Leica M9 vs Sony A9
The Leica M9 and the Sony Alpha A9 are two digital cameras that were announced, respectively, in September 2009 and April 2017. The M9 is a fixed lens compact, while the A9 is a rangefinder-style mirrorless. Both cameras are equipped with a full frame sensor. The Leica has a resolution of 18.1 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica M9||Sony A9|
|Rangefinder camera||Mirrorless system camera|
|Leica M mount lenses||Sony E mount lenses|
|18.1 MP, Full Frame Sensor||24 MP, Full Frame Sensor|
|no Video||4K/30p Video|
|ISO 80-2500||ISO 100-51200 (50-204800)|
|Optical viewfinder||Electronic viewfinder (3686k dots)|
|2.5" LCD, 230k dots||3.0" LCD, 1440k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|2 shutter flaps per second||20 shutter flaps per second|
|No shake reduction||In-body stabilization|
|Not weather sealed||Weathersealed body|
|139 x 80 x 37 mm, 585 g||127 x 96 x 63 mm, 673 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica M9 and the Sony Alpha A9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica M9 and the Sony A9. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The M9 can be obtained in two different colors (black, silver), while the A9 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A9 is notably larger (10 percent) than the Leica M9. Moreover, the A9 is markedly heavier (15 percent) than the M9. It is noteworthy in this context that the A9 is splash and dust-proof, while the M9 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Leica M Lens Catalog (M9) and the Sony FE Lens Catalog (A9).
The power pack in the A9 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica M9»||5.5 in||3.1 in||1.5 in||20.6 oz||..||n||Sep 2009||7,999||-||Leica M9|
|Sony A9«||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Canon T5i« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon T5i|
|Canon T2i« »||5.1 in||3.9 in||2.4 in||18.7 oz||440||n||Feb 2010||699||-||Canon T2i|
|Canon T1i« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon T1i|
|Leica M10-P« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Aug 2018||7,995||Leica M10-P|
|Leica M10« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Jan 2017||6,595||Leica M10|
|Leica T« »||5.3 in||2.7 in||1.3 in||13.5 oz||400||n||Apr 2014||1,850||-||Leica T|
|Leica X Typ 113« »||5.2 in||2.9 in||3.1 in||17.1 oz||350||n||Sep 2014||2,295||Leica X Typ 113|
|Leica X Vario« »||5.2 in||2.9 in||3.7 in||24.0 oz||450||n||Jun 2013||2,850||Leica X Vario|
|Leica M Typ 240« »||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Sep 2012||6,950||-||Leica M Typ 240|
|Leica M8« »||5.5 in||3.1 in||1.5 in||20.8 oz||..||n||Sep 2006||5,499||-||Leica M8|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||-||Sony A7R III|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A9 was launched at a markedly lower price (by 44 percent) than the M9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A9 is 2 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A9 offers a higher resolution of 24 megapixels, compared with 18.1 MP of the M9. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.94μm versus 6.91μm for the M9). However, it should be noted that the A9 is much more recent (by 7 years and 7 months) than the M9, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the M9 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A9 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A9 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Leica M9 are 26.1 x 17.4 inch or 66.2 x 44.1 cm for good quality, 20.8 x 13.9 inch or 53 x 35.3 cm for very good quality, and 17.4 x 11.6 inch or 44.1 x 29.4 cm for excellent quality prints.
The A9 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica M9 has a native sensitivity range from ISO 80 to ISO 2500. The corresponding ISO settings for the Sony Alpha A9 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A9 offers substantially better image quality than the M9 (overall score 23 points higher). The advantage is based on 2.4 bits higher color depth, 1.6 EV in additional dynamic range, and 2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica M9»||Full Frame||18.1||5212||3472||-||22.5||11.7||884||69||Leica M9|
|Sony A9«||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Canon T5i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon T5i|
|Canon T2i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66||Canon T2i|
|Canon T1i« »||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Leica M10-P« »||Full Frame||23.8||5952||3992||-||-||-||-||-||Leica M10-P|
|Leica M10« »||Full Frame||23.8||5952||3992||-||24.4||13.2||2133||86||Leica M10|
|Leica T« »||APS-C||16.2||4944||3278||1080/30p||23.0||12.7||1082||75||Leica T|
|Leica X Typ 113« »||APS-C||16.1||4928||3264||1080/30p||-||-||-||-||Leica X Typ 113|
|Leica X Vario« »||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78||Leica X Vario|
|Leica M Typ 240« »||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84||Leica M Typ 240|
|Leica M8« »||APS-H||10.4||3936||2630||-||21.1||11.3||663||59||Leica M8|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
Many modern cameras cannot only take still pictures, but also record videos. The A9 indeed provides for movie recording, while the M9 does not. The highest resolution format that the A9 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A9 has an electronic viewfinder (3686k dots), while the M9 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A9 has a higher magnification than the one of the M9 (0.78x vs 0.68x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Leica M9, the Sony A9, and comparable cameras.
|Leica M9»||optical||n||2.5||230||fixed||n||1/4000s||2.0||n||n||Leica M9|
|Sony A9«||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Canon T5i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T5i|
|Canon T2i« »||optical||n||3.0||1040||fixed||n||1/4000s||3.7||Y||n||Canon T2i|
|Canon T1i« »||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon T1i|
|Leica M10-P« »||optical||n||3.0||1037||fixed||Y||1/4000s||5.0||n||n||Leica M10-P|
|Leica M10« »||optical||n||3.0||1037||fixed||n||1/4000s||5.0||n||n||Leica M10|
|Leica T« »||-||n||3.7||1300||fixed||Y||1/4000s||5.0||Y||n||Leica T|
|Leica X Typ 113« »||-||n||3.0||920||fixed||n||1/2000s||5.0||Y||n||Leica X Typ 113|
|Leica X Vario« »||-||n||3.0||920||fixed||n||1/2000s||5.0||Y||n||Leica X Vario|
|Leica M Typ 240« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n||Leica M Typ 240|
|Leica M8« »||optical||n||2.5||230||fixed||n||1/8000s||2.0||n||n||Leica M8|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A9 has a touchscreen, while the M9 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The M9 writes its imaging data to SDXC cards, while the A9 uses SDXC or Memory Stick PRO Duo cards. The A9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the M9 only has one slot. The A9 supports UHS-II cards on its first slot and UHS-I on its second one, while the M9 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica M9 and Sony Alpha A9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica M9»||Y||-||-||-||-||-||2.0||-||-||-||Leica M9|
|Sony A9«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Canon T5i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T5i|
|Canon T2i« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon T2i|
|Canon T1i« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Leica M10-P« »||Y||-||-||-||-||-||-||Y||-||-||Leica M10-P|
|Leica M10« »||Y||-||-||-||-||-||-||Y||-||-||Leica M10|
|Leica T« »||Y||stereo||mono||-||-||-||2.0||Y||-||-||Leica T|
|Leica X Typ 113« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica X Typ 113|
|Leica X Vario« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica X Vario|
|Leica M Typ 240« »||Y||stereo||mono||-||-||-||2.0||-||-||-||Leica M Typ 240|
|Leica M8« »||Y||-||-||-||-||-||2.0||-||-||-||Leica M8|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
It is notable that the A9 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the M9 does not offer wifi capability.
Studio photographers will appreciate that the Sony A9 (unlike the M9) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A9 is a recent model that features in the current product line-up of Sony. In contrast, the M9 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the M9 was succeeded by the Leica M Typ 240. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what is the bottom line? Is the Leica M9 better than the Sony A9 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Leica M9:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 88g or 13 percent) and hence easier to carry around.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2009).
Reasons to prefer the Sony Alpha A9:
- More detail: Has more megapixels (24 vs 18.1MP), which boosts linear resolution by 15%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (23 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.68x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More affordable: Was introduced into a lower priced category (44 percent cheaper at launch).
- More modern: Reflects 7 years and 7 months of technical progress since the M9 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A9 is the clear winner of the contest (27 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the M9 or the A9 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica M9»||-||-||4.5/5||4.5/5||-||Sep 2009||7,999||-||Leica M9|
|Sony A9«||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Canon T5i« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon T5i|
|Canon T2i« »||+ +||77/100||4/5||5/5||4.5/5||Feb 2010||699||-||Canon T2i|
|Canon T1i« »||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon T1i|
|Leica M10-P« »||-||-||-||-||4/5||Aug 2018||7,995||Leica M10-P|
|Leica M10« »||-||-||4/5||-||4.5/5||Jan 2017||6,595||Leica M10|
|Leica T« »||-||-||4/5||-||4/5||Apr 2014||1,850||-||Leica T|
|Leica X Typ 113« »||-||-||3.5/5||-||4/5||Sep 2014||2,295||Leica X Typ 113|
|Leica X Vario« »||-||-||4/5||4/5||4/5||Jun 2013||2,850||Leica X Vario|
|Leica M Typ 240« »||-||-||4/5||-||-||Sep 2012||6,950||-||Leica M Typ 240|
|Leica M8« »||-||+ +||-||-||-||Sep 2006||5,499||-||Leica M8|
|Nikon Z6« »||-||-||4.5/5||4.5/5||5/5||Aug 2018||1,999||Nikon Z6|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||-||Sony A7R III|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Leica M9 vs Sony A9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica M9||Sony A9|
|Camera Type||Rangefinder camera||Mirrorless system camera|
|Camera Lens||Leica M mount lenses||Sony E mount lenses|
|Launch Date||September 2009||April 2017|
|Launch Price||USD 7999||USD 4499|
|Sensor Specs||Leica M9||Sony A9|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||35.6 x 23.8 mm|
|Sensor Area||864 mm2||847.28 mm2|
|Sensor Diagonal||43.3 mm||42.8 mm|
|Sensor Resolution||18.1 Megapixels||24 Megapixels|
|Image Resolution||5212 x 3472 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.91 μm||5.94 μm|
|Pixel Density||2.09 MP/cm2||2.83 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||80-2500 ISO||100-51200 ISO|
|ISO Boost||no Enhancement||50-204800 ISO|
|DXO Sensor Quality (score)||69||92|
|DXO Color Depth (bits)||22.5||24.9|
|DXO Dynamic Range (EV)||11.7||13.3|
|DXO Low Light (ISO)||884||3517|
|Screen Specs||Leica M9||Sony A9|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3686k dots|
|LCD Framing||Live View|
|Rear LCD Size||2.5 inch||3.0 inch|
|LCD Resolution||230k dots||1440k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica M9||Sony A9|
|Autofocus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||2 shutter flaps/s||20 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Image Stabilization||No shake reduction||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Single UHS-II|
|Connectivity Specs||Leica M9||Sony A9|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Leica M9||Sony A9|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|In-Camera Charging||no USB charging||USB charging|
139 x 80 x 37 mm
(5.5 x 3.1 x 1.5 in)
127 x 96 x 63 mm
(5.0 x 3.8 x 2.5 in)
|Camera Weight||585 g (20.6 oz)||673 g (23.7 oz)|
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