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Leica S2 versus Fujifilm GFX 50S

The Leica S2 and the Fujifilm GFX 50S are two professional cameras that were announced, respectively, in September 2008 and September 2016. The S2 is a DSLR, while the GFX is a mirrorless interchangeable lens camera. Both cameras are equipped with a medium format sensor. The Leica has a resolution of 37.5 megapixel, whereas the Fujifilm provides 51.1 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Leica S2 vs Fujifilm GFX 50S

The side-by-side display below illustrates the physical size and weight of the Leica S2 and the Fujifilm GFX 50S. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the S2 – represents 100 percent across all the size and weight measures).

Compare Leica S2 vs Fujifilm GFX 50S
S2 versus GFX top view
S2 and GFX rear side
Body view (S2 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably smaller (28 percent) than the Leica S2. Moreover, the GFX is substantially lighter (48 percent) than the S2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Leica S2 (⇒ rgt) 160 mm 120 mm 80 mm 1410 g .. YES 2008 22,995discont. check
Fujifilm GFX 50S (⇒ lft) 148 mm 94 mm 91 mm 740 g 400 YES 2016 6,499 latest check
Canon 1D X Mark II (⇒ lft | rgt) 158 mm 168 mm 83 mm 1530 g 1210 YES 2016 5,999 latest check
Canon 5DS R (⇒ lft | rgt) 152 mm 116 mm 76 mm 930 g 700 YES 2015 3,699 latest check
Canon 5DS (⇒ lft | rgt) 152 mm 116 mm 76 mm 930 g 700 YES 2015 3,699 latest check
Canon 1D Mark IV (⇒ lft | rgt) 156 mm 157 mm 80 mm 1230 g 1500 YES 2009 4,999discont. check
Canon 1Ds Mark III (⇒ lft | rgt) 150 mm 160 mm 80 mm 1385 g 1800 YES 2007 7,999discont. check
Canon 1D Mark III (⇒ lft | rgt) 156 mm 156.6 mm 80 mm 1155 g 2200 YES 2007 4,499discont. check
Fujifilm X-Pro2 (⇒ lft | rgt) 141 mm 83 mm 46 mm 495 g 350 YES 2016 1,699 latest check
Fujifilm X-T2 (⇒ lft | rgt) 133 mm 92 mm 49 mm 507 g 340 YES 2016 1,599 latest check
Leica S Typ 007 (⇒ lft | rgt) 160 mm 120 mm 80 mm 1260 g .. YES 2014 24,490 latest check
Leica S-E Typ 006 (⇒ lft | rgt) 160 mm 120 mm 80 mm 1260 g .. YES 2014 16,900discont. check
Leica S Typ 006 (⇒ lft | rgt) 160 mm 120 mm 80 mm 1260 g .. YES 2012 21,950discont. check
Nikon D3S (⇒ lft | rgt) 160 mm 157 mm 88 mm 1240 g 4200 YES 2009 5,199discont. check
Nikon D3X (⇒ lft | rgt) 160 mm 157 mm 88 mm 1260 g 4400 YES 2008 7,999discont. check
Nikon D3 (⇒ lft | rgt) 160 mm 157 mm 88 mm 1300 g 4300 YES 2007 4,999discont. check
Pentax 645D (⇒ lft | rgt) 156 mm 117 mm 119 mm 1480 g 800 YES 2010 9,995discont. check

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GFX was launched at a markedly lower price (by 72 percent) than the S2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.


Sensor comparison: Leica S2 vs Fujifilm GFX 50S

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Leica S2 features a medium format sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX is 8 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.8 and 0.79. The sensor in the S2 has a native 3:2 aspect ratio, while the one in the GFX offers a 4:3 aspect.

Leica S2 and Fujifilm GFX 50S sensor measures
Sensor size

With 51.1MP, the GFX offers a higher resolution than the S2 (37.5MP), but the GFX has smaller individual pixels (pixel pitch of 5.33μm versus 6.00μm for the S2). Yet, the GFX is a much more recent model (by 7 years and 11 months) than the S2, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

S2 versus GFX MP
Sensor resolution

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Leica S2 (⇒ rgt) Medium Format 37.5 7500 5000 no - - - -
Fujifilm GFX 50S (⇒ lft) MF 51.1 8256 6192 1080/30p .. .. .. ..
Canon 1D X Mark II (⇒ lft | rgt) Full Frame 20.0 5472 3648 4K/60p 24.1 13.5 3207 88
Canon 5DS R (⇒ lft | rgt) Full Frame 50.3 8688 5792 1080/60p 24.6 12.4 2308 86
Canon 5DS (⇒ lft | rgt) Full Frame 50.3 8688 5792 1080/60p 24.7 12.4 2381 87
Canon 1D Mark IV (⇒ lft | rgt) APS-H 16.0 4896 3264 1080/30p 22.8 12.0 1320 74
Canon 1Ds Mark III (⇒ lft | rgt) Full Frame 21.0 5616 3744 no 24.0 12.0 1663 80
Canon 1D Mark III (⇒ lft | rgt) APS-H 10.1 3888 2592 no 22.7 11.7 1078 71
Fujifilm X-Pro2 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p - - - -
Fujifilm X-T2 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p - - - -
Leica S Typ 007 (⇒ lft | rgt) Medium Format 37.5 7500 5000 4K/24p - - - -
Leica S-E Typ 006 (⇒ lft | rgt) Medium Format 37.5 7500 5000 no - - - -
Leica S Typ 006 (⇒ lft | rgt) Medium Format 37.5 7500 5000 no 23.9 12.2 824 76
Nikon D3S (⇒ lft | rgt) Full Frame 12.1 4256 2832 720/24p 23.5 12.0 3253 82
Nikon D3X (⇒ lft | rgt) Full Frame 24.4 6048 4032 no 24.7 13.7 1992 88
Nikon D3 (⇒ lft | rgt) Full Frame 12.1 4256 2832 no 23.5 12.2 2290 81
Pentax 645D (⇒ lft | rgt) Medium Format 39.5 7264 5440 no 24.6 12.6 1262 82

Many modern cameras are not only capable of taking still images, but can also record movies. The GFX indeed provides for movie recording, while the S2 does not. The highest resolution format that the GFX can use is 1080/30p.

Feature comparison: Leica S2 vs Fujifilm GFX 50S

Apart from body and sensor, cameras can and do differ across a range of features. For example, the S2 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Leica S2 and Fujifilm GFX 50S along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Leica S2 (⇒ rgt) optical YES 3.0 460 fixed no 4000 1.5 no no
Fujifilm GFX 50S (⇒ lft) no YES 3.2 2360 tilting YES 4000 3.0 no no
Canon 1D X Mark II (⇒ lft | rgt) optical YES 3.2 1620 fixed YES 8000 16.0 no no
Canon 5DS R (⇒ lft | rgt) optical YES 3.2 1040 fixed no 8000 5.0 no no
Canon 5DS (⇒ lft | rgt) optical YES 3.2 1040 fixed no 8000 5.0 no no
Canon 1D Mark IV (⇒ lft | rgt) optical YES 3.0 920 fixed no 8000 10.0 no no
Canon 1Ds Mark III (⇒ lft | rgt) optical YES 3.0 230 fixed no 8000 5.0 no no
Canon 1D Mark III (⇒ lft | rgt) optical YES 3.0 230 fixed no 8000 10.0 no no
Fujifilm X-Pro2 (⇒ lft | rgt) 2360 no 3.0 1620 fixed no 8000 8.0 no no
Fujifilm X-T2 (⇒ lft | rgt) 2360 no 3.0 1040 tilting no 8000 14.0 no no
Leica S Typ 007 (⇒ lft | rgt) optical YES 3.0 922 fixed no 4000 3.5 no no
Leica S-E Typ 006 (⇒ lft | rgt) optical YES 3.0 922 fixed no 4000 1.5 no no
Leica S Typ 006 (⇒ lft | rgt) optical YES 3.0 922 fixed no 4000 1.5 no no
Nikon D3S (⇒ lft | rgt) optical YES 3.0 921 fixed no 8000 11.0 no no
Nikon D3X (⇒ lft | rgt) optical YES 3.0 922 fixed no 8000 5.0 no no
Nikon D3 (⇒ lft | rgt) optical YES 3.0 922 fixed no 8000 11.0 no no
Pentax 645D (⇒ lft | rgt) optical YES 3.0 921 fixed no 4000 1.1 no no

The GFX is a current model that online retailers, such as amazon, will have in stock. In contrast, the S2 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the S2 was succeeded by the Leica S Typ 006.

Review summary: Leica S2 vs Fujifilm GFX 50S

So how do things add up? Which of the two cameras – the Leica S2 or the Fujifilm GFX 50S – has the upper hand? The listing below highlights the relative strengths of the two models.


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Arguments in favor of the Leica S2:

  • Easier framing: Has an optical viewfinder for image framing and settings control.
  • More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
  • More heavily discounted: Has been available for much longer (launched in September 2008).

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Advantages of the Fujifilm GFX 50S:

  • More detail: Has more megapixels (51.1 vs 37.5MP), which boosts linear resolution by 14%.
  • Broader imaging potential: Can capture not only stills but also 1080/30p video.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 460k dots).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Faster burst: Shoots at higher frequency (3 vs 1.5 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (148x94mm vs 160x120mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 670g or 48 percent) and is thus easier to take along.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • More affordable: Was introduced into a lower priced category (72 percent cheaper at launch).
  • More modern: Reflects 7 years and 11 months of technical progress since the S2 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the GFX is the clear winner of the contest (12 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

S2 03:12 GFX

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the S2 or the GFX. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
.com
dp
review
.com
ephoto
zine
.com
imaging
resource
.com
photography
blog
.com
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Leica S2 (⇒ rgt) - - - - - 2008 22,995discont. check
Fujifilm GFX 50S (⇒ lft) - 85/100 Gold 5/5 5/5 4.5/5 2016 6,499 latest check
Canon 1D X Mark II (⇒ lft | rgt) - 89/100 Gold 4.5/5 5/5 4.5/5 2016 5,999 latest check
Canon 5DS R (⇒ lft | rgt) Rec 83/100 Silver 5/5 5/5 4.5/5 2015 3,699 latest check
Canon 5DS (⇒ lft | rgt) Rec 83/100 Silver 4.5/5 5/5 4.5/5 2015 3,699 latest check
Canon 1D Mark IV (⇒ lft | rgt) - 89/100 Gold - 5/5 - 2009 4,999discont. check
Canon 1Ds Mark III (⇒ lft | rgt) - HiRec 4.5/5 - - 2007 7,999discont. check
Canon 1D Mark III (⇒ lft | rgt) - - - reviewed - 2007 4,499discont. check
Fujifilm X-Pro2 (⇒ lft | rgt) Rec 83/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,699 latest check
Fujifilm X-T2 (⇒ lft | rgt) HiRec 86/100 Gold 4.5/5 5/5 5/5 2016 1,599 latest check
Leica S Typ 007 (⇒ lft | rgt) - - - - - 2014 24,490 latest check
Leica S-E Typ 006 (⇒ lft | rgt) - - - - - 2014 16,900discont. check
Leica S Typ 006 (⇒ lft | rgt) - - - - - 2012 21,950discont. check
Nikon D3S (⇒ lft | rgt) - 89/100 Gold 4.5/5 5/5 5/5 2009 5,199discont. check
Nikon D3X (⇒ lft | rgt) - 86/100 4/5 5/5 5/5 2008 7,999discont. check
Nikon D3 (⇒ lft | rgt) - HiRec 5/5 reviewed 4.5/5 2007 4,999discont. check
Pentax 645D (⇒ lft | rgt) - - - 4.5/5 - 2010 9,995discont. check

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.


Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you do not see the camera that you are looking for, please contact me, and I will try to add information on that model to the database.

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