Leica S-E Typ 006 vs Pentax K-1
The Leica S-E (Typ 006) and the Pentax K-1 are two digital cameras that were revealed to the public, respectively, in September 2014 and February 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a medium format (S-E Typ 006) and a full frame (K-1) sensor. The Leica has a resolution of 37.5 megapixels, whereas the Pentax provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica S-E (Typ 006) and the Pentax K-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica S-E Typ 006 and the Pentax K-1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The K-1 can be obtained in two different colors (black, silver), while the S-E Typ 006 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 is notably smaller (22 percent) than the Leica S-E Typ 006. Moreover, the K-1 is markedly lighter (20 percent) than the S-E Typ 006. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Leica S-E Typ 006||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2014||16,900|
|2.||Pentax K-1||137 mm||110 mm||86 mm||1010 g||760||Y||Feb 2016||1,799|
|3.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|4.||Leica S3||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2018||18,995|
|5.||Leica M Typ 262||139 mm||80 mm||42 mm||680 g||..||Y||Nov 2015||5,195|
|6.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|7.||Leica S Typ 007||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2014||24,490|
|8.||Leica S Typ 006||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2012||21,950|
|9.||Leica S2||160 mm||120 mm||80 mm||1410 g||..||Y||Sep 2008||22,995|
|10.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|11.||Nikon D4S||160 mm||157 mm||91 mm||1350 g||3020||Y||Feb 2014||6,499|
|12.||Nikon D810||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299|
|13.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|14.||Pentax K-1 II||137 mm||110 mm||86 mm||1010 g||670||Y||Feb 2018||1,999|
|15.||Pentax 645D||156 mm||117 mm||119 mm||1480 g||800||Y||Mar 2010||9,995|
|16.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|17.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The K-1 was launched at a markedly lower price (by 89 percent) than the S-E Typ 006, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica S-E Typ 006 features a medium format sensor and the Pentax K-1 a full frame sensor. The sensor area in the K-1 is 36 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.8 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 37.5MP, the S-E Typ 006 offers a slightly higher resolution than the K-1 (36.2MP), but the S-E Typ 006 nevertheless has larger individual pixels (pixel pitch of 6.00μm versus 4.88μm for the K-1) due to its larger sensor. However, the K-1 is a somewhat more recent model (by 1 year and 5 months) than the S-E Typ 006, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Unlike the S-E Typ 006, the K-1 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica S-E (Typ 006) has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Pentax K-1 are ISO 100 to ISO 204800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Leica S-E Typ 006||Medium Format||37.5||7500||5000||none||25.1||13.7||2763||93|
|2.||Pentax K-1||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96|
|3.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|4.||Leica S3||Medium Format||64.0||9800||6533||4K/24p||25.6||14.4||3143||98|
|5.||Leica M Typ 262||Full Frame||23.7||5952||3976||none||24.8||13.7||2478||90|
|6.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|7.||Leica S Typ 007||Medium Format||37.5||7500||5000||4K/24p||25.1||13.7||2763||93|
|8.||Leica S Typ 006||Medium Format||37.5||7500||5000||none||23.9||12.2||824||76|
|9.||Leica S2||Medium Format||37.5||7500||5000||none||23.9||12.5||2224||82|
|11.||Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|12.||Nikon D810||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97|
|13.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|14.||Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||25.1||14.0||2698||93|
|15.||Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82|
|16.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|17.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The K-1 indeed provides for movie recording, while the S-E Typ 006 does not. The highest resolution format that the K-1 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. The S-E Typ 006 and the K-1 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the K-1 offers a wider field of view (100%) than the one in the S-E Typ 006 (98%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the S-E Typ 006 has a higher magnification (0.87x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Leica S-E Typ 006 and Pentax K-1 along with similar information for a selection of comparators.
|1.||Leica S-E Typ 006||optical||Y||3.0 / 922||fixed||n||1/4000s||1.5/s||n||n|
|2.||Pentax K-1||optical||Y||3.2 / 1037||full-flex||n||1/8000s||4.4/s||n||Y|
|3.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0/s||n||n|
|4.||Leica S3||optical||Y||3.0 / 922||fixed||n||1/4000s||3.0/s||n||n|
|5.||Leica M Typ 262||optical||n||3.0 / 921||fixed||n||1/4000s||3.0/s||n||n|
|6.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0/s||n||n|
|7.||Leica S Typ 007||optical||Y||3.0 / 922||fixed||n||1/4000s||3.5/s||n||n|
|8.||Leica S Typ 006||optical||Y||3.0 / 922||fixed||n||1/4000s||1.5/s||n||n|
|9.||Leica S2||optical||Y||3.0 / 460||fixed||n||1/4000s||1.5/s||n||n|
|10.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|11.||Nikon D4S||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0/s||n||n|
|12.||Nikon D810||optical||Y||3.2 / 1229||fixed||n||1/8000s||5.0/s||Y||n|
|13.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|14.||Pentax K-1 II||optical||Y||3.2 / 1037||full-flex||n||1/8000s||4.4/s||n||Y|
|15.||Pentax 645D||optical||Y||3.0 / 921||fixed||n||1/4000s||1.1/s||n||n|
|16.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|17.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the K-1 and the S-E Typ 006 is in-body image stabilization (IBIS). The K-1 reduces the risk of handshake-induced blur with all attached lenses, while the S-E Typ 006 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The Pentax K-1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The S-E Typ 006 writes its imaging data to Compact Flash or SDXC cards, while the K-1 uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica S-E (Typ 006) and Pentax K-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica S-E Typ 006||Y||- / -||-||-||mini||2.0||-||-||-|
|2.||Pentax K-1||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|3.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|4.||Leica S3||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|5.||Leica M Typ 262||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|7.||Leica S Typ 007||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|8.||Leica S Typ 006||Y||- / -||-||-||mini||2.0||-||-||-|
|9.||Leica S2||Y||- / -||-||-||mini||2.0||-||-||-|
|10.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|11.||Nikon D4S||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|12.||Nikon D810||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|13.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|14.||Pentax K-1 II||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|15.||Pentax 645D||Y||stereo / -||-||-||-||2.0||-||-||-|
|16.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|17.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the K-1 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the S-E Typ 006 does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Travel and landscape photographers will find it useful that the K-1 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the S-E Typ 006 and the K-1 have been discontinued, but can regularly be found used on eBay. The S-E Typ 006 was replaced by the Leica S Typ 007, while the K-1 was followed by the Pentax K-1 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Pentax websites.
So what conclusions can be drawn? Is there a clear favorite between the Leica S-E Typ 006 and the Pentax K-1? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Leica S-E (Typ 006):
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.87x vs 0.70x).
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been on the market for longer (launched in September 2014).
Arguments in favor of the Pentax K-1:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (4.4 vs 1.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (137x110mm vs 160x120mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 250g or 20 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (89 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 5 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the K-1 is the clear winner of the contest (16 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica S-E Typ 006 and the Pentax K-1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the S-E Typ 006 or the K-1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica S-E Typ 006||..||..||..||..||..||..||Sep 2014||16,900|
|2.||Pentax K-1||5/5||..||..||84/100||5/5||5/5||Feb 2016||1,799|
|3.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|4.||Leica S3||..||..||..||..||..||..||Sep 2018||18,995|
|5.||Leica M Typ 262||..||..||..||..||..||..||Nov 2015||5,195|
|6.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450|
|7.||Leica S Typ 007||4/5||..||..||..||..||..||Sep 2014||24,490|
|8.||Leica S Typ 006||..||..||..||..||..||..||Sep 2012||21,950|
|9.||Leica S2||..||..||..||..||..||..||Sep 2008||22,995|
|10.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|11.||Nikon D4S||5/5||..||..||..||4.5/5||4.5/5||Feb 2014||6,499|
|12.||Nikon D810||5/5||..||5/5||86/100||5/5||4.5/5||Jun 2014||3,299|
|13.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|14.||Pentax K-1 II||..||..||4.5/5||79/100||4.5/5||4.5/5||Feb 2018||1,999|
|15.||Pentax 645D||5/5||..||..||..||..||..||Mar 2010||9,995|
|16.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|17.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 200D vs Leica S-E Typ 006
- Canon 700D vs Pentax K-1
- Canon M6 Mark II vs Leica S-E Typ 006
- Fujifilm XP130 vs Leica S-E Typ 006
- Leica Q2 vs Leica S-E Typ 006
- Leica S Typ 006 vs Pentax K-1
- Leica S-E Typ 006 vs Nikon D1H
- Leica S-E Typ 006 vs Panasonic ZS200
- Nikon D600 vs Pentax K-1
- Olympus E-400 vs Pentax K-1
- Panasonic GH1 vs Pentax K-1
- Pentax K-1 vs Sony A6000
Specifications: Leica S-E Typ 006 vs Pentax K-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica S-E Typ 006||Pentax K-1|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Leica S mount lenses||Pentax K mount lenses|
|Launch Date||September 2014||February 2016|
|Launch Price||USD 16,900||USD 1,799|
|Sensor Specs||Leica S-E Typ 006||Pentax K-1|
|Sensor Format||Medium Format Sensor||Full Frame Sensor|
|Sensor Size||45.0 x 30.0 mm||35.9 x 24.0 mm|
|Sensor Area||1350 mm2||861.6 mm2|
|Sensor Diagonal||54.1 mm||43.2 mm|
|Sensor Resolution||37.5 Megapixels||36.2 Megapixels|
|Image Resolution||7500 x 5000 pixels||7360 x 4912 pixels|
|Pixel Pitch||6.00 μm||4.88 μm|
|Pixel Density||2.78 MP/cm2||4.20 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100 - 1,600 ISO||100 - 204,800 ISO|
|DXO Sensor Quality (score)||..||96|
|DXO Color Depth (bits)||..||25.4|
|DXO Dynamic Range (EV)||..||14.6|
|DXO Low Light (ISO)||..||3280|
|Screen Specs||Leica S-E Typ 006||Pentax K-1|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||98%||100%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||922k dots||1037k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Leica S-E Typ 006||Pentax K-1|
|Focus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||1.5 shutter flaps/s||4.4 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||no shake reduction||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Leica S-E Typ 006||Pentax K-1|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Leica S-E Typ 006||Pentax K-1|
|Environmental Sealing||Weathersealed body||Weathersealed body|
160 x 120 x 80 mm
(6.3 x 4.7 x 3.1 in)
137 x 110 x 86 mm
(5.4 x 4.3 x 3.4 in)
|Camera Weight||1260 g (44.4 oz)||1010 g (35.6 oz)|
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