Leica S Typ 007 vs Fujifilm GFX 50S
The Leica S (Typ 007) and the Fujifilm GFX 50S are two professional cameras that were announced, respectively, in September 2014 and September 2016. The S Typ 007 is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. Both cameras are equipped with a medium format sensor. The Leica has a resolution of 37.5 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica S (Typ 007) and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Leica S Typ 007 and the Fujifilm GFX 50S are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably smaller (28 percent) than the Leica S Typ 007. Moreover, the GFX 50S is substantially lighter (41 percent) than the S Typ 007. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the S Typ 007 gets .. shots out of its Leica BP-PRO1 battery, while the GFX 50S can take 400 images on a single charge of its Fujifilm NP-T125 power pack.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica S Typ 007 | 160 mm | 120 mm | 80 mm | 1260 g | .. | Y | Sep 2014 | 24,490 | ebay.com | |
2. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
3. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
4. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
5. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | 5,750 | ebay.com | |
6. | Leica M Typ 262 | 139 mm | 80 mm | 42 mm | 680 g | 400 | Y | Nov 2015 | 5,195 | ebay.com | |
7. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
8. | Leica S2 | 160 mm | 120 mm | 80 mm | 1410 g | .. | Y | Sep 2008 | 22,995 | ebay.com | |
9. | Leica S3 | 160 mm | 120 mm | 80 mm | 1260 g | .. | Y | Sep 2018 | 18,995 | ebay.com | |
10. | Leica S Typ 006 | 160 mm | 120 mm | 80 mm | 1260 g | .. | Y | Sep 2012 | 21,950 | ebay.com | |
11. | Leica S-E Typ 006 | 160 mm | 120 mm | 80 mm | 1260 g | .. | Y | Sep 2014 | 16,900 | ebay.com | |
12. | Leica SL | 147 mm | 104 mm | 39 mm | 847 g | 400 | Y | Oct 2015 | 7,450 | ebay.com | |
13. | Nikon D4S | 160 mm | 157 mm | 91 mm | 1350 g | 3020 | Y | Feb 2014 | 6,499 | ebay.com | |
14. | Nikon D810 | 146 mm | 123 mm | 82 mm | 980 g | 1200 | Y | Jun 2014 | 3,299 | ebay.com | |
15. | Pentax 645D | 156 mm | 117 mm | 119 mm | 1480 g | 800 | Y | Mar 2010 | 9,995 | ebay.com | |
16. | Sony A7R | 127 mm | 94 mm | 48 mm | 465 g | 340 | Y | Oct 2013 | 2,299 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GFX 50S was launched at a markedly lower price (by 73 percent) than the S Typ 007, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a medium format sensor, but their sensors differ slightly in size. The sensor area in the GFX 50S is 8 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 0.8 (S Typ 007) and 0.79. The sensor in the S Typ 007 has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.
With 51.1MP, the GFX 50S offers a higher resolution than the S Typ 007 (37.5MP), but the GFX 50S has smaller individual pixels (pixel pitch of 5.33μm versus 6.00μm for the S Typ 007). Yet, the GFX 50S is a much more recent model (by 2 years) than the S Typ 007, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Leica S Typ 007 are 37.5 x 25 inches or 95.3 x 63.5 cm for good quality, 30 x 20 inches or 76.2 x 50.8 cm for very good quality, and 25 x 16.7 inches or 63.5 x 42.3 cm for excellent quality prints.
The Leica S (Typ 007) has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica S Typ 007 | Medium Format | 37.5 | 7500 | 5000 | 4K/24p | 25.1 | 13.7 | 2763 | 93 | |
2. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
3. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
4. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
5. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
6. | Leica M Typ 262 | Full Frame | 23.7 | 5952 | 3976 | none | 24.8 | 13.7 | 2478 | 90 | |
7. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
8. | Leica S2 | Medium Format | 37.5 | 7500 | 5000 | none | 23.9 | 12.5 | 2224 | 82 | |
9. | Leica S3 | Medium Format | 64.0 | 9800 | 6533 | 4K/24p | 25.6 | 14.4 | 3143 | 98 | |
10. | Leica S Typ 006 | Medium Format | 37.5 | 7500 | 5000 | none | 23.9 | 12.2 | 824 | 76 | |
11. | Leica S-E Typ 006 | Medium Format | 37.5 | 7500 | 5000 | none | 25.1 | 13.7 | 2763 | 93 | |
12. | Leica SL | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 13.4 | 1821 | 88 | |
13. | Nikon D4S | Full Frame | 16.2 | 4928 | 3280 | 1080/60p | 24.4 | 13.3 | 3074 | 89 | |
14. | Nikon D810 | Full Frame | 36.2 | 7360 | 4912 | 1080/60p | 25.7 | 14.8 | 2853 | 97 | |
15. | Pentax 645D | Medium Format | 39.5 | 7264 | 5440 | none | 24.6 | 12.6 | 1262 | 82 | |
16. | Sony A7R | Full Frame | 36.2 | 7360 | 4912 | 1080/60p | 25.6 | 14.1 | 2746 | 95 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S Typ 007 provides a higher video resolution than the GFX 50S. It can shoot video footage at 4K/24p, while the Fujifilm is limited to 1080/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the S Typ 007 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The adjacent table lists some of the other core features of the Leica S Typ 007 and Fujifilm GFX 50S along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica S Typ 007 | optical | Y | 3.0 / 922 | fixed | n | 1/4000s | 3.5/s | n | n | |
2. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
3. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
4. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
5. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
6. | Leica M Typ 262 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 3.0/s | n | n | |
7. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
8. | Leica S2 | optical | Y | 3.0 / 460 | fixed | n | 1/4000s | 1.5/s | n | n | |
9. | Leica S3 | optical | Y | 3.0 / 922 | fixed | n | 1/4000s | 3.0/s | n | n | |
10. | Leica S Typ 006 | optical | Y | 3.0 / 922 | fixed | n | 1/4000s | 1.5/s | n | n | |
11. | Leica S-E Typ 006 | optical | Y | 3.0 / 922 | fixed | n | 1/4000s | 1.5/s | n | n | |
12. | Leica SL | 4400 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 11.0/s | n | n | |
13. | Nikon D4S | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
14. | Nikon D810 | optical | Y | 3.2 / 1229 | fixed | n | 1/8000s | 5.0/s | Y | n | |
15. | Pentax 645D | optical | Y | 3.0 / 921 | fixed | n | 1/4000s | 1.1/s | n | n | |
16. | Sony A7R | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 4.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GFX 50S has a touchscreen, while the S Typ 007 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The S Typ 007 writes its imaging data to Compact Flash or SDXC cards, while the GFX 50S uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica S (Typ 007) and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica S Typ 007 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | - | - | |
2. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
3. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
4. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
5. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
6. | Leica M Typ 262 | Y | - / - | - | - | - | 2.0 | - | - | - | |
7. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
8. | Leica S2 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
9. | Leica S3 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | - | - | |
10. | Leica S Typ 006 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
11. | Leica S-E Typ 006 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
12. | Leica SL | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | - | |
13. | Nikon D4S | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
14. | Nikon D810 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | - | - | |
15. | Pentax 645D | Y | stereo / - | - | - | - | 2.0 | - | - | - | |
16. | Sony A7R | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - |
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Travel and landscape photographers will find it useful that the S Typ 007 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the S Typ 007 and the GFX 50S have been discontinued, but can regularly be found used on ebay. The S Typ 007 was replaced by the Leica S3, while the GFX 50S was followed by the Fujifilm GFX 50S II. Further information on the features and operation of the S Typ 007 and GFX 50S can be found, respectively, in the Leica S Typ 007 Manual (free pdf) or the online Fujifilm GFX 50S Manual.
Review summary
So what is the bottom line? Is the Leica S Typ 007 better than the Fujifilm GFX 50S or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Leica S (Typ 007):
- Better video: Provides higher definition movie capture (4K/24p vs 1080/30p).
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (3.5 vs 3 flaps/sec) to capture the decisive moment.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2014).
Arguments in favor of the Fujifilm GFX 50S:
- More detail: Has more megapixels (51.1 vs 37.5MP), which boosts linear resolution by 14%.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 922k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (148x94mm vs 160x120mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 520g or 41 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (73 percent cheaper at launch).
- More modern: Reflects 2 years of technical progress since the S Typ 007 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the contest (12 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica S Typ 007 and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the S Typ 007 and the GFX 50S in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica S Typ 007 | 4/5 | .. | .. | .. | .. | .. | Sep 2014 | 24,490 | ebay.com | |
2. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
3. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
4. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
5. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | 5,750 | ebay.com | |
6. | Leica M Typ 262 | .. | .. | .. | .. | .. | .. | Nov 2015 | 5,195 | ebay.com | |
7. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
8. | Leica S2 | .. | .. | .. | .. | .. | .. | Sep 2008 | 22,995 | ebay.com | |
9. | Leica S3 | .. | .. | .. | .. | .. | .. | Sep 2018 | 18,995 | ebay.com | |
10. | Leica S Typ 006 | .. | .. | .. | .. | .. | .. | Sep 2012 | 21,950 | ebay.com | |
11. | Leica S-E Typ 006 | .. | .. | .. | .. | .. | .. | Sep 2014 | 16,900 | ebay.com | |
12. | Leica SL | 4/5 | .. | 4/5 | 84/100 | 4.5/5 | 4/5 | Oct 2015 | 7,450 | ebay.com | |
13. | Nikon D4S | 5/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2014 | 6,499 | ebay.com | |
14. | Nikon D810 | 5/5 | .. | 5/5 | 86/100 | 5/5 | 4.5/5 | Jun 2014 | 3,299 | ebay.com | |
15. | Pentax 645D | 5/5 | .. | .. | .. | .. | .. | Mar 2010 | 9,995 | ebay.com | |
16. | Sony A7R | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | Oct 2013 | 2,299 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 300D vs Leica S Typ 007
- Canon 50D vs Fujifilm GFX 50S
- Canon 5D Mark IV vs Fujifilm GFX 50S
- Canon RP vs Fujifilm GFX 50S
- Fujifilm GFX 50S vs Fujifilm XP140
- Fujifilm GFX 50S vs Hasselblad X1D II
- Fujifilm GFX 50S vs Pentax K-1 II
- Leica M8 vs Leica S Typ 007
- Leica S Typ 007 vs Leica SL2
- Leica S Typ 007 vs Nikon D5200
- Leica S Typ 007 vs Panasonic G6
- Leica S Typ 007 vs Panasonic LX10
Specifications: Leica S Typ 007 vs Fujifilm GFX 50S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica S Typ 007 | Fujifilm GFX 50S |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Leica S mount lenses | Fujifilm G mount lenses |
Launch Date | September 2014 | September 2016 |
Launch Price | USD 24,490 | USD 6,499 |
Sensor Specs | Leica S Typ 007 | Fujifilm GFX 50S |
Sensor Technology | CMOS | CMOS |
Sensor Format | Medium Format Sensor | Medium Format Sensor |
Sensor Size | 45.0 x 30.0 mm | 44.0 x 33.0 mm |
Sensor Area | 1350 mm2 | 1452 mm2 |
Sensor Diagonal | 54.1 mm | 55 mm |
Crop Factor | 0.8x | 0.79x |
Sensor Resolution | 37.5 Megapixels | 51.1 Megapixels |
Image Resolution | 7500 x 5000 pixels | 8256 x 6192 pixels |
Pixel Pitch | 6.00 μm | 5.33 μm |
Pixel Density | 2.78 MP/cm2 | 3.52 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 4K/24p Video | 1080/30p Video |
ISO Setting | 100 - 6,400 ISO | 100 - 12,800 ISO |
ISO Boost | no Enhancement | 50 - 102,400 ISO |
Image Processor | Maestro II | X Processor Pro |
Screen Specs | Leica S Typ 007 | Fujifilm GFX 50S |
Viewfinder Type | Optical viewfinder | Viewfinder optional |
Viewfinder Field of View | 98% | |
Viewfinder Magnification | 0.87x | |
Top-Level Screen | Control Panel | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 922k dots | 2360k dots |
LCD Attachment | Fixed screen | Fully flexible screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Leica S Typ 007 | Fujifilm GFX 50S |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 3.5 shutter flaps/s | 3 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | CF or SDXC cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
UHS card support | UHS-II | Dual UHS-II |
Connectivity Specs | Leica S Typ 007 | Fujifilm GFX 50S |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | PC Sync socket |
USB Connector | USB 3.0 | USB 3.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Geotagging | GPS built-in | no internal GPS |
Body Specs | Leica S Typ 007 | Fujifilm GFX 50S |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Leica BP-PRO1 | Fujifilm NP-T125 |
Body Dimensions |
160 x 120 x 80 mm (6.3 x 4.7 x 3.1 in) |
148 x 94 x 91 mm (5.8 x 3.7 x 3.6 in) |
Camera Weight | 1260 g (44.4 oz) | 740 g (26.1 oz) |
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