Leica S Typ 007 vs Sony A7 III
The Leica S (Typ 007) and the Sony Alpha A7 III are two digital cameras that were officially introduced, respectively, in September 2014 and February 2018. The S Typ 007 is a DSLR, while the A7 III is a mirrorless interchangeable lens camera. The cameras are based on a medium format (S Typ 007) and a full frame (A7 III) sensor. The Leica has a resolution of 37.5 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica S Typ 007||Sony A7 III|
|Digital single lens reflex||Mirrorless system camera|
|Leica S mount lenses||Sony E mount lenses|
|37.5 MP, Medium Format Sensor||24 MP, Full Frame Sensor|
|4K/24p Video||4K/30p Video|
|ISO 100-6400||ISO 100-51200 (50-204800)|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 922k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|3.5 shutter flaps per second||10 shutter flaps per second|
|No shake reduction||In-body stabilization|
|Weathersealed body||Weathersealed body|
|160 x 120 x 80 mm, 1260 g||127 x 96 x 74 mm, 650 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica S (Typ 007) and the Sony Alpha A7 III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Leica S Typ 007 vs Sony A7 III
The side-by-side display below illustrates the physical size and weight of the Leica S Typ 007 and the Sony A7 III. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 III is considerably smaller (36 percent) than the Leica S Typ 007. Moreover, the A7 III is substantially lighter (48 percent) than the S Typ 007. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the A7 III can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Leica S Typ 007»||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2014||24,490||Leica S Typ 007|
|Sony A7 III«||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Leica S3« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2018||24,490||Leica S3|
|Leica M Typ 262« »||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Nov 2015||5,195||-||Leica M Typ 262|
|Leica SL« »||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450||Leica SL|
|Leica S-E Typ 006« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2014||16,900||-||Leica S-E Typ 006|
|Leica S Typ 006« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2012||21,950||-||Leica S Typ 006|
|Leica S2« »||6.3 in||4.7 in||3.1 in||49.7 oz||..||Y||Sep 2008||22,995||-||Leica S2|
|Nikon D4S« »||6.3 in||6.2 in||3.6 in||47.6 oz||3020||Y||Feb 2014||6,499||-||Nikon D4S|
|Nikon D810« »||5.7 in||4.8 in||3.2 in||34.6 oz||1200||Y||Jun 2014||3,299||-||Nikon D810|
|Pentax 645D« »||6.1 in||4.6 in||4.7 in||52.2 oz||800||Y||Mar 2010||9,995||-||Pentax 645D|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A7 III was launched at a markedly lower price (by 92 percent) than the S Typ 007, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Leica S Typ 007 vs Sony A7 III
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica S Typ 007 features a medium format sensor and the Sony A7 III a full frame sensor. The sensor area in the A7 III is 37 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.8 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 37.5MP, the S Typ 007 offers a higher resolution than the A7 III (24MP), but the S Typ 007 nevertheless has marginally larger individual pixels (pixel pitch of 6.00μm versus 5.94μm for the A7 III) due to its larger sensor. However, the A7 III is a much more recent model (by 3 years and 5 months) than the S Typ 007, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Leica S Typ 007 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S Typ 007 for good quality output (200 dots per inch) amounts to 37.5 x 25 inch or 95.3 x 63.5 cm, for very good quality (250 dpi) 30 x 20 inch or 76.2 x 50.8 cm, and for excellent quality (300 dpi) 25 x 16.7 inch or 63.5 x 42.3 cm. The corresponding values for the Sony A7 III are 30 x 20 inch or 76.2 x 50.8 cm for good quality, 24 x 16 inch or 61 x 40.6 cm for very good quality, and 20 x 13.3 inch or 50.8 x 33.9 cm for excellent quality prints.
The A7 III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica S (Typ 007) has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Sony Alpha A7 III are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica S Typ 007»||Medium Format||37.5||7500||5000||4K/24p||-||-||-||-||Leica S Typ 007|
|Sony A7 III«||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Leica S3« »||Medium Format||64.0||9800||6533||4K/24p||-||-||-||-||Leica S3|
|Leica M Typ 262« »||Full Frame||23.7||5952||3976||-||-||-||-||-||Leica M Typ 262|
|Leica SL« »||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Leica S-E Typ 006« »||Medium Format||37.5||7500||5000||-||-||-||-||-||Leica S-E Typ 006|
|Leica S Typ 006« »||Medium Format||37.5||7500||5000||-||23.9||12.2||824||76||Leica S Typ 006|
|Leica S2« »||Medium Format||37.5||7500||5000||-||-||-||-||-||Leica S2|
|Nikon D4S« »||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89||Nikon D4S|
|Nikon D810« »||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97||Nikon D810|
|Pentax 645D« »||Medium Format||39.5||7264||5440||-||24.6||12.6||1262||82||Pentax 645D|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7 III provides a faster frame rate than the S Typ 007. It can shoot movie footage at 4K/30p, while the Leica is limited to 4K/24p.
Feature comparison: Leica S Typ 007 vs Sony A7 III
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7 III has an electronic viewfinder (2359k dots), while the S Typ 007 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7 III offers a wider field of view (100%) than the one in the S Typ 007 (98%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the S Typ 007 has a higher magnification (0.87x vs 0.78x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Leica S Typ 007 and Sony A7 III in connection with corresponding information for a sample of similar cameras.
|Leica S Typ 007»||optical||Y||3.0||922||fixed||n||1/4000s||3.5||n||n||Leica S Typ 007|
|Sony A7 III«||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Leica S3« »||optical||Y||3.0||922||fixed||n||1/4000s||3.0||n||n||Leica S3|
|Leica M Typ 262« »||optical||n||3.0||921||fixed||n||1/4000s||3.0||n||n||Leica M Typ 262|
|Leica SL« »||4400||Y||3.0||1040||fixed||Y||1/8000s||11.0||n||n||Leica SL|
|Leica S-E Typ 006« »||optical||Y||3.0||922||fixed||n||1/4000s||1.5||n||n||Leica S-E Typ 006|
|Leica S Typ 006« »||optical||Y||3.0||922||fixed||n||1/4000s||1.5||n||n||Leica S Typ 006|
|Leica S2« »||optical||Y||3.0||460||fixed||n||1/4000s||1.5||n||n||Leica S2|
|Nikon D4S« »||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4S|
|Nikon D810« »||optical||Y||3.2||1229||fixed||n||1/8000s||5.0||Y||n||Nikon D810|
|Pentax 645D« »||optical||Y||3.0||921||fixed||n||1/4000s||1.1||n||n||Pentax 645D|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
One feature that is present on the S Typ 007, but is missing on the A7 III is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7 III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7 III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The S Typ 007 writes its imaging data to Compact Flash or SDXC cards, while the A7 III uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both the S Typ 007 and the A7 III support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s (the second slot of the A7 III only offers slower UHS-I transfer rates, though).
Connectivity comparison: Leica S Typ 007 vs Sony A7 III
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica S (Typ 007) and Sony Alpha A7 III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica S Typ 007»||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Leica S Typ 007|
|Sony A7 III«||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Leica S3« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Leica S3|
|Leica M Typ 262« »||Y||-||-||-||-||-||2.0||-||-||-||Leica M Typ 262|
|Leica SL« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Leica S-E Typ 006« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica S-E Typ 006|
|Leica S Typ 006« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica S Typ 006|
|Leica S2« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica S2|
|Nikon D4S« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D4S|
|Nikon D810« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Nikon D810|
|Pentax 645D« »||Y||stereo||-||-||-||-||2.0||-||-||-||Pentax 645D|
|Sony A9« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
Studio photographers will appreciate that the Leica S Typ 007 (unlike the A7 III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the S Typ 007 and the A7 III are recent models that are part of the current product line-up. The S Typ 007 replaced the earlier Leica S Typ 006, while the A7 III followed on from the Sony A7 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
Review summary: Leica S Typ 007 vs Sony A7 III
So what conclusions can be drawn? Is the Leica S Typ 007 better than the Sony A7 III or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Leica S (Typ 007):
- More detail: Offers more megapixels (37.5 vs 24MP) with a 25% higher linear resolution.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.87x vs 0.78x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2014).
Reasons to prefer the Sony Alpha A7 III:
- Better video: Provides higher movie framerates (4K/30p versus 4K/24p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (127x96mm vs 160x120mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 610g or 48 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (92 percent cheaper at launch).
- More modern: Reflects 3 years and 5 months of technical progress since the S Typ 007 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A7 III is the clear winner of the contest (18 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica S Typ 007 and the Sony A7 III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the S Typ 007 or the A7 III perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Leica S Typ 007 vs Sony A7 III
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica S Typ 007»||-||-||-||-||-||Sep 2014||24,490||Leica S Typ 007|
|Sony A7 III«||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Leica S3« »||-||-||-||-||-||Sep 2018||24,490||Leica S3|
|Leica M Typ 262« »||-||-||-||-||-||Nov 2015||5,195||-||Leica M Typ 262|
|Leica SL« »||-||84/100||4.5/5||4/5||4/5||Oct 2015||7,450||Leica SL|
|Leica S-E Typ 006« »||-||-||-||-||-||Sep 2014||16,900||-||Leica S-E Typ 006|
|Leica S Typ 006« »||-||-||-||-||-||Sep 2012||21,950||-||Leica S Typ 006|
|Leica S2« »||-||-||-||-||-||Sep 2008||22,995||-||Leica S2|
|Nikon D4S« »||-||-||4.5/5||5/5||4.5/5||Feb 2014||6,499||-||Nikon D4S|
|Nikon D810« »||-||86/100||5/5||4.5/5||4.5/5||Jun 2014||3,299||-||Nikon D810|
|Pentax 645D« »||-||-||-||4.5/5||-||Mar 2010||9,995||-||Pentax 645D|
|Sony A9« »||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||+||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7« »||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||+ +||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Fujifilm X70 vs Sony A7 III
- Leica S Typ 007 vs Nikon D800
- Leica S Typ 007 vs Nikon D90
- Leica S Typ 007 vs Pentax 645Z
- Leica S Typ 007 vs Sony A6300
- Nikon D7200 vs Sony A7 III
- Nikon Z7 vs Sony A7 III
- Panasonic FT7 vs Sony A7 III
- Sony A7 III vs Sony A7R
- Sony A7 III vs Sony HX95
- Sony A7 III vs Sony HX99
- Sony A7 III vs Sony NEX-7
Specifications: Leica S Typ 007 vs Sony A7 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica S Typ 007||Sony A7 III|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Leica S mount lenses||Sony E mount lenses|
|Launch Date||September 2014||February 2018|
|Launch Price||USD 24490||USD 1999|
|Sensor Specs||Leica S Typ 007||Sony A7 III|
|Sensor Format||Medium Format Sensor||Full Frame Sensor|
|Sensor Size||45.0 x 30.0 mm||35.6 x 23.8 mm|
|Sensor Area||1350 mm2||847.28 mm2|
|Sensor Diagonal||54.1 mm||42.8 mm|
|Sensor Resolution||37.5 Megapixels||24 Megapixels|
|Image Resolution||7500 x 5000 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.00 μm||5.94 μm|
|Pixel Density||2.78 MP/cm2||2.83 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/24p Video||4K/30p Video|
|ISO Setting||100-6400 ISO||100-51200 ISO|
|ISO Boost||no Enhancement||50-204800 ISO|
|Image Processor||Maestro II||BIONZ X|
|DXO Sensor Quality (score)||..||96|
|DXO Color Depth (bits)||..||25.0|
|DXO Dynamic Range (EV)||..||14.7|
|DXO Low Light (ISO)||..||3730|
|Screen Specs||Leica S Typ 007||Sony A7 III|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||98%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica S Typ 007||Sony A7 III|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||3.5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||No shake reduction||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||UHS-II||Single UHS-II|
|Connectivity Specs||Leica S Typ 007||Sony A7 III|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 3.1|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Leica S Typ 007||Sony A7 III|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||BP-PRO1 power pack||NP-FZ100 power pack|
|In-Camera Charging||no USB charging||USB charging|
160 x 120 x 80 mm
(6.3 x 4.7 x 3.1 in)
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
|Camera Weight||1260 g (44.4 oz)||650 g (22.9 oz)|
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