5/5||4.5/5||Feb 2019||899|
|15.||Panasonic FZ1000||4/5||+ +||82/100||4.5/5||4.5/5||Jun 2014||899|
|16.||Pentax 645D||5/5||..||..||..||..||Mar 2010||9,995|
|17.||Sony RX100 IV||4.5/5||+ +||85/100||4/5||4.5/5||Jun 2015||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Leica S2 vs Panasonic FZ2500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica S2||Panasonic FZ2500|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Leica S mount lenses||24-480mm f/2.8-4.5|
|Launch Date||September 2008||September 2016|
|Launch Price||USD 22,995||USD 1,199|
|Sensor Specs||Leica S2||Panasonic FZ2500|
|Sensor Format||Medium Format Sensor||1" Sensor|
|Sensor Size||45.0 x 30.0 mm||13.2 x 8.8 mm|
|Sensor Area||1350 mm2||116.16 mm2|
|Sensor Diagonal||54.1 mm||15.9 mm|
|Sensor Resolution||37.5 Megapixels||20 Megapixels|
|Image Resolution||7500 x 5000 pixels||5472 x 3648 pixels|
|Pixel Pitch||6.00 μm||2.41 μm|
|Pixel Density||2.78 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||80 - 1,250 ISO||125 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 25,600 ISO|
|Screen Specs||Leica S2||Panasonic FZ2500|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||96%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica S2||Panasonic FZ2500|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||1.5 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDHC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica S2||Panasonic FZ2500|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Leica S2||Panasonic FZ2500|
|Environmental Sealing||Weathersealed body||not weather sealed|
160 x 120 x 80 mm
(6.3 x 4.7 x 3.1 in)
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
|Camera Weight||1410 g (49.7 oz)||915 g (32.3 oz)|
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