Leica S2 vs Fujifilm GFX 50S
The Leica S2 and the Fujifilm GFX 50S are two professional cameras that were revealed to the public, respectively, in September 2008 and September 2016. The S2 is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. Both cameras are equipped with a medium format sensor. The Leica has a resolution of 37.5 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica S2 and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Leica S2 and the Fujifilm GFX 50S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably smaller (28 percent) than the Leica S2. Moreover, the GFX 50S is substantially lighter (48 percent) than the S2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the S2 gets .. shots out of its Leica BP-PRO1 battery, while the GFX 50S can take 400 images on a single charge of its Fujifilm NP-T125 power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica S2 | 160 mm | 120 mm | 80 mm | 1410 g | .. | Y | Sep 2008 | 22,995 | ebay.com | |
2. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
3. | Canon 1Ds Mark III | 150 mm | 160 mm | 80 mm | 1385 g | 1800 | Y | Aug 2007 | 7,999 | ebay.com | |
4. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
5. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
6. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | 5,750 | ebay.com | |
7. | Leica S3 | 160 mm | 120 mm | 80 mm | 1260 g | .. | Y | Sep 2018 | 18,995 | ebay.com | |
8. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
9. | Leica SL | 147 mm | 104 mm | 39 mm | 847 g | 400 | Y | Oct 2015 | 7,450 | ebay.com | |
10. | Leica S-E Typ 006 | 160 mm | 120 mm | 80 mm | 1260 g | .. | Y | Sep 2014 | 16,900 | ebay.com | |
11. | Leica S Typ 007 | 160 mm | 120 mm | 80 mm | 1260 g | .. | Y | Sep 2014 | 24,490 | ebay.com | |
12. | Leica S Typ 006 | 160 mm | 120 mm | 80 mm | 1260 g | .. | Y | Sep 2012 | 21,950 | ebay.com | |
13. | Leica S1 | 339 mm | 214 mm | 119 mm | 2500 g | .. | n | Aug 1996 | 21,490 | ebay.com | |
14. | Nikon D3S | 160 mm | 157 mm | 88 mm | 1240 g | 4200 | Y | Oct 2009 | 5,199 | ebay.com | |
15. | Nikon D3X | 160 mm | 157 mm | 88 mm | 1260 g | 4400 | Y | Dec 2008 | 7,999 | ebay.com | |
16. | Nikon D3 | 160 mm | 157 mm | 88 mm | 1300 g | 4300 | Y | Aug 2007 | 4,999 | ebay.com | |
17. | Pentax 645D | 156 mm | 117 mm | 119 mm | 1480 g | 800 | Y | Mar 2010 | 9,995 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GFX 50S was launched at a markedly lower price (by 72 percent) than the S2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a medium format sensor, but their sensors differ slightly in size. The sensor area in the GFX 50S is 8 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 0.8 (S2) and 0.79. The sensor in the S2 has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.
With 51.1MP, the GFX 50S offers a higher resolution than the S2 (37.5MP), but the GFX 50S has smaller individual pixels (pixel pitch of 5.33μm versus 6.00μm for the S2). Yet, the GFX 50S is a much more recent model (by 7 years and 11 months) than the S2, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Leica S2 are 37.5 x 25 inches or 95.3 x 63.5 cm for good quality, 30 x 20 inches or 76.2 x 50.8 cm for very good quality, and 25 x 16.7 inches or 63.5 x 42.3 cm for excellent quality prints.
The Leica S2 has a native sensitivity range from ISO 80 to ISO 1250. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
In terms of underlying technology, the S2 is build around a CCD sensor, while the GFX 50S uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica S2 | Medium Format | 37.5 | 7500 | 5000 | none | 23.9 | 12.5 | 2224 | 82 | |
2. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
3. | Canon 1Ds Mark III | Full Frame | 21.0 | 5616 | 3744 | none | 24.0 | 12.0 | 1663 | 80 | |
4. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
5. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
6. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
7. | Leica S3 | Medium Format | 64.0 | 9800 | 6533 | 4K/24p | 25.6 | 14.4 | 3143 | 98 | |
8. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
9. | Leica SL | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 13.4 | 1821 | 88 | |
10. | Leica S-E Typ 006 | Medium Format | 37.5 | 7500 | 5000 | none | 25.1 | 13.7 | 2763 | 93 | |
11. | Leica S Typ 007 | Medium Format | 37.5 | 7500 | 5000 | 4K/24p | 25.1 | 13.7 | 2763 | 93 | |
12. | Leica S Typ 006 | Medium Format | 37.5 | 7500 | 5000 | none | 23.9 | 12.2 | 824 | 76 | |
13. | Leica S1 | Medium Format | 26.4 | 5140 | 5140 | none | .. | .. | .. | .. | |
14. | Nikon D3S | Full Frame | 12.1 | 4256 | 2832 | 720/24p | 23.5 | 12.0 | 3253 | 82 | |
15. | Nikon D3X | Full Frame | 24.4 | 6048 | 4032 | none | 24.7 | 13.7 | 1992 | 88 | |
16. | Nikon D3 | Full Frame | 12.1 | 4256 | 2832 | none | 23.5 | 12.2 | 2290 | 81 | |
17. | Pentax 645D | Medium Format | 39.5 | 7264 | 5440 | none | 24.6 | 12.6 | 1262 | 82 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The GFX 50S indeed provides for movie recording, while the S2 does not. The highest resolution format that the GFX 50S can use is 1080/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the S2 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Leica S2, the Fujifilm GFX 50S, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica S2 | optical | Y | 3.0 / 460 | fixed | n | 1/4000s | 1.5/s | n | n | |
2. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
3. | Canon 1Ds Mark III | optical | Y | 3.0 / 230 | fixed | n | 1/8000s | 5.0/s | n | n | |
4. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
5. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
6. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
7. | Leica S3 | optical | Y | 3.0 / 922 | fixed | n | 1/4000s | 3.0/s | n | n | |
8. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
9. | Leica SL | 4400 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 11.0/s | n | n | |
10. | Leica S-E Typ 006 | optical | Y | 3.0 / 922 | fixed | n | 1/4000s | 1.5/s | n | n | |
11. | Leica S Typ 007 | optical | Y | 3.0 / 922 | fixed | n | 1/4000s | 3.5/s | n | n | |
12. | Leica S Typ 006 | optical | Y | 3.0 / 922 | fixed | n | 1/4000s | 1.5/s | n | n | |
13. | Leica S1 | optical | n | none / none | none | n | .. | 0.01/s | n | n | |
14. | Nikon D3S | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
15. | Nikon D3X | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 5.0/s | n | n | |
16. | Nikon D3 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 11.0/s | n | n | |
17. | Pentax 645D | optical | Y | 3.0 / 921 | fixed | n | 1/4000s | 1.1/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GFX 50S has a touchscreen, while the S2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The S2 writes its imaging data to Compact Flash or SDHC cards, while the GFX 50S uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The GFX 50S supports UHS-II cards (on both slots), while the S2 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica S2 and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica S2 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
2. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
3. | Canon 1Ds Mark III | Y | mono / - | - | - | - | 2.0 | - | - | - | |
4. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
5. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
6. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
7. | Leica S3 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | - | - | |
8. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
9. | Leica SL | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | - | |
10. | Leica S-E Typ 006 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
11. | Leica S Typ 007 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | - | - | |
12. | Leica S Typ 006 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
13. | Leica S1 | - | - / - | - | - | - | - | - | - | - | |
14. | Nikon D3S | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
15. | Nikon D3X | Y | - / - | - | - | mini | 2.0 | - | - | - | |
16. | Nikon D3 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
17. | Pentax 645D | Y | stereo / - | - | - | - | 2.0 | - | - | - |
It is notable that the GFX 50S offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the S2 does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the S2 and the GFX 50S have been discontinued, but can regularly be found used on ebay. The S2 was replaced by the Leica S Typ 006, while the GFX 50S was followed by the Fujifilm GFX 50S II. Further information on the features and operation of the S2 and GFX 50S can be found, respectively, in the Leica S2 Manual (free pdf) or the online Fujifilm GFX 50S Manual.
Review summary
So what is the bottom line? Is the Leica S2 better than the Fujifilm GFX 50S or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Leica S2:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2008).
Arguments in favor of the Fujifilm GFX 50S:
- More detail: Has more megapixels (51.1 vs 37.5MP), which boosts linear resolution by 14%.
- Broader imaging potential: Can capture not only stills but also 1080/30p video.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 460k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (3 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (148x94mm vs 160x120mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 670g or 48 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More affordable: Was introduced into a lower priced category (72 percent cheaper at launch).
- More modern: Reflects 7 years and 11 months of technical progress since the S2 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S is the clear winner of the contest (17 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica S2 and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the S2 and the GFX 50S in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica S2 | .. | .. | .. | .. | .. | .. | Sep 2008 | 22,995 | ebay.com | |
2. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
3. | Canon 1Ds Mark III | .. | .. | .. | + + | 4.5/5 | .. | Aug 2007 | 7,999 | ebay.com | |
4. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
5. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
6. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | 5,750 | ebay.com | |
7. | Leica S3 | .. | .. | .. | .. | .. | .. | Sep 2018 | 18,995 | ebay.com | |
8. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
9. | Leica SL | 4/5 | .. | 4/5 | 84/100 | 4.5/5 | 4/5 | Oct 2015 | 7,450 | ebay.com | |
10. | Leica S-E Typ 006 | .. | .. | .. | .. | .. | .. | Sep 2014 | 16,900 | ebay.com | |
11. | Leica S Typ 007 | 4/5 | .. | .. | .. | .. | .. | Sep 2014 | 24,490 | ebay.com | |
12. | Leica S Typ 006 | .. | .. | .. | .. | .. | .. | Sep 2012 | 21,950 | ebay.com | |
13. | Leica S1 | .. | .. | .. | .. | .. | .. | Aug 1996 | 21,490 | ebay.com | |
14. | Nikon D3S | 5/5 | .. | .. | 89/100 | 4.5/5 | 5/5 | Oct 2009 | 5,199 | ebay.com | |
15. | Nikon D3X | .. | .. | .. | 86/100 | 4/5 | 5/5 | Dec 2008 | 7,999 | ebay.com | |
16. | Nikon D3 | .. | .. | .. | + + | 5/5 | 4.5/5 | Aug 2007 | 4,999 | ebay.com | |
17. | Pentax 645D | 5/5 | .. | .. | .. | .. | .. | Mar 2010 | 9,995 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 2000D vs Fujifilm GFX 50S
- Canon T5 vs Leica S2
- Canon XTi vs Leica S2
- Contax N Digital vs Leica S2
- Fujifilm GFX 50S vs Fujifilm X-T30
- Fujifilm GFX 50S vs Nikon D610
- Fujifilm GFX 50S vs Panasonic L10
- Fujifilm GFX 50S vs Sony A900
- Fujifilm GFX 50S vs Sony NEX-5R
- Leica S2 vs Olympus E-420
- Leica S2 vs Sony A5000
- Leica S2 vs Sony HX99
Specifications: Leica S2 vs Fujifilm GFX 50S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica S2 | Fujifilm GFX 50S |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Leica S mount lenses | Fujifilm G mount lenses |
Launch Date | September 2008 | September 2016 |
Launch Price | USD 22,995 | USD 6,499 |
Sensor Specs | Leica S2 | Fujifilm GFX 50S |
Sensor Technology | CCD | CMOS |
Sensor Format | Medium Format Sensor | Medium Format Sensor |
Sensor Size | 45.0 x 30.0 mm | 44.0 x 33.0 mm |
Sensor Area | 1350 mm2 | 1452 mm2 |
Sensor Diagonal | 54.1 mm | 55 mm |
Crop Factor | 0.8x | 0.79x |
Sensor Resolution | 37.5 Megapixels | 51.1 Megapixels |
Image Resolution | 7500 x 5000 pixels | 8256 x 6192 pixels |
Pixel Pitch | 6.00 μm | 5.33 μm |
Pixel Density | 2.78 MP/cm2 | 3.52 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | no Video | 1080/30p Video |
ISO Setting | 80 - 1,250 ISO | 100 - 12,800 ISO |
ISO Boost | no Enhancement | 50 - 102,400 ISO |
Screen Specs | Leica S2 | Fujifilm GFX 50S |
Viewfinder Type | Optical viewfinder | Viewfinder optional |
Viewfinder Field of View | 96% | |
Viewfinder Magnification | 0.86x | |
Top-Level Screen | Control Panel | Control Panel |
LCD Framing | Live View | |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 460k dots | 2360k dots |
LCD Attachment | Fixed screen | Fully flexible screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Leica S2 | Fujifilm GFX 50S |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 1.5 shutter flaps/s | 3 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | CF or SDHC cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
UHS card support | no | Dual UHS-II |
Connectivity Specs | Leica S2 | Fujifilm GFX 50S |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | PC Sync socket |
USB Connector | USB 2.0 | USB 3.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Leica S2 | Fujifilm GFX 50S |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Leica BP-PRO1 | Fujifilm NP-T125 |
Body Dimensions |
160 x 120 x 80 mm (6.3 x 4.7 x 3.1 in) |
148 x 94 x 91 mm (5.8 x 3.7 x 3.6 in) |
Camera Weight | 1410 g (49.7 oz) | 740 g (26.1 oz) |
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